Posts Tagged ‘Royal Blood’

Image of Ride - Weather Diaries

Ride  – Weather Diaries

Ride release their first album in over twenty years, ‘Weather Diaries’ on June 16th via Wichita Recordings.

Produced by legendary DJ, producer and remixer Erol Alkan, ‘Weather Diaries’ is packed with all the classic elements that made Ride one of the defining bands of the early ‘90s. Trembling distortion, beautiful harmonies, pounding rhythms, shimmering soundscapes and great songwriting all combine to make an album that’s ambitious in scope, timeless and thoroughly addictive. The album will be released through Wichita Recordings and sees the band reunited with label co-founders Mark Bowen and Dick Green, who worked with Ride during the band’s early years on Creation Records. It also brings the band back together with mixer Alan Moulder (Arctic Monkeys, Smashing Pumpkins, The Killers) who mixed their seminal 1990 album ‘Nowhere’ and produced it’s follow up ‘Going Blank Again’.

The revitalised four piece – comprising of Andy Bell, Mark Gardener, Laurence Colbert, and Steve Queralt – reformed and returned to the live scene in 2014, selling out headline tours around the world to a plethora of critical acclaim, as well as show stopping turns at festivals including Coachella, Primavera and Field Day. More than that though, the British music sphere especially has been littered with bands heavily indebted to Ride and their peers. The likes of The Horrors, School Of Seven Bells and labels such as Sonic Cathedral have ensured that shoegaze is a sound that’s eternally relevant.

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Royal Blood  -How Did We Get So Dark?

After becoming the biggest breaking British rock band with their self-titled 2014 debut album, Royal Blood’s release their eagerly anticipated second album How Did We Get So Dark? released on Warner Bros. Records. The ten tracks that feature on How Did We Get So Dark? were written in instrumental form during sessions in Brighton, Hollywood, Los Angeles and Nashville. Always trying to explore ways of stripping their enormous sound back to give it more space and impact, inspiration for the lyrics came from events in vocalist / bassist Mike Kerr’s life since the band first found huge success. In November 2016. Kerr and drummer Ben Thatcher, along with producer Jolyon Thomas, spent six weeks in a studio in Brussels that was decked out like a New York diner and featured a warehouse of antique gear. How Did We Get So Dark? was subsequently completed after a final session in London with their debut album’s co-producer Tom Dalgety. There are times where Royal Blood are more visceral than ever – notably the gargantuan introduction to Hook, Line and Sinker and also the intense denouement that brings Looks Like You Know to a close. While the album finds Royal Blood refining their melodic might, there are other moments that fulfil their aim to create songs that will add new dimensions to their live sets. Adorned with Kerr’s falsetto, Don’t Tell drops the intensity to mesmerising effect, while Where Are You Now? pulsates with a bounding energy that’s quite a step apart from anything else in their catalogue. The Royal Blood palette is also expanded with the complementary addition of piano or keyboards on four tracks, including the foreboding album closer Sleep.

Image of Fleet Foxes - Crack-Up

Fleet Foxes  –  Crack Up 

Crack-Up is Fleet Foxes’ long awaited and highly anticipated third album. It comes six years after the 2011 release of Helplessness Blues and nearly a decade since the band’s 2008 self-titled debut.

All eleven of the songs on Crack-Up were written by Robin Pecknold. The album was co-produced by Pecknold and Skyler Skjelset, his longtime bandmate, collaborator, and childhood friend. Crack-Up was recorded at various locations across the United States between July 2016 and January 2017: at Electric Lady Studios, Sear Sound, The Void, Rare Book Room, Avast, and The Unknown. Phil Ek mixed the album, at Sear Sound, and it was mastered by Greg Calbi at Sterling Sound. Fleet Foxes is Robin Pecknold (vocals, multi-instrumentalist), Skyler Skjelset (multi-instrumentalist, vocals), Casey Wescott (multi-instrumentalist, vocals), Christian Wargo (multi-instrumentalist, vocals), and Morgan Henderson (multi-instrumentalist).

Fleet Foxes’ self-titled debut made a profound impact on the international musical landscape, earning them Uncut’s first ever Music Award Prize, and topping numerous ‘Best of’ lists, including Rolling Stone’s 100 Best Albums of the 2000’s and Pitchfork’s 50 Best Albums of 2008. Fleet Foxes is certified Gold in North America and Platinum in both the UK and Australia. The follow-up album Helplessness Blues was met with the same critical praise as its predecessor;s .

