Posts Tagged ‘Record Store Day’

RECORD STORE DAY 2020

Posted: May 2, 2020 in MUSIC
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Now over three days , over three months. RECORD STORE DAY IS SOCIAL DISTANCING!
2020 is different. So what we’re doing this year is going to be different too.

No one knows what kind of party we’ll all be in the mood for, or able to hold safely, at any time this year, in any part of the world. So we’re focusing this year not on the party aspect of Record Store Day, but on getting the great releases on the RSD 2020 List into your local record store, and then into your collection.

RSD DROPS! Three street dates when titles from The List will be available only at participating indie record stores. We’re working on getting the new version of The List — with new RSD Drops dates — all nice and pretty for you. Look for that on the Record Store Day site on June 1st.

This new plan of action is thought to be a compromise solution that takes into account various territories around the world and the different stages they may be at in terms of managing the pandemic situation.

This is clearly an incredibly challenging situation for labels, retailers and the industry in general and it remains to be seen how it will all work out. By definition, the event has been diluted, and while the end of August seems like a long way away, we have no idea at this stage what social distancing rules may remain in place, wherever we may be in the world. Also, if stock does indeed become available online more quickly, is that likely to be a deterrent to getting out there and queuing up at your local record shop?

The other thing to consider is whether the record labels are still willing to honour their original RSD intentions. They have been sitting on stock for quite a few weeks at the time of writing, and may not be delighted at being told that at least some of their releases can now only happen on 24th October, which is nearly seven months away. There will be a temptation, perhaps, to redesignate releases as non-RSD and get them out into the marketplace much earlier. They could still support the local record shop community by making the releases ‘indie-exclusive’.

Of course, let’s not forget that as well as these three days, there is also the ‘RSD Black Friday’ which apparently is still being planned and on schedule for 27th November. So that’s four Record Store Days in a row in America, which certainly seems like overkill.

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This is a Record Store Day 2020 item. It will be available to purchase from 8am 20th June.

From Kevin…Paris was the first city to really get behind my career as a solo artist. From the first time I played there in 2014 til now, it’s always had an extra spark of magic to it. It’s always the stop I look forward to the most on my European tours as the audience comes with a very unique and kinetic energy, and because of this, so does the band. I had wanted to document this reciprocating fever between us and the crowd for some time now and saw our sold out show at the beautiful Cabaret Sauvage as the perfect time to do so. I also knew I needed to document a night with my new band, the Oh My God Band, which is made up of some of the most talented and tasteful musicians on the planet. And so here and now, in this recording, I have captured the best band I’ve ever played with as well as one of the best crowds I’ve ever played for – all together on a very sweaty night beneath a carnival tent in Paris. xo km

With his four acclaimed solo albums and myriad records of various collaboration, Kevin Morby has become a true musical auteur. Each record possesses its own unique persona and explores intriguing themes and fertile terrain through shifting, focused textures and dexterous, dedicated skill. And now, with the lavish, resplendent, career-best double LP Oh My God , Morby delivers a grandiose director’s cut of his biggest statement to date, epic in scope as well as sound

recordstore day

Photo of Paul in his London garden.

LIMITED EDITION 50th ANNIVERSARY HALF-SPEED-MASTERED VINYL RELEASED FOR RECORD STORE DAY 2020

In June, 2020 one of the greatest solo debuts in rock history, Paul McCartney’s McCartney, will receive a special 50th anniversary release in a limited edition half-speed mastered vinyl pressing for Record Store Day.

Originally released in April 1970, one month before The Beatles’ swansong ‘Let It Be’, McCartney  saw Paul getting back to basics. Writing every song and playing every instrument (with backing vocals from Linda McCartney), the eponymous album represented a creative rebirth, bursting with new ideas, experiments, playfulness and freedom. Sonically, McCartney’s bare-bones home recording aesthetic imbued the album with an authentic lo-fi spirit, a much sought after sound that continues to retain a contemporary edge 50 years on. In contrast to the professional difficulties that came with the demise of the world’s most iconic band,

Paul was personally enjoying the contentment of family life as a newly married father. In a Q&A released at the time, Paul described the theme and feel of the album as, “Home, family, love.”  This is obvious from the opening notes of Lovely Linda throughout the album, with tracks like ‘Every Night’ and ‘Man We Was Lonely’ musing on how much Paul’s life had improved—and nowhere more poignantly than on the tour de force ‘Maybe I’m Amazed’. Paul’s timeless tribute to Linda would be recognized as one of contemporary music’s great love songs, and remains a staple of Paul’s live set to this day, never failing to inspire tears of joy with its refrain of “Maybe I’m a man in the middle of something that he doesn’t really understand. Maybe I’m a man. Maybe you’re the only woman who can ever help me. Baby won’t you help me understand”.

