Posts Tagged ‘Mexican Summer Records’

Mexican Summer Records have announced a new Ariel Pink set of reissues series, “Ariel Archives”, along with a video for the previously unreleased song “Stray Here With You,” plus as well as a video for a reworked version of “So Glad,” from the Loverboy reissue, and part of Dedicated to Boris Karloff, a longer film that was directed by Salvador Cresta.

Ariel Pink – “Stray Here With you” from the album ‘Odditties Sodomies Vol. 2’. is part of Mexican Summer’s Ariel Archives project. Ariel Archives is a comprehensive series of reissues and retrospective collections concentrating on the treasure trove of material recorded and released by Ariel Pink as Ariel Pink’s Haunted Graffiti.

Ariel Pink – “So Glad” from the album ‘Loverboy’. is part of Mexican Summer’s Ariel Archives project. Ariel Archives is a comprehensive series of reissues and retrospective collections concentrating on the treasure trove of material recorded and released by Ariel Pink as Ariel Pink’s Haunted Graffiti.

The first installment of Ariel Archives is due out October 25th via Mexican Summer Records and includes reissues of Ariel Pink’s Haunted Graffiti albums “Underground” and “Loverboy”, as well as the rarities compilation Odditties Soddities Vol. 2. Check out the three videos below, as well as the cover art for each release.

Underground was originally self-released on cassette in 1999 when Ariel was 21. Loverboy came out in 2002. Odditties Vol. 2 includes “non-album tracks, outtakes and rarities spanning 1999 – 2018,” including collaborations with John Maus and Mac DeMarco, also including a Smiths cover, and four songs recorded recently, in 2017-2018.


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Welsh singer/songwriter/guitarist Cate Le Bon is releasing a new album, “Reward”, on May 24th via Mexican Summer. This week she shared another song from the album, “The Light.”

Previously Le Bon shared Reward’s first single, “Daylight Matters,” as well as a video for “Daylight Matters.” Then she shared another new song from the album, “Home to You,” via a video for the track. Le Bon doesn’t feature in the video directed by Phil Collins (no, not that Phil Collins). It was filmed in Lunik IX neighborhood of Košice (Eastern Slovakia), which houses a Roma community who, as a press release states, “due to successive governmental and municipal policies, often live in slums and on isolated, dilapidated estates.

In terms of her solo work, “Reward” is the follow-up to 2016’s Crab Day, although last year she released Hippo Lite, as her second album with DRINKS, a collaboration with Tim Presley of White Fence. Le Bon also produced Deerhunter’s recent album.

Le Bon spent a year living in isolation in the Lake District in the UK, by day making wood furniture and by night playing piano and writing songs. “There’s a strange romanticism to going a little bit crazy and playing the piano to yourself and singing into the night,” Le Bon said in a previous press release.

Of the album title, Le Bon said: “People hear the word ‘reward’ and they think that it’s a positive word, and to me it’s quite a sinister word in that it depends on the relationship between the giver and the receiver. I feel like it’s really indicative of the times we’re living in where words are used as slogans, and everything is slowly losing its meaning.”

The album features Stella Mozgawa of Warpaint, H. Hawkline, and Samur Khouja. The latter co-produced Reward with Le Bon.

Image may contain: one or more people, outdoor and nature

Image may contain: one or more people, outdoor and nature

It was only a few weeks back we were falling head-over-heels in love with “Daylight Matters”, the first single from Cate Le Bon’s upcoming album “Reward”, and this week Cate might just have gone and released an even better track! Reward’s second single, “Home To You”, is a stunning exploration of the idea of home, and how subjective a concept that can be.

Clocking in at nearly seven dreamy minutes, Home To You, is something of a low-key epic; the drums shuffle, the guitars pluck out easy runs and burbling, as the year’s finest bass-line adds much of the propulsion. Only the marimba like keys seem to step out of the dreamy gorgeousness, adding a gently tropical feel, like a cocktail umbrella adorned drink in a working men’s club. In its own subtle way, Home To You, is a reflection on the modern world, questioning how we are so quick to judge whether someone belongs, and where they should call home; “home to you, is atrocity in the town”.In that unique way she possesses, Cate seems to fuse her abstract lyricism into something moving and relatable. Without seeing the scene, you still feel the painting her words her create, instinctively you relate, instinctively you know this is the kind of song that can change your life.