Image of Big Star - The Best Of Big Star

Big Star  –  Best Of Big Star 

Best of Big Star is part of a wide-ranging, year-long initiative celebrating Stax Records’ 60th anniversary. Formed in 1971 by singer/songwriters Alex Chilton (1950-2010) and Chris Bell (1951-1978), drummer Jody Stephens (b. 1952) and bassist Andy Hummel (1951-2010), the Memphis-based group is now considered to be one of the most influential bands in modern music, having inspired some of the biggest alt-rock artists of the ’80s, ’90s and beyond. An underground core of fanatical enthusiasts kept the fire burning. The Replacements famously released “Alex Chilton,” a song that paid tribute to Big Star’s songwriting genius. R.E.M.’s Peter Buck said, “Big Star served as a Rosetta Stone for a whole generation of musicians.”

Image of Kevin Morby - City Music

Kevin Morby  –  City Music 

City Music is the new album by Kevin Morby. Full of listless wanderlust, it’s a collection inspired by and devoted to the metropolitan experience across America and beyond by a songwriter cast from his own mold. As he puts it: “It is a mix-tape, a fever dream, a love letter dedicated to those cities that I cannot get rid of, to those cities that are all inside of me.”

His fourth album, City Music works as a counterpart to Morby’s acclaimed 2016 release Singing Saw, an autobiographical set that reflected the solitude and landscape in which it was recorded. Saw was imagined as “an old bookshelf with a young Bob and Joni staring back at me, blank and timeless. They live here, in this left side of my brain, smoking cigarettes and playing acoustic guitars while lying on an unmade bed.”

And now follows City Music, the yang to its yin, the heads to its tails. It is a collection crafted using the other side of its creator’s brain, the jumping off point perhaps best once again encapsulated by an image. “Here, Lou Reed and Patti Smith stare out at the listener,” explains Morby. “Stretched out on a living room floor they are somewhere in mid-70s Manhattan, also smoking cigarettes.” It finds Morby exploring similar themes of solitude, but this time framed by a window of an uptown apartment that looks down upon an international urban landscape “exposed like a giant bleeding wound.”

Image of Jason Isbell And The 400 Unit - The Nashville Sound

Jason Isbell and The 400 UnitThe Nashville Sound 

The Nashville Sound was recorded at Nashville’s legendary RCA Studio A and produced by Grammy Award-winner Dave Cobb, who produced ‘Something More Than Free’ and Isbell’s celebrated 2013 breakthrough album ‘Southeastern’.

‘The Nashville Sound’ features 10 new songs that address a range of subjects that include, politics and cultural privilege (“White Man’s World”) longing nostalgia (“The Last Of My Kind”), love and mortality (“If We Were Vampires”), the toxic effect of today’s pressures (“Anxiety”), the remnants of a break up (“Chaos and Clothes”) and finding hope (“Something To Love”). Songs such as “Cumberland Gap” and “Hope The Highroad” find Jason and his bandmates going back to their rock roots full force.

Big Machine

It’s difficult for any band or artist to sound enthused after decades of making music. Automatic pilot and rock ‘n’ roll root rot can easily set in. There are some exceptions: Paul McCartney has had some late-career gems; same goes for David Bowie . You can add Cheap Trick to that list. They sound positively vibrant and genuinely excited on We’re All Alright! . 

Unlike many of their contemporaries, Cheap Trick have never broken up, stopped touring or quit making new music. They have also never stopped putting everything they have into what they do either. Coming hot on the heels of last year’s excellent Bang Zoom Crazy Hello , We’re All Alright!  follows in the footsteps of its predecessor while adding a couple of new twists to the mix.

Guitarist Rick Nielsen welds together riffs borrowed from the Kinks and the Who for the album’s first single, “Long Time Coming,” while “Nowhere” takes on a Ramones -like charge in its speed attack. Other songs follow a similar path, with no track clocking in at more than four minutes. This pace gives the album a whiplash flow that recalls some of their earliest records.

A few of the songs actually date back several years. “Radio Lover” was put on the shelf in the ’90s, and it’s rescued from oblivion here as an amphetamine-fueled hard rocker. “Lolita” slaps keyboard sequencers on top of glam-rock boogie. And “She’s Alright” features some Dylan styled phrasing from singer Robin Zander.

Cheap Trick also dip into the past by covering Roy Wood again. As they’ve done in the past with “California Man,” “Brontosaurus” and “Rock and Roll Tonight,” they take the Move’s 1968 song “Blackberry Way” and spin it in their direction..

