Posts Tagged ‘Jack White’

Jack White

Jack White  has announced a new live concert film, Jack White: Kneeling at The Anthem D.C., along with an accompanying six-song live EP. The film and EP premiere September. 21st, .

The film documents White’s second sold-out night at The Anthem during his Boarding House Reach tour, and features a career-spanning set, with tracks from The White Stripes, his solo career and more. It was directed by Emmett Malloy, who directed the 2009 White Stripes documentary Under the Great White Northern Lights.

A six-song EP featuring performances from the same show will be released exclusively on Amazon Music on the same day as the film’s release. The tracklist can be found below. White will be continuing his world tour throughout the autumn.

Watch the trailer for Jack White: Kneeling at The Anthem D.C. Get a front row view to Jack White’s career-spanning concert at Washington, D.C.’s The Anthem flmed on May 30th, 2018 as part of his Boarding House Reach tour.

The film takes from White and his band’s second of two sold-out shows at The Anthem on May 30th, 2018, and also features footage from White’s travels around DC and his surprise lunchtime performance at DC’s Woodrow Wilson High School. A six-song live EP of highlights from that show will also be available via Amazon Music.

The Anthem show, was a 21-song affair that included nine-song encore, featured cuts from Reach, along with White’s earlier solo albums, plus tracks from his work with The White Stripes, The Raconteurs and The Dead Weather.

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To celebrate the release of his album Boarding House Reach in March 2018, Jack White embarked on a mini-tour of intimate venues and small clubs. Starting at his hometown go-to stage in the Blue Room at Third Man Records in Nashville, filtering through dreams and dives in NYC and Los Angeles and London and eventually hitting White’s home away from home at Third Man Records Cass Corridor in Detroit, the performances were explosive and commanding. Chronicled in a new triple-album set. Jack White Live in Nashville / Live in Detroit showcases performances in the two cities he’s called home.

In the spirit of the classic baseball “home-and-away” Vault package #37 highlights the momentous, tour-de-force set White unfurled in Nashville on March 16th and augments it with the unhinged Detroit performance a month later. Highlights include the raucous live debut of stadium anthem “Battle Cry,” the frenetic, stinging guitar fight of “Over and Over and Over” and masterful crowd singalongs for White Stripes classics like “Dead Leaves and the Dirty Ground.” As is par for the Vault, releases both of these shows are exemplary entries into the twenty-plus years of epic, life-affirming Jack White live performances.

According to a post on the website for White’s label, Third Man Records, much of the album was recorded at the Blue Room at Third Man’s shop in Nashville, with the rest coming from its Detroit counterpart, Third Man Records Cass Corridor. The news arrived with a preview of “Corporation” from the set,

White has also given attention to the LP’s artwork. “Packaged in a die-cut sleeve with peep-in artwork reminiscent of [Led] Zeppelin’s Physical Graffiti or the [Rolling] Stones’ Some Girls, the interplay between the sleeve and the jacket will provide fans with hours upon hours of flip-flopping fun,” the post notes. “The discs will be pressed on lustrous black, beautiful blue and wonderful white vinyl.”

The album also comes with three glossy 8×10 pictures courtesy of White’s personal photographer, David Swanson, and a flag featuring White’s logo.

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Watch Jack White Perform Two <i>Boarding House Reach</i> Standouts on <i>SNL</i>

Jack White made his third appearance on Saturday Night Live over the weekend, performing two standout tracks from his recently released solo album “Boarding House Reach” and even making a cameo in a sketch.

White brought two songs from his latest to life on the Studio 8H stage, “Over and Over and Over” and “Connected by Love” White’s the performance was a true team effort, as he’s joined by four back-up singers (one of whom plays a mean tambourine), two keyboard players, his longtime bassist and a kickass drummer. The band’s take on “Over and Over and Over” is a rollicking rave-up that stops and starts on a dime, while their rendition of “Connected by Love” develops gradually, building to dueling organ and guitar solos that shred the song into tatters before Jack White and co. bring it all back home.

