Posts Tagged ‘Michigan’

Throwback rock quartet Greta Van Fleet made their Tonight Show debut on July 26th, playing their new single “When The Curtain Falls,” and eliciting a standing ovation from the studio audience.
And while their Tonight Show performance saw the band at the top of their game, a few days later the quartet was forced to cancel their performance at the Panorama Festival due to a persistent hand injury by drummer Daniel Wagner.

“Danny has been playing with injured fingers for the last two weeks, and they have not been able to heal properly,” the band wrote in an official statement. “It has now reached the point where we cannot pick up a drumstick because of it… There’s no greater joy than sharing music, and we are disappointed to miss time spent with you. We promise to make it up to our fans in NYC this year.”

The band is also clear in prioritizing Wagner’s recovery: “It is out top priority for Danny to heal from this injury and be able to play for all of you soon.” Watch the Michigan-based band perform  “When The Curtain Falls” off their untitled sophomore album

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Protomartyr – “You Always Win (feat. Kelley Deal)” taken from the new ‘Consolation E.P.’ out 15th June 2018 on Domino Record Co.

Following on from last year’s release of the critically acclaimed Domino debut, “Relatives In Descent”, PROTOMARTYR are happy to announce Consolation E.P., an EP of brand new material recorded in collaboration with Kelley Deal (The Breeders) and Mike Montgomery (R. RING, AMPLINE).
Recorded in Montgomery own studio, Candyland, the EP’s four songs capture the breadth of mood and stylistic variety of a full-length Protomartyr album – from the short sharp shock of the opener “Wait”, through the mutant pop of “Same Face In A Different Mirror”, the epic “Wheel of Fortune”, to the beautiful closer “You Always Win”. Add to this Montgomery’s  recording skill, and Kelley Deal’s unparalleled vocals, and their arrangements that see the inclusion of Jocelyn Hatch (viola), Evan Ziporyn (bass clarinet), and Lori Goldston (cello), and Consolation E.P. becomes a truly unique prospect in Protomartyr’s discography.
Released June 15th, 2018

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Loren Cole is absolutely an artist to watch in the coming months. Her style is unique, her vocal crystal clear, and her songwriting is hopeful in the best way. The optimism in this song is wonderful, capturing a kind of bluesy sentiment with a lilt of hope at the end. The instrumentation is complex enough to pique your interest, but manages not to steal away from the sincere lyricism. This could be a hit in the right markets.

This year, Loren preps for her debut album, For the Sake of Being Honest, scheduled for release 2018, with her first single, “Often” .

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Michigan singer/songwriter Shortly (aka Alexandria Maniak) signed to Triple Crown Records late last year ahead of her set at the label’s 20th anniversary show. At the time, she had just one single out, “Matthew” (which was recorded by and featured Citizen frontman Mat Kerekes), and now she has released her first single for Triple Crown, “Spare Time.” This one was produced by Hop Along’s Joe Reinhart (who’s also produced albums for Joyce Manor, Modern Baseball, and others), and it starts out as kind of a quiet, Julien Baker-esque song, before turning into louder indie rock towards the end. It’s good stuff, as you can hear for yourself below.

Bonny Doon Share Pastoral Video for Their <i>Longwave</i> Title Track

Breezy Detroit rockers Bonny Doon, who will release their second full-length, Longwave, on March 23rd, make the sort of effortless, lo-fi indie that both you and your dad can love.

For their second full-length (and debut on Woodsist Records), the Detroit folk-rock quartet stopped thinking too much and just went to the beach instead. Last month, we dug their earnest “A Lotta Things” single, and now they’re sharing a pastoral new video for their record’s title track. When Bonny Doon began sketching out a strategy to follow up their self-titled debut, they knew they wanted to do things differently. “I think everything’s always a reaction to how you did it the last time and what’s exciting you at the moment,” says Bobby Colombo, who splits vocal and guitar duties in the band with Bill Lennox. While their first record was a strong arrival, Colombo and Lennox characterize its creation as long and arduous. So the band snuck away from their native Detroit and rented a house on the beach in Northern Michigan, recording their next album in just five days, aiming for a looser, more instinct-driven process. “We were just thinking, ‘First thought, best thought’ with this one,” Colombo explains.

The result is Longwave, an album Bonny Doon might still have made if they weren’t holed up on a beach house, but probably not. Delicate and contemplative, the ten new songs feel very much like a product of their recording process—while Bonny Doon weren’t necessarily intent on tearing up the playbook, this record is still a totally different beast from its predecessor. Longwave embraces the stylings of Bonny Doon folk rock with some alt-country sprinklings but the band’s more spontaneous approach lends it a scrappiness that feels fresh. Rather than rein these songs in to the point of suffocation, the band allows them to breathe, rambling and untangling themselves in unexpected ways.

The homemade, found-footage vibe of “Long Wave” is rustic, charming, and the perfect visual accompaniment for the track’s calming influence. BRB, finding a hilltop in nature to roll down this weekend. in fact, Bonny Doon sound like they’re gunning to be spiritual successors to Silver Jews and Neil Young, with a pinch of Summerteeth-era Wilco thrown in. It’s because of this mood that the record never comes across as overly self-serious. The title track, which opens the album, ends in a knowing refrain, zen-like in its conviction: “You are who you’re supposed to be.” It’s delivered with the confidence of a band that believes it, and is comfortable enough in their skin to act accordingly.