The band pushes itself on We’re All Alright!, turning in enthusiastic and engaging performances throughout. They still sound like a bunch of guys half their age. “Who knows what forever is about?” Zander asks on “The Rest of My Life.” He doesn’t pretend to know the answer.

Cheap Trick sound like they still have something to prove, and perhaps they do. After a couple of trying and triumphant years — there was a legal hassle involving former drummer Bun E. Carlos, and they were finally inducted into the Rock and Roll Hall Of Fame in 2016 — they sound ready for their next chapter.

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Sun Kil Moon – Common As Light And Love Are Red Valleys Of Blood

“‘Common As Light And Love Are Red Valleys Of Blood’, for the most part, captures events from January to August of this year and how I processed it all while traveling. “[…] I’m blessed to have met the very talented Justin Broadrick and to have made these beautiful albums with him. “These two new albums capture more than my reactions to mass murders or the passing of beloved heroes like David Bowie or Muhammad Ali. The Sun Kil Moon and Jesu / Sun Kil Moon albums are also full of love, humour, and my gratitude for the gift of life.” – Mark Kozelek, Sun Kil Moon.

4LP – Limited Four LP Set. Limited to 2000 Copies.

Andy warhols dream trevor sensor

Trevor Sensor  –  Andy Warhol’s Dream

It’s Trevor Sensor’s voice you notice first. A deep bubbling black tar pit of a sound, it’s a voice whose unique timbre resonates far beyond the constraints of the songwriting format. It demands the listener reaches for a new vocabulary. The 23 year old’s debut album Andy Warhol’s Dream is part of a literate folk lineage that runs from Woody Guthrie and Bob Dylan through Tom Waits and onto the likes of Bon Iver, Bright Eyes and Sufjan Stevens today. It’s an unflinching honest album, transcendent in its exploration of self and sonically a collision between the classic and the forward-thinking. Sensor’s debut EP for the label, Texas Girls and Jesus Christ, was written on a borrowed acoustic guitar and took him out into the world. 2016 saw him tour Europe before hitting the road in the US for tours with Foy Vance and The Staves. Andy Warhol’s Dream was recorded to tape at Steve Albini’s Electrical Audio and produced by both Jonathan Rado of Foxygen (The Lemon Twigs, Whitney) and songwriter/producer Richard Swift (Damien Jurado, Foxygen). His backing band featured members of Whitney. On these 11 songs Sensor doesn’t so much wear his heart on his sleeve as flings it out in the darkness of the front rows that sit beyond the glare of the single blinding spotlight. This is the sound of one man’s soul laid bare, facing life head on.

Image of The Drums - Abysmal Thoughts

The Drums –  Abysmal Thoughts

With The Drums’ new Abysmal Thoughts, band founder Jonny Pierce is making the exact album he’s always held in his heart. Of course, this is The Drums, so that heart is broken—but there’s beauty and even bliss in this kind of heartbreak, as well as that special kind of glorious delirium that comes from taking everything life can throw at you and still walking away triumphant. Here Pierce is back in full control of The Drums, not just writing all the songs himself but playing every instrument and bringing his exact personal vision to life. Not coincidentally, it’s some of the most revelatory work he’s ever done. If Abysmal Thoughts doesn’t sound at all abysmal—really, Pierce has rarely been this irresistibly pop—that’s because this is a story about how to figure out what happiness means once the worst has already happened: “If there’s one thing I can rely on it’s the healing power of being an artist,” he says. “I’m falling back in love with music.”

“There’s no question that The Drums have mastered the synthpop game” – Consequence of Sound.
For fans of The Smiths, Morrissey, New Order and The Cramps.

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Echo and The Bunnymen – It’s All Live Now

Each LP is individually numbered and strictly limited. 180 Gram, black vinyl pressed at Record Industry comes in a single sleeve aqueous-gloss, old school tip-on Stoughton sleeve with brand new artwork and hard stock insert. Never before seen photos of the band. Liner notes by guitarist Will Sergeant. One of the most acclaimed British rockers from the 1980’s, this legendary band formed in Liverpool in 1978 and were forefathers of the neo-psychedelic movement. This brand new collection of their legendary live material recorded in Sweden in 1985 includes classic Rock- N-Roll covers of legendary tunes by the Doors, Rolling Stones, Velvet Underground, Television and more available on vinyl for the first time. Many of the tracks from Sweden were recorded live for Swedish National Radio at the Karen Club. Also included here is a legendary extended version of Do It Clean recorded live in concert at the Royal Albert Hall in 1983.