The former White Stripe and his band kick off their tour in support of Boarding House Reach this coming week, in White’s hometown of Detroit. White recently described their sound as “very heavy,” adding, “I’ve never been in a band this loud before.” If that (and their SNL set) sounds like your cup of tea, you can find their full tour might be coming near you.
We weren’t the only ones who enjoyed White’s performances Annie Clark (aka St. Vincent got a kick out of his “Connected by Love” track with White playing a guitar designed by Vincent-and-ernie-ball announced in-2017-line-of Annie Clark’s signature Ernie Ball line guitars.

As White briefly discussed with Jimmy Fallon during a recent Tonight Show interview, the musician also popped up in a sketch: the cut-for-time “Wedding Toast,” in which White played a wedding guitarist who happens to be sleeping with John Mulaney’s wife. Though White does little more than play guitar (i.e., himself) in the sketch, it’s fun to see him flex his comedic muscles, however gently—he’s rarely done so since his scene-stealing turn as in 2007’s Walk Hard.

“Connected By Love” from Jack White’s new album Boarding House Reach available now.

 

Since the mysterious clip titled “Servings and Portions from my Boarding House Reach” landed on 12th December last year (directed by none other than Jack White III), we’ve been watching it Over & Over . And even though it sounds like turning the radio dial surfing frequencies, the teaser touched our interest. We were reminded how much we ache for Jack White’s striking blue-and-black colour palette (with flashes of chrome and bursts of colour throughout ). Some believed the words that flashed up onscreen – such as Abulia, Papillon, Vache, Real Hands, Kale (plus some upside down words we’re not quite geeky enough to try and figure out) – were titles of songs from Boarding House Reach,. We’ve always considered Jack White to be a separated-at-birth contender for Johnny Depp’s Willy Wonka and this collection of songs is as phantasmagorical as Roald Dahl’s fictional character.

1. connected by love

The first taste of new Jack White material, the album’s lead single dropped on 10th January and those opening bass booms really do call to mind Muse’s most recent single, Dig Down.

When you’ve already seen a song’s accompanying music video, it’s virtually impossible for it not to play in over in your mind every time you hear the song afterwards. The Connected By Love clip is a collage of scenes featuring seemingly unrelated people in different environments: a woman on her death bed, a group of angry youths kicking the shit out of someone, brothers/twins doing their mum’s head in before stumbling upon a dead deer. And then there’s White himself, inside a room in a house somewhere remote. He beats his chest emphatically while trying to convince himself that humans are inherently good, “’Cause I know!/We’re connected by love,” as the gospel BVs emphasise, “We’re connected/We’re connected”. The circle of life (via death), loss of innocence, interplanetary shifts – hang on, they’re all “connected”! Love is all there is, people.

After a whirling instrumental dervish, there’s a glorious, bare-bones piano breakdown. “Don’t forsake me, woman!/And go and choose somebody else,” (as IF, Jack). Yep, this is punch the air, preacher-man stuff and by the time the organ comes in we’re speaking in tongues.

2. why walk a dog

Opening track two, a lumbering drum pattern calls to mind a dog being dragged along on a lead against its will. White asks all the important questions, such as, “Why does a dog need to be walked?” – except that he over-enunciates the word: dawg. White can definitely be a funny fucker as well: “These cats seem to blow everyone’s mind/But mine.”Indeed the bassline evokes a slinky cat stalking and then sneaking up on a bird. There’s a guitar solo that sounds like the guts are being wrenched out of this instrument and amps crackle under the pressure. Occasional organ stabs intensify to become a main melody and this instrument is already a recurring Boarding House Reach motif. Why Walk A Dog proves what we’ve always suspected: White really is Dr Seuss for grown-ups.

3. corporation

This one sounds like it belongs on The Get Down soundtrack. A skittish beat with hi-hats, an organ melody mimics the guitar riff, insistent egg shakers, drum demolition – “WHO’S WITH ME?” WE ALL are. Already. Corporation changes tack just after the two-minute mark with demented bongos and sounds that fly from one earbud to the other (we almost duck at one point). “I’m thinkin’ about starting a corporation!/Who’s with me?” Then in come White’s piercing squeals, like a toddler protesting while being dragged towards the bath. It’s a freeform instrumental jam. Then White and his travelling band of gypsies march right out the door and off down the street, fading into the distance.

