Posts Tagged ‘Wichita Recordings’

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Ride opened a fresh chapter with 2017’s ‘Weather Diaries’, a terrific album that found the shoegaze band re-igniting their essential creative chemistry. Produced by Erol Alkan – a long time advocate for the band – it was followed by a lengthy international tour, including some landmark shows.

Recently hinting that they were once again in the studio, Ride have now detailed plans for their next album. Once again produced by Erol Alkan, ‘This Is Not A Safe Place’ will be released on August 16th, through the band’s home Wichita Recordings.

New song ‘Future Love’ is the ideal comeback, a stunning, completely unguarded track that speaks of pure, unashamed optimism. Driven by the positive energy coursing through the band’s veins, this is pristine Ride, managing to recall their fine early work without emulating it.

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Los Angeles trio Froth have placed some distance between their days of fake band hijinks (think staged publicity photos and blank vinyl pressings) and the present, announcing the due date of their forthcoming record, “Duress”, out everywhere via Wichita Recordings June 7th. Froth have also shared their first single and music video (dir. Courtney Gavin of The Courtneys) from the project—a grimy-meets-dreamy strummer that, in true prankster fashion, centers around the internet’s infamous Yanny vs. Laurel debate.

“This song is about a guy who listened to the Yanny/Laurel thing and he can only hear Laurel,” the band share in a statement. “He’s really passionate about Laurel being the correct pronunciation to the point where he will die before admitting otherwise. In the end, he reveals that he loves his girlfriend more than he loves the correct pronunciation of ‘Laurel/Yanny.’”

All jokes aside, “Laurel” is a lighthearted foray into shoegaze-soaked noise-rock, offering up the sort of dazed, nostalgic frivolity that reminds you of warming temperatures. Watch the music video for “Laurel”

“Laurel” is the first song shared from our forthcoming album. The title of that album is Duress

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Indoor Pets (formerly known as Get Inuit) will check boxes for those who love classic Weezer but cringed at their recent attempts at relevance, as well as those who prefer some extra sugar in their indie-rock tea. The British quartet are set to release their debut album, Be Content, on March 8th via Wichita Recordings. With vibrant guitars and frontman Jamie Glass’ high-pitched wails, tracks like “Hi” and “Being Strange” prove they know their way around a syrupy pop hook. It’s not exactly revolutionary to pair angsty lyrics with bubbly pop melodies, but one thing Indoor Pets can claim for themselves is Glass’ distinct, sugary pipes, cheery hooks that are anything but flimsy and riffs that add just enough biting clamor to counteract their highly carbonated pop.

Taken from the debut album ‘Be-Content’.

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“I’m so scared to get out of here / But I really want to get out of here.” It’s a line from “Strange Light”—a late standout from the sophomore LP by The Goon Sax and I’m not sure there’s a lyric that better sums up the feelings of late adolescence. Those prime years when your conflicting instincts are all fucking with each other, and the endless possibilities preached at you from childhood become paralyzing instead of promising. Growing pains and dawning realizations abound, but it’s in this mess that we finally wind up meeting ourselves. It’s an experience you might have all over again after listening to We’re Not Talking, the latest effort from the Brisbane trio. The band’s first album, filled with achingly familiar suburban references like Target and sweaty-palmed hand-holding, was released when Louis Forster, James Harrison and Riley Jones were just 17. This makes Talking, released two years later, an interesting crystallization of growing up. Taken out of context, a line like “I never knew what love meant / And I still don’t,” would be grounds for a heartbreaking ballad, but here it’s just a passing observation, a scanning self-analysis on the way to being an adult. For The Goon Sax, growing up sounds pretty good.

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A band of 19-year-olds from Australia who have a knack for incredibly thoughtful and structured indie pop, the Goon Sax’s second album is a tremendous reflection of the leaps and bounds the band has taken over its short life. They fall very easily into the grand tradition of Australian and New Zealand indie bands without batting an eye, which is both to be expected considering member Louis Forster is the son of Robert Forster of the Go-Betweens, but also a bit of a surprise since his reported musical awakening was not his dad’s band, but Green Day’s American Idiot. “We Can’t Win” is the album’s understated masterpiece, something that both evokes and transcends its teenage story and authors, much like the album as a whole.

Named after Australian bagged wine, the Goon Sax travel in teenage ennui, that era of your life where the possibilities are endless and your ability to do anything — or even know which movie to watch — feels infinitesimal. Their sophomore album, We’re Not Talking is full of e•mo•tion and teenage malaise, and “Make Time 4 Life” might be the band’s masterpiece so far: It’s a song full of tiny moments of young love, both flourishing and dissipating. This was the best album to overthink your life to this year.

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Band Members
James Harrison, Louis Forster, Riley Jones

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After signing with indie label Wichita Recordings, British rockers Indoor Pets have announced their debut album, “Be Content”, out next year but not until March. They shared a new single, “Being Strange,” which follows the release of their previous single “Hi.”

