Posts Tagged ‘Cover’

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Single out today, my cover of Margo Guryan’s “The Hum”. I’ve been a fan of MG for a while but only recently absorbed the lyrics to The Hum. Though it was written about the Nixon administration, it’s poignant how much of it rings true today. We tracked this earlier but if this pandemic has confirmed anything, it’s that some people devote their lives to government simply to destroy it from the inside, to shrink its accountability for its citizens. Today we find ourselves living a perfect example of why we need a strong centralized office, one that’s capable of responding swiftly to a crisis. Instead we have someone who dissolved the pandemic response team in 2018. Instead we have a health crisis that’s causing everyone to LOSE their health insurance, another thing for which government refuses to take responsibility. I digress… Margo’s cutting wit is something to admire. Please enjoy such gems as “The rich save money and the poor save gas, we vote for an elephant and get an ass, he hires and he fires, he appoints and sacks, but HE CANT FIGURE OUT HIS INCOME TAX.”.

Bedouine covers Margo Guryan’s “The Hum”

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Iggy Pop turned 73years of age on Tuesday and he celebrated by unearthing a cover of the Sly and the Family Stone classic “Family Affair” that he recorded with funk icon Bootsy Collins back in 1985. “I’ve always loved this song; it came out when I was kinda on the ropes in 1971,” Iggy told the BBC. “There’s a lot of truth in it, especially in the second verse, about all sorts of questions that are coming around again now.”

The song has sat in his archive for the past 35 years. “Then one day recently things had quietened down in daily life for everybody and for me, too, and I listened to it by accident,” he said. “It just made me feel good and it was good company and I hoped that I could put it out and it would be company for somebody else, too.”

Pop’s most recent record, 2019’s Free, is a mellow, jazzy collection of songs he created in collaboration with trumpeter Leron Thomas and guitarist Sarah “Noveller” Lipstate. “The only difference from this Iggy and the one who founded the Stooges is the album’s jazzy horns, synthy backdrops, and greater emphasis on Sinatra-style crooning,”

To all Poptimists! “[this track] made me feel good and it was good company and I hoped I could put it out and it would be good company for someone else too” Featuring: Bootsy Collins on bass

Recorded and engineered by Olivier Ferrand, Studio Los Angeles Produced & Mixed by Bill Laswell

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Written by Sylvester Stewart

“PDA” by Day Wave and Hazel English (Interpol Cover)

Day Wave and Hazel English present new song, “PDA.” The duo spearhead the lo-fi, sun-drenched, DIY and dreamy indie-rock sound bursting out of the Bay Area, California, and although Day Wave has been Hazel English‘s longtime producer, they have never before officially featured on the same song. Taking note from the forebearers of classic US indie and in memoriam of their youth spent as devout teenage indie heads, the duo finally came together to record their own version of Interpol’s classic PDA – from the debut album Turn On The Bright Lights which turned 15 years old in September this year.

Speaking on his admiration of Interpol, Day Wave says, “I remember first hearing Turn On The Bright Lights when I was 14. I was blown away. And for me the immediate stand out was PDA. I’ve been playing the song on repeat ever since. I never thought of attempting to cover it until recently, it was almost too important to me. But having been so influential for me, I thought it would be cool to pay homage to the album.”

William’s tribute cover of the song “Angel from Montgomery” ,here is what William has to say about his tribute to John Prine.