4. abulia and akrasia

Dramatic violin evokes a fortune teller gazing into her crystal ball. “These are my demands…” – hold up, we know that voice! It’s the inimitable CW Stoneking! And his storytelling prowess is undeniable. As is Stoneking’s ability to take us waaaaay back to a land that time forgot. Enter words we need to look up in the Thesaurus such as “abjuration”, “repudiate”, “abdicate” – wouldn’t wanna challenge this character to a game Scrabble! A tambourine shimmers to heighten suspense and honky-tonk piano comes straight from a saloon in Westworld. There’s a cute twist to the tale that we’re not prepared to spoil for ya. And we reckon Stoneking’s kids must get the best bedtime stories ever! He has a bright future in talking books if this music thing doesn’t work out.

5. hypermisophoniac

What are those crackling sounds? A super-fast typing speed? Then thumps suggest Godzilla’s traversing a nearby town. Hypermisophoniac sounds like a malfunctioning arcade game, but piano stabs introduce an organic element. Enter thrashing guitar. “Ain’t nowhere to run/When you’re robbing a bank.” Aha! Maybe those sounds at the start are note-counting machines!? We reckon this one would be a great soundtrack for a robot escaping a facility only to run outta battery life.

6. ice station zebra

These song titles, though! This chugging slice of hi-hat-heavy wonderment with insistent piano chords and trippy organ (or is it that theremin?) would perfectly soundtrack a Looney Tunes cartoon. Then enter White in full flight on a spoken-word rant: “You create your own box you don’t HAVE to listen.” This track particularly is best appreciated through headphones. Wow, the drumming on this album is next-level! And for this we have three drummers to thank: Daru Jones (Nas, Talib Kweli), Carla Azar (Autolux, Depeche Mode) and Louis Cato (Beyoncé, Q-Tip) – we salute you.

At one point the drum pattern is sparse in this song, then things turn cacophonous before it all stops on a dime. In the middle of Ice Station Zebra, there’s a breather during which we can take stock of our thoughts. Then more dialogue (“Come on over you can lick the stamp, son”) with funky keys to boot. “The name of the toon is Cold Hand Luke, ‘cause/I got stripes on my pants and boots” – White’s lyrics are absolutely nuts! Fast riffage then silence.

7. over & over & over

This one’s a more standard rock’n’roll number with killer heavy guitar riffs, loose “WOO!”s and frantic drumming. The rowdy-group backing vocals are quirky, almost The B-52’s-esque. “My shoulder holds the weight of the world.” Pitch-shifted BVs. We just wanna bust out and head-bang along to this track Over & Over & Over. “The rock’n’roller/The young and older/Going back to the stroller.” Guitar screeches underscore actual unhinged human squeals. Many different instruments take turns playing the same five-count main melody. Guitars beg for mercy in White’s hands and then bongos take over, like a galloping heartbeat. “And though you all want me/The gods have all scorned me, now.”

Music video for “Over and Over and Over” from Jack White’s new album BOARDING HOUSE REACH

8. everything you’ve ever learned

“HELLO! Welcome to. Everything You’ve Ever Learned.” There’s Gameboy bleeps and we feel like The Wizard Of Oz is speaking to us from behind a dodgy curtain (pay no attention to that man behind the curtain). Then the system malfunctions and it all goes wonky before bongos that sound like a horse bolting hijack this song’s arrangement. White enters the spectrum in full preacher-man mode again. “Do you wanna question everything?/Then think of a good question!” Those hi-hat-heavy drums return and bongos bring the loco. We feel like Marlon Brando’s Apocalypse Nowcharacter when he was losing the plot! Organ gives this track a religious feel and then White shouts before petering out, “SHUT UP AND LEEeeeeaaaaaaaarrrrrn”.

9. respect commander

Also released on 10th January, this is the B-side to Connected By Love and, as such, didn’t land with an accompanying film clip. Are they experimenting with trying to accelerate into the fastest beat possible? I can’t even type at that tempo! This track sounds like a chase scene in the Mission Impossible franchise and we’re tipping White would choose to do his own stunts. The dynamic variety demonstrated in Respect Commander and its constantly shifting tempos build suspense alongside the scattered, excitable “Whoop!”s. Tambourine shimmers like a rattlesnake. “She commands my respect/And I can’t recollect/A better time in my life… And I cannot protect/My heart from her command.” That guitar work! Prince would approve wholeheartedly. Then it all fades out.

