Posts Tagged ‘Various Artists’

This is the second compilation in the Don’t Stop Now series. It is still an expression of love, anger, hope and protest. Let it serve as a reminder that the fight for justice is not over, that the celebration of diversity is essential to progress, that we must work together for what is fair and good. Can’t stop. Won’t stop. Don’t stop now.

This time around all of the proceeds from this compilation benefit
RAICES (Refugee & Immigrant Center for Education & Legal Services)
They promote justice by providing free and low-cost legal services to under served immigrant children, families, and refugees in Texas.


Read more about the work Raices does

Released November 5, 2018

This compilation is an expression of love, anger, hope and protest on inauguration day. Let it serve as a reminder that the fight for justice is not over, that the celebration of diversity is essential to progress, that we must work together for what is fair and good. Can’t stop. Won’t Stop. Don’t stop now.

All proceeds from this compilation benefit the American Civil Liberties Union, an organization that defends individual freedoms in the face of government abuse, including speech and religion, a woman’s right to choose, the right to due process, and citizens rights to privacy. Each dollar donated will help protect the people of the United States, especially those most vulnerable, from the reckless authority of a Trump presidency.

Released January 20, 2017

Magnetic Eye Records‘ exhaustive undertaking to re-envision Pink Floyd’s concept masterpiece THE WALL in its entirety from end to end in sequence, featuring some of the most iconic artists in heavy music today alongside some of the most exciting newcomers. I love the concept of these Redux albums, and the execution is amazing!

Comfortably Numb, but damn this was worth the wait. Absolutely delightful from side A to D. You can tell the amount of respect each artist has for the original material. It’s hard to overstate the cultural significance of Pink Floyd’s 1979 canonical album The Wall, and countless artists since have taken liberties with their own versions of the record’s songs. Sludge doom’s favorite prolific weirdos the Melvins have joined this lineage with a very special re-imagining of the album’s opener, which will appear on the compilation The Wall (Redux),

Incorporating into the experimental nature of the original their own brand of tone-in-cheek peculiarity, Buzzo and the gang have out-stranged Pink Floyd with campier organ tones and their signature gut-rumbling guitar fuzz. The cover’s warped tonality make the creep-out antics of the sweetly sung lyrics play out like an unsettling love story.

A good rule usually of thumb for covers is don’t do them unless you are either 1) completely revamping the song and giving it a different feel and sound, or 2) improving on the original. Pallbearer has definitely achieved No. 1, and only time will tell if Pallbearer have done No. 2, but we’ll be damned if they aren’t pretty close.

The Arkansas crew have taken on the Pink Floyd favorite “Run Like Hell,” one of the highlights of 1979’sThe Wall, and given it their own riffy feel, bringing the classic-rock staple into the now. Instead of David Gilmour’s simple reverb-heavy guitar lick, the melodic-doom quartet opts for a chugging, churning approach, leaning heavily on the gallop that exists in the original and bringing it to the forefront. And don’t worry, there are plenty of Pallbearer-isms to spare, from the soaring guitars to the masterful vocals. Pallbearer’s “Run Like Hell” cover is part of a Pink Floyd The Wall tribute album by Magnetic Eye called “THE WALL [REDUX]”, a stoner/doom-leaning compilation of tracks that match that of the iconic LP. Joining Pallbearer are names that range from the Melvins to Mark Lanegan to Ruby the Hatchet, each taking one of the album’s classic cuts.

The Wall (Redux)sees each track of the album recreated by a contemporary heavy artist, from newcomer cult rockers Church of the Cosmic Skull taking on “The Trial,” to established Gen X rocker Mark Lanegan lending his signature rough-edged vocals to “Nobody’s Home.” “I am a fan of early Pink Floyd and late period Floyd but was never really into the really famous records in between,” Lanegan says in response to a question about his own appreciation of the band. “Piper at the Gates of Dawn, A Saucerful of Secrets and More were my jams. And in the late ’80s I enjoyed A Momentary Lapse in Reason and even The Division Bell from ’94. “But honestly it’s the two Syd Barrett solo records that to me are true genius, and if I were going to listen to any Floyd-related tunes that would be it. The Wall is a work of undeniable greatness, an unparalleled work of art. There are so many fantastic songs that it’s practically a greatest hits record. But I’ll be damned if I know what its contemporary relevance is.