I join in the worldwide grief over the passing of one of my, and so many others’ songwriting heroes, John Prine. Prine, like one of my other heroes, Townes Van Zandt, was a once in a generation writer. He distilled emotions down to simple phrases and timeless melodies. He wrote songs that seemed like they existed decades before he even penned them. His work was a constant challenge and motivation to me to be economical and fearless in my own art. I’m honored to be able to cover and share with you my favorite song of his, Angel from Montgomery. – William Fitzsimmons

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Original written by John Prine

Image may contain: possible text that says 'THE TALLEST MAN EARTH ON SONGS BY KRISTIAN MATSSON PERFORMED ON GUITAR & BANJO'

The Tallest Man on Earth, aka Kristian Matsson, is a folk musician from Sweden. Like so many, his tour was cancelled due to the spread of COVID-19. Like numerous other musicians, he has taken to social media to perform instead. He has taken stabs at some other songs, including “Stuck Inside of Mobile with the Memphis Blues Again”,

His cover of “Jesus Etc.” is mostly simple. He has rearranged the music for solo acoustic guitar, playing with the tempo and feel of the song, while mostly keeping the vocal melody intact. However, he plays with the vocal, especially when he gets to the bridge. Though the performance seems live at first, he has actually added an additional instrument, what sounds like a keyboard, for the climax, and some visual flourishes, so it’s not just him sitting on an ottoman. His performance is both familiar and very distinct from the original song.

The Tallest Man on Earth covering Wilco. My life might now be complete,

“Jesus Etc.” is one of the more memorable tracks from Wilco’s (in)famous “Yankee Hotel Foxtrot”. YHF was the album which got them expelled from their label, only to be streamed free on the internet by the band and become a consensus pick for best album of 2001 (and, finally, land them at another label that was part of the same parent label that kicked them out in the first place!). The song has remained a staple of their live shows for years and is a fan favourite.

The original from Wilco’s (in)famous “Yankee Hotel Foxtrot”.

the struts spice girls cover

“Stop” has always been one of the catchier songs from the Spice Girls’ popular period. Originally appearing on the group’s 1997 sophomore album Spiceworld, the song was a throwback to the early Motown sounds of the Supremes. As one whose tastes always skewed retro, I like “Stop” highlighted the connection between the ‘90s and ‘60s girl groups. Though it wasn’t their biggest hit at the time, “Stop” has endured; it’s currently the Spice Girls’ second-most-streamed track on Spotify.

The song recently got a rock n’ roll overhaul courtesy of the Struts. The British rock group released a power-pop cover of the track that would have been a good fit for The Ed Sullivan Show. The band kept the song’s original pounding backbeat in place. They then infused it with hard-rockin’ guitar and lead vocalist Luke Spiller’s Mick Jagger-style vocals. With the cover, they channelled another popular ‘60s tradition: male rock bands covering girl group songs. Think the Beatles’ version of the Marvelettes “Please Mr. Postman,” the Beach Boys’ reworking of the Crystals’ “Then He Kissed Me,” or Vanilla Fudge’s take on the Supremes’ “You Keep Me Hangin’ On.”

The Struts released a social-distancing friendly video “Live from the Living Room.” It featured members of the group singing, playing and dancing along to the song either alone or with one of their dogs. Sure, these are serious times, but it’s still good to “Stop” and have a little fun as well.

The Struts Perform a Stones-y Spice Girls Cover from Their Homes

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“Gouge Away” is the name of a Pixies song, and, as a crew of Floridians noticed nearly a decade ago, an incredible name for a hardcore punk band. While Christina Michelle’s vocals are a bit more unhinged than Black Francis’ unpredictable snarls, the ominous bass-and-snare intro of GA’s ferocious single “Ghost” mimic the foreboding atmosphere of a Doolittle cut, making their “Wave of Mutilation” cover a perfect fit. There isn’t much in the way of modification in the recording, but instead a clear sense of contemporary hardcore punk’s indebtedness to the Boston noise-rock innovators.

Our new 7″, Consider b/w Wave of Mutilation (Pixies cover) will be in stores March 20th. You can hear our new single, 25% of the profits from the sale of the 7″ will be donated to the International Rescue Committee to help immigrants, refugees, and those who have been displaced by natural disasters or attacks on their home.

From the single “Consider b/w Wave of Mutilation” in stores now

Chewing is the solo project of Local Natives’ Nik Ewing. He has announced a new album where he covers Dennis Wilson’s 1977 classic “Pacific Ocean Blue” in its entirety as part of Turntable Kitchen’s Sounds Delicious Series. He has shared two tracks from it: “River Song” (which features the rest of Local Natives) bandmates and “Moonshine” (which features Cults). The album was released December 21st.

