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Swami John Reis and Rick Froberg have been making noises together since high school. In 1986 it was the post-hardcore chime of Pitchfork. In 1991 it was the sprawling, multi-faceted arrangements of Drive Like Jehu. In 1999 it was the lean, mean swagger of Hot Snakes. Reis and Froberg are responsible for some of the most turbulent rock and roll of their, or any, generation.

Musically, the album incorporates the most extreme fringes of the Hot Snakes sound (the vein-bulging, 78-second “Why Don’t It Sink In?” the manic, Asian Blues on speed of “Having Another?”), while staying true to longstanding influences such as the Wipers, Dead Moon, Michael Jackson, and Suicide on propulsive tracks such as “Six Wave Hold-Down,” one of the first songs written for the project during a Mummer Parade 2017 session in Philadelphia. Other moments like the choruses of “Jericho Sirens” and “Psychoactive” nod to Status Quo and AC/DC with Froberg admitting, “I still flip bird and ride my BMX on top of cop cars.”

March 16th will see the release of San Diego based Hot Snakes’ Jericho Sirens, the band’s fourth album, and their first in 14 long years. It will be out on Sub Pop Records.

We’ve already heard the track Six Wave Hold Down and now we have the equally good second offering from the new record, entitled, Death Camp Fantasy, it is another doozy of snarling garage punk.

Jericho Sirens was recorded in short bursts over the past year, mostly in San Diego and Philadelphia with longtime bassist Gar Wood, Jason Kourkounis and Mario Rubalcaba, both of whom drummed on prior Hot Snakes releases but never on the same one. For Reis, reactivating his creative partnership with Froberg was one of the most rewarding aspects of the process: “Our perspectives are similar. Our tastes are similar. He is my family. And what more is there to say? My favorite part of making this record was hearing him find his voice and direction for this record. I came hard.”

Jericho Sirens (Release Date: March 16, 2018)

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They may have been away from the spotlight for a while, but the Breeders haven’t had their last splash. Today, the band released “Nervous Mary” It’s the third single from their upcoming album All Nerve, their first in a decade.

Following the release of “Wait in the Car” and the title track, “Nervous Mary” which opens the record, after nearly 30 years in the music business is only their fifth LP. Due out March 2nd via 4AD Records, the album features the same lineup as their seminal 1993 record Last Splash — which includes frontwoman Kim Deal, her twin sister Kelley on guitar, Josephine Wiggs on bass and drummer Jim MacPherson. The group reconnected in 2013 to celebrate the 20th anniversary of the album with a series of shows.

“Kim thought I hated her, and I thought she hated me,” for 15 years, Macpherson told the New York Times. The group has learned how to appreciate one another and get along, a big part of which was the Deal sisters finding sobriety.

“Nervous Mary” focuses on a central character who never gets what’s coming to her. “Nervous Mary had a nervous day/ Oxbow, strange glow/ She runs for the exit, but she never got away,” the Deals sing.

‘All Nerve’, the new album by The Breeders, will be released on March 2nd 2018 on 4AD Records:

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Image  —  Posted: February 23, 2018 in FESTIVALS, MUSIC
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Zola Jesus signed to Sacred Bones in 2008. In the seven years that followed, she has released eight albums together (three LPs, two EPs, two 7”s, a CD-R, and even a DVD).  Zola Jesus’ Okovi: Additions LP offers a new angle on her 2017 album, Okovi. The collection pairs four previously unreleased songs from the Okovi sessions with four remixes by a diverse cast of artists.

Johnny Jewel turns “Ash to Bone” into a late-night cinematic torch song, Tri Angle composer Katie Gately’s “Siphon” is a dark choir of warping angels, black metal band Wolves in the Throne Room turn “Exhumed” makes the pounding industrial anthem even denser and heavier, and Toronto producer Joanne Pollock (formerly one half of Poemss with Venetian Snares’ Aaron Funk) makes “Soak” feel like an aching classical standard— until it starts warping in on itself and goes somewhere else entirely.