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Game Theory -2 Steps From The Middle Ages

Their final studio album ” remastered and expanded. Following up 1987s Lolita Nation (whose reissue appeared on numerous year-end best of lists for 2016) would be no easy task for Game Theory. But, Scott Miller and company were certainly up for the task. Re-teaming with producer Mitch Easter (R.E.M., Marshall Crenshaw, Velvet Crush), 2 Steps From The Middle Ages was released in 1988, and showed the band had no shortage of energy, experimentation, and excellent material. This reissue contains the original 13 songs supplemented with a whopping 11 bonus tracks ” demos, live performances and covers ” all previously unissued. The translucent orange, first pressing of the LP (on vinyl for the first time since its initial release), contains a download card for the entire CD/Digital program. Packaging includes rare and previously unseen photos from the bands photographer, Robert Toren, as well as essays from Easter, Ken Stringfellow (The Posies, Big Star), and Franklin Bruno (The Village Voice, Salon.com). The bands drummer, Gil Ray, who was involved in all aspects with the Game Theory reissue series including this title, sadly passed away earlier this year. This reissue is lovingly dedicated to him.

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Nikki Sudden and his Jacobites – Chelsea

Limited edition 350 copies only on Transparent Green vinyl 7” single. Both tracks feature vocals by Max ‘Lizard’ Edie ( Waterboys ) and also Mike Scott ( Waterboys) features on Chelsea Embankment. Chelsea springtime single edit has remained unreleased since 1992.

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HBO’s series Vinyl has inspired a lot of great covers, including Aimee Mann’s take on Carpenters’ “Yesterday Once More”, Julian Casablancas’ re-imagining of The VelvetUnderground , and everyone from Iggy Pop to Alison Mosshart covering classic rock and punk tracks . But the show has also led to some brand new recordings, like the track from Royal Blood , “Where Are You Now?”

The UK rockers were apparently inspired to write the song after seeing the first trailer for Vinyl. “Hearing Richie Finestra talk about the first time you heard a song that made your hairs on the back of your neck stand up or made you wanna dance or kick someone’s arse,” bassist/singer Mike Kerr. “I just wanted to write a song that gave me that sort of buzz.”

Well, mission accomplished. “Where Are You Now?” is a dirty, slinking number with lines reminiscent of Queens of the Stone Age at their most pronounced. There’s a sensuality in all that noise, especially with Kerr singing lyrics like, “I’ve tasted every person and they don’t taste like you,” which we’re very down with.”

New music from the HBO series VINYL released each week

 

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British rock duo Royal Blood unveiled a striking video for “Lights Out,” which is the lead single off their forthcoming album, “How Did We Get So Dark?”, due out June 16th via Warner Bros. Records.

The clip finds bassist/singer Mike Kerr and drummer Ben Thatcher performing the song in an empty room that slowly fills with water. As the pair hit the first chorus of “Lights Out,” a horde of bodies burst out of invisible pools on the floor, ceiling and walls. During a raucous instrumental section, the room is cast in a deep red light and Thatcher and Kerr continue to play in the waist high water as dancers move around them.

How Did We Get So Dark? follows Royal Blood’s 2014 self-titled debut, which debuted in the Top Five and made fans like Jimmy Page and the Foo Fighters, who asked the band as opener  for their 2015 world tours.

Royal Blood wrote the instrumentals for How Did We Get So Dark? during sessions in Brighton, England, Los Angeles and Nashville. The band began cutting the album in Brussels last November with producer Joylon Thomas and finished it London with co-producer Tom Dalgety.

Royal Blood have several U.S. festival dates scheduled for this summer, including stops at Governors Ball, Bonnaroo, Lollapalooza and Outside Lands.

Rock Werchter 2017

Announcing the best news of the week by far! Foo Fighters – the premiere rock band of the 21st century – play Rock Werchter on Sunday 2nd July 2017. What a festival closing act! We now have announced four amazing names for the upcoming festival, which takes place in the Festival park in Werchter (Belgium) from 29th June to 2nd July 2017. Radiohead plays on Friday 30 June, Linkin Park and System of A Down on Saturday 1st July and Foo Fighters on Sunday 2nd July. More names to follow soon.

