Posts Tagged ‘Cover’

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Madrid’s Hinds (formerly known as DEERS) share their perfectly ramshackle, very true-to-the-original rendition of Thee Headcoats classic track “Davey Crockett (Gabba Hey!)” that the group has been closing out their notoriously raucous and apparently insanely fun live sets with lately, Recorded and produced with Árni Árnason of The Vaccines, and taken from the group’s forthcoming Record Store Day exclusive split 7″ single with their BFFs and Madrid homies, the Parrots. The limited Hinds ♥ Parrots split is out in April on Lucky Number Recordsin the UK/Europe + via Burger Records in the US.

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Hinds (formerly Deers) have a split 7″ with fellow Spaniards The Parrots that will be out on Record Store Day via Burger. For their side, Hinds are tackling Thee Headcoats‘ Farmer John-esque Davey Crockett (Gabba-Hay!) which they don’t change too much, but bring their infectious energy to it. You can stream it, and their two singles, below

‘ Inspired by Ride, The Telescopes and Swervedriver, it’s fitting that Ride‘s Mark Gardener jumped on board to produce the record. For fans of The Black Angels, Sleepy Sun and Brian Jonestown Massacre

This Small Houses session of Cover Club,  Small Houses’ cover choice was DRGN King.  Jeremy explained “I actually found DRGN King while looking around the 7 inch records at a Philadelphia record shop.  “Holy Ghost” was the A-side. Months later, I found myself opening for the band in an odd factory space in Houston, TX.  Dom[Angelella] and the gang were such nice guys that I made an effort to attend a few shows at SXSW and in Philadelphia. I’m a sucker for good old style pop music, there’s really no other explanation for my attraction towards the band. “

LA duo Girlpool cover ‘Cut Your Bangs’ the original was  by Radiator Hospital at a special NME session at The Macbeth in London.
If Kurt Cobain alive today, he would probably be declaring Girlpool the greatest band in the world and name-dropping them to fame. The Nirvana singer loved riot grrrl pioneers Bikini Kill and obscure British indie groups such as the Raincoats – and those sounds seem to have inspired this Los Angeles duo.

For a pair who didn’t expect to ever leave the LA underground scene, and whose self-titled debut EP began life as a homemade cassette before being re-released by Wichita, Cleo Tucker and Harmony Tividad must be happy with their progress to date.
Written for electric and bass guitars and two shrill voices, Girlpool’s songs are sparse, needling, angular and caustic – they could be Marine Girls gone grunge, or First Aid Kit raised on Sleater-Kinney. Even if their material sounds like extended intros awaiting drums that never crash in, their purist aversion to clutter places intense focus on their lyrics, which are rawer than a pair off freshly skinned knees. Plants and Worms, Ideal World and Paint Me Colours are misfit anti-anthems about self-empowerment, boredom, anger and the intense sexual and romantic desires and discomforts of youth.
It is best to think of the singers less as a band without a rhythm section than as a duo doing an amped-up, confrontational take on the singer-songwriter genre – which they also seem capable of doing on more polite terms. When they resist their natural instinct for abrasion with a show-stopping harmony-drenched cover of Radiator Hospital’s Cut Your Bangs, Tucker and Tividad show they can do “pretty” just as well as harsh.

Royal Blood cover The Police’s “Roxanne” in the Live Lounge for Fearne Cotton Radio Show and BBC Radio 1,

Royal Blood are purveyors of a frills-free, unequivocally boisterous hybrid of garage and modern rock. It’s a mighty sound that in many ways is an antithesis of The Police, who presented a more nuanced amalgamation of reggae, new wave, and jazz. Yet for whatever reason, the Brighton-based duo chose to pay tribute to their fellow countrymen by covering Sting and co.’s 1978 smash single “Roxanne”. Recorded during a recent Live Lounge session for BBC Radio 1, the resulting rendition eschews the lusty island vibes for pulverizing drums, snarling riffs, and all-out metal intensity.

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Father John Misty — whose new album is an astonishing piece of work titled “I Love You, Honeybear” is an Album I definately would recommend you buy This Week — performed a cover of Nirvana’s “Heart-Shaped Box” during a session for Sirius XMU. Josh Tillman shared the cover on social media earlier today. It’s a stripped down, folksy take on the Nirvana classic.

The Cosmopolitan Quartet Session presents this week the incredibly talented Jack Savoretti. Jack absolutely blew us away with his rendition of this Bob Dylan song, ‘Nobody Cept’ You’. Jack is currently on tour in the UK and features the song solo on acoustic guitar, with a brief story about his recording at Jackson Browne’s studio in laurel Canyon, seeing a box of tapes with the name Bob he was intrigued he asked the engineer. they featured this song.

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Tigerwing is Sarah Kelly. It’s like her alter-ego, or better yet, a part of her she just can’t shake, and neither should she! Kelly writes and produces her own music and is the eye behind all Tigerwing’s artful aesthetics. Let’s just say Kelly is arty-farty, a term I use to describe myself, from time to time, it’s a good thing.
Her fluttery vocals fall upon layers of syn-pop fusion and chilled out beats. The sound is delicate in parts, yet uncertainty and darkness lurk around corners ready to strike. It’s that uncertainty I like in her work. It feels like nothing is forced and Tigerwing just happens organically.

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“That Black Bat Licorice” is the latest single off the second Jack White solo album “Lazaretto” . Available February 17th through Third Man Records, the 7-inch contains a brand new recording for its B-Side: a cover of Harry Connick, Jr.’s “Blue Light, Red Light (Someone’s There)”.
White’s rendition includes all the elements of a loungey jazz rocker, but with the added intensity that only he and his guitar can muster.

British band Royal Blood play their first ever acoustic session, covering Cold War Kids’ ‘Hang Me Up To Dry’ for Australia’s triple j’s cover slot Like A Version.

This morning the couple of heavy rockers turned the thrash dial back a few notches to deliver an more intimate performance in the Like A Version studio.  Royal Blood took a break from tearing up Laneway Festival to drop into the Like A Version studio and record this session. Bassist/singer Mike brought out the acoustic while drummer Ben took care of admin on their track ‘Better Strangers’ before laying down a bluesy cover of the Cold War Kids‘ ‘Hang Me Up To Dry’.

Brighton rock duo Royal Blood drop into the Like A Version studio for a stripped back take on their track ‘Better Strangers’. Just before their cover, Mike then kicked off with an acoustic version of their own tune ‘Better Strangers’.