Posts Tagged ‘Josh Menashe’

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The winds have picked up. The asphalt below you is starting to shake. The skies are opening up. It could only mean one thing…The Heavy Rollers have returned. Frankie and the Witch Fingers are back with more West Coast witchcraft, more head-splitting psych garage sorcery, more solid jams for your temporal lobes. What we have here are two tracks, a-side Cavehead and b-side Mind’s Eye. It’s deranged, it’s delirious, it’s dangerously delicious. Plus, it rocks.

Brand new Frankie & The Witch Fingers 7” & video for new single “Cavehead”! The new 7″ vinyl is a joint release between The Reverberation Appreciation Society and Greenway Records. The 7″ sold out before we could get this information out today, but there’s much more to come! You can still grab a t-shirt featuring art from the “Mind’s Eye” visualizer video, and check out the “Cavehead” video below.

Frankie product tends to sell out quick these days, so don’t dilly dally. Greenway Records has 100 copies of the 7″ on green wax that you can grab after the ‘buy’ link. Levitation Records has 100 copies on orange vinyl . Get one, get two or get crazy and pair it with a t-shirt. Keep your eyes peeled for a BRAND NEW ALBUM coming soon, y’all. It’s gonna slap your third eye right in the balls.

Frankie and the Witch Fingers, have been mutating and perfecting their high-powered rock n’ roll sound. After savagely touring the USA and Europe, this four-headed beast has shown no signs of relenting—appearing like summoned daemons and dosing crowds with
cerebral party fuel.
The main attraction of Frankie and the Witch Fingers is their explosive performance. With their rowdy and visceral approach to live shows, each member brings their own devilry to induce an experience of bacchanal proportions.
Band Members
Dylan Sizemore,
Shaughnessy Starr,
Josh Menashe,

You know them by now. Dylan Sizemore, Shaughnessy Starr, Josh Menashe and Nikki Pickle make up the highly-praised L.A. garage psychedelicists Frankie and the Witch Fingers.  Well known for their explosive live performances, the band has grown their fanbase exponentially with every new album. Combining insta-catchy hooks with muddy garage guitar tones while stirring in absurdist lyric treatments on top, encountering a Witch Fingers tune is not unlike slipping into a hefty acid-soaked hallucination. Both are wild and unpredictable, but you can bet they’ll guide you safely to the Garden of Eden with minimal wear and tear.

Frankie and the Witch Fingers are a swift kick in the ass for garage psych. Their hooks are sharper, the production isn’t vintage for the sake of vintage, and the recorded material captures the energy of the band’s eccentric live performances perfectly. That’s exactly what they do on Heavy Roller” – (Consequence of Sound).

For the first time via Greenway Records, the record is newly re-mastered and re-packaged with brand new art, the jacket features a UV-Gloss treatment like we’ve never seen before & comes with a full color inner sleeve.  Totally re-imagined, Frankie’s fuzzy dream looks and sounds better than ever!

The first 100 orders come with a brand new & exclusive Heavy Roller iron on patch FREE! Don’t snooze!

Initially released in 2016 on Permanent Records to a quick sellout, Greenway Records has remastered, repackaged and officially respawned Heavy Roller into 2020 to fight back the foggy haze of civil unrest and cabin fever isolation with some tried-and-true out-of-body psychedelic fun and excitement.

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We discovered the Frankie and The Witch Fingers at the Psych Fest in 2018 and they blew our brains out. They recently toured and left a good feeling with the presentation of their latest album ” ZAM “, a one-hour cucumber that combines many influences ranging from King Gizzard and The Lizard Wizard to Psychedelic Porn Crumpets , but with that Californian drop of a first-timer Ty Segall or the always effective Thee Oh Sees .

The quartet formed by Dylan Sizemore (voice and guitar), Shaughnessy Starr (drums), Josh Menashe (guitar) and Alex Bulli (bass) combine all this and more, wrapping your skull with songs that drag you to an ambiguous feeling of psychodelia and intergalactic dance in equal parts. Their band recently released their fifth album..

The main attraction of Frankie and the Witch Fingers is their explosive performance. With their rowdy and visceral approach to live shows, each member brings their own devilry to induce an experience of bacchanal proportions.

Using absurd lyrical imagery—soaked in hallucination, paranoia, and lust—the band’s M.O. strikes into dark yet playful territory. This sense of radical duality is astir at every turn, in every time signature change. Airy vocal harmonies over heavily serrated riffs. Low-key shamanic roots under vivid high-strangeness. Rambling stretches and punctuated licks. Cutting heads and kissing lips. All this revealing a stereophonic schizophrenia that has flowed throughout their body of work: an ebb & flow of flowery-poppy horror. The band’s latest incarnation is primed to break new sonic ground, edging into the funky and preternatural. Just when you think the trip couldn’t get any weirder, Frankie and the Witch Fingers cranks up the dial, shatters the mundane, and
summons new visions.

Band Members:
Dylan Sizemore – Vox/Guitar
Shaughnessy Starr – Drums
Josh Menashe – Guitar/FX
Alex Bulli – Bass

“ZAM” is out now via NYC’s Greenway Records

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Best news I’ve come across for a long time! Triptides are issuing their brilliant Colors EP for the first time on vinyl (Originally released in 2014 on digital/cassette), The band has teamed up with one of the most exciting labels around for some very limited and completely mindboggling custom Vinyl variants.

