Posts Tagged ‘California’

Before Weezer released Pinkerton — the initially-misunderstood album that eventually became rightfully recognized as the band’s masterpiece — they were working on Songs From the Black Hole, a space-themed science fiction rock opera with guest vocals by Rachel Haden and Joan Wasser that was eventually abandoned, with some songs ending up on Pinkerton, others surfacing over the years, and others still in the vault or unfinished. Just judging by what does exist of it, it’s one of the great “lost” albums in rock history, and Weezer never attempted anything like it since. The post-Pinkerton, Matt Sharp-less version of the band has almost never neared the heights of the band’s classic ’90s era, though Matt Sharp’s band The Rentals have. Their 2014 reunion album “Lost In Alphaville” (released on Polyvinyl) was the album that those of us who wanted another Blue Album were waiting for, and with the self-released Q36 — The Rentals’ first new album in six years – they just may have made their Songs From the Black Hole.

The Rentals’ lineup is now Matt Sharp with Yeah Yeah Yeahs guitarist Nick Zinner and The Killers drummer Ronnie Vanucci, and they made this album with frequent Flaming Lips collaborator Dave Fridmann as mixing engineer and guest vocal contributions from The Gentle Assassins Choir, School of Seven Bells’ Alejandra Deheza, and others. Fridmann especially is a perfect fit for Q36; Lost In Alphaville sounded like crunchy, punchy, power-poppy ’90s Rentals but Q36 is a soaring, adventurous psychedelic pop album that sounds like Matt Sharp’s very own Yoshimi Battles the Pink Robots. And, lyrically, it’s a space-themed science fiction concept album.

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Each of the 16 songs on this double album tells its own story — with inspiration coming from real-life occurrences like Apollo 11 (“Forgotten Astronaut”) and the Space Shuttle Challenger disaster (“Great Big Blue”), as well as hypothetical, apocalyptic scenarios that fall under “science fiction” but aren’t so impossible to imagine these days — and Matt chose to introduce these stories to the world by releasing one song at a time over the past few months. Together, the 16 songs of Q36 make something that genuinely earns the term “epic.” It’s by far the most ambitious music that Matt Sharp has ever released, and he pulls it off. The Rentals’ first reunion album proved they could still churn out quality versions of the music they made in the ’90s, but I don’t know who could’ve predicted Matt would return six years later with a star-studded line up and an album that is both literally and figuratively out of this world. This is the kind of album that music nerds dream up when they’re shooting the breeze about hypothetical supergroups and album concepts that will never exist. But I promise you’re not dreaming, Q36 really does exist, and it’s as great as it sounds like it’d be. Surely “Q36” is Matt’s magnum opus. I was unsure at first as the singles came out but one by one it turned into a masterpiece!.

The space western theme is a story on it’s own.

Released June 26th, 2020

(Singer, Songwriter; Producer) Matt Sharp
(Guitarist) Nick Zinner
(Drummer) Ronnie Vannucci

Birthed in the weird waters of Philadelphia & revitalized in the even weirder smog of Los Angeles, Man Man is an acclaimed experimental rock band trafficking in multi-genre ear worms. Unique, beautiful, undefinable. Man Man, the project led by Honus Honus (aka Ryan Kattner), have shared a new song, “Dig Deep.” It was posted to Bandcamp on a day where revenue shares are being waived. Any downloads of the song today (July 3rd) will benefit the NAACP and Know Your Rights Campaign and you can pay what you’d like, starting at $1.00.

Man Man released their first album in almost seven years, Dream Hunting in the Valley of the In-Between, in May via Sub Pop, Man Man’s first album for the label.

Previously Man Man shared the album’s first single, “Cloud Nein,” via a Kattner-directed lyric video for the new song. “Cloud Nein”. Then they shared another song from it, “Future Peg,” via a strange Stephanie Ward-directed video for the song. Then they shared another song  “On the Mend,” that featured backing vocals from Dre Babinski (aka Steady Holiday) and Rebecca Black ,

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Dream Hunting in the Valley of the In-Between was the follow-up to 2013’s On Oni Pond. Since then Kattner has released a solo album, a children’s music album, and an album as a member of Mister Heavenly. But it took him a long time to get back to Man Man. Dream Hunting in the Valley of the In-Between was written over a three-and-a-half-year period while Kattner lived in a friend’s guest house in Los Angeles. Kattner pointed out in a previous press release that it was more of shack than a fancy guest house and had “an old upright piano, a thrift store lamp, and nothing else.”

“I had chord progression notes that looked like chicken scratch and lyrics on pieces of paper stuck all over the walls. It looked like I was about to break the big case, catch the killer,” Kattner said of the period. “One of the best things about this time, in these ‘lost in the wilderness/surreal exile from my own band’ years, was that I finally found players who believed in me, trusted my vision, respected my songwriting. It was rejuvenating.”