The paradigm of live music is so old and stagnant, Colombo laments. “We’re interested in and would like to figure out ways to push us further… We have sort of an unhinged live show sometimes. We play the songs almost like they’re falling apart, but they never really do.” Bonny Doon’s Longwave is out March 23 via Woodsist.

The Band:

Bobby Colombo (guitar/vocals), Bill Lennox (guitar/vocals), Joshua Brooks (bass), and Jake Kmiecik (drums)

Bonny Doon’s Longwave is out March 23rd via Woodsist Records.

Arriving in the early months of 2017, Bonny Doon’s self-titled debut was a warm introduction to the Detroit quartet for many. Hazy and bright, the album’s woozy melodies and swirling webs of summery guitar textures were easily ingested as low-key slacker pop, blissfully awash in lo-fi sensibilities and dreamy ambiance. But the nonchalant breeziness belied a serious attention to songcraft that beckoned careful listening, and hinted at depths yet unexplored. Lo and behold, before the ink was even dry on the first record, work had already begun on its follow-up “Longwave,” a conscious about-face from the sonic experimentation of the first album, and a journey inward.

Opting for spontaneity and simplicity over the exploration of layers and textures that defined the first record, the band architected an incredibly intimate sound for these new songs. The album was tracked with minimal overdubs or production flourishes, constructing a frame that is spare and understated. The songs on Longwave amble through moonlit fields of melancholy guitar leads and self-reflection, the collection unfolding almost as one uninterrupted conversation with self. The session aimed to capture the band at their essence. With the superfluous stripped away, a gentle but steadfast spiritual core is revealed as the backbone of Bonny Doon’s cosmic American music

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Bill Lennox- vocals and guitar
Bobby Colombo- vocals and guitar
Jake Kmiecik- drums
Joshua Brooks- bass

Released March 23rd, 2018

Stef Chura

I really enjoyed Stef Chura’s  excellent debut, “Messes”, last year. Actually, I’m still enjoying it this year as well. She’s currently hard at work on its follow-up, That album is still a ways off, but the duo are giving us a taste of their collaboration with a new limited edition 7-inch for Record Store Day. The A-side is “Degrees,” a contemplative song that flares up into an epic classic-rock rave-up when the chorus hits. Car Seat Headrest Will Toledo produces and plays guitar, bass, and organ,  we’re excited to announce the RSD exclusive 7-inch by Stef Chura, Degrees b/w Sour Honey . “Degrees” and “Sour Honey” were both songs cut from Messes , but revived when Stef crossed paths with Will Toledo of Car Seat Headrest and a collaboration was born. Stef says:

“I met Will Toledo in 2016 when we did some touring together with Car Seat Headrest. We chatted at the Empty Bottle in Chicago at our first show and he told me that he found my music on Tumblr via an article that compared us to each other. He invited us on a couple of tours that year before Messes was out and before we had a label or booking agent or release plans or any “stuff.” In May of 2017 we ran into each other again at the Empty Bottle. Will was mixing Twin Fantasy and came out to our gig there with the engineer he’d been working with. He invited us to the studio to check out the record the next day. When we stopped by Will had finished mixing early and asked us if we had anything going on recording-wise. I said I have a couple of songs that got cut from Messes I want to record for a 7-inch and he was like “Cool, wanna record them right now? I’ll play bass.”

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“Degrees” b/w “Sour Honey” is out as a limited edition 7-inch (1000 copies) on Record Store Day, 21st April.

Greta Van Fleet is an American rock band formed in 2012. The band members are Josh Kiszka, Jake Kiszka, Sam Kiszka, and Danny Wagner. They were signed to Lava Records in March 2017 and in April the band released their debut studio Black Smoke Rising EP. The debut single, “Highway Tune”, topped the American harts last year.

A second EP From the Fires, containing the four songs from Black Smoke Rising and four new songs, was released on November 10th, 2017, alongside a second single, “Safari Song”. The band’s heavy rock sound is strongly influenced by the work of Led Zeppelin, with lead vocalist Josh Kiszka having a voice that has been compared to Robert Plant’s .

Their debut EP titled Black Smoke Rising was released April 2017. It’s is planned to be the first of three EP’s that will make an album when all released. They started touring in May 2017 to promote the EP with the UK band The Struts.  In addition to the four tracks from Black Smoke Rising,  A new double EP From the Fires features the new recordings “Edge of Darkness” and “Talk on the Street”, as well as covers of Sam Cooke’s “A Change Is Gonna Come” and Fairport Convention’s “Meet on the Ledge”. The four new tracks were recorded in September 2017 at Rust Belt Studios in Detroit .  The second single, “Safari Song”, was also released.