10. ezmerelda steals the show

Gentle strumming, which actually calls to mind REM’s Everybody Hurts, and an endless keys drone underscore layered voices. Spoken-word – reverberant, overlapping voices – sometimes sounds like a poem, other times like a script or stage directions: “Ignoring the beauty of fog on a hill, and a kitten with a mouse in its mouth.”

“You can hear a bootlace…” – what would that sound like? “You people are totally absurd.” Ezmerelda Steals The Show sure is “totally absurd”, but it’s also absolute genius.

11. get in the mining shaft

Synths sound like an old sci-fi movie soundtrack (or Stranger Things?) with what seems to be White recounting the first time he ever encountered an old piano “in an abandoned house” and getting hooked after hitting several notes together at the same time. This album could very well be White’s ode to the piano. Guitars are present, of course – White choosing to play a brand new Wolfgang Special and 5150 amp from Eddie Van Halen’s signature brand on the record – but it’s a remarkably keys-driven set of songs. Enter spacey keys, AutoTuned wah-wahs and a casual, strutting drum pattern. Celestial choirs are like an aural epiphany.

12. what’s done is done

This gently swinging duet – White singing alongside a simultaneous female voice – sounds playful, instrumentally, but the lyrics bring a sinister twist. “What’s done is done/I just can’t fight it no more/So I’m walking downtown to the store/And I’m buying a gun.” Enter an organ solo that takes us straight to church. Amen. Directly after What’s Done Is Done track finishes, White says, “Either you go or I go.” Then a female voice whispers, “Then it won’t be me.”

13. humoresque

You’ll immediately recognise Antonin Dvorak’s Humoresque melody if you’ve ever taken a piano lesson in your life (or listened to your mate practising). White’s voice echoes the notes in Dvorak’s piano cycle, “You thrill and fill this heart of mine/With gladness like a soothing symphony.”

In a recent Rolling Stone interview, White revealed he purchased a musical manuscript that reworks Humoresque, which was written by Al Capone while he was imprisoned in Alcatraz in the 1920s. The fact that a gangster could pen such beautiful words moved White, he says. Boarding House Reach thus concludes like a jazzy lullaby, or “a soothing symphony” according to this song’s lyrics.

Rock Werchter 2018 lineup

The 2018 edition of Belgium’s Rock Werchter festival takes place from July 5th-8th at Festivalpark Werchter, and the stacked lineup was just announced. Headliners include GorillazJack WhiteArctic MonkeysQueens of the Stone AgeNick Cave & The Bad SeedsThe KillersPearl Jam, and London Grammar. Other notable acts appearing at the fest include Nine Inch NailsFleet FoxesAt The Drive InDavid ByrneAnderson .Paak & The Free NationalsMGMTPost MaloneCHVRCHESNoel Gallagher’s High Flying BirdsThe BreedersFever RayFirst Aid KitAlbert Hammond Jr., and much more. Tickets are on sale now.

Initially broadcast in 2001, these sessions capture Jack and Meg with famed BBC DJ John Peel and are arguably the best document of the White Stripes at the time. These have been widely bootlegged since the original broadcase, but this is an official and authorized repress of the 2016 release in celebration of their 15 year anniversary. This double vinyl set includes both live White Stripes recordings – one from July 25th, 2001 and the second from November 8th, 2001.

The White Stripes Live in Detroit: 1999-2000-2001, In continued celebration of The White Stripes 20th anniversary, Third Man Records is proud to announce Vault Package #34 The White Stripes Live in Detroit: 1999-2000-2001.