Father John Misty Anthem 3 EP

Father John Misty is releasing a new EP tomorrow (July 3rd) called “Anthem +3″. The four-track release opens with a new cover of Leonard Cohen’s “Anthem” (from 1992’s The Future). Rounding out the EP are three songs that Misty has previously covered: Link Wray’s “Fallin’ Rain,” Yusuf / Cat Stevens’ “Trouble,” and Leonard Cohen’s “One of Us Cannot Be Wrong.”

Check out the Anthem +3  artwork below.

Anthem +3 will be available on Father John Misty’s Bandcamp page, in conjunction with the site’s fee-free sales day for artists. Proceeds from the EP will benefit CARE Action and Ground Game LA. The EP will then be released across DSPs on July 14th (via Sub Pop/Bella Union). Recorded only a few weeks ago at producer Jonathan Wilson’s Fivestar Studios in Topanga, California, the EP includes covers of Cohen’s “Anthem” and “One Of Us Cannot Be Wrong,” Wray’s “Fallin’ Rain” and Cat Stevens’ “Trouble.”

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Released July 3rd, 2020

In March, Father John Misty shared the live album Off-Key in Hamburg. His latest studio LP is 2018’s God’s Favorite Customer.

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As she prepares to release her third LP, Oakland’s Madeline Kenney is building a consistent and downright exquisite body of work. The singer and multi-instrumentalist co-produced Sucker’s Lunch with Wye Oak’s Jenn Wasner and Andy Stack, and Kenney has tightened her role in a bicoastal clique that has been spawning intriguing indie pop from Durham, N.C. to the Bay Area. On “Double Hearted,” Kenney’s synths and vocals soar in wavelengths as she sings, “voices get me high…!” on the hook, alongside Stack’s rhythmic percussion and Wasner’s unmistakable bass. Kenney’s first two albums showed skill and promise, but there’s something bolder and lasting building on Sucker’s Lunch. The new song today! ‘Double Hearted’ you can also watch a silly jello-filled lyric video + get some info on how I made the tune

“Double Hearted” is the second single taken from Madeline Kenney’s forthcoming album, “Sucker’s Lunch,” out July 31st.

Ty Segall has released an album of Harry Nilsson covers called Segall Smeagol.

I wanted to cover Nilsson Schmilsson for years, so I used the opportunity of being at home to cover my favourite cuts from the record. So here it is free on Bandcamp – “Segall Smeagol” Love To Everyone – Ty Segall

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Released March 31st, 2020 Ty Segall, Nilsson Schmilsson covers album Segall Smeagol.

“Aviary” is an epic journey through what Julia Holter describes as “the cacophony of the mind in a melting world.” Released in October 2018 via Domino, it’s the Los Angeles composer’s most breathtakingly expansive album yet, full of startling turns and dazzling instrumental arrangements.

The follow-up to her critically acclaimed 2015 record, Have You in My Wilderness, it takes as its starting point a line from a 2009 short story by writer Etel Adnan: “I found myself in an aviary full of shrieking birds.” It’s a scenario that sounds straight out of a horror movie, but it’s also a pretty good metaphor for life in 2018, with its endless onslaught of political scandals, freakish natural disasters, and voices shouting their desires and resentments into the void

“Aviary”,  produced by Holter and Kenny Gilmore, combines Holter’s slyly theatrical vocals and Blade Runner-inspired synth work with an enveloping palette of strings and percussion that reveals itself, and the boundless scope of her vision, over the course of fifteen songs. Holter was joined by Corey Fogel (percussion), Devin Hoff (bass), Dina Maccabee (violin, viola, vocals), Sarah Belle Reid (trumpet), Andrew Tholl (violin), and Tashi Wada (synth, bagpipes).

Originally released October 26th, 2018

2018, Domino Recording Co Ltd

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Gum Country are a Canadian indie rock band brought to you by vocalist/guitarist/songwriter Courtney Garvin (The Courtneys) and multi-instrumentalist Connor Mayer. The project began in Vancouver, Canada as a series of lo-fi four track recordings made in an apartment, very quietly. These recordings were released as a self-titled cassette by Lolipop Records in 2017. After moving to Los Angeles where they currently reside, the pair recorded their debut full-length album Somewhere with Joo-Joo Ashworth at Studio 22, this time at full volume.

Duo Gum Country’s self-described “harsh twee” project began back in Vancouver . It draws on groups like Stereolab, Yo La Tengo, Meat Puppets, and The Magnetic Fields, and envelops and transforms these influences within the warm embrace of fuzzy open-tuned guitar tones, driving drums and melodic keyboard accompaniments.

After relocating to Los Angeles where they currently reside, the pair recorded their debut full-length album “Somewhere” and have self-released the album digitally on all streaming services.

