Archive for the ‘MUSIC’ Category

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The Philadelphia lads known as The Obsessives are back later this month with a new EP they made with Will Yip, titled “Monastery”. Ahead its release, they’ve offered sweet and rousing paean to getting tactile before “the big one drops.”

Nick Bairatchnyi and Jackson Mansfield built The Obsessives at fifteen, out of a childhood friendship and a misplaced love for blues-rock. “We wanted to start a band with a “The” because bands like that three years ago were cool, like The Black Keys and The White Stripes,” Bairatchnyi remembers while laughing at his ninth-grade naivety. Three years later, the band became fixated on a new form. The Obsessives released their debut record, Heck No, Nancy in 2015. The album chronicled a series of revelations which centre around a musical mentality that volleys between the expressive texture of bands like Braid and the bouncy indie of bands like The Pixies and Violent Femmes.

On March 17th, 2017, The Obsessives will release their follow up self-titled album on Lame-O Records, continuing even further along their indie rock inspirations, the band has found an acclivity for pop hooks and vibrant instrumentation that give a nod to their heroes (even naming a song referencing listening to a Pixies record), while also fitting alongside the top artists of the modern indie/emo scene (like Modern Baseball, who’s tour they’ll be opening in the spring of 2017).

Welcome The Obsessives to Memory Music. New single ‘Lala’ available now! Listen and preorder the 7″ here https://lnk.to/to-lala

There is an amalgam of young female singer-songwriters these days, but every now and then another one pops up that you really don’t want to miss, which is absolutely true of Danielle Durack After hearing her new album I was sold Danielle Durack’s “No Place”. It’s a great performance by the young singer-songwriter from Phoenix, Arizona, because there has been quite a bit of appeared in this genre in recent years and the bar is now anxiously high. As far as I’m concerned, No Place by Danielle Durack is easy to distinguish from everything that’s already there. She has a very pleasant voice, she colours her Americana pop songs in a beautiful but also special way, she can play in several genres and also writes personal lyrics that are packed into appealing songs. 

No Place is the third album by this Danielle Durack, “Mistakes”, the album’s opening track, only lasts just a minute, but it’s a minute that immediately convinced me of the talent of the young American musician. It is a track with some sober, but also beautiful and special sounding guitar chords, a beautiful clear voice with a gently raw edge and a slightly southern tongue trap, choruses consisting of several layers of this voice and in the text the announcement of a breakup album.

They are ingredients that all return to the rest of the album, although most of the songs on the album are much fuller than the opening track. Danielle Durack joins a big pile of albums of ilk with No Place, of whom I would at least mention Phoebe Bridgers.  The instrumentation on the album stands out when listening to No Place, with influences from the folk, country, pop and rock. It is an instrumentation that not only sounds dark, but also a bit sweltering and adventurous.

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It’s  a surprisingly versatile album that is also full of excellent songs. They are songs with a love break as a central theme, which makes No Place a personal album, but Danielle Durack certainly doesn’t make it an overly depressed album.
Danielle Durack pays for her modest musician existence with a job in a pizzeria. Surely that’s got to change very quickly. 

Thanks to De krenten uit de pop

Clara Engel has been making music of a special beauty for about fifteen years and again this week’s A New Skin” is another album that enchants and impresses Toronto-born Clara Engel doesn’t need much to make music that makes a deep impression time and time again. Also A New Skin is made again with minimal means, but the effect is again maximum. The instrumentation on the album is sober but wonderful. The alternately swooning and earthy sounds are also accompanied this time by the equally beautiful and penetrating voice of Clara Engel, who takes you to dark and mysterious landscapes. Everything is recorded as mentioned with simple means, but what does it all come out of the speakers beautifully. Clara Engel is a unique and idiosyncratic musician, who makes beautiful albums on the assembly line. Also A New Skin is another one.

Canadian musician Clara Engel has been releasing music through her bandcamp page for more than 15 years. 
One time a loose song, the next time an EP, but also with some regularity a full album. They are albums that are cherished in small circles, but which are unfortunately unknown in wider circles.

Recorded at home in the autumn of 2020. This album is absolutely gorgeous. It’s probably Clara’s most accomplished work yet, and that’s saying a lot. The perfect accompaniment to short, dark, but beautiful days.

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Released December 21st, 2020

All songs written, performed, and recorded by Clara Engel Instrumentation: Voice, cigar box guitar, electric guitar, melodica, and harmonica.

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Ten years on from their debut New Brigade, the Copenhagen band is sharing new song “The Holding Hand” today. Lead singer and lyricist Elias Bender Rønnenfelt’s voice crawls over slow-marching percussion, and as scorching guitar and Nils Gröndahl’s piercing violin layer in, the song rises to a noisy peak.

