Posts Tagged ‘Los Angeles’

It’s summer at last and with all this fresh energy transferring through the air, none is fresher than that of Wand the Los Angeles psych-rock band’s video for “Pure Romance.” 

Both previously released singles from Perfume, Wand’s forthcoming 30-minute EP, show off the band’s range, from the hyperactive strobe-light-psych of the title track to the oh-so-pretty kaleidoscopic-pop of “The Gift.” “Pure Romance” features Wand in a floral strut that winds outward, reminiscent of The Left Banke’s fanciful baroque-pop minus the strings and French horns. “We both act very funny / The expressions that we hid,” Cory Hanson sings of timeless moments of desire, his voice hanging over guitars that interlock in and out of each other like new lovers. Within that span we’ve seen the line-up expand and evolve, as Wand enter a phase of maturation that must be seen to be believed. The sound, the energy, and the magic all held within Wand‘s orb are at full capacity – it’s a mesmerizing, super-sonic quake, are you ready for it?

Official music video for Wand’s “Pure Romance”, off of their Perfume EP.  comes out May 25th via Drag City.

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For its new video, the Los Angeles band Starcrawler strung together shots from their adventures during a recent sold out tour of Japan, and the result might help explain why rock ‘n’ roll fans have been giddy about their rise.

Directed by lead singer Arrow de Wilde, the clip focuses on two particularly raucous shows. De Wilde, whose gangly frame recalls the Cramps’ Lux Interior in his prime, is a whirlwind of energy onstage, so much so that her dancing can sometimes seem like a physical reaction to the sound waves crashing through her body.

The video also features bandmates guitarist Henri Cash, drummer Austin Smith, bassist Tim Franco and what seem like a whole lot of bruised arms and legs. But as with any visual Starcrawler endeavor, de Wilde steals the show. She shakes and shimmies, bangs and stomps as head-banging fans rock along.

The song is taken from Starcrawler’s self-titled debut album, which seems hellbent on earning fans on every continent. As with the rest of its songs, “Love’s Gone Again” has little time for pleasantries or self-absorbed naval gazing. Instead, de Wilde sings about “a boy, a little boy/ He was created to destroy.”

Just don’t call them a nostalgia band!  Arrow De WIlde and the boys from LA buzz band, ‘Starcrawler’ to talk about the young group’s musical influences, putting out an analog recorded album with producer Ryan Adams, their crazy fans and much more!

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Buzzy Lee is Los Angeles-based singer Sasha Spielberg, daughter of film director Steven, but her impressive pop project doesn’t need a famous-dad endorsement. Today she shares her new EP “Facepaint” a seletion of soulful electro- Pop tracks. The lead track “Coolhand” along with the rest of the record, it’s produced by the brilliant experimental electronic composer Nicolas Jaar.

Jaar’s smooth and simple arrangement casts his typical downtempo style in a poppier tone, an appropriate backing for Spielberg’s perky and emotive vocals. The two seemingly unlike characters have worked together in the past on their joint project Just Friends,

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Freedom’s Goblin is honkin’ down the highway as we speak. With axes, electric keys, vocal cords and full batterie, natch (plus saxophone), Ty Segall and the gang on the Freedom’s Goblin World Freedom Tour (with the Europe legs kicking in late May) are lifting up our people one city at a time, with music played in exchange for a slice of OUR LIVES (and a measly few bux)! What better a time for a new single! It’s a different take on the album-opener (and live fave) “Fanny Dog”! Recorded with Boo Mitchell in Memphis at Royal Studios, the chooglin’ groove, dancing barrelhouse piano and fat horns on this version send a ‘specially warm, soulful vibration out to the listener everywhere! GO see the show – get tix for the one coming down the road – but if you’re out of the way, or just simply can’t, why not give “Fanny Dog” a walk – she’ll love you for it!

Oooh-ooh that smell, can’t you smell that smell? The smell of Wand surrounds you! Yes – “Perfume” is on the wind, and time is inching closer and closer to the much-anticipated May 25th EP drop, but how about another snoot-ful to carry you through until then? A bit of “Pure Romance” perhaps, with chimes of guitars, crisp and fresh melodies and a core-shattering thump that takes hold with an iron grip, drawing you tight into a dangerous liaison of pop and rock, as both long for one another powerfully. Wand paints electrifying hues, beaming shocks of light that flagrantly provoke the dark with a bright balayage of sound and vision for your ears.  YES!  “Perfume” is coming soon, so take in the creamy, spiky aroma of “Pure Romance”.

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Phoebe Bridgers is an Music favorite she’s already been one of our ones to watch.  Her ” Stranger in the Alps” was one of last year’s best debuts. Singer Songwriter Noah Gundersen has spent the last decade breaking out slowly and steadily, releasing a long string of well-received albums and EPs.

Last fall, Bridgers opened for Gundersen on a tour that stopped in the latter’s Seattle hometown. The two actually go way back she used to sell merch at his shows — so sharing a stage gave them the idea to visit Seattle’s Studio X and record an eight-minute medley of their songs with help from Gundersen’s sister Abby. It’s remarkable how well their voices and songwriting blend as they swap verses and share choruses: Bridgers’ “Killer” stuns in any setting, and Gundersen’s “The Sound” is a revelation in their collective hands. Performed back to back, the two songs sound hauntingly beautiful.