Linda’s presence is also felt in the album’s iconic artwork: the front cover’s bowl of cherries photographed by her on holiday in Antigua, and the back cover’s portrait of Paul with daughter Mary as a baby, photographed on the family’s farm in Scotland where some of the album was also written. 50 years and counting, McCartney offers an incredible insight into the mind of one of the world’s greatest ever songwriters. The homespun spirit of the album and Paul’s taste for experimentation capture a unique moment in time: The very first steps of an unparalleled solo career that has seen Paul McCartney release decades worth of critically acclaimed commercial blockbuster albums including RAM, Band on the Run, Venus and Mars, Tug of War, Pipes of Peace, Flowers in the Dirt, Flaming Pie, Memory Almost Full, and most recently 2018’s-charting Egypt Station.

The 50th anniversary Record Store Day limited edition of McCartney was pressed from a master cut by Miles Showell at half speed using the original 1970 master tapes at Abbey Road Studios. It was made as a vinyl specific transfer in high resolution and without digital peak limiting for the best possible reproduction.

McCartney Tracklisting:

Side one:
The Lovely Linda
That Would Be Something
Valentine Day
Every Night
Hot as Sun/Glasses
Junk
Man We Was Lonely

Side two:
Oo You
Momma Miss America
Teddy Boy
Singalong Junk
Maybe I’m Amazed
Kreen-Akrore

The day Say Sue Me make a bad record is the day I’ll stop singing their praises, but that day is not today because the indie pop darlings from Busan, South Korea recently dropped it’s just a short walk!, their second fantastic release of 2018. A Record Store Day EP from Damnably, its just a short walk! is made up of four playful covers that showcase the band’s versatility and deep knowledge of guitar rock. Blondie’s “Dreaming” is stretched out into a languid, nearly psychedelic shoegaze droner augmented by vocalist Sumi Choi’s light, airy vocals. “Do You Wanna Dance?” is the sweet, slow dance flipside to the band’s own surfy “I Just Wanna Dance,” from their Where We Were Together LP. “Rockaway Beach” is the sparkling indie pop Ramones cover the world has been waiting for, and, well you really need to hear their Velvet Underground cover. Say Sue Me’s greatest strength is not just their ability to make any song their own, but to make it sound effortlessly fun at the same time.

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‘It’s Just A Short Walk!’ is a limited edition EP of cover songs performed Say Sue Me on a special one-sided transparent 12” vinyl, and released by Damnably Records for RSD 2018. 

1. Dreaming (Blondie)
2. Do You Wanna Dance (Bobby Freeman)
3. Beginning To See The Light (The Velvet Underground)
4. Rockaway Beach (The Ramones)

This Saturday, April 21st is Record Store Day, a day that brings us back to a time when the only way you could hear your favorite artist’s new song was by purchasing it on seven inches of vinyl from your local record shop. That’s exactly how Detroit indie-rocker, Stef Chura, wants us to celebrate the annual homage to vinyl culture. Chura, who released her striking debut album Messes in 2017, is pressing a thousand copies of a new 7″ that includes two songs that didn’t make it onto the LP. Both of the songs – “Degrees” and “Sour Honey” – were produced by Will Toledo of Car Seat Headrest and show Chura’s range in emotion, voice, and musicianship.

“Degrees” is a weighty, haunting rumination on mortality that shifts between delicate verses and a blazing refrain. Chura says that the song was originally a plucky folk song, but Toledo had the idea to take it in a Janis Joplin “Ball and Chain” direction, adding gritty layers of guitar that conjure up the image of towering flames.

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Falling on the opposite end of the spectrum sonically, “Sour Honey” is a stripped-down solo affair that features Chura’s flickering, elastic vocals accompanied by Toledo on piano. The bare, vulnerable sound is an appropriate match for the song’s subject matter – insecurity and hyper self-awareness.  “I wrote that song when I was working at a strip club in Detroit as a cocktail server,” says Chura. “It was about the visceral, super physical feeling of complete embarrassment and humiliation. I think I used to suffer from a lot of social anxiety and miscommunications, and it was just a very cat-fighty atmosphere.”

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The 7″ is a Record Store Day exclusive, which means you’ll only be able to pick it up at your local record store. Chura will perform at Detroit’s Third Man Records in tandem with the release,

When Bruce Springsteen joined English singer songwriter John Wesley Harding on “Wreck on the Highway” in 1994, it would be his only performance of that song in a 20-year span. The audio has been officially out there for years, but this week we’re proud to premiere a video documenting that performance.

The occasion: for Record Store Day, Ominvore Recordings is putting out John Wesley Harding’s first covers album, Greatest Other People’s Hits, which includes that live duo performance as well as Wes’s cover of “Jackson Cage” (he likes The River, it seems). It’s the first time on vinyl for both recordings. Look for the LP at indie shops this Saturday, April 21st.

