Posts Tagged ‘Cover’

This song was powered by over 11,000 patrons supporting us on patreon.com/amandapalmer. join the community and help us make more art…it’s an amazing group and WE. ARE. THE. MEDIA.

For your listening pleasure, a new patreon-fueled cover track. me, Zoe Keating, Sean ono Lennon and John Cameron Mitchell got together and covered Joni Mitchell’s “Big Yellow Taxi”, sad folk-goth-style. this link will take you to my (public) patron post about the song here is the story behind it,

This not-quite-as-jolly-as-Joni cover was recorded live at Pioneer Works in Brooklyn, new york while rehearsing for a one-night only super-group performance for Maria “Brain Pickings” Popova’s annual poetry + science event “The Universe In Verse”. (brainpickings.org).

100% of these digital sales will go to the same charity that “The Universe In Verse” worked to benefit: The Natural Resources Defense Council (www.nrdc.org), who, in their own words, “work to safeguard the earth – its people, its plants and animals, and the natural systems on which all life depends.” the NRDC has been doing advocacy and litigation work on behalf of climate change, clean water and our precious earth since 1970.

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Released June 18, 2018
Sean Ono Lennon – upright bass, electric & acoustic guitar, percussion, keyboards
John Cameron Mitchell – Vocals
Zoë Keating – Cello
Amanda Palmer – Vocals

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Musicians cover each other’s songs often enough that the results rarely qualify as news. But covering a whole album, song for song? That’s a labor of love ambitious enough to warrant attention.

The website Turntable Kitchen, which aims to bring food and music together in various ways, recently launched a monthly vinyl series called Sounds Delicious. Each month, a different artist covers an entire album, which the site makes available both as colored vinyl and as a digital download; the records can be ordered individually or by subscription. Participating artists include Foxygen’s Jonathan Rado (covering Bruce Springsteen’s Born To Run) and Death Cab For Cutie’s Ben Gibbard (who’ll tackle Teenage Fanclub’s Bandwagonesque), as well as The Pains Of Being Pure At Heart, GEMS and more bands.

For the next entry, due out June 23rd, Mutual Benefit — whose gorgeous albums offer an ornate and stately take on vintage folk and pop sounds — will tackle Vashti Bunyan’s 1970 classic Just Another Diamond Day. As these covers of “Jog Along Bess” and “Glow Worms” suggest, Bunyan and Mutual Benefit bandleader Jordan Lee are ideally matched, with a similar affinity for gentle introspection.

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“When I was approached about covering a full album, it was a no-brainer to attempt reinterpreting Just Another Diamond Day,” Lee writes via email. “Since my school days, it’s been one of those pieces of music that has been able to transport me to a calmer, more magical world than the one we currently inhabit. It was a unique assignment to use the downtime between tours to pay homage to an album I’ve spent so much time daydreaming with, especially since her songwriting style of soft-spoken observations — mixed with Robert Kirby’s intuitive string arrangements — has been such an enduring influence on my own music.

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“The legend of Diamond Day is almost too good to be true. In the late ’60s, feeling disenchanted from the life of people trying to make her into a pop star, [Bunyan] dropped out of society and took this long journey across the country to get to a commune, writing songs along the way. Eventually, she recorded this incredible and deeply personal album, but it was a complete commercial flop, so she decided she’d rather be a farmer instead of a singer-songwriter. It wasn’t until decades later that an acquaintance came upon Just Another Diamond Day on eBay for thousands of dollars and realized that various contemporary folk artists were calling the album a lost masterpiece.

“While much of the album is pretty compatible with our aesthetic, ‘Jog Along Bess’ was actually one of the more difficult songs to do in our own voice. The sing-songy lyrics mixed with the rollicking ‘good times’ story is something we had never tried to do. We are definitely amateurs at rollicking. Eventually, I started to get really into the lyrics about this misfit crew of people and doggies trying to make it across the country in a half-broken vehicle. I could definitely relate. The more people we had over to collaborate, the more the song took on its own life.”

Mutual Benefit’s album-length cover of Just Another Diamond Day comes out June 23rd via Turntable Kitchen’s Sounds Delicious vinyl series.

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Philadelphian indie quartet The Districts have shared a cover of Joy Division’s famous 1980 single, “Love Will Tear Us Apart.”

