Archive for the ‘CLASSIC ALBUMS’ Category

dinosaur jr

Dinosaur Jr. have shared a new single and music video, “Garden.” The track was written by co-founder and bassist Lou Barlow, and it marks the second single off their forthcoming record “Sweep It Into Space”. The new video was shot in Western Massachusetts. It was directed by Lou and Adelle Barlow, with John Maloney contributing illustrations and Chloe Hemingway providing animation.

“Everyone seemed to want a disruption in the order of American life, it seemed necessary. Then it happened,” Lou Barlow says of the track. “It began as a bitter lamentation but as I was finishing the lyrics, singing over the instrumental version of the song while driving to J’s through the miles of farmland that separate his studio in Amherst and my home in Greenfield (Massachusetts), I saw a sign on a shed: Back to the Garden. I was looking for a resolution, where do we go when faced with such dramatic confusion? Back to basics, back home, back to the garden.”

The single is a wash of colliding influences as ’60s Brit-pop tones give way to Barlow’s ’00s alt-rock delivery. Aesthetically, a certain attitude of apathy coalesces with the paradoxical image of the band exploring a snow-capped garden in Western Massachusetts. The video also features shots of a scenic bend in the Connecticut River, which Barlow noted isn’t far from the site of the first-ever Dinosaur Jr. music video, “Little Furry Things”. In addition to the live-action shots of the band, the “Garden” video also hosts artwork by the band’s tour manager John Moloney, who routinely sketches caricatures of the band.

Dinosaur Jr.’s new record is due out April. 23rd.

Dry Cleaning

The latest single from their debut LP “New Long Leg”, Dry Cleaning have shared a video for their new song “Unsmart Lady,” the latest single from their debut album New Long Leg. Check out the Tilly Shiner–directed clip, which features the band performing in a South London carpet shop, Dry Cleaning’s Florence Shaw, who wrote the lyrics, said in a statement: ““Fat podgy, non make-up’—I was thinking about these things that are supposed to be a source of shame about your appearance and wanting to use them in a powerful way. Just trying to survive when you feel knackered and put-upon and shit about yourself, but you say, ‘I don’t care what I’m supposed to be.’” 

New Long Leg is the band’s first release since signing to 4AD Records. Dry Cleaning have previously shared videos for “Strong Feelings” and “Scratchcard Lanyard.” The band released two EPs in 2019: Sweet Princess and Boundary Road Snacks and Drinks.

You’ll be hearing more about Dry Cleaning in the coming days, but at the centre of it all is New Long Leg, their forthcoming debut album, which we’ve been looking forward to for months. Their stylishly alchemic art-rock juxtaposes nervy instrumentation from guitarist Tom Dowse, drummer Nick Buxton and bassist Lewis Maynard with vocalist Florence Shaw’s hypnotic spoken-word delivery, running hot and cool at the same time. From locked-in opener “Scratchcard Lanyard” to sprawling closer “Every Day Carry,” New Long Leg is an enthralling first full-length effort from the London quartet.

‘Unsmart Lady‘, from Dry Cleaning’s debut album ‘New Long Leg’. Released 2nd April on 4AD records. 

Angel Olsen Song of the Lark and Other Far Memories

Angel Olsen has announced a new box set called “Song of the Lark and Other Far Memories”. The release—out May 7th via Jagjaguwar recordings the release includes her last two albums, All Mirrors and Whole New Mess, as well as a bonus LP with bonus tracks, alternate takes, remixes, a cover of Roxy Music’s “More Than This,” and more.

Originally conceived as a double album, All Mirrors and Whole New Mess were distinct parts of a larger whole, twin stars that each expressed something bigger and bolder than Angel Olsen had ever made. Released in 2019, All Mirrors is massive in scope and sound, tracing Olsen’s ascent into the unknown, to a place of true self-acceptance, no matter how dark, or difficult, or seemingly lonely. All Mirrors is colossal, moving, dramatic in an Old Hollywood manner. Recorded before All Mirrors but released after, Whole New Mess is the bones and beginnings of the songs that would rewrite Olsen’s story. This is Angel Olsen in her classic style: stark solo performances, echoes and open spaces, her voice both whispered and enormous. All Mirrors and Whole New Mess presented the two glorious extremes of an artist who, in these songs, became new by embracing herself entirely.

Now, with Songs of the Lark… And Other Far Memories, these twin stars become a constellation with the full extent of the songs’ iterations: all the alternate takes, b-sides, remixes and re-imaginings are here, together. Alongside, a 40-page book collection tells a similar story, not just through outtakes and unseen photos but through the smaller, evocative details: handwritten lyrics, a favourite necklace, a beaded chandelier. As if it could be more plainly stated (there’s nothing more),

The box set will also come with a 40-page book. “It feels like part of my writing has come back from the past, and another part of it was waiting to exist,” Olsen said of the box set in a statement.