Live at the Magic Bag: July 30th, 1999, 180-gram, colored vinyl,

July 30th, 1999 found The White Stripes headlining the Magic Bag in fashionable Ferndale, a northern suburb of Detroit. Chosen as a venue mainly to placate the fans who wouldn’t venture to see The White Stripes in rough-and-tumble Detroit, the show would be their first performance after the release of their self-titled debut album. The cushy environs of the Magic Bag provided Jack with an in-house piano, making this the first time that he and Meg would ever incorporate the instrument live. Highlights include their first-ever stab at Bob Dylan’s “Love Sick,” an endearingly unique solo piano rendition of “You’ve Got Her in Your Pocket,” and a simplistic, embryonic rendition of “Dead Leaves and the Dirty Ground,” all of which provide for a tense performance, filled with equal parts rage and tenderness of which only The White Stripes were capable.

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Track List for Live at the Magic Bag 7-30-1999: Jimmy the Exploder/ Wasting My Time/ Astro/ Cannon / John the Revelator (traditional)/ The Big Three Killed My Baby/ I Just Don’t Know What to Do With Myself (Bacharach/David)/ Love Sick (Bob Dylan) (piano)/ Dead Leaves and the Dirty Ground (piano)/ St. James Infirmary (traditional) (piano)/ Suzy Lee/ Stop Breaking Down (Robert Johnson)/ Lafayette Blues/ The Same Boy You’ve Always Known/ You’ve Got Her In Your Pocket (piano)/ Broken Bricks

Live at the Magic Stick: 8-18-2000, 180-gram, colored vinyl

August 18th, 2000 had The White Stripes performing at Detroit’s venerable Magic Stick. Supported by near-and-dear friends (who’d later become bandmates and collaborators), the Greenhornes and Whirlwind Heat, the recording provides a window into the Stripes’ mindset that Summer — just after their West Coast De Stijl headlining tour in June and still yet to experience the insanity of their opening slots for Sleater-Kinney in September. The only known live performance of Captain Beefheart’s “Ashtray Heart” (which they’d just recently laid to tape for eventual release in the Sub Pop Singles Club), a rare live outing for the deep cut “I’m Bound to Pack It Up,” and an electrifying set-ending “Let’s Shake Hands” leave the listener with the palpable sense that something amazing is about to happen for this band.

Track List: You’re Pretty Good Looking (for a Girl)/ When I Hear My Name/ Jolene (Dolly Parton)/ Cannon/John the Revelator (traditional)/ Apple Blossom/ Dead Leaves and the Dirty Ground/ Death Letter (Son House)/ Little Bird/ Jimmy the Exploder/ I’m Bound to Pack It Up/ Broken Bricks/ Hello Operator/ Astro / Jack the Ripper (Screaming Lord Sutch)/ Ashtray Heart (Captain Beefheart)/ Do/ Let’s Shake Hands

Live at the Gold Dollar: 6-7-2001, 180-gram, black vinyl

June 7th, 2001 marked The White Stripes final performance at the Gold Dollar in Detroit. As the first of three hometown headlining shows to support the release of White Blood Cells, the feeling in the air that night was one of excitement and anticipation. In what was arguably the most packed show in Gold Dollar history, Jack and Meg delivered beyond expectations and played their new, soon-to-be critically acclaimed record from front to back. Despite an attempt at tackling Get Behind Me Satan in Chicago in 2005, this would be the ONLY time The White Stripes would perform any of their albums in their entirety. In full command of their powers, The White Stripes proved to be both ascendant and transcendent on this night. This show was the triumphant culmination of the previous five years of gigging in Detroit.

Track List: Dead Leaves and the Dirty Ground/ Hotel Yorba/ I’m Finding It Harder to Be a Gentleman/ Fell in Love With a Girl/ Expecting/ Little Room/ The Union Forever/ The Same Boy You’ve Always Known/ We’re Going to Be Friends/ Offend in Every Way/ I Think I Smell a Rat/ Aluminum/ I Can’t Wait/ Now Mary/ I Can Learn/ This Protector

Includes Show Poster Reproduction Prints,

High quality reproduction prints of the Jack White-designed posters for each of these shows will be included. Originally limited to no more than two dozen copies printed (Kinko’s color copies were a buck a pop back then!), posted up at local Detroit record shops and watering holes and summarily torn down and thrown away, original copies of these highly-sought-after pieces have been known to command hundreds of dollars on the secondary market. The copies included here are gorgeous, instantly frame-worthy and much lighter on the pocketbook than the costly originals.