Check out the full track listing below.


Side A
1. In the Flesh? – The Melvins
2. The Thin Ice – Low Flying Hawks
3. Another Brick in the Wall, Part 1 – Ghastly Sound
4. Happiest Days of Our Lives – Sergeant Thunderhoof
5. Another Brick in the Wall, Pt. 2 – Sasquatch
6. Mother – ASG

Side B
1. Goodbye Blue Sky – Mos Generator
2. Empty Spaces – Domkraft
3. Young Lust – The Slim Kings
4. One of My Turns – Worshipper
5. Don’t Leave Me Now – Spaceslug
6. When the Tigers Broke Free – Year of the Cobra
7. Another Brick in the Wall, Part 3 / Goodbye Cruel World – Greenleaf

Side C
1. Hey You – Summoner
2. Is There Anybody Out There? – Scott Reeder
3. Nobody Home – Mark Lanegan
4. Vera – Ruby the Hatchet
5. Bring the Boys Back Home – Sunflo’er
6. Comfortably Numb – Mars Red Sky

Side D
1. The Show Must Go On – Open Hand
2. In the Flesh – Solace
3. Run Like Hell – Pallbearer
4. Waiting for the Worms – WhiteNails
5. Stop – Blue Heron
6. The Trial – Church of The Cosmic Skull
7. Outside the Wall – Yawning Man


Released November 9th, 2018

More Perfect is back with something totally new and exciting. They just dropped an Album 27: The Most Perfect Album is like a Constitutional mix-tape, a Schoolhouse Rock for the 21st century. The album features original tracks by artists like Dolly Parton, Kash Doll, and Devendra Banhart: 27+ songs inspired by the 27 Amendments. Alongside the album they’ll be releasing short stories deep-diving into each amendment’s history and resonance. In this episode, we preview a few songs and dive into the poetic dream behind the First Amendment.

TheMore Perfectpodcast from WNYC Studios is turning its insightful political analysis into educational activism with the announcement of 27: The Most Perfect Album, a compilation of original songs inspired by the 27 Amendments to the U.S. Constitution.

The set features a song, and in some cases more than one, for each amendment by a diverse and highly acclaimed group of artists, They Might Be Giants . The accompanying podcast will also add to its star power with voice-over narration from award-winning actor Jeffrey Wright.

The first release is folk singer-songwriter Kevin Morby’s take on the 24th Amendment’s elimination of poll taxes, . It’s a blues-driven tune that only Morby’s observational lyrics and circuitous storytelling could conjure. He reflects the history of the legislation by noting small financial grievances and sacrifices that accrue throughout time until it becomes clear that nothing can break the cycle except the right to vote.

27: The Most Perfect Album is set to drop on September. 18th and will coincide with the premiere of More Perfect’s third season, which will break down each amendment and apply it to the modern day. Though the series will serve a much different tune than its companion album, it’s certain to strike a chord.

In a statement, More Perfect creator and host Jad Abumrad says, “The mission of this album is to take these sometimes forgotten words and animate them through the power of music. These 27 amendments not only outline our basic rights as Americans, but they also show a country changing, evolving, re-imagining itself. Striving (and not always succeeding) to be better. These songs will be a way to say that these words matter.”

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Some will naturally think that this is simply a reaction to 2016’s Rolling Stones’ Blue and Lonesome where the English band covered many of their favorite Chicago blues songs. Yet, this project, Chicago Plays the Stones, was envisioned before that album was released. It was inspired by the Chicago residency of the Rolling Stones’ 54-year-spanning, world-touring exhibit Exhibitionism.