Among the tracks on the Far Memory bonus LP are Johnny Jewel’s remix of “All Mirrors” and Mark Ronson’s remix of “New Love Cassette.” There’s also an alternate version of “Whole New Mess” called “It’s Every Season (Whole New Mess),” which you can hear below.

Angel adds one cover here: a loving, assertive rendition of Roxy Music’s “More Than This.” It is a definitive collection, not just of these songs but of their revelations and their writer, from their simplest origins to their mightiest realizations.

Angel Olsen Song of the Lark and Other Far Memories

Buy Online The Yardbirds - The Yardbirds (Roger The Engineer) Super Deluxe Limited Edition

The Yardbirds,(often known as ‘roger the engineer’) recorded by the classic line up of Jeff Beck, Keith Relf , Jim McCarty, Chris Dreja and Paul Samwell Smith, the band began exploring new sonic territories, pushing their blues rock sound into the realms of the avant garde, psychedelia and indian music. Using the original tapes, this super deluxe edition features new and definitive remastering by Phil Kinrade at alchemy mastering at air, overseen by original album producer Paul Samwell Smith,

Both versions include: Yardbirds in mono remastered from the original British ¼” mono master tapes, newly transferred for this release at Abbey Road Studios. pressed on 180g blue vinyl, housed in a replica of the original British album sleeve. Yardbirds in stereo considered by producer Paul Samwell Smith to be the definitive version of the album, the stereo mix has been remastered from the ¼” master tapes which were newly transferred for this release at alchemy mastering at air. pressed on 180g red vinyl, housed in a replica of the ultra rare German sleeve.

Happenings ten years time ago 7” the classic psychedelic single (featuring future Led Zeppelin members Jimmy Page and John Paul Jones) has been newly remastered for this release. pressed on white vinyl.

3 cds featuring the mono and stereo mixes of the album on cds 1 and 2 and bonus tracks on cd 3. highlights on cd 3 include newly remastered non album singles, rare alternate versions, and a previously unreleased early mix of ‘Turn Into Earth’ which reveals a searing guitar solo by Jeff Beck. 24 page 12” x 12” booklet includes rare memorabilia and photographs, an exclusive introduction by Jeff Beck, testimonials by Sonic Youth’s Thurston Moore and MC5’s Wayne Kramer, plus an extensive essay and track by track liner notes by David French based on new interviews with Jimmy Page, Paul Samwell Smith, Jim McCarty and Simon Napier Bell. A2 fold out poster inspired by the original ‘over, under, sideways, down’ single release advertisement.

“Remastering this album has been a joy. To hear the tracks sounding just as we heard them all those years ago while we were recording them – energetic, edgy, and in your face – is an unexpected treat. In 1966, it was a rare and exciting opportunity to be given a recording studio for 5 days and allowed to experiment. That excitement still shows.” – Paul Samwell-Smith.

“This is what rock ‘n’ roll beauty is – the true freedom of creative impulse.” – Thurston Moore

“The Yardbirds produced some of the most compelling musical art of the 20th century.” – Wayne Kramer

180g standard black 2lp + 3cd + 7″ (24 page booklet, a2 fold out poster)

The Yardbirds “Roger the Engineer” super deluxe box set released on Demon Records

Francis of Delirium deliver powerful homegrown indie rock on “Red.” The track comes ahead of their forthcoming EP “Wading” and follows the track “Let It All Go.” The Luxembourg-based duo offer choppy, repetitive verses against a fuzzy guitar, giving the band their signature grunge-infused indie sound. In the chorus, singer Jana Bahrich repeats, “It all turned red when it all made sense / and it all turned red,” which she explained in a statement as lyrically describing “the pushing away of someone and justifying it with your anger rather than rationally discussing your feelings. It’s believing something you thought to be true and then that being switched. It’s the loss of trust in a relationship.” The song arrived with an animated music video, created by Bahrich. 

Today the band are back with another new song from it, “Red,” which features the same sort of hypnotic repetition and surging urgency.

Red is the pushing away of someone and justifying it with your anger rather than rationally discussing your feelings. It’s believing something you thought to be true and then that being switched. It’s the loss of trust in a relationship,” the band’s Jana Bahrich said in a statement, continuing:

You’re left angry and confused, unsure of yourself, or who to trust. Instead of communicating effectively, you start to push away, preemptively moving into isolation as a defence mechanism to stop yourself from more hurt. Simultaneously the song challenges the goodness I see in myself, as a good friend, someone filled with love is gone, which distances you from this idea of yourself even further. So you’re pushing away someone else and pushing away a version of yourself you enjoy.