Katie Von Schleicher is following up her excellent 2017 debut, Shitty Hits, with a 7″ vinyl for Record Store Day. The 7″ will be entitled  “Glad To Be Here/Party Dawn” and released on May 4th via the fine folks at Ba Da Bing.

“On a break from touring this winter I went alone to Maryland, where I am originally from, and made these two songs, taking the gear I’ve very happily accrued since making my album Shitty Hits. I built a fire, I set up my gold drum kit, I saw a ton of stars and felt smushed by silence, and it was lonely, so I made these songs. ‘Glad to Be Here’ is where I find myself right now. ‘Party Dawn’ is tied to Maryland, to my friend and our adolescence. Both are a bridge toward the subject matter of my next record. Back in New York, my collaborator Adam Brisbin (Sam Evian, Jolie Holland, Buck Meek) contributed guitar and bass, and Julian Fader (Ava Luna, Frankie Cosmos, Nadine, Palehound) mixed it.”

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Shitty Hits’, the debut album from Brooklyn-based songwriter Katie von Schleicher wasn’t just a brilliant title, but a great record.

Stef Chura

I really enjoyed Stef Chura’s  excellent debut, “Messes”, last year. Actually, I’m still enjoying it this year as well. She’s currently hard at work on its follow-up, That album is still a ways off, but the duo are giving us a taste of their collaboration with a new limited edition 7-inch for Record Store Day. The A-side is “Degrees,” a contemplative song that flares up into an epic classic-rock rave-up when the chorus hits. Car Seat Headrest Will Toledo produces and plays guitar, bass, and organ,  we’re excited to announce the RSD exclusive 7-inch by Stef Chura, Degrees b/w Sour Honey . “Degrees” and “Sour Honey” were both songs cut from Messes , but revived when Stef crossed paths with Will Toledo of Car Seat Headrest and a collaboration was born. Stef says:

“I met Will Toledo in 2016 when we did some touring together with Car Seat Headrest. We chatted at the Empty Bottle in Chicago at our first show and he told me that he found my music on Tumblr via an article that compared us to each other. He invited us on a couple of tours that year before Messes was out and before we had a label or booking agent or release plans or any “stuff.” In May of 2017 we ran into each other again at the Empty Bottle. Will was mixing Twin Fantasy and came out to our gig there with the engineer he’d been working with. He invited us to the studio to check out the record the next day. When we stopped by Will had finished mixing early and asked us if we had anything going on recording-wise. I said I have a couple of songs that got cut from Messes I want to record for a 7-inch and he was like “Cool, wanna record them right now? I’ll play bass.”

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“Degrees” b/w “Sour Honey” is out as a limited edition 7-inch (1000 copies) on Record Store Day, 21st April.

Rhino isn’t holding back this Record Store Day, planning more than 30 special vinyl releases for Saturday, April 21st, to be sold at all participating retailers. Interestingly, several releases are companion pieces to recent general reissues, offering bonus content from different re-releases and box sets as standalone vinyl. Several singles and oddities are in the mix, from a 12″ of The Notorious B.I.G.’s “Juicy,” to a rare “short version” of Prince’s 1999, featuring only seven tracks from the album on one LP. Picture discs from Yes, Whitesnake, and Cheech & Chong are part of the line-up, and outtakes will be used to create alternate versions of Van Morrison’s Moondance and Fleetwood Mac’s Tango In The Night.

Most interesting for collectors are not one but two reproductions of rare Madonna vinyl releases outside the U.S., the vinyl debut of a promo collection by British hip-hop artist The Streets, unreleased mid-’80s masters from Miles Davis and a pair of vinyl sets covering new and old remixes by The Cure.

Among these titles, announced on Tuesday, now stand alongside previously announced RSD exclusives for Led Zeppelin (their first) and David Bowie. More RSD info is at the organization’s official site, while breakdowns of all Rhino’s new titles are below.