“Reward” is out May 24th via Mexican Summer Records

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Cate Le Bon’s upcoming album, “Rewards”. was written in near solitude, Rewards was concocted by, “playing the piano to yourself and singing into the night”, resulting in a record that has been suggested might just be Cate’s most personal  to date.

The first evidence was presented this week in the shape of the frankly wonderful new single, Daylight Matters. The aforementioned piano is present throughout, yet almost slips into the background beneath pulses of synth and meandering guitar lines. The whole thing feels wonderfully close, almost to the point of claustrophobia, the lyrics laced with a question longing, where the repeated, “I love you”, is just a small part of a bigger story. There’s a particularly wonderful moment shortly before three minutes, where a multitude of Cate’s sing, “c’mon”, not in tight harmonies but in arresting, jarring contrast to one another, like you’re surrounded by multiple versions of her, each with their own interpretation of a moment. At once this feels like a bold next step, and a reminder of why Cate Le Bon’s music was already so special, now is the time to mark Rewards down as this year’s most anticipated new record.

Rewards is out May 24th via Mexican Summer.

Jessica Pratt has announced her third studio album, Quiet Signs, due out on February. 8th, 2019, via Mexican Summer. “On some level I considered an audience while making the last record,” said Pratt in a statement. “But my creative world was still very private then and I analyzed the process less. This was the first time I approached writing with the idea of a cohesive record in mind.” The album was produced by both Pratt and Al Carson, who, along with Matt McDermott, also performs on the record.

Jessica Pratt is not a loud performer. She does not have to be. In a club of a few hundred, even the bar staff are known to go quiet while she’s on stage. Her third album, Quiet Signs, feels like a distillation of this power. The album leads off with “Opening Night,” a nod to Gena Rowlands’ harrowing, brilliant performance in the John Cassavetes film of the same name. It’s also an emblem of where this spare, mysterious collection of songs falls in the course of Pratt’s career.

“On some level I considered an audience while making the last record (2015’s On Your Own Love Again),” she writes, “But my creative world was still very private then and I analyzed the process less. This was the first time I approached writing with the idea of a cohesive record in mind.”

After a collection of demos and early studio recordings (Jessica Pratt, Birth Records, 2012) earned her a small, dedicated audience, Pratt moved from San Francisco to Los Angeles and recorded her first intentional album in her bedroom in a matter of months. That album, On Your Own Love Again (Drag City, 2015), would bring her around the world many times, leading many to fall under the spell of Jessica Pratt the performer, the songwriter, the singer with the heavy-lidded voice that feels alien and familiar at the same time.

Her first album fully recorded in a professional studio setting, Quiet Signs finds Pratt’s songwriting and accompanying guitar work refined — more distinct and direct. Songs like “Fare Thee Well” and “Poly Blue” retain glimmers of OYOLA‘s hazy day afternoon spells, yet delicate flute, strings sustained by organ arrangements, and rehearsal room piano now gesture towards the lush chamber pop and longing of The Left Banke. On the album’s first single, “This Time Around,” Pratt hits on a profound, late-night clarity over just a couple of deep chords, evoking Caetano Veloso‘s casual seaside brilliance. And before the curtain drops on Quiet Signs, Pratt provides a show-stopping closer, “Aeroplane.”

In the world of Quiet Signs, the black of night usually represents fear, despair, resignation; finally at home descending towards the illuminated city, she sings over black leather drone and tambourine shuffle with a newfound resolve. Quiet Signs is the journey of an artist emerging from the darkened wings, growing comfortable as a solitary figure on a sprawling stage.

The album was written in Los Angeles and recorded at Gary’s Electric in Brooklyn, NY over 2017 and 2018. It was co-produced by Al Carlson. He plays flute, organ and piano on some songs. Matt McDermott also played piano and string synthesizer.

It will be released on Mexican Summer on February 8th, 2019.


A reference to the Jungian idea of synchronicity, or “meaningful coincidences,” Cosmic Wink is as much a reflection on inspired companionship as it is a rebirth. Jess Williamson fell deeply in love, and then her life was uprooted; she left Texas for California, leaving behind the roadworn verses of her previous albums for brighter, bolder songwriting. The Byrds-ian jangle of album opener I See The White airbrushes halos around the brain with an immortal pop hook. When Williamson asks her listener to “tell me everything you know about consciousness,” it’s an invitation down a two lane blacktop, both vessels heading the same direction. The Rhodes-soaked Wild Rain begins with a ghostly air until a swell of synths gives way like the heavens parting. Williamson’s voice emerges from the clouds promising that she will “treasure your patience / from you I learned what it means to make a family.” Concluding with Love On the Piano, Williamson’s new musical and lyrical mind declares “Love is my name now / Love, Darlin” over an evolving acoustic guitar line and lightly pressed upright piano notes. Vulnerability can feel something less vulnerable when love – true, deep love – creates a latticework to hang the frame of our humanity, which in many ways is the message underlying the entire album.