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Ewing had this to say about the album in a press release: “With zero hyperbole, driving across LA can take half an hour or four days. One of the more manageable times I drove across the city, it took me 37:15, the length of Pacific Ocean Blue by Dennis Wilson. Like many important first album listening experiences, the entire environment surrounding that listen burnt into my memory. It was like that sad, dark album was made specifically for that specific sad, dark drive across LA. A haunted, outcast Beach Boy who still sung simple Beach Boy lyrics like ‘I’m sorry, I miss you’ but whose weathered voice is painfully more honest without the hollow late ’70s shine from his band (who seemingly didn’t miss him that much).

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The first single from Chewing’s full album tribute to Dennis Wilson’s Pacific Ocean Blue featuring Local Natives.

“I really love when artists give their own radical take on a song (Jukebox by Cat Power is criminally underrated IMO). Luckily this album isn’t as ‘sacred’ as if I covered Pet Sounds in its entirety, which allowed me a lot more liberty. I wanted to re-imagine this album in a much darker and ambient context: to flow like a lost mixtape, to sound cohesive with all the voices (and trumpet, hi Nico!) weaving in and out throughout (and obviously I couldn’t NOT have my band contribute beautiful, lush harmonies to a Beach Boy cover album).”

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The 12th release in the SOUNDS DELICIOUS limited edition vinyl subscription series. Chewing featuring Local Natives, Cults, POP ETC, Evan Voytas, and Nico Segal reimagine and pay tribute to Dennis Wilson’s Pacific Ocean Blue by covering it in its entirety.

In 2011, Kevin Devine & The Goddamn Band recorded a cover of the entire Nirvana album, “Nevermind”. Assuming you’ve heard of that one, I’ll just let you know that this is the first vinyl pressing of it and it’s limited to 500 units on regular ol’ black vinyl. There’s a picture to the left (or above, if you’re on mobile).

From Kevin: “It’s basically impossible for me to talk about Nevermind objectively. I recognize its canonical place as a cultural artifact, and that there is nothing unique about being one of the tens of millions of people for whom that album was literally life-changing.That doesn’t make it any less true. I played it for my parents, and I play it for my daughter. It’s unquestionably the most important music I’ve ever heard.

It engaged and clarified murky looming interior early adolescent messinesses, introduced me to entire aesthetics and subcultures and sociopolitical sensibilities and non-traditional iterations of masculinity to which I am indebted to this day, encouraged me to write songs and yell and sing and play guitar and worry less about expertise and more about expression, and helped define whole friendships, installing in us a language we still speak fluently.

It made things seem possible. It was a magic trick, a ubiquity that felt like an insurrection, something that was everyone’s and yours, too. We recorded this because we wouldn’t have done any of what we’ve done – or even known each other – without this record.

It felt like a fitting tribute to its spirit to knock it out in a basement over a weekend. That’s how I learned it in the first place, 28 years ago.

releases on November 22nd, 2019. It’ll be on digital platforms that day. Records will start shipping immediately and if you buy from our webstore we’ll also email you a link to download the album immediately on that day.

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Mackenzie Scott, the singer-songwriter who performs under the pseudonym of Torres, has released a new cover of Portishead song ‘Wandering Star’. The Brooklyn-based musician, who is in the middle of a tour which has her scheduled to perform in Zurich, France, Italy and more, recently encountered a major financial struggle in order to get emergency flights back to America.

Now, while self-isolating like millions of people around the world, Scott has released a cover of the Portishead classic to help ease the struggle in quarantine. Given the recent success of Bandcamp’s campaign to help struggling artists at the time of the coronavirus campaign, Torres has made her ‘Wandering Star’ cover available to buy through her account on the streaming platform. It follows her January album Silver Tongue.