In the 20+ years since the 1995 release of Foo Fighters’ self-titled debut, Dave Grohl, Taylor Hawkins, Nate Mendel, Chris Shiflett and Pat Smear have grown into a world class headliner dominating stadiums, arenas and festivals across the globe. The band’s massive catalogue of gold and platinum albums has won 11 Grammys, four Brit Awards, sold 25+ million records, and is the backbone of marathon shows powered by singalong anthems “Everlong,” “Monkey Wrench,” “My Hero,” “Learn To Fly,” “All My Life,” “Best Of You,” “The Pretender,” “Walk,” “Something From Nothing” and more. In 2015 Foo Fighters were forced to cancel their appearance at Rock Werchter, but they’ve made good on their promise to return and will bring Rock Werchter 2017 to a close on Sunday 2 July.

Rock Werchter 2017

The first name is in for Rock Werchter’s opening day. Arcade Fire will play the festival on Thursday 29 June. Rock Werchter hosts this five-star Canadian band for the second time. They were last here in 2010. Five massive names for Rock Werchter 2017 -which takes place from 29 June to 2 July in the Festival Park in Werchter (Belgium)- are now in: Arcade Fire play on Thursday 29 June, Radiohead on Friday 30 June, Linkin Park and System of A Down on Saturday 1 July and Foo Fighters on Sunday 2 July.

Every one of Arcade Fire’s albums is an artistic and commercial triumph. So, in the style of 1001 Albums You Must Hear Before You Die , with a silver lining: their amazing debut album, ‘Funeral’ (2004), is a fierce rallying call for beauty, emotion and absurdity in music. Artful rock with a punky outlook – a major lift in times of chaos and anxiety. ‘Neon Bible’ (2007) establishes the Canadian six-piece as one of the key bands of the 21st century. “It’s like standing beside the ocean at night”, or so its makers tell us. ‘The Suburbs’ (2010), their equivalent of ‘OK Computer’, is a prize winner, which – rightly, if a little unexpectedly – scooped a Grammy for Album of the Year. ‘Reflektor’ (2013) goes off ‘all guns blazing’ and shows what Arcade Fire still have to offer after all these years. Onwards and upwards to album number 5. That line just keeps on rising.

Rock Werchter 2017

Friday 4 o’ clock comes early today…  Another great name just has been added to the Rock Werchter 2017 bill. The British trio alt-J play the Festival Park on Sunday 2 July. These guys are musical wizards. Type alt and J on an Apple keyboard and you get Δ, the Greek letter delta. It’s the symbol used by scientists to mark a change in value. We can be forgiven for saying that the alt-J trio have done something similar with the history of pop. They’ve created their own universe from the highlights of the last 60 years. And they’ve been as expert at this as they’ve been inventive. Alt-J reach their tenth anniversary in 2017.
For Rock Werchter 2017, from 29th June to 2nd July, the first of the big names is in. Radiohead who will perform on Friday 30th June. Few artists combine success with experimentation the way Radiohead do. Their ninth album, A Moon Shaped Pool (2016), is yet another hard hitting and inventive artistic statement. It’s going to be great to see this band again. The last time they played Werchter was in 2008.
Another amazing band has been announced for Rock Werchter 2017: LINKIN PARK! A band we’re always mad keen to see. Linkin Park top the wish list at any festival, and online streaming services place the American six-piece among their most-frequently-listened-to artists. The band even has two tracks in Spotify’s Top 10 timeless songs. Yes, with over a hundred million streams between them, ‘In The End’ (# 6) and ‘Numb’ (# 3) sit with the likes of ‘Billie Jean’ and ‘Smells Like Teen Spirit’. Having started as an alternative metal band in the mid-nineties, Linkin Park amassed bigger audiences by incorporating elements of hip hop and electronic music. Two front men give the band a distinct dynamic: Chester Bennington’s intense vocals bouncing off Mike Shinoda’s stellar raps.
Linkin Park will play Rock Werchter on Saturday 1st July.  This will be the band’s second time at Werchter, having first appeared in 2011. Linkin Park is currently recording its 7th studio album.
Rock Werchter 2017

News extra. Because it is allowed. Because Kings of Leon have confirmed they will play the festival on Thursday 29th June . And that’s worth celebrating. The list of massive names for Rock Werchter 2017, which takes place from Thursday 29th June to Sunday 2 July at the Festivalpark in Werchter (Belgium), is gradually growing. As it stands: Kings of Leon and Arcade Fire play on Thursday 29 June, Radiohead on Friday 30 June, Blink-182, Linkin Park and System Of A Down on Saturday 1 July. Foo Fighters close the festival on Sunday 2 July. More to come soon.