Danish punk outfit Iceage have signed to Mexican Summer and shared their first single for the label, “The Holding Hand.” It comes with a Anders Malmberg-directed video, and it follows their 2020 single “Lockdown Blues.” Iceage’s languorous, beatific rock frequently embodies the pain that arises when things are just out of reach, and “The Holding Hand” is filled with a similar anguish. Throughout the song, Elias Bender Rønnenfelt sings in a near-stupor, as if his emotions are overwhelming to the point of incapacitation, about feeling powerless in a harsh scene of mythological proportions. The over-five-minute track is cloaked in a shadowy echo, slightly unsettling wind chimes and, for added drama, slowly pounding guitars and strings that match the gravitas of this tale.

“The song lives in a slurred world, movements are elastically stretched out and strength is found in weakness while you find it hard to tell the difference between fume and matter,” Rønnenfelt says. “Gently the swaying intensifies, feel it escalate. Reach out for the holding hand, it seems almost within scope now.”

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Slow Weather is the new project of Chris McCrory and Annie Booth, of Catholic Action and Last Night From Glasgow fame. The collaboration came about when Chris and Annie worked together in recording sessions for a track by wojtek the bear, followed by Chris providing production on Annie’s ‘Spectral’ EP which was released in 2019. Slow Weather is an exciting partnership of two hidden gems of the Scottish music scene; one that on their debut EP showcases two truly great songwriters combining to deliver a very cohesive set of luscious yet varied songs packed with character and nuance.

‘Lisbon’ is a particular highlight, where shimmering guitar glistens over a sleepy rhythm section that brings to mind the dying breaths of day as the sun fades. Annie Booth’s melancholic vocals guide the listener through a series of poetic musings that feel nostalgic in their whispered delivery. The latter parts of the song really begin to take flight and it’s easy to bear resemblances to Beach House, with reverby guitars wash through a circling stream of consciousness. It really is a captivating piece of dream pop and a clear point where the production really shines in giving the songs space to open up and breathe.

The title track ‘Clean Living’ sets off with gentle plucked guitars and lullaby-like keys, which don’t even begin to prepare the listener for this expansive musing on the comedown from a failed relationship. Lines like ‘I’m an optimist’ being met with ‘I’m a realist’ shows the duo’s musical chemistry and interplay as they cohesively weave a sense of narrative that ebbs and flows alongside the instrumentation so elegantly. In the latter half of the track, Chris and Anna deliver a spiralling ‘How did I let this happen to us?’ refrain which repeats over and over, as the keys gently build and layer to drive home the sense of circling thoughts and regret over what has been lost. It’s an emotionally captivating moment that frequently threatens to spill over, yet stays restrained and understated, almost as the character tries to keep their emotions intact. It’s such a powerful finishing statement that leaves a lasting impact.

Slow Weather’s debut is the affirming sound of two artists maturing in their craft and exploring the possibilities offered by collaboration. This clever, emotionally compelling yet often playful set of songs provides an experience more akin to an album than just five songs.

‘Clean Living’ is out now on 12” vinyl, available from Last Night From Glasgow in the UK.

The Dirty Knobs served as a fun diversion for Campbell over the past 15 years for whenever Tom Petty wasn’t keeping him busy. With Petty’s passing in 2017 eased Campbell’s time restraints and “Wreckless Abandon” was written and recorded in 2019.  As a Petty follower I was naturally very interested in Wreckless Abandon, When it was finally released on November 20th, I streamed it right away, and enjoyed what I heard. 

The first track, Wreckless Abandon is fine enough.  It feels like something that Tom Petty would have easily approved of.  The most glaring element of The Dirty Knobs is how Campbell’s cadence on vocals is very close to Tom Petty’s. October 2017 gave Campbell the chance to focus on The Dirty Knobs for the first time – until he received an offer from Fleetwood Mac co-founder Mick Fleetwood to join the Rock and Roll Hall of Famers as a full-fledged member less than four months later. Ultimately, Campbell embarked upon a Fleetwood Mac world tour which took him through the end of 2019, one of the longest outings of his career.

The Dirty Knobs with Mike Campbell “Pistol Packin’ Mama” Live From The Troubadour

The Dirty Knobs is led by Tom Petty and the Heartbreakers lead guitarist and co-writer on many tunes, Mike Campbell.  The line up includes: 

Mike Campbell – Lead vocals, Guitar
Jason Sinay – Guitar
Matt Laug – Drums
Lance Morrison – Bass

“We had great fun performing the Live From London shows, that streamed online recently. We felt the audio quality was so good that we wanted to pick the best of those tracks, and release them on Bandcamp, I tried to pick an interesting and less obvious selection – hope you like the ones I chose!” Richard’s Live From London recordings from his livestream series in 2020 from Kore Studios in the UK.  This unique shows each with a completely different setlist and all professionally produced and as close to being at a live gig as we can possibly get it! The livestreams will be available for 48 hours after each show. The first show I will be playing my new EP, Bloody Noses, in full as well as classic hits. The second stream will be Fairport Convention Era music with a majority of songs from the 60’s and 70’s. The last show will be all requests so be sure to send in your requests ahead of time! I am very much looking forward to this series and I hope you can join me for one or all three shows

