Posts Tagged ‘Brooklyn’

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Dreams, so we’ve been told, only occur while we sleep . For No Vacation, the bedroom is where everything started, and now they’re living their dreams. The guitar-pop quintet have in a short period achieved a cult status within the indie community, leading them to move from their hometown of San Francisco to the music mecca of Brooklyn. During their transition from one coast to the other, they wrote and recorded their latest EP, the aptly titled “Intermission”, which, well, sounds like it came from the bedroom.

At a succinct sixteen minutes, Intermission is a stunning and immediate affair. From the soothing melodies and jangly guitar riffs to the thoughtful songwriting, the record is like a letter written to you from your best friend. Or in this day and age, it’s akin to your BFF sending you a steady stream of text messages sent over the course of a day. The warm and embracing “Yam Yam” kicks off the EP, and it reintroduces the world to the comforts of No Vacation’s bedroom pop. The interplay between the clean guitar lines and the deep echo of the bass yields a groovy yet spellbinding ambiance while the percussion work is smartly executed. They set the canvas for front woman Sabrina Mai’s whispery vocals and endearing lyrics, which are words a best friend would say to someone in need or in trouble.

The air gets steamy with “You’re Not With Me”, an extremely intimate ballad of the unbreakable bond between two lovers, friends, or family. It’s No Vacation’s goodbye to the people they are leaving behind, but who will never be forgotten. After the short piano interlude “Intermission”, the band make an escape from death sound like a day at the beach with “Reaper”. The shimmering guitar-pop melody and Mai’s feathery vocals mask the seriousness of the lyrics. “I’ve got to get away, get away from this place”, Mai sings with her own delicate urgency.

The EP’s closer, “Mind Fields”, possesses a similar groovy, carefree spirit. This song, however, is about a break-up that occurred early in the band’s evolution. Although Mai’s lyrics are biting, a feeling of relief from being unshackled is felt in her voice.

Although “Mind Fields” is recalls a moment of heartbreak, it’s final words leave to interpretation that the song could mean much more. Maybe it’s the band’s way of saying they will one day return to the Bay area. Maybe they’re telling us that for all the struggles of the past they cannot wait for what the future holds. Or maybe it’s a subtle way to say they are living their dreams, and they won’t let these moments pass.

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Intermission is out now via Topshelf Records, and it is available for purchase on Bandcamp as well as on the other usual streaming and online music stores.

No Vacation are Sabrina Mai (vocals/guitar), Marisa Saunders (bass), Nat Lee (synths), Harrison Spencer (guitar), and James Shi (drums).

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Brooklyn psych punks Acid Dad are set to deliver their highly anticipated debut full-length this Friday, March 9th, via Greenway Records.

New York City’s Acid Dad have quickly established themselves as one of the tightest, tireless, and most energetic bands in the Brooklyn scene. The group “boasts an electric sound that welcomes psychedelia, garage rock, and post punk in constantly varying doses, and a rock ‘n’ roll attitude that screams NYC late ’60s (and at times Manchester late ’80s)” writes The Deli Magazine. Their eponymous debut LP was engineered, mixed and co-produced by Jonathan Schenke (Parquet Courts, The Drums, The Men) and follows-up their well received 2016 EP Let’s Plan A Robbery.

The 11-tracks that finally made it onto the album Acid Dad are well worth the wait and effort. The band turns to influences as far ranging as Bob Dylan (“Die Hard”) and Archers of Loaf (“2Ci”) in surprising ways, creating songs that are as lyrically intriguing as they are musically enthralling. The band describe in one sentence the idea behind the song

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“Die Hard”: Don’t like New Years resolutions, backroom politics, or drunken orangutans.

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“2Ci”: Post 6AM rave on a accidental synthetic overdose.

“Mr. Major”: Inspired by our indecipherable Russian delay unit and propaganda.

“Child”: A companion piece to anyone having just moved into a metropolis prison.

“Come Outside”: Arguably the most dad rock by way of Nassau Coliseum song on the record.

“Marine”: A sharp stoned march to the emergency room.

“Mistress”: Below freezing lab rat in a constricting relationship with another frozen lab rat twice its age.

“Bada Bing”: Hard hat striking, bull riding, sweaty little peach fuzzing teenage anthem.

“Mow My Lawn”: Being forced to mow your lawn on a Sunday.

“No Answer”: Cops!

“Dissin’”: Is this alternative country? I think so.