“The songs on Additions traverse a vast amount of sonic ground, but taken together, they cohere remarkably well as an album, all while serving to enrich the experience of Okovi.”

“These four new songs were intended to be on Okovi,” Nika Roza Danilova explains. “Each of them represents a snapshot of my journey in making the record, and are just as precious to me as the songs that made it onto the final track listing. The remixes are beloved in their own way, as most were born from organic circumstances, and have drawn the original songs into completely new atmospheres.”

Released April 6th, 2018

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The closest thing we have to a proper Radiohead live album, “I Might Be Wrong” documents how the band transforms its intricate songs for the stage—an especially tricky feat when talking about the moody, unconventional tracks of the Kid A and Amnesiac era. Some are redone here completely: The unearthly, backward-playing “Like Spinning Plates” becomes a glowing piano ballad, while the free-jazz horns of “The National Anthem” are replaced with Thom Yorke’s frantic beatboxing. Others, like “Morning Bell” and “Idioteque” are tweaked just enough to turn them from chilly and ominous to furious and alarming. The whole thing concludes with what was, for ages, the only official release of “True Love Waits” a mythical fan-favorite live staple that’s forever preserved here in its original, acoustic-guitar-driven form

Dane Joneshill : Everything That Rises Must Converge

Dane Joneshill is a Searcy local who released his debut album on January. 19th, 2018. “Everything That Rises Must Converge” is a breathtaking work of art. It is an album to get lost in. Each song is tender and true, and can inspire you to see goodness in the hard times. “I hope that anyone can listen to the songs and at least feel two things,” Joneshill said. “I hope they can say, ‘I’m not totally alone’ and ‘There’s a hope worth at least looking for. They can at least hope that there is hope.”

“I’ve been writing songs for 20 years and have always waited to make an album,” Joneshill said. “Something about now felt like the right time. I could not hang onto those songs anymore.” Joneshill has created an album that is intimate and pure for a stunning debut. Each song is created with passion, goodness and an outstanding amount of talent. “I think in some ways the record was just the most empathetic thing I could do, just extend it to people and go, ‘I hope that things will be better. I hope that somehow it will come back together in something else that is beautiful and helpful, That was the theme in the back of my head as I wrote songs the last few years.”

“A lot of them are about the struggles peoples find themselves in sometimes, not knowing how to wrestle their experience with pain, Joneshill said. “Hopefully that is there in all of these stories, people wrestling with that, looking for the light and just trying to hang on.” .“What will you do with your wild and precious life?” is the first line of the song “Fragments.” The song is about one character wondering about what he has done with his life. He had all of these things he wanted and intended to do and places he wanted to go. But life chips away at him. He gets surrounded by darkness and ends up feeling like he’s nothing. One night he sleeps and he dreams all of these grand and hopeful aspirations, realizing he still has things to hold onto. “I thought that was a beautiful picture of just hanging on,” Joneshill said.

Dane Joneshill is a talented storyteller. This track grabs listeners with its engaging narrative immediately. Armed with a classic piano, slide guitar, and cello, he creates one hell of a track. He is classic Americana, through and through. There is something for everyone on this track as the talented artist croons. His influences are expansive and exciting. We love this track on so many levels and believe you will too. It’s catchy gospel tinged climax is something special too.

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EL Mar is singer  songwriter Joey Primero who possess a truly captivating voice that seem to carry the weight of their emotional experiences full of yearning, love, hope and pain.
Penned after Primero left a career as a music publicist, New Life does have a touch that 90’s post rock tone especially with the clean yet chunky guitar sound and beautiful crafted chorus that melodically draws on classic almost 70’s rock heavy folk rock flavors. As El Mar Joey is surrounded by a collective of NYC based musicians and garnered much love from Billboard, Paste Magazine, Impose Magazine and more after live shows supporting their well received debut 2015 album Try To Forget. Thoroughly loving New Life and so looking forward to hearing more of the upcoming EP “Walking With Dogs” .
“New Life” is off of El Mar’s upcoming EP, Walking With Dogs.