The new, multi-artist Rolling Stones tribute album Chicago Plays The Stoneswas released yesterday . Among its delights are contributions by Keith Richards — who shares guitar features with Jimmy Burns on the latter’s update of ‘Beast Of Burden’ — and Mick Jagger, who you can hear on harmonica and call-and-response vocals with the Stones’ old friend Buddy Guy, as he remakes ‘Doo Doo Doo Doo Doo (Heartbreaker)’ from 1973’s Goats Head Soup album.

Track – 03 from “Chicago Plays The Stones” 12 all-new recordings of iconic Rolling Stones songs, re-imagined in the Chicago blues style and played by today’s greatest Chicago blues artists.

The Stones first met Buddy Guy in 1964 when the American bluesman was recording ‘My Time After Awhile’ at Chess Studios in Chicago. As Guy is quoted by Rolling Stone: “Muddy Waters and Willie Dixon walked straight in my studio while I was singing with a bunch of white guys, who lined up against the wall, I got pissed off: ‘Who in the hell are these  guys?’ I had never seen a white man with hair that long and high-heeled boots before.”

That inauspicious start prefaced a notable friendship, confirmed when the Stones invited Guy to open for them as they toured Europe in 1970, just as they had championed his fellow blues giant B.B. King. Further live guest appearances followed for Guy, who duetted with Jagger on the 2006 version of ‘Champagne & Reefer’ featured in Martin Scorsese’s concert film Shine A Lightand the accompanying album in 2008. ‘Doo Doo Doo Doo Doo (Heartbreaker)’ marks the pair’s first studio pairing.

Billy Branch “Sympathy For The Devil” (2017) [Rolling Stones Cover] – From the 2017 Raisin’Music Records release “Chicago Plays The Stones.” Twelve all-new recordings of iconic Rolling Stones songs, re-imagined in the Chicago blues style and played by today’s greatest Chicago blues artists.

Among other local blues musicians featured on Chicago Plays The Bluesare Ronnie Baker Brooks, who covers ‘(I Can’t Get No) Satisfaction’; Billy Branch, who reads ‘Sympathy For The Devil’; and Carlos Johnson, who tackles the more recent Stones song ‘Out Of Control.’

The album is a collaboration between Grammy-nominated producer Larry Skoller’s Raisin’ Music Records and Chicago Blues Experience, which is due to open in the city in 2019. Artists featured on the album will play selected US dates in October and November.

Wub-Fur is an internet radio station. Sadly, on 15th May 2016 we retired our live Shoutcast stream after 17 years online. Fortunately, both new and classic Wub-Fur mixes are free to stream on demand 24/7 right here on the Wub-Blog and on our radio home page at

19 cool and breezy contemporary pop psych tunes by 18 of 2018’s hottest acts … Including Mystic Braves, Allah-Las, Tony Molina, Dungen & Woods, Cloud, Send Medicine, The Love-Birds, Doug Tuttle, and ten more of your independent popular psychedelic rock favorites.


Running Time: 1 hour, 4 seconds


  1. Under Control (3:17) — Mystic Braves | Los Angeles
  2. Soul Doctors (2:24) — Dragon Rapide | Clermont Ferrand, France
  3. Terra Ignota (3:23) — Allah-Las | Los Angeles 
  4. Smith & 9th (3:27) — The Essex Green | Brooklyn
  5. Love or Solution (3:20) — The Coral | Merseyside, UK
  6. A Message from Your Heart (3:01) — Doug Tuttle | Boston 
  7. Nothing I Can Say (1:10) — Tony Molina | California
  8. He’s Back (2:46) — The Valderamas | Rennes, France
  9. Hit My Head (2:47) — The Love-Birds | San Francisco
  10. All The Things That Happen To Me (3:45) — The Molochs | California
  11. Kieff Richards (3:02) — Kieff | Leiden, Netherlands
  12. The Sweet Lie (3:17) — Garcia Peoples | Rutherford, NJ
  13. Just for the Taste (3:47) — Dungen & Woods | Stockholm / Brooklyn
  14. Look Inside Your Mind/Losin’ Touch (2:25) — Tony Molina | California
  15. The Magician (3:51) — The Babe Rainbow | Byron Bay, Australia
  16. Happer’s Laugh (3:32) — Cloud | Los Angeles
  17. Corduroy (3:41) — Send Medicine | Los Angeles
  18. Backseat Driver (3:12) — White Denim | Austin
  19. How Psychedelic of You (3:59) — Kelley Stoltz | San Francisco