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Released February 5th, 2021

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The Decemberists (including @lavenderdiamond and @mybrightestdiamond), standing amid the ivy in Forest Park on a particularly wet and cloudy day. This group of seven, fuelled by kombucha and bourbon, would go on to storm dozens of mid- to large-sized venues across greater North America and parts of the UK and Europe, playing our new record, “The Hazards of Love”, in its entirety. We recorded many of the shows. One such show distinguished itself among the many, partly because of the inspiring level of performance and partly because we made the fewest mistakes. We’ve released it as the first volume of our live series, “Live Home Library”. Those of you who pre-ordered, back in October or whenever, should be getting your copies imminently if you haven’t already. Thank you for you patience. 

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The Hazards of Love tour was my absolute favourite live performance ever. so glad to have a live recording now.

Released February 5th, 2021

Hadda Be, ‘Another Life’ some very top quality indie pop, and a great Single of the Week. The single is the title from from forthcoming album, recorded between national lockdowns and due to release in April.

Hadda Be of London and Brighton are previously loved as Foundlings, led by the multi-tasking NHS hero Amber Oliver. The band had a ‘very 2020’ year last year – a line-up change, a new baby, and a trademark dispute on top of the global chaos. From the Allen Ginsberg poem Hadda Be Playing on the Radio, the new name reflects their fresh start, and purposeful intent. If this fab single is anything to go by, they’ll be playing on all the radio in no time!, With a new bass-player, debut album on the way and US trademark dispute looming, the band made the decision to switch to Hadda Be, lifted from the Allen Ginsberg poem, Hadda Be Playing on the Radio. 

Recorded at Brighton Road Studios over just five days last summer, “Another Life” was an album created with a desire to capture all of the energy and intensity that make Foundlings such an exciting live band. The immediacy channelled through a recording approach that saw the band largely laying everything down live in just a few takes, with minimal overdubs added afterwards. Listening to the title track, that sense of urgency and energy is immediately clear, it is a track that eschews some of their dreamier tendencies in favour of cutting straight to the point, with clattering guitars, visceral drum hits and yelp along vocals, perfectly suited to sweaty venue sing-alongs, and who isn’t missing those right now?

It is upon us! Our new single Another Life is available everywhere right now. Released via Last Night From Glasgow,Another Life” is the first single from our forthcoming debut album.

 

 

 

The new Night Beats single: ‘That’s All You Got’ is a slice of soulful, psychedelic R&B off the new 7″ featuring two tracks with BRMC’s Robert Levon Been!, Night Beats’ Danny Lee says: “Times like these make it seem like the world is trying keep you down. We’ll always have corrupt politicians and two faced crooks trying to control our minds, but there are two things that are also eternal in this world: Rhythm and Blues. “That’s All You Got” is a reminder that at the end of the day, we’ll always have the soul. I was honoured to work with Robert, one of the greatest writers I’ve had the pleasure of calling a friend. Hopefully this song can bring light to the darkness surrounding all of us.”

Looking forward to what’s next from Night Beats! Out December 4th on Fuzz Club Records. North American customers can grab the 7″ in our online store:

The 7″ edition above is limited to 300, of which we only have 100.

‘That’s All You Got’ is the latest release from Texas-born outfit Night Beats and a collaboration between founding member Danny Lee Blackwell and Robert Levon Been of Black Rebel Motorcycle Club. With a bunch of new material in the works, ‘That’s All You Got’ is Night Beats’ first outing since they recently announced their signing to London-based label Fuzz Club.

A slice of soulful, psychedelic R&B, the ‘That’s All You Got’ 7” is due for release December 4th and includes the B-side ‘Never Look Back’. Talking about the single, Night Beats’ Danny Lee says: “Times like these make it seem like the world is tryna keep you down. We’ll always have corrupt politicians and two faced crooks trying to control our minds, but there are two things that are also eternal in this world: Rhythm and Blues. ‘That’s All You Got’ is a reminder that at the end of the day, we’ll always have the Soul.”

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Night Beats and Black Rebel Motorcycle Club have played and toured together on multiple occasions and Levon Been can be heard co-producing and performing on the Night Beats’ 2016 LP ‘Who Sold My Generation’ (Heavenly Recordings). Unlike these previous collaborations, however, ‘That’s All You Got’ was co-written by the pair and the result is a pure, more authentic collaboration between two of the finest purveyors of contemporary rock’n’roll.

Danny Lee reflects: “I was honoured to work with Robert, one of the greatest writers I’ve had the pleasure of calling a friend. Hopefully this song can bring light to the darkness surrounding all of us.

The Reverberation Appreciation Society is happy to offer 100 copies on colored vinyl Out December 4th on Fuzz Club Records