Most of this footage was taken by my grandfather around the 70s and part of the footage is of me as a child, me at the age I am now. Lakes explores identity and feelings of being lost. We are all bodies that feed into each other to make our own individual lakes. I found a great deal of identity through community and through isolation that sense of self was lost. Through the music video I wanted to find identity through family and heritage. I never really developed a relationship with my grandfather and I found a large sense of self through making the video. Many tears were shed.

Wading follows the band’s previous EP, 2020’s All Change. The band consists of 19-year-old singer/songwriter Jana Bahrich (from Vancouver, British Columbia) and drummer/producer Chris Hewett (from Seattle, Wash.), who’s several decades her senior.

Due on 9th April on Dalliance Recordings

Dry Cleaning’s guitarist Tom Dowse, drummer Nick Buxton, and Lewis Maynard had been friends and musical collaborators for years; at first Dry Cleaning was simply their latest project, formed after a karaoke night and based out of the miniscule garage next to the house of Maynard’s mum. One day, however, after a mutual friend’s exhibition, Dowse played some snippets of what they’d been working on to Florence Shaw, a visual artist, picture researcher and drawing lecturer. A few days later, she came to his flat armed with a copy of Michael Bernard Loggins’ Fears Of Your Life to read out over the music, and later still started contributing words of her own. Before long she was the group’s frontperson, her dryness, wit, and linguistic acrobatics acting as the perfect counter to the musicians’ taut instrumentals. Eventually they produced two thrilling EPs, 2019’s Sweet Princessand Boundary Road Snacks and Drinks. On stage, the contrast between the stillness of Shaw and the emphatic energy of Dowse and Maynard became even more pronounced. They swapped influences from Black Sabbath to Augustus Pablo to Yuzo Koshiro. “It all absorbed,” says Dowse. “Then when we got back to writing, we felt like we were drawing very organically from a collective palette.”

UK band Dry Cleaning will release their debut album, “New Long Leg”, on April 2nd and they were just on long-running BBC series Later with Jools Holland (via London’s Moth Club) to play the album’s lead single, “Scratchcard Lanyard.”

We’d really recommend checking out Dry Cleaning’s recent performance on Later… with Jools Holland! We mentioned it above, we’re mentioning it now and no doubt we’ll mention it again in a matter of days. It’s great, what can we say?!

Watch Dry Cleaning perform Scratchcard Lanyard filmed at the Moth Club (Live on Later)

Bay Area’s amplified and electric artful dodgers Fake Fruit have become one of the most exciting and talked about local acts as of late. With much fanfare surrounding the arrival off their self-titled release.

Post-punk lovers have a new act to follow in Fake Fruit, a Vancouver-bred, Bay Area-based quartet whose self-titled debut is out now on Rocks In Your Head Records. The band cite Pink Flag-era Wire, Pylon and Mazzy Star as influences, and Fake Fruit bears that synthesis out: You’ll find the first two acts’ versatile, hard-edged, bright- and fast-burning guitar rock (“Old Skin,” “Yolk”), as well as the last one’s engrossing quiet-loud dynamics (“Stroke My Ego”).

But that specific stylistic fusion is only a jumping-off point: “Keep You” finds singer and guitarist Hannah D’Amato’s melodic vocals overlaying hypnotic shoegaze guitars (courtesy of Alex Post on lead) and a clattering low end (Martin Miller on bass, Miles MacDiarmid on drums), while album closer “Milkman” finds D’Amato sharing vocal duties over deft guitar harmonics and a motorik backbeat. And an X factor in all this is Fake Fruit’s mordant lyricism: “My dog speaks more than you did tonight,” D’Amato sneers on “Keep You,” a laugh line on an album that shows serious potential.

Hannah D’Amato has been leading Fake Fruit though various line-ups and various cities for five years, but didn’t find her footing until landing in San Francisco with a steady, talented group of bandmates and a champion in Sonny Smith (Sonny & The Sunsets) who tried to get band signed to a proper indie before just putting this album out himself. “Fake Fruit” has the energy of a debut but the assuredness and nuance of a third album, using standard indie rock parts but making them feel brand new.

The Band:

Hannah D’Amato- Vox + Guitar
Alex Post- Lead Guitar
Miles MacDiarmid- Drums
Martin Miller- Bass

“No Mutuals” , the new single from the debut record of Oakland’s Fake Fruit, available on Rocks In Your Head Records March 5th.

Like a scene from a medieval tarot card come to life in brilliant technicolor, Tele Novella’s psych-pop opus “Merlynn Belle” rides a pale horse through a lonesome land in search of something once lost. No strangers to realm-hopping psychedelia, the Lockhart, Texas duo’s musical craft reaches elegant new heights on their second full-length with the addition of dusty country-western accents and pastel baroque-pop flourishes fleshing out their romps between worlds. There’s something sweepingly cinematic about Tele Novella’s songs, which are painterly in their composition and evocative in their lyricism, the yearning tales of crystal witches, wishing shrines, and faded love prettily adorned with colourful vintage sounds straight out of a magic thrift shop and beautifully anchored by Natalie Ribbons’ velvety, emotionally-rich vocals. Though one could wax poetic about its many enchanting embellishments, Merlynn Belle’s truest revelation lies not in its aesthetics but in its intuitive understanding that resilience is as potent a spell as heartbreak, and twice as strong.

