Posts Tagged ‘Nika Roza Danilova’

Image may contain: 1 person, close-up

Zola Jesus signed to Sacred Bones in 2008. In the seven years that followed, we released eight albums together (three LPstwo EPs, two 7”s, a CD-R, and even a DVD). We discovered her via Myspace, which was the common A&R vehicle of the early- to mid-Aughts. Nika is the sole member of Zola Jesus.

On the heels of her Conatus world tour, Nika Roza Danilova was offered an opportunity to perform at one of the most prestigious modern art museums in the world, NY’s Guggenheim. Rather than doing her standard Zola Jesus electronic set she decided she wanted to work with a classical composer who could arrange her songs for a quartet. She recruited legendary industrial pioneer JG Thirlwell (Foetus) to do the arrangements. If there is a common thread to Thirlwell’s varied musical styles, it is dramatic intensity and evocative, cinematic quality.
Originally released August 19th, 2013

Zola Jesus’ Okovi: Additions LP offers a new angle on her 2017 album, Okovi. The collection pairs four previously unreleased songs from the Okovi sessions with four remixes by a diverse cast of artists.

Johnny Jewel turns “Ash to Bone” into a late-night cinematic torch song, Tri Angle composer Katie Gately’s “Siphon” is a dark choir of warping angels, black metal band Wolves in the Throne Room turn “Exhumed” makes the pounding industrial anthem even denser and heavier, and Toronto producer Joanne Pollock (formerly one half of Poemss with Venetian Snares’ Aaron Funk) makes “Soak” feel like an aching classical standard— until it starts warping in on itself and goes somewhere else entirely.

“The songs on Additions traverse a vast amount of sonic ground, but taken together, they cohere remarkably well as an album, all while serving to enrich the experience of Okovi.

http://

“These four new songs were intended to be on Okovi,” Nika Roza Danilova explains. “Each of them represents a snapshot of my journey in making the record, and are just as precious to me as the songs that made it onto the final track listing. The remixes are beloved in their own way, as most were born from organic circumstances, and have drawn the original songs into completely new atmospheres.”

Zola Jesus signed to Sacred Bones Reords in 2008. In the seven years that followed, She has released eight albums together (three LPstwo EPs, two 7”s, a CD-R, and even a DVD).  Discovered by her via Myspace, which was the common A&R vehicle of the early- to mid-Aughts. Nika is the sole member of Zola Jesus.

Sacred Bones is proud to present “The Spoils” from Zola Jesus. Hailing from the unsuspecting locale of Madison, WI, Zola Jesus—the alter ego of Nika Roza Danilova—occupy a sphere of sparse industrial rhythms, no-fi drones, and ethereal femme vocals. Those who have seen her handful of live shows, heard her WFMU set, or caught any of the acclaimed, sought after, and now mostly out of print releases on Die Stasi or Troubleman Unlimited already know. For those uninitiated The Spoils may be the most fully realized representation of her sound. Zola Jesus have two previous releases on Sared Bones, the Souer Sewer single and a limited CD of a live performance from WNYU. The CD contains the entire “Soeur Sewer” 7-inch as well as the three songs from the Die Stasi single.
Released June 21, 2009

Zola Jesus signed to Sacred Bones in 2008. In the seven years that followed, she has released eight albums together (three LPstwo EPs, two 7”s, a CD-R, and even a DVD).  Zola Jesus’ Okovi: Additions LP offers a new angle on her 2017 album, Okovi. The collection pairs four previously unreleased songs from the Okovi sessions with four remixes by a diverse cast of artists.

Johnny Jewel turns “Ash to Bone” into a late-night cinematic torch song, Tri Angle composer Katie Gately’s “Siphon” is a dark choir of warping angels, black metal band Wolves in the Throne Room turn “Exhumed” makes the pounding industrial anthem even denser and heavier, and Toronto producer Joanne Pollock (formerly one half of Poemss with Venetian Snares’ Aaron Funk) makes “Soak” feel like an aching classical standard— until it starts warping in on itself and goes somewhere else entirely.

“The songs on Additions traverse a vast amount of sonic ground, but taken together, they cohere remarkably well as an album, all while serving to enrich the experience of Okovi.”

“These four new songs were intended to be on Okovi,” Nika Roza Danilova explains. “Each of them represents a snapshot of my journey in making the record, and are just as precious to me as the songs that made it onto the final track listing. The remixes are beloved in their own way, as most were born from organic circumstances, and have drawn the original songs into completely new atmospheres.”

Released April 6th, 2018

http://