Previously known as Get Inuit, Indoor Pets sound a little like classic Weezer trying their hand at bubblegum pop, or Pixies dropping a pop-punk record. You’ll be surprised to know that frontman Jamie Glass’ voice isn’t manipulated with autotune and he didn’t suck helium from a balloon—those high-pitched harmonies are the real deal. If Indoor Pets were around in the ‘00s, “Being Strange” would’ve spread like wildfire in the U.S.—blasting out of car radios, shopping mall speakers and skate park boomboxes, and with a video all over MTV. That’s not to say that Indoor Pets don’t bring anything different to the table. You’d be hard pressed to find many bands naturally singing like Glass, unironically basking in candy-coated pop hooks while still shredding power chords.

New single from Indoor Pets.

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Last Building Burning is the product of eight days with producer Randall Dunn (Sunn O))), Wolves in the Throne Room, Boris) in Texas studio Sonic Ranch. Clocking in just over half an hour, the eight-song album sees Cloud Nothings capture their onstage appeal with help from Dunn, who Baldi describes as “technically minded without relying on technology to perfect the live sound.” In that, Last Building Burning is a return to Cloud Nothing’s sharpest form – the unhinged, feverish, guitar-heavy sound that they explode with onstage – without their early angst. “It’s not an angry record,” says Baldi. “It’s a very joyous thing for me. And it feels so nice to scream again, especially when you know people in the crowd will be screaming along back at you.”

“So Right So Clean” is the latest song to be taken from the Cloud Nothings album, Last Building Burning, which is due for release on the 19th October 2018 via Wichita Recordings and Carpark Records.

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Cloud Nothings have released “Leave Him Now,” the second single from their upcoming album Last Building Burning, out October 19th via Carpark Records. The track follows “The Echo of the World” and leans more toward the sunnier pop sound last year’s album release “Life Without Sound”, albeit with more angst and thrash. In the song, frontman Dylan Baldi begging a friend to leave an abusive relationship: “You gotta go right now/Or never at all.”

The band has also announced a fall North American tour starting in October;

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“Leave Him Now” is the latest song to be taken from the forthcoming Cloud Nothings album, Last Building Burning, which is due for release on the 19th October 2018 via Wichita Recordings and Carpark Records.

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Brisbane nervy pop champs The Goon Sax have just released We Can’t Win, a heart-wrenchingly beautiful new song from their second album We’re Not Talkingwhich comes out September 14th.

As soon as the album comes out, they take off on their biggest international tour yet, taking in UK, Europe and the US from September through November. Taken from the fothcoming album, We’re Not Talking (out Sep 14 on LP, CD and digital) via Wichita Recordings and Chapter Music (Aus/NZ).

We’re also going to be doing another tour. we’ll be doing shows in Europe and America after that. Here’s those dates:

Mon 17 September – Hug & Pint, Glasgow UK
Tue 18 September – Headrow House, Leeds UK
Thu 20 September – Hare & Hounds, Birmingham UK

Band Members
James Harrison, Louis Forster, Riley Jones

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We are elated to announce the return of Cloud Nothings. Their fifth full-length album, Last Building Burning, is due out October 19th on Carpark Records (US) and Wichita Recordings (UK/EU). The new album is a culmination of the development of frontman Dylan Baldi’s ever-changing sound, following up 2017’s Life Without Sound. It is an extension of the band’s live performances, capturing the frenetic energy that’s characteristic of their shows and infusing the jagged unpredictability of guitars.

Last Building Burning are available on the Carpark/Wichita shops “I’m obsessed with the idea of energy at the moment,” Baldi says about the making of Last Burning Building. “That’s how I thought of this record: seven short, and one long, bursts of intense, controlled chaos. I wanted to make songs that come across in a way that can actually be felt.”

“The Echo of the World” is taken from Cloud Nothings’ forthcoming album, “Last Building Burning,” due out October . Cleveland’s finest indie rock band Cloud Nothing are planning their return to the UK. Developed out of singer / song writer Dylan Baldi’s solo basement studio recording project, he leads a band that also includes drummer Jayson Gerycz, guitarist Chris Brown and TJ Duke on bass.

Baldi started out by recording at his parent’s basement in 2009 using GarageBand and releasing his material through various fake profiles on MySpace, all of which directed listeners back to his work. Amongst the fake bands, a profile under the name Cloud Nothings proved to be one of the most popular which received an invite for gigs in New York prompting Baldi to seek out real members.

Now an actual band, they began to rise in popularity and soon signed to independent label Bridgetown Records through which they released the eight track EP Turning On which features the single Hey Cool Kid. They released their eponymously titled debut album in 2011 which thrilled critics,  Their incredible back catalogue also includes the albums Attack On Memory plus Here And Nowhere Else .

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