Everybody’s favorite source for the hard stuff is back in business, with ten more lethal doses of rare hard rock, heavy psych and proto-metal! Hard to believe we’re seven Trips in and we haven’t lost any steam since the get-go. As usual, we’re laying the heaviness on you in the most legit way possible. These obscure tracks have all been licensed, the bands have been paid, and the sources are all analog. The quality of tracks seems to increase along with the number of Trips and this cohesive collection comes outta the gate with both guns blazing!
Pegasus recorded one single in Baltimore in 1972 and they made it count. “The Sorcerer” is a throbbing ripper that prior to this was basically unknown. However, it doesn’t seem too far fetched to speculate that Black Flag lifted the riff for “No Values” from this track eight years later. Unlikely, but possible, especially considering how big a Black Sabbath fan Greg Ginn is. Pegasus was lauded back in the day for “how much they delivered that Black Sabbath feel.”
You may read the track title for the Nobody’s Children 45 and start thinking, “OH NO, the guys behind Brown Acid have given up on bad trips.” Fret not, “Good Times” was originally written as a joke, but when Ron Chapman of the Sump’N Else TV show heard it he passed it along to the folks behind GPC records and they quickly pressed 100 copies. Unfortunately, the evening it was slated to be played on the local Dallas radio station KLIF, Robert Kennedy was murdered and the premiere was pre-empted by a Classical music tribute to JFK’s slain brother. The song has since been bootlegged numerous times and even covered by the Butthole Surfers, but this is the first time it’s ever been fully licensed.

Youngstown, Ohio is the most commonly referenced city of the entire Brown Acid series. This town of just under 150,000 people may’ve had the highest (literally and figuratively) per capita output of heavy 45s. Blue Amber recorded this monster in 1971 at Gary Rhamy’s analog Mecca, Peppermint Recording Studios. This two-riff boneheaded banger sounds like a caveman protest song with an extraordinary amount of delay on the vocals. No wonder this 45 fetches three-figures on the rare occasion it comes up for sale.
Batting clean-up, we have Negative Space, the only LP sourced track on this album. This crunchy jam comes off the band’s 1970 record entitled Hard, Heavy, Mean, & Evil. At over six and a half minutes, “The Calm After the Storm” is the longest track included on this volume, but it never gets dull. Fun fact: before changing the name to Negative Space, Rob Russen called his band Snow and released the “Sunflower” 45 in 1969 — you might recall that groover from the First Trip.
We generally stick with American artists for this series, but every now and again something foreign grabs us and shakes us to the core. One example is this Swedish 45 by Zane. These crazy Swedes did one incredibly damaged (hence the title) record on the MM label in 1976. These proto-punkers relied heavily on synth for this tune and mixed the drums so obnoxiously loud, you might think the kit is in the room with you. This is a weird one that somehow sounds like Zolar X covering Wicked Lady. Brown Acid material all the way!
B must be short for Bangers, ‘cuz this Side is full of ‘em! The flip of this Trip begins with a virtually unknown Oklahoma record from 1973. Blizzard was Rod McClure’s high school band, but you couldn’t possibly guess that teenagers recorded this heavy slab on the Token (should’ve been Toking) label. It’s one of the best we’ve comped and it sounds like a hypothetical MC5/Hendrix collaboration. The “Under the Ice” level drum fills will knock your socks off if the heavy shred doesn’t first.

