Posts Tagged ‘Teleman’

Four-piece Teleman are something of a strange proposition in 2018: an English art-pop band, formed in their early thirties, who have built up a keen fanbase and substantial critical acclaim across their last two albums without any gimmicks, just great songs and excellent live gigs.

After rising from the ashes of Reading’s underrated Pete & The Pirates in 2012, the quartet of vocalist Thomas Sanders, bassist Pete Cattermoul, synth/keys player Jonny Sanders and drummer Hiro Amamiya added metronomic Krautrock rhythms and cosmic synths to the indie-garage of their former work. Bernard Butler produced their debut, Breakfast, so it was naturally a glossy, sleek thing – yet Family Of Aliens, this their third album, produced by Boxed In’s Oli Bayston, is, if anything, even more electronic. Submarine Life is driven by aquatic Vocodered vocals, while the synth-pop of Cactus sounds like prime Ladytron or Hot Chip at their most relaxed. Starlight, conversely, is a loping six-minute ballad driven by woozy synths, like something from Gorillaz’s debut album, while Sea Of Wine springs from rippling piano and a vocal melody that recalls Gorky’s Zygotic Mynci or Robert Wyatt.

The band’s musical progression works throughout, though, highlighting Thomas Sanders’ wry, subdued vocals and enigmatic lyrics. “Use your imagination,” he mutters in the opening title track, and it’s almost a key to understanding his bookish lyrics. Family Of Aliens itself is a propulsive delight with an almost motorik beat, but this isn’t the Autobahn – instead Sanders is “driving along the M1… I saw the lights calling me onwards…”

Somebody’s Island looks at love and support: “I could have just left you dancing on your own/I could have just run but I didn’t know where to go…” Teleman clearly have no such problem – for those who haven’t heard them yet, it may be time to turn on and tune in.

Armed with a freer, more collaborative approach to both writing and recording, Teleman’s new 11-track album “Family of Aliens”, is a fluid collection of glorious pop-songs fluent with new electronic textures and united by the sharp lyricism, buoyant guitars and instantaneous melodies that are synonymous with Teleman.

“We want to keep evolving and keep discovering. This band is one long journey for us, and we never want to stop developing and finding new ways of creating music. I’m always wanting to better what we’ve done before. To go deeper, to find something more beautiful, more catchy, more challenging, more interesting … just more.”

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It’s evident the much-loved quartet have evolved, cultivating and honing their sound as a very-welcome and anticipated proposition for 2018.

Released September 7th, 2018

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London’s Teleman have long been favourites, and now the foursome have unveiled details of their third studio album; Family of Aliens, set for release in early September

To mark the occasion, they have offered another insight into their flourishing electronic-inspired sound, with new single Cactus. Flaunting the harmonious marriage of their classic pop sensibility accompanied by pulsating electronic undertones, the single is anchored by an unrelenting riff that crescendos to a cacophony of thrashing guitars and unbridled synth-sounds, bound by a palpitating, monotonous drum-loop. It’s danceable, psychedelic and completely infectious, burbles of synth and distorted guitar competing for space over the disco groove at its core.

The video  ‘Cactus’. Directed by Prosper Pictures and Lone Taxidermists, it’s a warped Frankenstein tale that sees a mass of wires, cables, rubber gloves and god knows what else form itself into a gigantic half-dancing, half-flailing cactus monster. Set in what looks like the basement level of a car park and created using a mix of physical and digital animation the creature’s birth is a sight to behold with floating astroturf and strange amorphous blobs abound.

‘Cactus’ from Teleman’s forthcoming new album ‘Family of Aliens’

TELEMAN – ” Fünf EP “

Posted: December 14, 2017 in ALBUMS, MUSIC
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Five new tracks each recorded with a different producer: Timothy J. Fairplay, Ghost Culture, Bullion, Boxed In, Moscoman . Teleman announce new EP titled Fünf, the band’s third body of work following two critically acclaimed albums Breakfast [2014] and Brilliant Sanity [2016]. Having always wondered what it would be like to make a record with each song recorded by a different producer, the band enlisted five different producers from electronic/dance backgrounds to see if they could bring anything new to their sound, working with Timothy J. Fairplay, Ghost Culture, Bullion, Oli Bayston of Boxed In, and Moscoman. 

The band say of the EP, “It was kind of tricky cos just as we were settling into the process it was time to up and off to another studio to meet the next guy. But mostly it was a great experience, we all enjoyed it a lot. The producers we worked with came mostly from dance backgrounds and some had never recorded a band before, so we were all pushed out of our comfort zones a bit which was great. All said and done, it still sounds like Teleman but each song has a different flavour which is what we were hoping for. ”

released December 1st, 2017

The LUMINEERS  –  Cleopatra

The Colorado folk rockers follow-up their surprise hit debut—no pressure at all—in an attempt to either become the American Mumford & Sons or keep it at arm’s length. Four years have passed since The Lumineers released their debut self-titled album. They hit the alternative landscape with such a strong force, it’s a surprise how long it took for them to return. Now after that long wait, the second album, called ‘Cleopatra’ is released. Frontman Wesley Schultz and co-founder Jeremiah Fraites got back to basics when it came time to write for the 11-track collection. And while the raw, jangly guitars, parlor-room piano chords, and marching band snare rolls from the first record remain intact, ‘Cleopatra’ has a welcome, added heft.
LP – Housed in Gatefold Sleeve.

