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Toronto jangle-pop quartet Ducks Unlimited have shared their new single “Get Bleak” taken from their forthcoming currently untitled EP, out later this year.

Featuring guest vocals from Laura Hermiston of fellow Toronto band Twist, “Get Bleak” is a jaunty slice of C86 indie-pop. The song pokes fun at the wishful thinking that simply moving to a new city will fix your problems, and it also sulks in that reality. “You flew across an ocean to / Get bleak,” sings lead vocalist Tom Mcgreevy against chunky guitar plucks.

Mcgreevy says of the track: “Get Bleak” is a song about this idea that moving somewhere else is going to solve all your problems. It’s something that I’ve heard expressed by a lot of friends in one way or another, especially as more and more people are getting priced out of cities like Toronto, New York and London. There can be plenty of good reasons to leave the place that you’re from or somewhere you’ve made your home for a long time, but I think there’s this ‘grass is always greener’ thing that in my experience, and anecdotally from people I know, just isn’t true. It’s hard to move to a new place, and you’re still going to be you when you get there with the same issues and hang-ups, plus you’re going to miss the people who care about you, and they’re going to miss you.

Ducks Unlimited have previously opened for artists like Weyes Blood, Rolling Blackouts Coast Fever and The Goon Sax . released July 16th, 2019

Joan Shelley Announces New Album <i>Like the River Loves the Sea</i>, Releases Single “Cycle”

Louisville-based singer-songwriter Joan Shelley has released a new single, “Cycle” and announced her forthcoming album title “Like the River Loves the Sea”.

The acoustically mellow track, “Cycle” stays in the lane of Shelley’s normal folk music. Touching on the vocal and lyrical nuances of Joni Mitchell, as well as the folk undertones of Gillian Welch, Shelley’s sweetly soft vocals mixed with the wistful melody and building strings of the song are a match made in heaven.

The song is the second taste of music from Like the River Loves the Sea. The first, “Coming Down For You,” still finds Shelley diving into her singer-songwriter ways, but the track is sonically a bit bigger and less stripped-back than “Cycle.”

Due out August. 30th via No Quarter Records, Like the River Loves the Sea was recorded in only five days in Reykjavik, Iceland, and all 12 songs were written by Shelley. Following her 2017 self-titled album, Like the River Loves the Sea illustrates the ethos of love and comfort throughout nature.

“The best music would be a conversation with the divine that has seen all of it, or with the oldest trees that have witnessed the whole human story. These songs are partly that conversation, at times through the lens of lovers,” Shelley says in a statement. “They are also a longing cry born of all the dividing; a call across the slowly spreading ocean. Primarily, Like The River Loves The Sea is built as a haven for overstimulated heads in uncertain times.”

“Like The River Loves The Sea” out August 30th, 2019

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House of Sugar – (Sandy) Alex G’s ninth overall album and his third for Domino – is a highly meticulous, cohesive album: a statement of artistic purpose, showing off his ear for both persistent earworms and sonic adventurism.

Alex Giannascoli’s new album, House of Sugar, is populated by gamblers, chancers, and conmen — the same spirits that have haunted his work for a decade. Now that (Sandy) Alex G has outgrown his status as indie’s best kept secret, he’s grappling with those demons in public.  Alex — the 26-year-old singer, songwriter, bandleader, pitch-shift enthusiast, poet, session guitarist, book-lover, son, friend, brother, boyfriend, and aspiring pool shark better known as (Sandy) Alex G — is in New York for a few days to put some final touches on his new album a collection of haunted-feeling collection of off-kilter Americana.

“Hope” appears on (Sandy) Alex G’s new album ‘House of Sugar’ – out September 13th, 2019 on Domino Recordings.

Florist’s forthcoming third album “Emily Alone” is out next week, and front woman Emily Sprague has released its third and longest cut thus far, a resigned and solemn track titled “Celebration”.

“Celebration” is full-bodied and bursting with a lush atmosphere of water lapping, birds chirping and ambient noises. Sprague opens the track with spoken word articulated over field recordings, and recounts the mundanities of living and being alone against lackadaisical finger-plucking: “With these hands now as I know them, a new scar and wow, tons of plants / Plant-induced psychosis / Keep me close, I’m good invisible / Sitting in loss like a bean bag chair.”

“Celebration” eventually gives way to Sprague’s gentle, careful vocals and rhythmic, hypnotic strumming as she finds herself alone and one with the earth once again: “If I lose my mind / Please give it back to the earth / Fire water wind / Earth fire water wind / And lie down.”

Though much longer and intricate than Sprague’s previous two releases the pensive “Shadow Bloom” and last month’s “Time Is A Dark Feeling”—“Celebration” still captures the same feeling of wistful belonging and dark contemplation.