OOOOk-lahoma, where the wind comes sweepin’ down the plain and apparently where the fuzz goes seepin’ in your brain! Third World is the second Okie inclusion on this Trip and we couldn’t be more stOOOOked to be sharing this very obscure single with y’all. If the heavily distorted two-note riff doesn’t grab ya, the apocalyptic Grand Funk vibes will. Once they get their mitts on ya, Third World will take you back to 1971 and leave ya there. Can we hitch a ride too?
Ever heard of Virginia, Minnesota? We hadn’t either until we got in touch with Calvin Haluptzok and got the back story on his band Sweet Wine. This bitchin’ one-off 45 must’ve melted the snow off the roofs of the households brave enough to play it when it came out in 1970 and it’s still red hot nearly 50 years later. This vino may be sugary, but it packs an incendiary punch! Sadly, Calvin passed before we could get his music re-released, but it was nice to have reached him before it was too late. The Sweet Wine legacy lives on thanks to the Brown Acid archivists.
C.T. Pilferhogg wins the award for most puzzling band name in our series. What’s not puzzling is how righteous both sides of their self-released 1973 single are! Featured here is the A-side “You Haul” which is one of the best examples of a poor man’s Deep Heep (Deep Purple meets Uriah Heep) we’ve ever heard and the demonic Echoplex-laden laughs mixed into this track are out of control. The band was touted as “Southwest Virginia’s Finest Boogie Band”, but don’t let that fool ya. They could bang heads with the best of ‘em.
The closer on the Seventh Trip is one we hold very near and dear. Not only is this record the one that’s taken us the longest to secure the rights to, it’s also one of the very best examples of heavy psych you’ll ever hear. The track rings your bell (literally) straight out of the gate and the dank psychedelic vibes kick in immediately. “The Darkness” was recorded in a basement studio in Kansas City in 1969 when the lead guitarist was only 16. The band was from a rural Missouri town, played only one impromptu gig in Clinton, and pressed only 125 copies of this, their only single. It should come as no surprise that it sells for hundreds of dollars when it’s offered. That’s a small price to pay for such greatness.

Various Artists (Label Samplers) Fill Your Head With Rock album cover

“Fill Your Head with Rock” (1970) was the third release in the successful CBS Records “Rock Machine UK budget sampler album series. It broke new ground, by extending the format to a double album, and also featured far more UK artists than previous samplers.

Compiler David Howell  stated that while the earlier samplers were merely aimed at promoting specific full-price releases, this record was part of a major push to establish the label as “the top label in contemporary music” in the UK, and also to establish the market for double albums

For once a sampler album cover showed the featured artists, and even provided a key for identification. Laura Nyro can be seen at the top left, Taj Mahal next to her, and Al Kooper & Leonard Cohen at the top right. Four of the artists are not shown: Moondog, Amory Kane, Black Widow and Skin Alley. The front cover features Jerry Goodman of The Flock.