ELIZA and the BEAR  –  Eliza and the Bear

Just in time to soundtrack your summer and beyond, five-piece Eliza and the Bear unveil their debut album ‘Eliza and the Bear’ and the new single ‘It Gets Cold’. With its fist-in-the-air sensibility and hopeful urgency, the song is both epic and intimate in equal measure. For fans of Of Monsters and Men, Mumford and Sons and Phoenix.

Frightened Rabbit - Painting of a Panic Attack - Artwork

FRIGHTENED RABBIT  –  The Painting of a Panic Attack

The fifth release from this Scottish indie rock band has occasioned some less-than-glowing notices, which I don’t understand at all. Certainly Scott Hutchison’s songs of alienation and confusion sound cleaner than they ever have, but he’s still the same fucked up witness to life’s messy emotions and whiplash curveballs. If the pristine production—which they’ve been working towards since the get-go—is what brings them to the masses, I can live with that. And so can you

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M83   –   Junk

Along with Daft Punk and Air, Anthony Gonzalez has done more to make French pop palatable to the international market than anyone. There was a time, not so long ago dear readers, when the idea of French rock and pop stars was a joke. Who’s laughing now, silly Americans?

Parquet Courts - Human Performance - Artwork

PARQUET COURTS  –   Human Performance

Like everyone else, I was turned onto this Brooklyn-by-way-of-Texas quartet upon exposure to their sophomore release, Light Up Gold, and it’s smart neo-indie, especially—again like everyone else—when I heard “Stoned and Starving” for the first time and immediately made it 20, 30, etc. Subsequent releases—either as Parquet Courts or Parkay Quarts—have made progress in tiny increments. Human Performanceis a giant step—not necessarily in composition, they’ve always been good at their Velvet Underground-meets-The Strokes vibe, but in production (which means they spent some time in the studio instead of just bashing the tunes out). Don’t worry. They haven’t turned into Muse or whatnot; but they’ve given some love and attention to the process, kind of like when Hüsker Dü signed to Warner Bros.

TELEMAN    –   Brilliant Sanity

Yet another in a long line of eccentric, fey voiced English pop bands and, bless ‘em all, they continue to tickle and entertain me. These guys are up there with Dutch Uncles and Field Music, so if you know or like those you have no excuse not to get on this. Teleman return with their second album on Moshi Moshi which was recorded by Dan Carey at his South London studio. The art of songwriting has been the driving force behind Teleman’s second album ‘Brilliant Sanity’: the process of crafting of the immaculate pop song, the dogged pursuit of the perfect hook. The result is an album that appears fastidiously and impeccably made, but also charged with joy. ‘Brilliant Sanity’ shows Sanders as an accomplished and distinctive lyricist, with a passion for the music of words themselves and an eye for the singular image. You can see this preoccupation with strong imagery throughout ‘Brilliant Sanity’ – in the deftness of its song titles – ‘Tangerine’, for instance, or ‘Canvas Shoe’, in its recurrent references to devilry and fire, and in its most lingering lines – a reference to a ‘Chinese burn’ in ‘Glory Hallelujah’, for instance, or in the declaration “Every time I’m alone with you / The air gets heavy and drips like glue” of first single, ‘Fall in Time’.
LP – With Download.

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The DANDY WARHOLS  –   Distortland

The Dandy Warhols spent 2015 writing new music and the band closed out the year with a packed-to-capacity tour of the U.S. West Coast and South including a three-night stint at Los Angeles’ Teregram Ballroom. Signing to Dine Alone was another highlight of the year, not only for the band, but for label owner/founder,

Album 10 reminds us that when they are on their game they were a great link from glam to grunge.

The GOON SAX  –  Up To Anything

Chapter Music release ‘Up To Anything’, the debut album by Brisbane trio The Goon Sax. Louis Forster, James Harrison and Riley Jones are all 17-18 years old. They make pop music. They have refined tastes – they love the Pastels, Talking Heads, Galaxie 500, Bob Dylan and Arthur Russell. On ‘Up To Anything’ they pull off the almost impossible, capturing the awkwardness, self-doubt and visceral excitement of teenage life, while still in the thick of actually living it. Goon Sax songs are both immediately charming and deceptively deep – Sweaty Hands examines a point in a relationship where you’re seen at your worst, while Telephone addresses the heartbreaking realisation that nothing you offer your crush is enough.

CARLTON MELTON  – Aground

Record Store Day 2016 Release. A follow up / companion piece to 2015’s well received ‘Out To Sea’ opus released on Agitated Records. 5 tracks of magick-karpet wreck’d psychedelic morass. The raft ran aground, you have to get your ears on and wander the deserted shores of this desolate isle (metaphorically speaking, but you get the ‘drift’ right?) Aim for the high ground, build a fire, look to the horizons and let it all flow. These tracks were from the same sessions that spawned ‘Out To Sea’, there’s a natural flow, a cohesion that makes the whole trip worth taking. Recorded / Engineered by Phil Manly / Lucky Cat studios.  5 tacks, cut at 45 rpm, lush transparent green vinyl in an edition of 600 Copies Only.