The band’s cover is accompanied by a series of moving, flashing images of scientists performing ominous experiments. The Districts frontman Rob Grote adds a more animated take on Ian Curtis’ famously strange deadpan vocals while the band turns Joy Division’s jolting post-punk into a warm, indie-rock sound that Districts fans will recognize in an instant.

The Districts recently released a limited edition 7”, “Nighttime Girls” backed by b-side “Soft Auxiliary,” via their Bandcamp page. “Nighttime Girls” is a gritty garage-pop/rock tune, which the band says is “about the allure of escapism and a character’s general preoccupation with shallowness and neon light.”

After touring with Chicago’s Twin Peaks in support of The District’s 2017 LP, Popular Manipulations, they’ll be making a stop at various Festival’s, as well as some additional headlining shows and festivals across the U.K. and Europe.

The band’s latest album, Popular Manipulations resembles a sunset that’s far more than ordinary, the red sky at night before the darkness of the latest hours. It’s an album thats not letting anyone down.”

The Districts cover Joy Division’s classic “Love Will Tear Us Apart” along with moving images.

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Why did they actually do it? … This is the question every Smithereens fan—and every fan of The Who—must ask when listening to The Smithereens Play Tommy. It is common knowledge that Tommy is terrific, full of songs worth playing. And it’s common knowledge that The Smithereens—a briefly big power-pop outfit from North Jersey that had a small string of hits and fine albums in the 1980s—are a band deeply in love with the British Invasion.  The Smithereens, packing dosed-up guitars that ring with power and full-throated singing, are up to the task of playing Tommy. The band, in short, sounds a whole lot like The Who. This is an accurate, respectful maybe too respectful—recreation of a classic album release.

In 2007, Pat DiNizio (lead vocals and guitar) and his band released Meet the Smithereens, a track-by-track cover of Meet the Beatles. It was followed within a year-plus by B-Sides – the Beatles, a collection of less common tunes by the Fab Four. On the backs of these heartfelt but relatively unadventurous tributes, The Smithereens toured small theaters all over the country, playing their hits, sure, but also playing these ringingly familiar classics to receptive ears. It is ingenious, really, because releasing new albums of original music and hoping that the new music will be received happily by the band’s now-middle-aged fans .

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Friends, I have some announcements! First of all, I’d like to share my video for “It Changes”: three and a half minutes of illustrated colourful madness, courtesy of Ben Clarkson. Hope you enjoy! Second of all, I have a whole EP named “Cannonball EP” which I would love you to listen too and a few european select dates. Alongside “It Changes” it will feature my reworking of Nick Drake’s “Which Will” and also 3 more as of yet unreleased tracks. .

It Changes is written by Annelotte De Graaf
Produced and recorded by Ben Greenberg
Mixed by Jez Williams

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Guitars by Manuel van den Berg and Annelotte de Graaf
Bass by Ronald Straetemans
Drums by Jaap Bontekoe
Keys by Ella van der Woude

Having reached the age of retirement this weekend, I’ve decided not to retire and instead play even more shows. I had a great birthday at home in Nashville with my friends and felines. We capped off the celebrations with an epic karaoke groove.
Thanks to everyone who sent birthday wishes, I love you all. I’m a dismal Brit in many ways, but I’m also I’m a chronic sentimentalist. Go Pisces! Wait ’til you see the silk fish shirt I bought to celebrate my 65th.

In May I’ll be playing solo and band dates in the UK. In June you’ll find me in Ireland and France. Full details on my website.
In other news, in 1982 I went to Norway and I never came back. The place has an empty ghostliness that entered my soul for life. My 2011 album “Tromsø, Kaptein” was released in Norway only as a loving tribute. I’m happy to say the album is now available in the US, UK and other countries by request. CDs are ready to be shipped and vinyl pre-orders will be sent out in April. I’ve been playing these songs live for quite a while, so you may have already heard “The Abyss”, “Old Man Weather” and “Light Blue Afternoon”.
By the by, my occasional collaborator and harmony singer Emma Swift has recorded a gorgeous version of Neil Young’s ‘Mellow My Mind”.