The Band

  • Josh Kiszka – lead vocals (2012–present)
  • Jake Kiszka – lead guitar (2012–present)
  • Sam Kiszka – bass guitar, keyboards (2012–present)
  • Danny Wagner – drums (2013–present)[23]

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Bonny Doon leaped into the conscious of many early last year, with the release of their subtle and beautiful debut album. The Michigan quartet impressed with their hazy melodies and sonic exploration, yet they were already thinking about what would be next. The answer will come next month, with the release of their second album, “Longwave”, described the band as, “a conscious about-face…and a journey inward”.

This week Bonny Doon have shared the second snapshot of Longwave, in the shape of new single A Lotta Things. The track showcases the band’s change of musical direction, gone are the rich sonic textures, and to the fore is letting the songwriting speak for itself. The track is a stripped back, and subtle affair, just entwined guitar-lines, a steady pulsing drum beat and an unprocessed, gorgeously honest vocal line. There’s a touch of Ultimate Painting to the shuffling churn of the guitar lines, while the vocal has all the easy charm of A. Savage or Kevin Morby. It’s a brave move to follow a successful debut by ripping up the rule book and creating something entirely different, yet by the sound of this Bonny Doon were absolutely right to do so.

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Longwave, improves on the homespun charm that made their debut so inviting. The leap is partially due to the fact that the band is more confident now as their debut’s songs were just the first songs Lennox ever wrote, but as Lennox explains it also comes from a more cohesive vision. He says, “The whole goal of this new album was to try and capture the band’s sound at its essence with everything stripped down and vulnerable. We were trying to just capture the sound of the band in a room. We were happy to just kind of bear more of ourselves and be more open.”

Written of over the course of a trip to a lake house in Northern Michigan, and recorded at Key Club Studios downstate, the mesmerizing songs on Longwave are patient enough to ruminate on a musical idea without meandering. It’s this lack of urgency that has given the band the lyrical space to perfectly capture twenty-something malaise. Though the previously shared single “I Am Here (I Am Alive)” found Lennox frustrated, “Is there something missing I can’t tell / Is there more I can’t see,” Bonny Doon’s latest, “A Lotta Things,”.

Longwave is out March 23rd via Woodsist Records.

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Anna Burch is an anxious person,. the former Frontier Ruckus and Failed Flowers member sounds overwhelmed by everything that goes into releasing a solo album. Aside from writing every song on Quit the Curse, the singer/songwriter also handles the business side of the project.

“Every time I open my socials I’m so overwhelmed by how many notifications there are,” she says with a nervous laugh. “It’s been a little source of anxiety, for sure.” When it comes to the record itself, though, Burch was not by herself. With the help of producer Paul Cherry and engineer Collin Dupuis, along with numerous studio musicians, she was backed by a strong team. But the album is still hers, and for a woman who’s used to putting out records with bands, it’s a little intimidating.

“I’m feeling more vulnerable,” she admits. “[Quit the Curse is] under my name and my words and choices are being scrutinized—even though, of course, it was a collaborative effort. Other people helped make the record and played on the record, but it’s still under my name and any criticism is going to be completely directed at me.”

Fortunately, the album’s initial responses have been nothing but positive, and for that Burch is thankful. “I’m really overwhelmed by all the positive responses,” she says humbly. “It’s more than I expected—it feels great.”

That feeling is more than deserved; Burch’s musical journey has been a long one. From becoming a touring musician at the age of eighteen to getting burnt out and quitting music altogether to focus on grad school, her adult life has been a whirlwind. She’s dealt with toxic relationships, family drama, and substance abuse, and moved forward from it all. And despite being relatively new to the world of writing her own music, the Detroiter is pretty damn good at creating what she likes to call “bummer pop”—music that juxtaposes buoyant instrumentation with heavy subject matter.

“Thinking about writing those songs in a very melancholic, singer/songwriter way doesn’t seem cathartic or helpful to me,” she explains. “I wanted to make music that made me happy and that I would want to listen to.”

Seeing Alvvays for the first time, without knowing anything about the band, also helped Burch realize the direction she wanted to take her music. “I was pretty blown away,” she gushes. “And I think seeing that kind of band—electric guitars, drums, vocals—it struck me very deeply. So I was kind of like, ‘Yeah, I think I want a pop rock band backing up [my] songs.’ It was so elating, but also very emotional.”

Writing about hard times is also a therapeutic exercise for Burch. “I try to dig back into what I was feeling, and it kind of feels like there’s this weird split mentally,” she recalls. “It’s hard to tap back into that stuff in some ways, and critically think about the emotions and writing process.” And when she hits the stage, she feels that release even more. “It’s still fun performing [the songs],” she says. “I feel like I’m able to emote properly onstage without getting lost in this reverie of being overwhelmed by emotions. I think writing the songs really did the work of helping step back and be able to look in from almost an outsider’s perspective.”

Since the move to Detroit, Burch has put the past behind her. After a “messy” adjustment period, her life has slowed down a bit. “I stay in a lot—I have a steady partner that I’ve been with for three years,” she says, with a sense of peace. “Things are very different.”

So what will the future bring for Anna Burch? “I’m hoping to tour this record really hard and then get to a point where I can make the best record I can the next time around,”she says—and it’s easy to cheer her on.