Jess Williamson – Wild Rain From the upcoming album “Cosmic Wink” Available May 11th via Mexican Summer Records

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On her third album, singer-songwriter Jess Williamson is a giant, throbbing valentine, so taken by her new romance that she has become tenderness itself. “Love is my name now / Love, darling” she coos at the top of “Love On The Piano.” It’s a far cry from where she left us with 2016’s Heart Song, a stormy, brutally beautiful collection of prose about gnarled matters of the heart. Cosmic Wink a journey, a reckoning, choosing a path, dealing with it, learning, growing, disappointing, finding, evolving, being cruel, being crueled, wildness, loving, turning toward, turning away, fool energy, finding, pleasing, past lives, future lives, soul mate, twin flame, Home, new Home, old Home, fate, luck, chance, new love, old love, Ancient love, being in love, being Love, being loved, Dream wisdom, death, rebirth, sacred everyday, sacred every damn DAY. Y’all…. this is my baby. Her name is Cosmic Wink. All my life she’s been waiting to be born and now she is finally here. Worldwide. Thank you

Jess WilliamsonI See the White From the upcoming album Cosmic Wink Available May 11th via Mexican Summer Records

Texan singer-songwriter Jess Williamson’s sophomore album Heart Song is not even a year and a half old yet, but Williamson is about to return with a new collection, her first for the label Mexican Summer. Named Cosmic Wink, it finds Williamson once more exploring a new chapter of her life in new surroundings while, appropriately enough, further broadening her musical palette.

The name Cosmic Wink is apparently a nod to the Jungian concept of synchronicity, summing up an album as rooted in an “inspired companionship as it is a rebirth.” Plenty of Williamson’s past work chronicled her experiences in and outside of Texas, her stints in other towns and the call of home and the anxiety of searching for new places. Cosmic Wink picks up where its predecessors left off, with Williamson having fallen in love and decamping to California. Across the album, she meditates on her new life, at times conveying her thoughts via folk-rock, other times bearing the influence of her new home by situating ruminative narratives in enveloping, warm compositions that recall stray elements of ’60s rock.


Along with the announcement, Williamson has shared Cosmic Wink’s lead single “I See The White.” It’s a low key gorgeous composition, an acoustic rocker that sounds like a meandering, twilit journey down the beach that’s equal parts melancholic and joyous. Starting with the memorable line “Tell me everything you know about consciousness,” “I See The White” soon builds to one hell of an old-school pop paean of a chorus. Here’s what Williamson had to say about the song:

Love is at once so precious and so painful when we acknowledge how little time we have with the ones we love. Most of us walk through life like we will live forever. Since most of us have no memory of ever dying or being born, it’s pretty common for us to act like we are immortal. There are benefits to this way of living, but the dark side of that is it can lead to a lot of complacency. But start to notice the graying of your dog’s fur around her eyes, see the sun move lower in the sky, recognize that the wave you’re riding will one day descend, and see how your life starts to change when you inject a little more gratitude into your every day. This song is a love song and it’s also kind of me throwing a tantrum. It’s begging for answers and making a few demands too. I get it, life is short but our souls live on, right? So, I’m gonna need my sweetheart to come too, okay? And maybe my dog. Is that so much to ask? Musically, I wanted this song to feel joyful and pretty, because why shouldn’t we celebrate love alongside the tough questions? Life is wild and beautiful and sad and ecstatic all at once, and I wanted this song to be the same way. We might as well dance and sing and have fun with the time we have because we’re here and then we’re gone, and nothing lasts forever… or does it? 😉

“I See The White” also comes with a video by Eli Welbourne that alternates between matter-of-fact beauty and tongue-in-cheek reflections on mortality. Early on, Williamson serenades a skull and accidentally shatters an hourglass. Later, she dances on the beach and wanders LA.

