Posts Tagged ‘Vide Noir’

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After two albums of Mumfords-y folk rock, Lord Huron scored an unexpected hit with “The Night We Met” after it was used in Netflix’s 13 Reasons Why, and it landed the band their first major label deal. And instead of capitalizing on the sound that made them famous, Lord Huron took a daring left turn and made their most creative album yet. (They also did a superior re-recording of “The Night We Met” featuring Phoebe Bridgers.) Maybe the major label budget helped them achieve their most ambitious musical dreams, but luckily it didn’t affect their process.

Main member Ben Schneider produced the album himself, and he brought in Flaming Lips collaborator Dave Fridmann to mix it. The result is their most psychedelic and their most rockin’ album, and Schneider still came armed with an arsenal of sticky hooks. The album still has a couple folky ballads that recall their earlier work (“Wait by the River,” “Back from the Edge”), but for the most part this is an entirely new and improved Lord Huron. “Never Ever,” “Ancient Names (Part II),” “Secret of Life,” and the title track were some of the year’s best driving rock songs, while the droning, krautrock-ish “Ancient Names (Part I)” and the sleepy “When The Night Is Over” were some of the year’s best psychedelia. And even as the album genre hops, the artistically slick production keeps it sounding cohesive.

Schneider’s recognizable voice of course ties everything together too, but there weren’t many indie rock albums this year where the production style and the rhythm section were just as distinct as the singer. Vide Noir didn’t score Lord Huron another Hot 100 charting song like “The Night We Met,” but it’s packed to the gills with could-be hits. It’s one of those albums where, once you’re into it, your favorite song will probably change over and over again. “Ancient Names” and “Never Ever” are the early standouts, but once you outplay them, that nice little nugget of a closer (“Emerald Star”) starts getting really addictive.

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Oh little darling/don’t you look charming/here in the eye of a hurricane – well you know, with a good hat, soft lighting and the right amount of blusher, anything is possible. Upbeat, up-tempo, lots of gee-tar: my top twenty sort of needed this – and the album is an overlooked gem of 2015.

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, Vide Noir is available now released April 20th.

For all the appeal of Lord Huron’s elegiac, ethereal Americana, Fleet Foxes and Bon Iver were ahead of them in a very crowded field. So after two albums of hymnal beauty with acoustic guitars – and the track, The Night We Met,  the Michigan band led by Ben Schneider have changed course.

Now on a major label, the songs no longer conjure up vast rural or mountainous landscapes but the even more widescreen spaces of the cosmos. The title means “black void”, and vast swaths of reverb and echo (sculpted by Flaming Lips’ producer Dave Fridmann) create a celestial wall of sound; many of the songs have astral themes or metaphors. Writing on bass guitar has given the music a more powerful chassis, from Killers-like throb to subtle funk. Any remaining acoustic guitars have been blasted beyond recognition.

With their first release on a major label, Los Angeles based band Lord Huron are more popular than ever. Their third album Vide Noir is beloved by critics and fans alike and we welcome them for a live set in the midst of a nationwide headlining tour.

Lord Huron has morphed from the solo project of Ben Schneider to a full-fledged band and their sound has grown with it. It’s a bountiful collection of texture and rhythm from one of our favorite american bands.

Schneider’s best songs tap into the desolate beauty of the loner, who now has a much bigger universe to get lost in

Musicians: 
Ben Schneider – lead guitar/lead vocals
Mark Barry – drums
Thomas Renaud – guitar/backup vocals
Miguel Briseno – bass
Brandon Walters – guitar/backup vocals
April Boyce – keys/backup vocals

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Vide Noir was written and recorded over the past two years at Lord Huron’s Los Angeles studio and informal clubhouse, Whispering Pines, and was mixed by Dave Fridmann (The Flaming Lips/MGMT). Singer, songwriter and producer Ben Schneider found inspiration wandering restlessly through his adopted home of L.A. at night. A true multi-media artist, Schneider has once again created an adorned world to inhabit within Vide Noir: the album is accompanied by a wealth of imagery, films and immersive experiences crafted to expand upon its narratives and themes.

Music video by Lord Huron performing Wait By The River. © 2018 Whispering Pines Studios Inc., under exclusive license to Republic Records, a division of UMG Recordings,

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Lord Huron’s new album Vide Noir will be out April 20th, but you can listen to two new tracks today – “Ancient Names Pt. 1” and “Ancient Names Pt. 2”. The gang will also be touring across the US this spring.

Lord Huron, the folk-adjacent rock band helmed by Michigan-born singer and guitarist Ben Schneider, will release their third LP Vide Noir on April 20th. With the announcement, “Ancient Names,” an eery, unresolved tale of a crystal ball vision that amplifies the band’s characteristic thematic darkness into distorted garage rock.

The new album was inspired by driving Los Angeles after dark, Schneider explained in a statement:

“My nighttime drives ranged all over the city—across the twinkling grid of the valley, into the creeping shadows of the foothills, through downtown’s neon canyons and way out to the darksome ocean. I started imagining Vide Noir as an epic odyssey through the city, across dimensions, and out into the cosmos. A journey along the spectrum of human experience. A search for meaning amidst the cold indifference of The Universe.”

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Lord Huron’s previous album, the melodic and spooky Strange Trails, was released in April 2015; they’ve spent much of the intervening three years on tour. Vide Noir arrives from Whispering Pines/Republic Records (a new arrangement for the band, whose previous two albums were released by indie label IAMSOUND).