All digital sales via Bandcamp today will be donated to the ACLU on Gum Country’s behalf. In addition, Bandcamp will be donating 100 percent of its own revenue to the NAACP in solidarity with recent protests against police racism and brutality.

The super track Tennis (I Feel OK) and the rest of this excellent album of hazy power-pop and woozy feedback meanders through the highs and lows of daily life, touching on subjects ranging from love, loss, and anxiety, to video games and gardening.

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The songs on Somewhere meander through the highs and lows of daily life, touching on subjects ranging from love, loss, and anxiety, to tennis, video games, and gardening. Garvin navigates these topics with humor and sincerity, her unassuming delivery riding amidst the swirling instrumentals like a snowboarder shredding fresh pow.

The band performs live as a three piece, with Mayer on drums and keyboard at the same time. Halle Saxon Gaines usually plays bass, but there are occasional appearances from Lauren Early and Luna Nuhic.
Somewhere will be released on June 19th, 2020 on vinyl via Kingfisher Bluez (Canada), cassette via Dinosaur City Records (Australia) and Burger Records (USA) .

released June 19th, 2020
All songs written by Gum Country
Courtney Garvin: guitar/vocals
Connor Mayer: drums/keyboard/bass
Recorded and Mixed by Joo-Joo Ashworth at Studio 22
Mastered by Dave Cooley at Elysian Masters

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Azniv Korkejian, the Los Angeles -based artist who records as Bedouine, makes soft, delicate, beautiful folk music. There’s a long, rich tradition of musicians using soft, delicate, beautiful folk-music as a forum for the left-wing rallying cry, and it seems like Korkejian is getting in touch with that tradition right now. Last month, Bedouine released her version of the Vietnam-era protest song “The Hum.” Today, she’s dropped a gorgeous take on the old folk traditional “All My Trials.”

“All My Trials” is an old song of unknown origins. It’s a stark piece of writing about how those without money are destined for harder, shorter lives than those with it: “If living were a thing that money could buy/ The rich would live, and the poor would die.” Over the years, a number of artists (Harry Belafonte, Pete Seeger, Joan Baez) have recorded their own versions of the song. A Paul McCartney recording of it was a minor UK hit in 1990. Today, we get to hear Bedouine’s.

Azniv Korkejian recorded her take on “All My Trials” at her home. She’s done it as a hushed lullaby, with softly fingerpicked guitars and glowing Fender Rhodes tones. I don’t know who sings harmonies on her version of the song — maybe it’s just Korkejian’s voice multi-tracked — but those harmonies are a killer.

Bedouine – “All My Trials” from Mexican Summer’s Looking Glass series.

Released May 19th, 2020
Written by unknown / traditional
Recorded and produced by Bedouine
Recorded at home April, 2020

LA’s Death Valley Girls have made a name for themselves by churning out a desert-blasted blend of rowdy proto-punk and primitive heavy metal steeped in cosmic idealism and third-eye consciousness. Their first new offering since tearing a hole in the sky with their 2018 album Darkness Rains comes in the form of a two-song seven-inch, “Breakthrough.” The title track is a cover by Atomic Rooster, though the band discovered the track through a rendition by Nigerian outfit The Funkees.
With its grimy guitar riffs, fire-and-brimstone organ, and combative chorus, it’s as if the song was originally written with Death Valley Girls’ brand of stark transcendental rock in mind. But it wasn’t just the pulse and melody that drew the band to the song. “It spoke to me because of the lyrics about breaking free from an invisible prison… we all have invisible or visible prisons we are trapped in,” says vocalist and multi-instrumentalist Bonnie Bloomgarden. The song discovery coincided with the band’s interest in Damien Echols of West Memphis 3 and his ability to endure his imprisonment by learning to astral project through meditation.
The b-side is another cover—a ramped up version Daniel Johnston’s loud-quiet-loud anthem “Rock ‘N’ Roll / EGA.” It’s a total rager, but it’s also a bittersweet song for Death Valley Girls as they had the rare privilege to briefly serve as Johnston’s backing band. Ultimately, the two songs have a deep and profound connection to Death Valley Girls, both in their spirit and in their aural alignment.
Suicide Squeeze Records is proud to offer up the “Breakthrough” seven-inch in a limited edition one-time pressing of 750 copies on Half Purple & Half Black colored vinyl on June 12th, 2020.
Released June 12th, 2020

A compilation of a ton of covers we’ve done, from 2003-2020!, Be sure to check out the albums and singles these are from!. The Dollyrots are a female-fronted rock n’ roll band from California. Rockers Kelly Ogden and Luis Cabezas juggle the family business — their irrepressible pop-punk quartet The Dollyrots
Get this download for FREE for a limited time!.

Released June 12th, 2020

All songs performed by The Dollyrots