Bridgers is one of Gundersen’s biggest fans: “I’ve been a fanatic Noah fan since I was a teenager,” she writes via email. “He changed the way I write music, made me more comfortable with being honest in my songs. Getting to sing with him was like getting pulled onstage by your favorite band during a show.” The feeling, it turns out, is mutual.

“I’m just a big fan of her work,” Gundersen writes. “I listened to her record obsessively and I wanted to make something with her. This was recorded on our last day of tour together, when we all had a few spare hours in the afternoon.”

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Phoebe Bridgers’ debut albumStranger in the Alps, is out now via Dead Oceans Records. Noah Gundersen’s new record, White Noise, is out now via Cooking Vinyl.

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Vide Noir was written and recorded over the past two years at Lord Huron’s Los Angeles studio and informal clubhouse, Whispering Pines, and was mixed by Dave Fridmann (The Flaming Lips/MGMT). Singer, songwriter and producer Ben Schneider found inspiration wandering restlessly through his adopted home of L.A. at night. A true multi-media artist, Schneider has once again created an adorned world to inhabit within Vide Noir: the album is accompanied by a wealth of imagery, films and immersive experiences crafted to expand upon its narratives and themes.

Music video by Lord Huron performing Wait By The River. © 2018 Whispering Pines Studios Inc., under exclusive license to Republic Records, a division of UMG Recordings,

You may now listen to “Perfume”, the latest single off our “Perfume EP”. Perhaps you’ve heard us play it live the last couple of tours and been like “what the heck iz that song?” well now you know!
Smells like 30 new minutes of new music via seven new electric hues, shocks of light that flagrantly provoke the dark, a posy’s clutch of purple, fuchsia, green and snowy white that curl against the stench of plague. With “Perfume”, Wand presents olfactory events that recall futures and pasts.
releases May 25th, 2018
Band Members
Sofia Arreguin,
Evan Burrows,
Robbie Cody,
Cory Hanson,
Lee Landey,

Triptides “Visitors” is their sixth album , This L.A.-by-way-of-Indiana band exhibits no discernable drop in quality, delivering another gloriously trippy slice of bedroom psych-pop. The duo of Glenn Brigman and Josh Menashe hold true to their vision of re-creating the swirling sounds of late-’60s U.K. groups like Tomorrow and Pink Floyd, Instead, there’s a rock-hard toughness under the jangling 12-string guitars, biting six-strings, and wistful voices that gives the album a kick and provides a very solid foundation from which to launch their tuneful flights of fancy. And the songs are quite fanciful, whether the band are in full daydream mode like on songs “Saturday Far Away” or “My Friend” or rollicking gently as on “All My Life,” or kicking up paisley swirls on rockers like “Mary Anne” their melodies are sweet and the hooks are sharp.

This album seems a little more cleaned up than some of their earlier work, but they still show a mastery at crafting echoing, atmospheric sounds that complement their tunes perfectly. The new twist to their approach brings the band a step or two out of the bedroom and lends an air of professionalism to the record. It’s not far from the sound bands like Plasticland or the Rain Parade had in the ’80s, and that’s high praise. Those bands conjured up the sounds of their psychedelic heroes without sounding like slavish imitators, they used modern recording techniques wisely, and they got a full, rich sound most bands in the ’60s couldn’t come close to. Triptides do all those things too, and against the odds, they keep getting better. Visitors is their best-sounding record to date and anyone with even a passing interest in psych-pop should start here, then work back through the rest of the band’s impressive catalog.

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Triptides are :

Glenn Brigman : Vocals, guitars, farfisa, mellotron, drums, sitar, electric harpsichord, tambourine
Josh Menashe : Vocals, guitars, bass, farfisa, flute, piano
Modeste Cobián : Flute on Mary Anne and Heavy Cloud
Dylan Sizemore : Backup vocals on Sunday In The Park
Recorded and mixed by Triptides in Los Angeles, CA

From the album Visitors out on 6th of April 2018 on Requiem Pour Un Twister

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Los Angeles-via-Portland singer-songwriter Sharaya Summers is hyperaware of the suffering going on around her, and feels it all to the core. In her newest single “Easy Life,” Summers sings about being handed a good life, but being so burdened by the pain of others. This is a song of empathy, even tinged with a bit of guilt. With influence pouring out from Laurel Canyon songwriting, along with dreamy guitars and reverb-drenched vocals, “Easy Life” is an unmistakably easy listen. But underneath these layers, there is a subtext of desperation and disillusionment. Summers sings, “Tell me to believe that there’s meaning/ That it all works out in the end.” As she makes this plea, Sharaya Summers still manages to deliver a glimpse of hope. Be on the lookout for her EP set to be released later this year.

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Sharaya Summers, tells a story of disillusionment, dysfunction and discovery. As her debut single ‘Light of the Moon’ rapidly gained over half a million streams on Spotify, she prepares to release her full EP in mid 2018.

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