“‘Celebration’ is a love song for darkness and the peaceful end to all things,” Sprague said in a statement. “A song in three movements: reality, fantasy, memory. In a lot of ways this song is the thesis to Emily Alone. Minimal arrangements—acoustic guitars, synthesizers, and voice accompanied by the ambient sounds of earth. Birds and water. The song begins with an experience of the now. It falls into imagining the way that things will always return to what they should be. It ends with a burial of negative forms and the acceptance of a beautiful new path towards growing from nothing.”

Emily Alone on Limited Edition Vinyl Double Double Whammy Records.

Watch Lou Reed Perform "Walk on the Wild Side" & More in 1986

Lou Reed’s solo work has been argued about for decades. Is 1973’s Berlin the stuff of genius or a paranoid lunatic? Is 1975’s Metal Machine Music groundbreaking or truly unlistenable? That’s up to the listener to decide, but whatever you think about Lou Reed’s solo material, you have to applaud his creative ambition.

If you can’t wrap your head around some of Reed’s stranger material, there are songs from 1972’s Transformer that everybody can get behind. The David Bowie-produced Transformer featured some of the greatest songs of Reed’s career like “Walk on the Wild Side,” “Satellite of Love” and “Vicious.”

This day in 1986, Lou Reed performed at the Ritz in New York City to promote his 14th album Mistrial with a four-piece backing band—Woody Smallwood (keyboards), Rick Bell (saxophone), Fernando Saunders (bass) and J.T. Lewis (drums). Reed performed selections from Transformer, Mistrial and even Velvet Undeground’s Loaded.

Setlist: 0:00:00 – Real Good Time Together 0:06:02 – Sweet Jane 0:11:29 – Turn To Me 0:17:09 – New Sensations 0:24:51 – Satellite Of Love 0:30:19 – Satellite Of Love cont’d 0:32:09 – Underneath The Bottle 0:35:38 – No Money Down 0:39:34 – Mistrial 0:44:17 – The Last Shot 0:52:26 – Walk On The Wild Side 0:59:47 – Street Hassle 1:04:33 – Tell It To Your Heart 1:14:41 – I Remember You 1:19:32 – I Love You Suzanne 1:23:29 – The Original Wrapper 1:30:59 – Doin’ The Things We Want To 1:39:22 – Video Violence 1:47:57 – Legendary Love 1:51:27 – Vicious 1:54:54 – Down At The Arcade 1:59:34 – Rock & Roll

Hi!  We’ve just finished recording our 5th album (to be released in early 2020), and right now we’re releasing a teaser EP / 10”, Hourly Haunts, with six brand new songs that won’t be on the album. The limited edition record will only be available for sale at lives shows.

When I set out to write a new Surfer Blood record I had no idea I’d end up with thirty songs. Whenever I sit down to work a new batch of material it usually starts out as a reaction to whatever I was working on last. In this case it was our last record, Snowdonia: an inward-looking record with long interludes that were sparse and fragmented. Now I was ready for the opposite. I set out to write as many short, unrefined pop songs as I could.

It didn’t take long to get some inertia going, the material just kept coming and it felt like it was overflowing. Before I knew it I was sitting on an hour and half of music that felt raw and emotionally satisfying. I worked up the nerve to share the demos with the band and Tyler, Mikey, and Lindsey started sorting through everything. We couldn’t decide on a track listing, so we decided we were going to try and record it all.  It seemed like a crazy idea, but I figured it was a good chance to put everything I’d learned about recording to good use.

We started recording the basic tracks (drums, bass, rhythm guitar) in the winter of 2018. Right away everything was sounding great; the arrangements were coming together, the songs were dynamic, and Mikey and Lindsey were filling the empty space with their delicate harmonies. After a few weeks of all night mixing sessions, everything was falling into place.

“Around Your Sun” is an up-tempo, triumphant love song (or a ‘sensitive banger’ as Lindsey called it). The material from this upcoming Hourly Haunts EP reaches in a lot of new directions, but this one feels like classic Surfer Blood. Loud choruses, straightforward drums, and a sampler of all the new pedal noises we’ve been splatter-painting all over this EP. It’s short and sweet and a great introduction to the next incarnation of Surfer Blood.

The track is a perfect distillation of what made Surfer Blood such a beloved band to begin with — sugary choruses, feel-good vocals and shredding guitars… ‘Around Your Sun’ and the rest of Hourly Haunts represents Surfer Blood’s most refined collection of songs to date.”

All 27 minutes of Patio’s debut album “Essentials” are artful and purposeful. This Brooklyn three-piece—Alice Suh, Lindsey-Paige McCloy and Loren DiBlasi—aren’t the most adroit post-punk band going today, but what they create out of sparse sounds is impressive. The satisfying contrast between DiBlasi’s pointed deadpan and McCloy’s soft vocalizing is just one reason for their intrigue. The vocal interplay between DiBlasi and McCloy on “Boy Scout” is the best example, and it also displays the full range of their lyrical charm. Lines flicker between self-deprecating or violent to wry or just plain sad. DiBlasi sings, “I just feel like I always lose / I think I’m going to go home and listen to Washer / Instead of spending any more time with you.” McCloy’s delicate vocal harmonies on “End Game” are welcome pillows of melodic pop, and DiBlasi’s punky, disconsolate grandeur on “Open” struts slowly with grace.