If you’re looking for something new to watch on tv, I can recommend “Electric Dreams”. I contributed a cover of Syd Barrett’s “Octopus” featuring Graham Coxon from Blur on lead guitar and harmonies. I was delighted to watch the episode it appears in and see Steve Buscemi apparently listening to it on repeat. Good on you, Steve! Good on you, Syd! . 

https://www.youtube.com/watch?v=vdXUoxNAWGk

It’s a nice rainy night here in Tennessee, so I am going to curl up with the cats and a new book. Don’t worry, I’m still addicted to social media and if you want to keep in touch, Peace, love, polka dots.
Robyn H x

From the new self titled record from Robyn Hitchcock – out now on Yep Roc Records

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Snapped Ankles take on The Fugs’ counterculture anthem, updated for the Edward Snowden generation.
From the forest floor:”Having unearthed The Fugs CIA man some years before, we were shocked to discover a newer more sinister agency had taken over from the diatribe’s protagonist so we updated Tuli Kupferberg’s list of ills…

“Of course every time the song is now mentioned online, a blip of data triggers a filter that enters a file that rings a bell in a bunker deep under a mountain in Pennsylvania. So now the forest is full of agents looking for us, and we are taping up our microphones and cameras and walking backwards through our own footprints to shake them off…

Released March 2nd, 2018

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CIA Man originally performed by The Fugs. Written by Kupferberg (Warner Chappell)

Fri 23 March Tremor Festival, Azores, PORTUGAL
Wed 4 April Ghost Notes, London, UK
Fri 6 April Le Vecteur, Charleroi, BELGIUM
Sat 7 April This Is Psychedelia, Folkestone, UK
Tue 10 April Night & Day, Manchester, UK
Fri 4 May Desertfest, London, UK
Sun 27 May Raw Power Festival, London, UK
Sat 26 May London Calling Festival, Amsterdam, NETHERLANDS
Sun 22 July Bluedot Festival, Cheshire, UK
Sat 18 August Green Man Festival, Brecon Beacons, UK
Sat 25 August Sea Change Festival, Devon, UK
Sat 1 September End Of The Road Festival, Dorset, UK

Nashville label and small press, Cosmic Thug Records, will release a digital split single from Emma Swift and Pony Boy next week featuring two reinterpretations of classic Neil Young songs.

Emma Swift performs a wonderfully poignant version of Mellow My Mind maintains the melancholy of Young’s version but trades the melodrama for her unique voice and a delightfully warbly guitar. and Pony Boy (Marchelle Bradanini)  offers up a slow-as-molasses, haunting take on Like A Hurricane turns the somewhat anthemic original into a mournful lamentation, expressing the underlying sadness of the song.

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Both are great versions and well worth a listen. There is also a rather nice video for Mellow My Mind too. Released by: Cosmic Thug Records

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Last week something beautiful came to fruition. Following a certain kind of bromance, the two bands connected after Smash Mouth proclaimed their love for Car Seat Headrest on twitter. The bands were then later egged on to collaborate. And they did.

Last week, Car Seat Headrest and Smash Mouth premiered their respective covers of each other’s work on SiriusXMU. Smash Mouth did a rendition of the “Teens of Style” track ‘Something Soon,’ while Car Seat Headrest took on Smash Mouth’s ‘Fallen Horses’ from the album 1999’s “Astro Lounge”.

Now CSH have shared their version for you all to enjoy in your own time. The brilliant version is what covers should be, an interpretation of a classic track by a different artist and Toledo and Co. really make the song their own.

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Take a listen and enjoy this burgeoning bromance.

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We’re pleased to release our Tame Impala cover of “Eventually”. It comes from our new album Nudes out March 2nd.

We wanted to include something special with the NUDES vinyl packaging, something that felt nostalgic and immersive in the same way that the recordings did. Having had them as a kid, zoetropes came to mind; those paper cylinders you spin to watch a moving image through the slits. Turning to the online art community, we figured it was worth a look to see if anyone else was on this wavelength. A few hashtag searches later, with one leading to another, phenakistoscope brought us to our new and incredibly talented friend Drew Tetz. He created this insert for our vinyl that combines old technology (your record player) with new (your smartphone camera) to create this trippy moving image. Check out his incredible work. He has been an absolute pleasure to collaborate with and we can’t wait for you to try these at home! . Available in the Deluxe Vinyl Edition of NUDES

Lucius “Eventually” is a Tame Impala cover from the Lucius acoustic album, NUDES, out March 2nd.