Live in Detroit Slipcase, Sturdy slipcase utilizing the rub-on style lettering employed by Jack on a majority of his early flyer designs.

Nigh on ten years ago,  The White Stripes unveiled the most ambitious record of their career. Taking its name from the mis-appropriation of the British exhortation “Ecky thump” the Stripes’ Icky Thump would prove to be the final full-length studio album from the beloved Detroit duo. To celebrate not only the ten years since the albums release, but also twenty years since Jack and Meg started the White Stripes AND the 500th release in the Third Man Records’ catalog, we are delighted to announce the release of our 33rd Vault package, “Icky Thump X”.

Deluxe Icky Thump 180-gram, colored vinyl 
The cornerstone of the package is the deluxe, “contained explosion” colored vinyl repressing of Icky Thump. Previously only ever available on boring black vinyl, this double LP, 180-gram vinyl dream is housed in a glorious tip-on sleeve with slightly modified artwork and sealed with a Victorian update on the original red/white sticker that was begrudgingly slit open by fidgety record collectors overly concerned with “condition.” Remastered from the original 1” analog tapes in Nashville, TN, Icky Thump will be the first-ever Vault title manufactured at the Third Man pressing plant in Detroit. You will not believe your ears.


Track List:

Icky Thump
You Don’t Know What Love Is (You Just Do As You’re Told)
300 MPH Torrential Outpour Blues
Conquest
Bone Broke
Prickly Thorn, But Sweetly Worn
St. Andrew (This Battle Is In The Air)
Little Cream Soda
Rag and Bone
I’m Slowly Turning Into You
A Martyr For My Love For You
Catch Hell Blues
Effect & Cause

12″ Icky Thump Extras Vinyl
The logical companion piece to Icky Thump is the collection compiling all nine of the non-album b-sides recorded for (and during) the release and tour cycle. Icky Thump Extras joins live covers (Hank Williams’ “Tennessee Border”), alternate versions recorded in the middle of a horse-racing track in Canada (“You Don’t Know What Love Is…”) with Beck produced exclusives (“It’s My Fault For Being Famous”) and couples them with newly reimagined artwork from Grammy Award-winning designer Rob Jones. Consider this the first and last time any of these songs will appear on 12-inch vinyl, pressed on luminescent lunar-colored vinyl. Extras will also be manufactured at the Third Man Pressing in Detroit.


Track List:

Tennessee Border (originally by Hank Williams)
Baby Brother (originally by Bill Carter and the Rovin Gamblers)
You Don’t Know What Love Is (You Just Do As You’re Told) (frat rock version)
A Martyr For My Love For You (acoustic version)
It’s My Fault For Being Famous
Cash Grab Complications On The Matter
Honey, We Can’t Afford To Look This Cheap
Conquest (acoustic mariachi version)
Conquista (Spanish language version)

The Red Demos
Prior to entering Blackbird Studios for the tracking of Icky Thump, the White Stripes did a full run-through of the tracks in demo form to workshop ideas and get thoughts on tape at their Nashville rehearsal spot. This would prove to be the Only time the band would ever demo an album before recording. Forgotten by all involved in the intervening ten years, The Red Demos is a startling insight into the germination of the songs that would soon be blasted out at arenas and festivals the world over. Of particular interest is the first ever release of the instrumental “Monkeys Have It Easy”, a title previously teased via the original Icky Thump press release in 2007. Cover art depicts a working mock-up of the unedited image used on the original album and exists as the ideal compliment to both that original issue and the mono mix of Icky Thump from the vault package No1 .

Track List: 

You Don’t Know What Love Is (You Just Do As You’re Told)
A Martyr For My Love For You
Rag and Bone
Catch Hell Blues
Little Cream Soda
Prickly Thorn, But Sweetly Worn
Monkeys Have It Easy (previously unreleased)
Bone Broke
Icky Thump
Conquest
300 MPH Torrential Outpour Blues

Exclusive Polaroid Photo Book
To further push this package into “I Cannot Believe They Did That” territory is an exclusive book comprised of Polaroid photos, tracking notes and insight from Icky Thump session photographer and White Stripes’ confidante David Swanson . Comprised 100% of previously unseen and unshared material, the of-the-moment documentation of the album and its recording process by Swanson’s intuitive and discerning eye is revelatory.
Mystery Art Prints by Rob Jones
To even further blow this thing out of the water is one of nine different 8×10 White Stripes images by Rob Jones. Randomly inserted so you have no idea which one you’ll get, these include classic updates on art and graphics from the original release era in addition to completely new ideas, all rendered in the highest quality silkscreen printing and suitable for immediate framing or burning.