“Listen” (R. Lamm) : Chicago (from the LP Chicago 66221)[3] (3:22) “Savour”[4] (Santana) : Santana (from the LP Santana 63815) (2:46) “Give A Life, Take A Life” (California/Adler) : Spirit (from the LP Clear 63729) (3:47) “Passing Through” (K. White) : Steamhammer (from the LP Steamhammer[5] 63694) (5:17) “Smiling Phases” (S. Winwood-J. Capaldi-C. Wood) : Blood, Sweat and Tears (from the LP Blood, Sweat & Tears 63504) (5:10) Side Two “Tired of Waiting” (Flock[6]) : Flock (from the LP Flock 63733) (4:35)[7] “Come To The Sabbat” (Clive Jones-Jim Gannon) : Black Widow (from the LP Sacrifice 63948) (4:55) “Dance In The Smoke” (R. Argent-C. White) : Argent (from the LP Argent 63781) (6:10) “Gunga Din” (G. Parsons) : The Byrds (from the LP Ballad of Easy Rider 63795) (3:02) “Living In Sin” (James) : Skin Alley (from the LP Skin Alley 63847) (4:35) Side Three “Gibsom Street” (L. Nyro) : Laura Nyro (from the LP New York Tendaberry 63410) (4:30) “You Know Who I Am” (L. Cohen) : Leonard Cohen (from the LP Songs from a Room 63587) (3:22) “Stamping Ground”[8] (L. Hardin) : Moondog (from the LP Moondog 63906) (2:36) “The Inbetween Man”[9] (A. Kane) : Amory Kane (from the LP The Inbetween Man 63849) (5:22) “The Garden of Jane Delawney” (T. Boswell[10]) : Trees (from the LP The Garden of Jane Delawney 63837) (4:05) “A Small Fruit Song” (Al Stewart) : Al Stewart (from the LP Zero She Flies 63848) (2:00) “Driving Wheel” (T. Rush[11]) : Tom Rush (from the LP Tom Rush 63940) (5:22) Side Four “Try (Just A Little Bit Harder)” (J. Ragavoy-C. Taylor) : Janis Joplin (from the LP I Got Dem Ol’ Kozmic Blues Again Mama!) (4:13) “One Room Country Shack” (Mercy Dee Walton) : Al Kooper (from the LP Kooper Session 63797) (3:35) “Six Days On The Road” (C. Montgomery-E.Greene) : Taj Mahal (from the LP Take A Giant Step 66226) (2:55) “Don’t Think About It Baby” (M. Bloomfield) : Mike Bloomfield (from the LP It’s Not Killing Me 63652) (3:34) “Bluesbuster” (C. Allen) : Pacific Gas & Electric (from the LP Pacific Gas and Electric 63822) (2:56) “I Love Everybody” (J. Winter) : Johnny Winter (from the LP Second Winter) (3:50)

Image result for flaming lips images

The story of The Flaming Lips are somewhat confused, or rather merge with my own.
Briefly, when we are young, we are crazy, dreamy, rebellious, we have no limits, and The Lips at the beginning were just like us, crazy young people, dreamy, loud and rebellious, but adulthood comes to us all and with it many responsibilities , the priorities change completely, we mature, we grow and we understand that, that time of dreams passed, with The Lips, it happens the same thing.

But one thing is certain, the essence, it will always be stored and will appear from time to time, just let it happen … this is the magic of life, this is the magic of The Flaming Lips´ music.


Thank you my friend Wayne for accompanying me for all these long years.
This is dedicated to you, my brother! And of course, my special thanks to all the wonderful bands that are part of this project.
With love……. Renato Malizia

Lydia Loveless, Julie Byrne, Eva Salina, Sera Cahoone and Western Centuries are just a handful of the 19 musicians featured on the latest compilation of sessions recorded for Folkadelphia, a weekly folk show produced at WXPN and recorded in the World Cafe Performance Studio in Philadelphia. Since 2008, Folkadelphia has been hosted and produced by Fred Knittel. Each week the show explores the music makers in the world of folk, broadly defined. The sessions are the cornerstone of the show and feature Americana, country, bluegrass, singer-songwriters, and “folk adjacent” musicians old and new, ranging from the fringe to the familiar to the freaky.


Folkadelphia Sessions Volume V includes some beautiful performances like “Black River” by Sierra Hull accompanied by Ethan Jodziewicz on bass and Justin Moses on banjo and vocals, the hypnotic, finger-picking “Green Mountain Road” by Brooklyn singer-songwriter Katie Von Schleichter and Adam Torres and the longing intimacy of “Yr Undertaker” by Shannen Moser.

Folkadelphia Sessions are completely free, just enter $0 when prompted. Any donation you give on their Bandcamp site will be used to help us bring you more exciting projects & developments from Folkadelphia!