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Tele Novella is a project out of Lockhart, Texas–a small town lost in time–where their classic and sincere pop song writing is slowly processed through a loner medieval-tonk machine and then captured on cassette 8-track. Their forthcoming record, Merlynn Belle, was the music they wanted to be making all along but didn’t know until it happened accidentally.

It comes out February 2021.  

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The Seed, The Vessel, The Roots And All, the highly anticipated full-length debut by New Pagans, finally arrived on March 19th. The Belfast band’s biting, noisy and raw brand of post-punk is inspired, striking an impressive balance between biting wit and an understated sweetness. This symmetry can be marked in single “Yellow Room,” as frontwoman Lyndsey McDougall effortlessly flows from pleasant verses into powerful, anthemic choruses and a snarling breakdown. The song lyrically takes inspiration from the iconic feminist novella The Yellow Wallpaper by Charlotte Perkins Gilman, and pulls from McDougall’s experiences feeling silenced as a new mother, advocating for an increase in parent-and-baby mental health programs in Northern Ireland. 

New Pagans create music that’s not only vivid and engaging but also home to massive riffs and rare dynamics. The bands audible influences range from PJ Harvey to Sonic Youth while lyrically the band deliver protest songs, songs about women, songs about mothers and songs about conversations overheard on Belfast’s public transport systems. Their live shows are also something to behold and have just been the recipients of the best live act at The Northern Island Music Prize 2020. Music is the focus and an important vehicle for the healthy message the band promotes. New Pagans is a proud advocate for women’s rights, visibility and inclusion in the global music industry – an industry dogged with a history of stark gender inequality.

Debut album “The Seed, The Vessel, The Roots and All” out now via Big Scary Monsters.

Slow Crush - Aurora

As with anywhere in the world during these post-pandemic times, there are both positive and negative aspects to residing in Belgium right now. In Flanders, there is a rise in far-right extremism, rooted in the N-VA party and the Ons Land movement, which want Flemish independence from the homeland and an end to remaining lockdown curfews. But in more grounded Leuven, national virologist Marc Van Ranst has stressed science over skepticism in his regular TV broadcasts over the past year, calmly reassuring the populace that such low-contact isolation can truly save your life. And current Prime Minister Alexander De Croo is on the same cautious page, as he just curtailed Belgium’s scheduled Outdoor Plan for April, as the government worries that even schoolchildren can contract the mutating European virus and, sans symptoms, infect their unsuspecting families. Naturally, there’s a huge left/right uproar about the safety-conscious decision.

Following on from ‘Ease’, their shimmering debut EP, ‘Aurora’ is the coming of their first full-length and with it brings the ideal combination of Shoegaze’s most ethereal sounds and distorted haze. Isa Holliday’s vocals are instantaneously captivating as if from a dream-state; guitars weigh heavy in the atmosphere whilst drum passages vary the pace. This is a band confident in their undeniably unique brand of Shoegaze and Grunge.

The gloomy abrasion is both comforting and melancholic; something that many acts reviving this style have so often missed. Density in the instrumentation and swirling riffs means there is something here for everyone, and so take shelter in the violet murk of Aurora and witness one of the most promising new bands in Shoegaze.

“It’s one of the best shoegaze albums I’ve heard in a good long time.

Isa Holliday is glad she lives in Leuven. British born, she moved there as a kid when her chemical-engineer father was posted there for his job in water treatment. The family loved the place so much, they stayed, she recalls. And it’s where she first took up bass guitar and started playing in sludge-metal outfits like Hearserider, which eventually morphed into the conversely-ethereal new dream-pop combo Slow Crush, in which she also handles vocal duties. The band’s murky, 4AD-textured debut disc from 2018, “Aurora”, formerly out of print, has just been given a triumphant new re-release on Quiet Panic Stateside and Church Road Records in the UK and EU, and from its dense opener “Glow” to the frothy “Drift,” a thundering “Beach,” and the layered coda “Pale Skin,” it’s a perfect blend of cathedral-ringing guitars buttressing Holliday’s pneumatic, almost aqueous singing voice, which is only clearly discernible on the sole ballad, “Collide.” Dark, velvety music for even darker death-shrouded times, all conceived in Leuven’s center of sanity.

There’s one more upside to life in Leuven, she adds, cheerfully. “It’s the city where Stella Artois is brewed, and the brewery is actually only a few kilometers away from my house—I’m in the city of Stella!,” she says.

Originally released late June 2018 (from the album ‘Aurora’).