“Rag and Bone” Enamel Pin Set
Not enough? Ok, take Two enamel pins that when combined depict the horse skeleton imagery originally featured on the 7-inch artwork for “Rag and Bone” and understand full well that the addition of said pins will elevate any drab old potato sack to a best-dressed list ensemble.

Cross of St. Andrew Soft Touch Box
All of these components will be lovingly housed in a soft-touch coated telescoping box that reproduces the cross of St. Andrew used as an important graphic in Icky Thump’s issue ten years ago and rendered even more poignant now as the specific version of that cross (the Cross of Burgundy) forms the shape of an X. 

Out of all of the artists , You would expect more of Jack White each time Record Store Day rolls around, especially now that he’s opened ip his own studios and record plant . Third Man Records is proud to announce the official opening of its state-of-the-art vinyl production facility in the heart of Detroit’s historic Cass Corridor neighborhood.. The past year has been spent investing creative energy and passion into crafting a meticulously designed boutique vinyl record production facility with a unique customer experience, providing visual evidence to visitors of vinyl’s beauty and importance. Third Man Pressing is an investment in Third Man Records‘ hometown, a neighborhood within a city both rich with musical history, creating a space that is as inspiring as it is prolific.

As the first label to operate a fleet of brand new, environmentally efficient pressing machinery within a purpose-built manufacturing infrastructure, Third Man Pressing minimizes water waste by using recycled water from the record curing process in the air conditioning system, thus creating the only fully climate-controlled pressing plant work environment in the world. Each pressing station is outfitted with a digital touch screen control for temperature, hydraulic compression, and extruder speed, equaling increased control for the highly trained staff as well as a superior product. The plant was engineered to not only be environmentally sustainable, but also community sensitive with its innovative noise reduction construction techniques.

So for this year’s RSD, kicking off on April 22nd, we’re looking forward to checking out the new book and record package he’s putting together, featuring an eclectic bunch of names ranging from Courtney Barnett to the Insane Clown Posse.

The book, titled The Blue Series: The Story Behind the Color, will explore the history of White’s ‘Blue Series’ releases with Courtney and ICP, as well as Beck, Tom Jones, and even Stephen Colbert. The RSD release will come with a 7″ featuring a couple of unreleased Blue Series recordings as well, from First Aid Kit and Gibby Haynes of the Butthole Surfers.

There’ll also be a few other goodies on the way from Third Man Records, including a golden 7” of White’s new single ‘Battle Cry’, .

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Earlier this year, Jack White released the self-explanatorily titled Jack White Acoustic Recordings: 1998-2016, which highlighted the White Stripes star’s unplugged side. On Tuesday, it even scored him a Grammy nomination, to go with the two he received for his work on Beyoncé’s Lemonade.

So it only makes sense that White would continue to unveil acoustic performances. Here, with the help of a slimmed-down band — mandolinist Lillie Mae, fiddler Fats Kaplin and upright bassist Dominic DavisWhite introduces a live acoustic version of “The Rose With The Broken Neck,” a song he sang (and co-wrote) for Danger Mouse and Daniele Luppi’s 2011 album Rome.

The gorgeous black-and-white footage was shot in April 2015 at the Pink Garter Theatre in Jackson, Wyo.

Live acoustic performance of “The Rose With The Broken Neck” by Jack White at the Pink Garter Theatre in Jackson, WY from April 23rd, 2015 (evening show) during the Acoustic Tour. The original version of “The Rose With The Broken Neck,” featuring lyrics by Jack White and music composed by Danger Mouse and Daniele Luppi, is found on 2011’s acclaimed ROME album.

Jack White: Acoustic Guitar & Vocals
Lillie Mae: Mandolin
Fats Kaplin: Fiddle
Dominic Davis: Upright Bass