Northern Heirs is a rock band from Toronto Ontario. This project is a labour of love born of a desire to make honest, thoughtful music. Debut 6-Song EP was released in May 2017.

This is a compelling sound indeed. This Toronto act blends folk, rock, and dream pop to form an art all their own. Vocally, it reminds us of City & Colour while instrumentally, it can vary depending on what point of the track you are currently listening to. Lyrically they are surprisingly talented and relevant, mixing a variety of life and dreams. With one EP under their belts, the act are currently working on crafting more well received tracks for their next anticipated effort. We cannot wait to hear more from the guys.

The indie rock outfit formed by recording Toronto artist Scott Carruthers and producer Michael Norberg to fill the creative space between the down time of their own personal projects became this lovely formidable thing. Scott’s considerable backlog of material crafted between two like minds became the debut EP

Single from Northern Heirs, released February 2018.

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The band Utopia are releasing a 7-CD box set from Todd Rundgren’s progressive band.  The April 20th release of The Road to Utopia: The Complete Recordings 1974-1982 will coincide with the long-awaited reunion tour of Rundgren, Kasim Sulton (who toured with his own iteration of Utopia earlier this year), Willie Wilcox, and Ralph Schuckett which kicks off this April and runs through June.

The new box set will trace Utopia’s evolution from its 1974 debut album – featuring the Mark II line-up (Mk. I was a short-lived touring unit) of Kevin Ellman (drums), Moogy Klingman (keyboards), Jean-Yves “M. Frog” Labat (synthesizers), Ralph Schuckett (keyboards) and John Siegler (bass/cello) – through 1982’s Swing to the Right, the fifth and final album from the “classic” line-up of Rundgren, Roger Powell, Wilcox, and Sulton.  Across seven albums, all of which have been expanded with bonus tracks, the band synthesized influences as disparate as prog rock, jazz fusion, pop, new wave, and even The British Invasion.  From the 30-minute opus “The Ikon” to the pop classic “Love is the Answer” and the spot-on, slightly naughty Beatles pastiche “I Just Want to Touch You,” Rundgren’s Utopia refused to be musically pigeonholed.

The box set has all six of the band’s studio and sole live albums as originally released between 1974 and 1982 newly remastered by the label’s Joe Reagoso from the Warner/Bearsville tapes.  Each album will be housed in an individual gatefold digipak with original art elements from each LP including inner sleeves and inserts.  Rundgren, Sulton, Wilcox, and Powell have all made written contributions to this set, as well.  Fifteen bonus tracks are spread across the seven albums, including live performances, promotional single versions, and more.

Following the period chronicled in the new box, the band recorded three more albums for the Network and Passport labels between 1982 and 1985.  Numerous compilations and archival releases have celebrated Utopia in recent years (including a “lost” album, 1976’s Disco Jets) but The Road to Utopia has all of the band’s music as originally released during the period covered.

The 2018 reunion tour will likely touch on various eras of the group’s long history; Schuckett was part of the first 1974-1975 line-up, while Sulton has recurred in the band over the years: 1974-1982, 1982-1986, and 1992.  Wilcox was a member between 1975 and 1986, and joined again for the 1992 reunion.  The tour will kick off in Pennsylvania on April 18th and will wrap up on June 5th in California.

The Road to Utopia: The Complete Recordings 1974-1982 is due on April 20th.

Seedlings All

Josienne Clarke and Ben Walker have revealed heavenly new track “Bathed In Light” from their upcoming new album ‘Seedlings All’ due to be released 23rd March. the release also includes a Bonus CD of three previously unreleased tracks.

Josienne explains the background to “Bathed In Light”: “As a performer I’ve always been torn between my need for attention and my fear of how exposing it is, especially as a songwriter. In that 30 seconds before the first note when the audience is silent and the lights are on you, I’m gripped with nerves and I ask myself ‘why do you put yourself through this?’ This song is basically the narrative that runs through my head as I sweat and panic. I want it to go well, and my stage fright has always come from a fear that I’m not really made of strong enough stuff for a performing career but I’ve gone and wasted my life trying to do it and what else would I do and by the second or third note I love it…..”