 
The Followills are Werchter’s royal family. Brothers Caleb, Jared and Nathan Followill, and their cousin Matthew, love to play the Festivalpark. On their seventh album ‘WALLS’ (2016), Kings Of Leon have found the perfect balance between the animated garage band they started out as, and the arena rock that brought world fame. Their story is a parable. The four are raised in the deep and devoutly religious south of the United States. Rock ‘n’ roll is the devil’s music – and their chosen weapon of rebellion. The holy fire leads to evergreens like ‘Sex On Fire’, ‘Use Somebody’ and ‘Waste A Moment’. Fame catches hold in Europe and spreads back home to the US: ‘WALLS’ is the band’s first American number 1. The title is the acronym for: We Are Like Love Songs. That’s five syllables, just like the last six albums…
Rock Werchter 2017

This week the Rock Werchter team is delighted to confirm some great new acts for the upcoming edition. Five to be precise: Royal Blood, Bazart, Bonobo (live), White Lies and Agnes Obel. The line-up for Rock Werchter 2017 is slowly taking shape. Take a look:

  • Thursday 29 June: Arcade Fire, Kings of Leon, Imagine Dragons, Lorde, Agnes Obel
  • Friday 30 June: Radiohead, James Blake, Oscar And The Wolf, Royal Blood, Bazart, White Lies, Future Islands
  • Saturday 1 July: Linkin Park, System Of A Down, Blink-182, Bonobo (live)
  • Sunday 2 July: Foo Fighters, alt-J, Dropkick Murphys, The Lumineers
Tickets to Rock Werchter 2017 go on sale on Saturday 19 November at 10 am.  Previously announced are Radiohead on Friday 30 June and System of A Down on Saturday 1 July.

The only thing thicker and more powerfully gripping than the mud at Splendour was the sound booming from the stage during Royal Blood’s powerhouse set. And now – thanks to Telstra – you can watch the entire thing on demand from the opening track ‘Come On Over ’ right through to the blistering version of ‘Out of the Black’ complete with riffage of Black Sabbath’s ‘Iron Man’.

With just one album to the name, the duo already have a setlist worthy of a festival headline billing and the attitude to back it up. Touring earlier in the year with Laneway Festival they were overlooked by many punters, but here at Splendour they were treated (and played) like all-conquering heroes despite frontman Mike Kerr insisting that he was just up there “pretending to be a rock star”.

Royal Blood’s Splendour setlist:

Come On Over
You Can Be So Cruel
Figure It Out
Better Strangers
Little Monster
Blood Hands
One Trick Pony
Ten Tonne Skeleton
Loose Change
Out of the Black

Royal Blood cover The Police’s “Roxanne” in the Live Lounge for Fearne Cotton Radio Show and BBC Radio 1,

Royal Blood are purveyors of a frills-free, unequivocally boisterous hybrid of garage and modern rock. It’s a mighty sound that in many ways is an antithesis of The Police, who presented a more nuanced amalgamation of reggae, new wave, and jazz. Yet for whatever reason, the Brighton-based duo chose to pay tribute to their fellow countrymen by covering Sting and co.’s 1978 smash single “Roxanne”. Recorded during a recent Live Lounge session for BBC Radio 1, the resulting rendition eschews the lusty island vibes for pulverizing drums, snarling riffs, and all-out metal intensity.

British band Royal Blood play their first ever acoustic session, covering Cold War Kids’ ‘Hang Me Up To Dry’ for Australia’s triple j’s cover slot Like A Version.

This morning the couple of heavy rockers turned the thrash dial back a few notches to deliver an more intimate performance in the Like A Version studio.  Royal Blood took a break from tearing up Laneway Festival to drop into the Like A Version studio and record this session. Bassist/singer Mike brought out the acoustic while drummer Ben took care of admin on their track ‘Better Strangers’ before laying down a bluesy cover of the Cold War Kids‘ ‘Hang Me Up To Dry’.

Brighton rock duo Royal Blood drop into the Like A Version studio for a stripped back take on their track ‘Better Strangers’. Just before their cover, Mike then kicked off with an acoustic version of their own tune ‘Better Strangers’.

Brighton Duo Royal Blood Hit the USA on the Jimmy Kimmel Show

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this band are so powerful, plus some great musicianship and some terrific songs and the amazingly pedalboard

INTERPOL....TEMPLES....ROYAL BLOOD....CIRCA WAVES....NME Awards Tour Rock City Sunday 23rd March

this might be one of the best line ups of bands anywhere, I should think there is many a festival that would like these four bands appearing,

Interpol at rock city

Interpol at rock city

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