I’ve said it before, I’ll say it again; Triptides are truly some of the finest purveyors of sunny psych sounds around! Reverbed licks and hazy vocals, snappy drums and groovy basslines, all perfectly arranged into psyched up pop-pearls that lifts your spirits and sticks that smile right on your face. Their sounds are instantly catchy and easygoing, and at the same time inhabits those small melodic variations in the arrangements that enriches their tunes through repeated listening. Goddamn how much I love this bunch..

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While their whole catalogue (counting 7 album + numerous Eps and singles) is a total bliss, this EP contains some of Triptides’ finest moments. Be sure to check it out underneath, 6 sweet’n salty treats to leave you in the sun gazed haze of a lazy sunday afternoon!,  A miraculous EP with great songwriting and solid pop craftsmanship, probably my favorite by Triptides. “Destiny” is the kind of song that sticks in your head for days and days…

Melbourne’s own Salty Dog Records always takes pride in coming up with the sickest custom variants, and the Brunswick East based one-man operation has really set the bar high with this release.

Glenn Brigman – Vox/Guitar/Farfisa/Mellotron/Bass/Drums
Josh Menashe – Vox/Guitar/Bass

Originally released April 29th, 2014

Recorded and mixed by Triptides at Sun Pavilion in Bloomington, IN.

Some nice sitar and Farfisa action going on, here… good pop sensibilities, too..

Los Angeles Psych rockers Triptides have just made their finest album yet !. After the acclaimed Azur (2015) and Afterglow (2017), Triptides are back with their sixth album! With Visitors, the LA based band are probably delivering their most accomplished album yet. Visitors deepens the exploration started with Azur, digging more profoundly into fifty years of psychedelic pop music with the band’s trademarked pristine elegance of melody.

However, the finer production and musical arrangements this time round show a real advance in the band’s ability to capture on record what they offer live: the songs of Glenn Bringman & Josh Menashe never chimed so beautifully or with such mature accomplishment.

L.A.’s Triptides have psychedelia down to a science” (LA Record, US), “This artefact is something especially nice to have and hold and sit alongside The Young Sinclairs, Silver Factory and Allah-Las in your collection. They deserve far more attention than has come along so far” (Shindig)

“The romance that is begining with Triptides will last more than this summer”. (Rock & Folk)

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The LP contains 10 songs pressed but CD and Digital contains the full album (12 songs)
Those who wants the two additionnal songs on vinyl can take the Limited edition 7″ (CRM022 Heavy Cloud / My Friend).

Released April 6, 2018

Glenn Brigman : Vocals, guitars, farfisa, mellotron, drums, sitar, electric harpsichord, tambourine
Josh Menashe : Vocals, guitars, bass, farfisa, flute, piano
Modeste Cobián : Flute on Mary Anne and Heavy Cloud
Dylan Sizemore : Backup vocals on Sunday In The Park
Recorded and mixed by Triptides in Los Angeles, CA

Triptides “Visitors” is their sixth album , This L.A.-by-way-of-Indiana band exhibits no discernable drop in quality, delivering another gloriously trippy slice of bedroom psych-pop. The duo of Glenn Brigman and Josh Menashe hold true to their vision of re-creating the swirling sounds of late-’60s U.K. groups like Tomorrow and Pink Floyd, Instead, there’s a rock-hard toughness under the jangling 12-string guitars, biting six-strings, and wistful voices that gives the album a kick and provides a very solid foundation from which to launch their tuneful flights of fancy. And the songs are quite fanciful, whether the band are in full daydream mode like on songs “Saturday Far Away” or “My Friend” or rollicking gently as on “All My Life,” or kicking up paisley swirls on rockers like “Mary Anne” their melodies are sweet and the hooks are sharp.

This album seems a little more cleaned up than some of their earlier work, but they still show a mastery at crafting echoing, atmospheric sounds that complement their tunes perfectly. The new twist to their approach brings the band a step or two out of the bedroom and lends an air of professionalism to the record. It’s not far from the sound bands like Plasticland or the Rain Parade had in the ’80s, and that’s high praise. Those bands conjured up the sounds of their psychedelic heroes without sounding like slavish imitators, they used modern recording techniques wisely, and they got a full, rich sound most bands in the ’60s couldn’t come close to. Triptides do all those things too, and against the odds, they keep getting better. Visitors is their best-sounding record to date and anyone with even a passing interest in psych-pop should start here, then work back through the rest of the band’s impressive catalog.

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Triptides are :

Glenn Brigman : Vocals, guitars, farfisa, mellotron, drums, sitar, electric harpsichord, tambourine
Josh Menashe : Vocals, guitars, bass, farfisa, flute, piano
Modeste Cobián : Flute on Mary Anne and Heavy Cloud
Dylan Sizemore : Backup vocals on Sunday In The Park
Recorded and mixed by Triptides in Los Angeles, CA

From the album Visitors out on 6th of April 2018 on Requiem Pour Un Twister