Acid Dad will support their debut with a large spring tour, including newly announced European dates for May.

Whether they’re droning into the haze of “Mow My Lawn” or storming towards freedom on “Mistress”, Acid Dad balance dynamic melodies and unhinged punk with such precision that you’ll never find yourself bored.

Katie Von Schleicher is following up her excellent 2017 debut, Shitty Hits, with a 7″ vinyl for Record Store Day. The 7″ will be entitled  “Glad To Be Here/Party Dawn” and released on May 4th via the fine folks at Ba Da Bing.

“On a break from touring this winter I went alone to Maryland, where I am originally from, and made these two songs, taking the gear I’ve very happily accrued since making my album Shitty Hits. I built a fire, I set up my gold drum kit, I saw a ton of stars and felt smushed by silence, and it was lonely, so I made these songs. ‘Glad to Be Here’ is where I find myself right now. ‘Party Dawn’ is tied to Maryland, to my friend and our adolescence. Both are a bridge toward the subject matter of my next record. Back in New York, my collaborator Adam Brisbin (Sam Evian, Jolie Holland, Buck Meek) contributed guitar and bass, and Julian Fader (Ava Luna, Frankie Cosmos, Nadine, Palehound) mixed it.”

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Shitty Hits’, the debut album from Brooklyn-based songwriter Katie von Schleicher wasn’t just a brilliant title, but a great record.

Half Waif, the Brooklyn-based synth-pop trio made up of Nandi Rose Plunkett, Adan Carlo and Zack Levine, will release their Cascine Records debut on April 27th. The album is called Lavender and another track  “Torches,” is an evocative and elemental balancing act between freedom and comfort.

“I know somewhere to my left is an undying coast / I think of it in the night when I know I need it most,” Plunkett sings, taking solace in the distant presence of vast and calming waters while she traverses a world of fire and blood. “I see the way the landscape burns / Upturned by the violence / Are these torches meant to fill the unending silence?” she wonders, her delicate voice complemented by a skittering beat and pulsing synths.

Plunkett says of the song: “Torches” opens with the terror of a world that burns, tempered by the cool reminder of an undying coast somewhere nearby. It then imagines what happens when that lit darkness reaches you before you can reach the water’s edge—when you come to feed off it, called by the scream of the open, endless road. It’s probably not surprising that I wrote this song in the days immediately after Trump’s election, driving through Texas on a stretch of highway.

Lavender was unveiled a month ago today, along with lead single “Keep It Out,” the track is a “spectral and beautiful” exploration of “isolation and longing” with “an elegant and minimal beat.” In other words, Plunkett and company are two for two. Half Waif recently expanded their spring tour, adding co-headlining dates with Hovvdy and support dates with Mitski, both wonderful combos.

Listen to “Torches” and revisit “Keep It Out”

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Brooklyn-based psych-rock band, Heaven, announce their sophomore album, All Love is Blue, due out on March 2nd, 2018 via Little Cloud Records. The 9-track LP is produced by the band, engineered by Albert DiFiore (Caveman, Sinkane, Beck) mixed by Al Carlson (Zola Jesus, Widowspeak).

Heaven is Matt Sumrow (vocals and guitar), Mikey Jones (drums) and Liz Lohse (keyboards and vocals). Sumrow and Jones created the band in the wake of touring and recording with artists such as Dean and Britta, Swervedriver, Ambulance LTD, The Comas, Snowden, The Big Sleep and others.

A romantic clash between your Dad’s long-lost favorite psych record and the soundtrack to a John Hughes film, Heaven ride a massive sonic wave in delivering their dear and dreamy tracks. In July of 2013, Heaven released their debut LP Telepathic Love on Goodnight Records. The live lineup came together on the touring of Telepathic Love with the addition of keyboardist Liz Lohse (X-Ray Eyeballs) and guitarist Eric Altesleben (Desert Stars), who have since become permanent members. 

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As 2018 sees the release of All Love Is Blue on Little Cloud Records, out of Portland, Oregon, subsequent tour dates for Heaven in support of the album will follow. Their new work is a quantum leap forward for the band, both artistically and sonically, making the protracted wait between albums a huge payoff.