Air, Sexy Boy (12″ Picture Disc) (Parlophone)
Celebrate the 20th anniversary of the French synth duo’s debut, Moon Safari, with this shaped picture disc of the band’s first single. It features art from the original 12″ sleeve. (6000 copies)

Cheech & ChongUp In Smoke (40th Anniversary Picture Disc) (Rhino)
This marijuana leaf-shaped disc features the title track to the comedy duo’s first film (the soundtrack of which is being reissued by Rhino the same week) plus an unreleased version with an extra Spanish verse from Cheech Marin as well as a scratch ‘n’ sniff sticker! (4500 copies)

John Coltrane, My Favorite Things, Part I & II (Atlantic)
This U.S.-only single reissue was first included in a Coltrane mono box set. (1000 copies)

The Cure, Mixed Up and Torn Down: Mixed Up Extras 2018 (Elektra)
Long desired by fans of The Cure, the group’s 1990 remix album will be released as a 2LP picture disc set alongside another double picture disc featuring 16 new remixes of Cure tracks by frontman Robert Smith. The band is celebrating their 40th anniversary this year, so hopefully this is the first in a wave of commemorative titles! (7750 copies each)

Miles Davis, Rubberband EP (Warner Bros.)
This four-track 12″ disc features the title song to an unreleased 1985 album, intended to be Miles’ first for Warner Bros. Records after a lengthy tenure on Columbia. It features a new remix featuring Ledisi, a completed version of the track finished by Randy Hall and Zane Giles, and cover art painted by Davis. (6000 copies)

The Doors, Live At The Matrix Part 2: Let’s Feed Ice Cream To The Rats, San Francisco, CA – March 7 & 10, 1967 (Elektra)
This 180-gram, individually numbered sequel to last year’s RSD release features a set from the band at San Francisco’s The Matrix, which was last heard on a 50th anniversary edition of The Doors’ self-titled debut. (13,000 copies)

Fleetwood Mac, The Alternate Tango In The Night (Warner Bros.)
As is becoming tradition for Record Store Day, this album brings together demos and outtakes from last year’s box set version of Fleetwood Mac’s hit 1987 album. (8500 copies)

The Grateful Dead, Fillmore West, San Francisco, CA 2/27/69 (Grateful Dead/Rhino)
A 4LP box set edition (with fourth side etching) of a beloved Dead show, which has been out of print since its release in The Complete Fillmore West 1969 CD box set in 2005. (9000 copies)

Hawkwind, Dark Matter: The Alternative Liberty/U.A. Years 1970-1974 (Parlophone)
A 2LP collection in a gatefold jacket featuring rare tracks from the 2011 compilation Parallel Universe. (5000 copies)

Jethro Tull, Moths (Parlophone)
This six-track 10″ EP is tied to the 40th anniversary of Heavy Horses, recently reissued by Rhino. (6500 copies)

Madonna, The First Album and You Can Dance (Sire)
Two exciting Madonna titles are due for Record Store Day: first, a picture disc version of Madonna’s 1983 debut, reissued in 1985 after the success of Like a Virgin. This set replicates the original Japanese packaging, down to the sticker. Then there’s a red vinyl reissue of her 1987 remix album, featuring the poster and obi from the European vinyl release. (14,000 copies and 12,000 copies)

Van Morrison, The Alternative Moondance (Warner Bros.)
Constructed from alternates and outtakes from the deluxe edition of Van’s 1970 album, this LP features unreleased mixes of “And It Stoned Me” and “Crazy Love.” (10,000 copies)

The Notorious B.I.G., Juicy 12″ (Bad Boy)
A clear/black marble swirl vinyl reissue of Biggie’s defining single. (9000 copies)

Prince, 1999 (Warner Bros.)
A quirky reissue of an ex-U.S. single-LP, seven-track cutdown of Prince’s breakthrough 1982 double album, with a different cover, even. (13,000 copies)

Ramones, Sundragon Sessions (Sire)
These early mixes of tracks from Leave Home were first heard in the 40th anniversary box set of the album and appear on vinyl for the first time. (10,000 copies)

Lou Reed, Animal Serenade (Sire)
A 3LP edition of Lou’s 2003 live album, its first appearance on vinyl. (7500 copies)

The Stooges, The Stooges (Detroit Edition) (Elektra)
This 2LP set was first made available only at Third Man Record shops (it was compiled by the label’s own Ben Blackwell), but now this collection, featuring the band’s 1969 debut album and handpicked rarities from Rhino’s 2010 deluxe edition, is available at all indie stores. (8000 copies)

Various Artists, Twin Peaks: Music From The Limited Event Series and Twin Peaks: Limited Event Series Soundtrack (Rhino)
These two picture discs feature soundtrack and score, respectively, from the acclaimed 2017 revival of David Lynch’s television series, including Roadhouse band performances and original compositions by Angelo Badadamenti. (11,000 copies and 10,000 copies)

Whitesnake, 1987 (30th Anniversary Edition) (Parlophone)
A picture disc version of the rock group’s recently reissued hit LP, featuring “Here I Go Again.” (6500 copies)

Wilco, Live At The Troubadour 11/12/96 (Reprise)
The premiere 2LP edition of a live set included in the deluxe edition of the alt-country act’s Being There, reissued last year. (8500 copies)

Yes (Atlantic)
The legendary prog-rock’s ninth album, released in 1978, gets a picture disc release. (5400 copies)