Inspired by classic British post-punk, the songwriting of Cate LeBon, and the close-knit Brooklyn DIY community from which the band first sprouted, Patio now release their long-awaited debut full-length Essentials, a fundamental collection of new music for 2019. Building upon the delicacy of the band’s prior work, Essentials presents fuller sounds, heightened emotions, and grander thematic complexity. Its 10 tracks are dark and introspective, yet hopeful, and often humorous—from rambling spoken word meditations to sparkling melodies and soaring riffs. Melodramatic and grotesque expressions abound, as do soft, subtle moments of quiet self-examination. Mixed by Amar Lal (Big Ups, Ovlov) and mastered by Sarah Register (Protomartyr, US Girls).

Provided to YouTube by Redeye Worldwide Split · Patio Essentials ℗ Fire Talk Released on: 2019-04-05

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released April 5th, 2019
The Band are:
Alice Suh – drums
Loren DiBlasi – bass, vocals
Lindsey-Paige McCloy – guitar, vocals

Wilco, photo by <a href="https://www.annabelmehran.com/">Annabel Mehran</a>

Wilco have announced their 11th studio album. It’s called “Ode to Joy” and it arrives October 4th via their own dBpm Records. In addition to the album announcement, Jeff Tweedy and co. have shared a new song.

Listen to lead single “Love Is Everywhere (Beware)” below,

Jeff Tweedy said of a new song in a statement:
There MUST be more love than hate. Right?! I’m not always positive we can be so sure. In any case, I’m starting to feel like being confident in that equation isn’t always the best motivation for me to be my best self—it can kind of let me off the hook a little bit when I think I should be striving to contribute more love outside of my comfortable sphere of family and friends.

So… I guess the song is sort of a warning to myself that YES, Love Is Everywhere, but also Beware! I can’t let that feeling absolve me of my duty to create more.

Wilco are heading out on tour this year. Ode to Joy marks the first Wilco album since 2016’s Schmilco. Tweedy’s first album of original solo songs, Warm, was released at the tail end of 2018. A follow-up companion album, Warmer, was also released earlier this year for Record Store Day.

Our new song and video, “I Wanna Be Your Girlfriend,” has arrived! Dedicated to trans people everywhere, it is a song very dear to my heart, the one ballad on our forthcoming record “Twelve Nudes” (due out august 30th preorder it now here https://www.ezrafurman.com/pre-order jabber jabber clang clang)

This video was a joy to make. Directed by Alix Spence, choreography by Sarah Prinz, and dancing by the delightful Brandon Mathis (red) and Jobel Medina (blue), and all kinda of other help from many other people. Everyone involved is so good at what they do. I think this might be my favorite music video we’ve ever made. It comes out tomorrow. “I Wanna Be Your Girlfriend,” a song of transgender longing, track 7 on Twelve Nudes which by the way comes out August 30 and you can preorder it there’s a link in our Instagram bio. Thanks a million everyone who worked on this vid with me. It was such a fun and oddly empowering process. Many blessings.

‘I Wanna Be Your Girlfriend’ is taken from the album ‘Twelve Nudes’ by Ezra Furman, released 30th August 2019 via Bella Union Records.

As any doo-wop-type song should, this one has a B-side, also out today: it’s called “Evening Prayer”
and it’s available on all the streaming services  Also from “Twelve Nudes,” it is perhaps even dearer to my heart. It’s a furiously spiritual song calling for us to throw our whole souls into the fight for economic and climate justice.

‘Evening Prayer’ is also taken from the album ‘Twelve Nudes’ by Ezra Furman, released 30th August 2019 via Bella Union Records.

Thank you all for your support.
-Ezra

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CFM is the project of one Charles Moothart, the California garage-rocker who plays in Ty Segall’s Freedom Band, Fuzz, and GØGGS. Last week, he released his third album as CFM, “Soundtrack For An Empty Room”, much of which he write while out on tour with Segall. And today, he’s sharing a new video for the dreamily psychedelic LP cut “Greenlight,” a black-and-white clip that follows a deformed humanoid wandering a desert landscape. As Moothart explained to The song “Greenlight” comes from a very vulnerable and surreal place in my mind. I wanted the visual experience to have a dreamlike quality similar to some Kenneth Anger movies. Josh had the idea for the humanoid wandering through a surreal feeling wasteland, and I thought the idea was great. Josh and Star did an amazing job making it feel like a dream sequence of confusion and conflict which is essentially what this song is to me.

From the new LP: Soundtrack To An Empty Room Available now at www.intheredrecords.com