Released March 2, 2018

EL Mar is singer  songwriter Joey Primero who possess a truly captivating voice that seem to carry the weight of their emotional experiences full of yearning, love, hope and pain.
Penned after Primero left a career as a music publicist, New Life does have a touch that 90’s post rock tone especially with the clean yet chunky guitar sound and beautiful crafted chorus that melodically draws on classic almost 70’s rock heavy folk rock flavors. As El Mar Joey is surrounded by a collective of NYC based musicians and garnered much love from Billboard, Paste Magazine, Impose Magazine and more after live shows supporting their well received debut 2015 album Try To Forget. Thoroughly loving New Life and so looking forward to hearing more of the upcoming EP “Walking With Dogs” .
“New Life” is off of El Mar’s upcoming EP, Walking With Dogs.

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Plain Dog is a band of many genres. We all met in Brooklyn, NY. We all play music,

Plain Dog are a Brooklyn band who play a scuzzy, psych-laced strain of rock music. Built on the founding duo of guitarist/vocalist Russell Efros and guitarist Willie Almack, the band has undergone a few line-up changes as they’ve gigged around New York since their 2015 formation, most recently adding Ian Devaney — frontman of recent Band To Watch Nation Of Language on bass. Over the course of these early years and one EP, they moved from grungy garage rock roots to a more layered, washed-out sound. Today, their music’s DNA is equal parts ’80s and ’90s American indie and the blearier corners of Britpop and its immediate predecessors, bringing to mind the mix a band like Yuck was messing around with at the beginning of the decade.

The group is now gearing up to release their sophomore EP tomorrow, entitled All My Friends. You may have stumbled across some of its songs already: “Cherry Cola” was featured in an episode of Brooklyn Nine-Nine, and “Girl Named Phil” was included on Glassnote Records’ recent Noteworthy 01 Compilation. On this EP, Efros wanted to inject a bit more shoegaze qualities into their sound, leading to songs that toe the line between rough-hewn and dreamy.

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The band

russell efros – vocals, guitar
willie almack – lead guitar, backing vocals
alex thompson – bass
didi leduke – drums

Craig Finn We all want the same things album art

There’s a danger that pushing everything through the Trumpian prism collapses some of the intricacies and nuances of art. After all, The Donald is a product of the disaffection Craig Finn is exploring here, not the cause. The problem is deeper and more complex than any government-related trouble, and Finn is too wise to offer much in the way of an answer. Instead, he suggests we shift the focus of our questions. Because We All Want the Same Things is an album about relationships, but not in the usual sense. Not the transcendental, star-aligned love of Billboard hits and Hollywood flicks but coupling based on common needs. Not life-changing answers but life-preserving strategies. Luckily, in the hands of Craig Finn, this version of ‘romance’ feels somehow more fulfilling, the opposite of cynical, for better or for worse, genuinely human. Perhaps the revolution in the conclusion isn’t some violent revolt or epiphanic break, rather a gradual yet constant commitment to challenging our own expectations. To stop wanting too much for ourselves and to start being sympathetic to others. A comeback story, of sorts.”

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Half Waif brims over with sounds: underwater echoes of Celtic melodies; mossy, blinking electronic soundscapes; the ultra- sad chord changes of 19th-century art music; and eternal, unending bhajans. A finely crafted glass menagerie of song.

On April 27, our new full-length album Lavender will be released via our fam at Cascine Records. Today, you can hear & watch the first single, “Keep It Out.” It was directed by Celina Carney and choreographed by 2nd Best Dance Company and features a whole lot of talented folks – a huge thanks to the brilliant cast & crew for bringing this song to life.

Songs written by Nandi Rose Plunkett
Produced & arranged by Nandi Rose Plunkett with Adan Carlo & Zack Levine

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Dungen and Woods, photo by <a href="http://www.alexmarksphotography.com/">Alex Marks</a>

The third in the Marfa Myths series of releases will be seven all-new songs written and recorded by Stockholm’s psychedelic masters Dungen in collaboration with adventurous Brooklyn indie-folk pioneers Woods.

Dungen and Woods teamed up for a new collaborative album titled: Myths 003 (due out March 16th via Mexican Summer) the tracks were born from the bands’ recording residency at the 2017 Marfa Myths festival in Texas. Along with the LP announcement, the groups have shared a new song called “Turn Around.” This year’s Marfa Myths takes place April 12th-15th. The 2018 artists in residence will be Bradford Cox (of Deerhunter and Atlas Sound) and Cate Le Bon.

On the face of it, it should be a match made in musical heaven and judging by the languid, exploratory, and dynamic, first track “Turn Around”, we’re in for a treat with the full album. Listen below to the track . The album is out on March 16th.

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