Posts Tagged ‘Bonnie Prince Billy’

Recorded at the Bomhard Theater in Louisville, KY on December 13th, 2020 with the Best Hands band: Jake Xerxes Fussell, Nathan Bowles, Anna Krippenstapel, and Nathan Salsburg. Guest appearances by Julia Purcell and Bonnie “Prince” Billy.

Proceeds from this album go to support the Best Hands Band that supported me. With their own tours delayed and the future uncertain, they deserve some love!
The support I have felt from you all recently has been moving beyond words. I thank you for keeping music close to your hearts right now. Love to everyone. Joan

released April 9th, 2020

The performers:
Joan Shelley – vocals, guitar
Nathan Salsburg – vocals, guitar
Jake Fussell – bass
Nathan Bowles – drums
Anna Krippenstapel – vocals, fiddle
Julia Purcell – vocals
Bonnie “Prince” Billy – vocals

superwolf matt sweeney and will oldham

You may remember way back in the mid-’00s all new indie bands were required to have the word “wolf” in their names, hence Superwolf, the 2005 collab between Will Oldham and Matt Sweeny. Fifteen years later, Will & Matt brought Superwolf out of retirement to help East Village vegetarian join Superiority Burger and Will’s label, Drag City, with this new jam.

From Superwolf’s home in the sea comes a new, long-awaited exclamation. “You’ll Get Eaten, Too” is a sunbaked song-comet streaking through our suddenly emptied, wide-open skies. Ostensibly a song about meat and the star-crossed destinies of us all, here in the chain of organic life, the song explores affirmations, impermanence and downfall for anything that can evolve and grow (like bacteria….or a virus), in a taut and purposeful three minutes of rock anthem. Atop burgeoning arpeggiation and soaring string bends, Bonnie Billy and Matt Sweeney get ever higher, voicing conflict, contradiction, acceptance and celebration in a manner that invites all to sing with them.

“You’ll Get Eaten, Too” dates from Superwolf’s long middle-period between their initial album release (2005) and the planned release of a new album, which is almost fully rendered, awesome and now awaiting the new world order to be sorted. Will music be marked any more non-essential than it already has? Matt and Bonnie certainly hope so. In the meanwhile, “You’ll Get Eaten, Too” is a (de)commissioned number from a decade back, recorded at the old Rove studio HQ in Shelbyville by Paul Oldham, and with Peter Townsend on hand to round out the sound. With such a message to send, and such energy, “You’ll Get Eaten, Too” has sat it out for too long, waiting to play a role – but the time is now, as a new organic growth spreads unchecked across the nations, truncating life as we know it everywhere. Faced with rallying support on any number of fronts, Bonny and Sweeney are throwing the profit from this single behind NYC’s Superiority Burger, as good a vegetarian/and sometimes vegan option as there is – as well as the beleaguered staff of Drag City, currently facing an uncertain future slinging their own patties. Sing for your support, please! 

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Featuring artwork with a timely new take on the original Superwolf artwork from original artist Spencer Sweeney, “You’ll Get Eaten, Too” is available for consumption on Bandcamp exclusively for 3 days, for $3 or more – and please note the ‘or more’ here, as anything extra you give will benefit disenfranchised workers struggling to get back to making alternative products for the world to consider (and consume).

released March 27th, 2020

No photo description available.

GQ clothes-horse and man who saw a darkness Bonnie Prince Billy has his first album of new songs since 2011. This time, he brings the lightness, with help from a Louisville band including picker Nathan Salsburg, ex-Gary Burton Quartet drummer Mike Hyman and singer-songwriter Joan Shelley. Influenced by songwriters John Prine and Tom T. Hall and inspired by the state of Hawaii, I Made a Place finds Bonny using his considerable powers for good.

“This Is Far From Over” features and was edited by Captain Olivia O Wyatt. She just completed a solo transpacific crossing from San Diego to Hawaii on her 34 ft. boat, Juniper. The voyage lasted 23 days and was chronicled on her blog Wilderness of Waves . From Hawaii, she will sail around the world to destinations guided by humpback whale migration patterns. As Olivia traverses the sea, she is creating an ethnographic film exploring the mystery of humpback whale songs from the perspective of indigenous communities who revere them as deities.

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Track from full-length Bonnie ‘Prince’ Billy album, available January 31st, 2020.

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Joan Shelley recorded “Coming Down For You” in Iceland. Despite this venture away from her native Kentucky, her love of banjo, guitar and bass still ripples, swirls and flows around Shelley’s voice like a river over well-worn stones. “Coming Down For You” is out now on No Quarter Records.

The Louisville singer-songwriter Joan Shelley makes lovely, warm acoustic folk music. Last year, she released the covers EP “Rivers & Vessels”, taking on songs by people like Nick Drake and Dolly Parton. A few months ago, she shared covers of Frank Sinatra’s “I Would Be In Love (Anyway)” and Kate Wolf’s “Here in California.” And now, she’s back with some more new music of her own.

“Coming Down For You,” her first original song in over two years. She travelled to Reykjavik, Iceland to record it with a whole host of kindred spirits from the folk music scene — Bonnie “Prince” Billy, Nathan Salsburg, and James Elkington — and its cover art features a photograph of her mother.

The song “came to me while I was in motion and I couldn’t write it down,” Shelley says. “I was thinking of the rhythm of animals, of work, and of travel; the rhythm of someone riding into chaos to bring a loved one back out again.”

The new album, Pond Scum (out today), is an integral piece in the evolution of Bonnie ‘Prince’ Billy’s progressive and prolific catalogue. A collection of sessions recorded for John Peel’s influential BBC show, it spans eight years of Bonnie’s career and is essential for longtime fans and first-time listeners alike.

Bonnie 'Prince' Billy

…similar in tone but NOT from the forthcoming Bonnie ‘Prince’ Billy release “Pond Scum”, in stores LP, CD, and Cassette on January 22nd on Drag City Records. “Rich Wife, Full of Happiness” appears on Bonny’s EASE DOWN THE ROAD RECORD in its full-arrangement. The BBC sessions gave room to represent the original bones of the song.

There are no Peel sessions anymore – that tradition was buried in the pyramids with John Peel himself upon the great man’s passing. Of the thousands left in the wake, six are ascribed to Bonnie ‘Prince’ Billy – and of those six, three have been combined to form the deeply congruous experience of  “Pond Scum” .A span of eight years is covered, in reverse, and many chestnuts are rolled out, freed of former contexts with sparse arrangements. “(I Was Drunk at the) Pulpit” feels, ten years from inception, more vividly worn; “Death to Everyone” is loosed from its frame, the bones decoupled and spread out, giving the song a reflective air (as opposed the biting declamation of the original); “Arise, Therefore” adapts its metronomic base, the evangelic twist of its roots made palpable. With the center of the performance in stark relief, the gnomic qualities of two “Get On Jolly” pieces are intensified. Further accenting the devoted spirit of this collection is the inclusion of Bonnies take on Prince’s “The Cross”, as well as the previously-unreleased original “Beezle.”

Second single from Bonnie ‘Prince’ Billy new album “Singer’s Grave a Sea of Tongues.” Will Oldham better known by the stage name Bonnie ‘Prince’ Billy, is an American singer-songwriter and actor. From 1993 to 1997, he performed and recorded under variations of the Palace name, including the Palace Brothers, Palace Songs, and Palace Music. After releasing material under his own name, he adopted the “Bonnie ‘Prince’ Billy” moniker for the majority of his output since 1998, A fairly prolific songwriter and performer.