Dungen and Woods, photo by <a href="">Alex Marks</a>

The third in the Marfa Myths series of releases will be seven all-new songs written and recorded by Stockholm’s psychedelic masters Dungen in collaboration with adventurous Brooklyn indie-folk pioneers Woods.

Dungen and Woods teamed up for a new collaborative album titled: Myths 003 (due out March 16th via Mexican Summer) the tracks were born from the bands’ recording residency at the 2017 Marfa Myths festival in Texas. Along with the LP announcement, the groups have shared a new song called “Turn Around.” This year’s Marfa Myths takes place April 12th-15th. The 2018 artists in residence will be Bradford Cox (of Deerhunter and Atlas Sound) and Cate Le Bon.

On the face of it, it should be a match made in musical heaven and judging by the languid, exploratory, and dynamic, first track “Turn Around”, we’re in for a treat with the full album. Listen below to the track . The album is out on March 16th.


Ariel Pink 2017 North American Tour - Dedicated To Bobby Jameson

Ariel Pink released his latest album “Dedicated to Bobby Jameson” on September 15th, the follow-up to his critically acclaimed release pom pom from 2014, and first full-length since joining forces with the Brooklyn-based independent label Mexican Summer Records.

The album is Dedicated to Bobby Jameson, who’s a real-life Los Angeles musician whose story instantly resonated with Pink. Bobby Jameson was long presumed dead and resurfaced online in 2007 after 35 reclusive years to pen his autobiography and tragic life story in a series of blogs and YouTube tirades. “His book and life resonated with me to such a degree,” Pink states, “that I felt a need to dedicate my latest record to him.”

Ariel Pink is set to tour across North America this winter, where his new material will be aired live and fans should expect to be treated to songs from his back catalogue which he has accumulated over the last couple of decades.

Ariel Pink has also released a powerful new video for his single ‘Time to Live’, Ukranian three-piece art collective, Gorsad directed the video and are known for their striking imagery and their focus on youth culture.

Ariel Pink“Time To Live “ From the album Dedicated To Bobby Jameson

Dedicated to Bobby Jameson begins at the end and ends at the beginning. “We follow the protagonist through a battery of tests and milestones, the first of which sees him reborn into life out of death,” Pink explains, referencing the opening track “Time To Meet Your God.” “From there, he seesaws his way between the innocent love and the rock-solid edifice of childhood-worn trauma that together constitute his lifelong initiation into the realm of artifice and theatrical disposability.”

Standout tracks from Dedicated to Bobby Jameson include “Feels Like Heaven,” a lovelorn insta-classic paying tribute to the promise of romance, “Another Weekend,” which encapsulates the lingering euphoria of a regrettable weekend over the edge, “Dedicated to Bobby Jameson,” a rah-rah psych romp paying homage to L.A.’s punk history, and “Time to Live,” an ironic anti-suicide anthem that promotes survival as a form of resistance before devolving into a grungy, “Video Killed the Radio Star”-style breakdown that supposes life and death as being more or less the same fate and embraces the immortal anarchy of a rock song as an alternative to the prison of reality.

Alternately contained and sprawling, Dedicated to Bobby Jameson is a shimmering pop odyssey that represents more astonishing peaks and menacing valleys in the career of a man who, through sheer originality and nerve, has become an American rock and roll institution. The album marks his first full-length release with the Brooklyn-based independent label Mexican Summer.

Building upon his singular vision of pop songcraft, established by such seminal records as The Doldrums, Worn Copy, House Arrest, Loverboy, Before Today, Mature Themes, and pom pom, Pink revisits themes that have haunted his sonic cinemascapes since the late 1990s: mismanaged dreams, west coast mythologies, itinerant criminals, haunted boulevards, Hollywood legends, the impermanence of romance, bubblegum artifice, movie stardom, childhood terror, acceptance of self, and narcissism projected through a celluloid filter of controversion.

Pink attracted the attention of Animal Collective’s Paw Tracks label, earning his home recordings a small and devoted fan base through a series of limited edition reissues. Drawing upon a list of long-forgotten iconoclasts and trailblazers like the Shaggsthe Curethe Velvet Underground,Destroy All Monstersthe GodzCabaret Voltaire, and R. Stevie Moore, Pink set himself to the task of redefining the musical lexicon for himself and others. “This mission,” he says, “remains mine to this day.”

Ariel Pink - Dedicated To Bobby Jameson Deluxe Edition front