Posts Tagged ‘Cherry Red Records’

Formed in 1984, Dinosaur Jr carved a singular path through the latter half of the 1980s and early 1990s, issuing a number of highly influential albums in the process before finding a home with Sire Records. Cherry Red Records has announced details of an epic Dinosaur Jr. album reissue campaign coming this September: The four Warner period ’90s albums ‘Green Mind’, ‘Where You Been’, ‘Without A Sound’ and ‘Hand It Over’ have been lovingly remastered, expanded and reissued on coloured double vinyl and double CD editions, with related singles, b-sides and previously unreleased material. The entire collection is available now

Dinosaur Jr. consisted of J Mascis on guitar and vocals, Lou Barlow on bass and Murph banging the drums. Their first album came out in 1985 and they had a huge underground hit with the 1988 single Freak Scene. Lou Barlow left shortly afterwards to form the highly regarded Sebadoh,

“Without A Sound”, was their sixth record, emerged in the summer of 1994, in the wake of personal bereavement and the departure of longtime drummer and founder member Murph.

Performed primarily by J Mascis, “Without A Sound” continued the band’s growth in popularity and commercial achievement, reaching #44 in the US (their highest ever album placing there) and featuring the hit singles ‘Feel The Pain’ and ‘I Don’t Think So’. Released to positive reviews, “Without A Sound” also took Dinosaur Jr around the world, including dates in Australia, New Zealand and Japan, and into the mainstream as the group contributed ‘Blah’ to the hit US TV show Melrose Place.

Collected together with related B-sides, unreleased mixes and a complete live recording made in London in 1994, and accompanied by in-depth sleevenotes from Mojo’s Keith Cameron (based on recent and exclusive interviews with J Mascis), this edition provides a glimpse of a band at the height of their international appeal and accessibility.

“Hand It Over”, their seventh record, appeared in the spring of 1997 following a lengthy absence, and would prove to be the band’s final album-length offering for a decade.

Performed primarily by J Mascis, “Hand It Over” appeared at a time of declining international interest in American alternative rock, but nevertheless received widespread approval and appreciation amongst critics and reviewers. The album was accompanied, unusually, by an EP of non-album songs recorded for the Matt Dillon movie Grace Of My Heart and, later, a vinyl only ‘I’m Insane’ 7” single, all of which are collected here alongside a previously unreleased concert recording made in Stockholm and two tracks performed for ABC TV in Australia.

Dinosaur Jr carved a singular path through the latter half of the 1980s, issuing three highly influential albums in the process before finding a home with Sire Records, who issued “Green Mind” in 1991 as the alternative American rock scene the band had long been part of exploded globally.

Produced by a stripped down line-up of the group (in fact, J Mascis himself plays almost everything), the album and Sire’s international reach took Dinosaur Jr’s reputation to a new level, aided by the singles ‘The Wagon’ and ‘Whatever’s Cool With Me’, a non-album EP of new material and live recordings, all of which are included here alongside a previously unreleased live recording capturing the group at the Hollywood Palladium in June 1991.

Critically lauded on release, “Green Mind” remains one of the band’s strongest collections, and a firm fan favourite.

‘Where You Been’, their fifth record, emerged in 1993, at the height of enthusiasm for grunge and the alternative American rock scene the band had long been part of.

Produced by a new line-up of the group (longtime drummer Murph and new bassist Mike Johnson completing the three-piece), the album became the band’s most successful up to that point, reaching #50 in the US (where it sold over a quarter of a million copies) and #10 in the UK album charts, and spawning the hit single ‘Start Choppin’.

Released to unanimously positive reviews, and containing many tracks that would become staples and fan favourites, ‘Where You Been’ continued Dinosaur Jr’s global ascent, being issued simultaneously across the US, Europe, Australasia, Asia and South America.

Collected together here on vinyl for the first time with related singles, B-sides and John Peel session recordings,

To celebrate the deluxe reissue campaign of Dinosaur Jr.’s classic Warner Years albums ‘Green Mind’, ‘Where You Been’, ‘Without A Sound’ & ‘Hand It Over’ via Cherry Red Records, singer & guitarist J Mascis spoke to Keith Cameron from MOJO Magazine about recording these much loved albums.

Order the Warner Years albums reissued on deluxe gatefold 2LP & deluxe expanded 2CD editions

This 2CD compilation may well gain first prize as the longest titled album this year, its release also extends the long running USP of being in some way linked to The Cramps, but specifically the fabled record collection of Lux and Ivy; this is an arena that has been well serviced over the years by the wonderful ‘Born Bad’ series, the ‘Songs The Cramps Taught Us’ releases and also by the infamous ‘Purple Knif’ and ‘Vip Vop Tapes’, the later of which were actually put together by Lux for a radio show.

‘Good For Nothin’ Tunes’ contains 50 tracks “enthused over by Lux and Ivy”, with sleeve notes by Dave Henderson from Mojo Magazine; quite how we know these tracks were actually enthused over by either Lux or Ivy remains a mystery; Lux has been gone for over 10 yrs, and Ivy almost immediately became somewhat reclusive; so whilst actually approval from The Cramps legends is largely missing, I think we can be sure that had they heard them, they would most definitely have liked them.

“If the boogie-woogie kills me, I don’t mind dyin” hollers Tender Slim during his rockin blues opener “Don’t Cut Out On Me”, originally released as a double A-side in 1962, though was re-issued as a bootleg green vinyl 7” in 2015, Slim hailed from South Carolina and went under an array of similar names including Fender ‘Guitar’ Slim, Tender Joe Richardson, however by 2007 he was known as Deacon Richardson and releasing material entitled “We’re Still on This Mission Praising God” which suggests he’d long given up on hellfire rockabilly!

Dave Hill was the stage name of actor David Hess, who in 1956 recorded the original version of the Otis Blackwell composition “All Shook Up”, Hill provided a solid vocal delivery whilst Ray Ellis And His Orchestra delivered the driving music which was released via the Aladdin label on a 10” shellac disc (a decent copy of which would set you back at least £50) the following year the track became a worldwide #1 hit for Elvis Presley.

Dave Hill

Witchcraft is always a popular theme of these compilations, this one is no different; we get Betty Lavette‘Witchcraft In The Air’, a standard soul voiced stomper, Lavette had a lengthy recording career, much of her material has been subject to CD reissue on labels including Charly RecordsEartha Kitt dabbled with the spooks during ‘I’d Rather Be Burned As A Witch’ which came out in 1959 and cemented her status as the foil to the girl-next-door charms of Doris Day.

Bobby Bare‘Vampira’ is pure 50’s sexploitation set to a swing beat which includes a raunchy almost spoken word fade out, a real highlight is ‘Slave Girl’ by Ray Ethier; Ethier remains a complete unknown on the rockabilly scene despite him being lead guitarist for Ben Hewitt, he also recorded this on 7” under his own name; it’s an absolute belter, twanging guitar, slap bass and reminded me of Glen Glenn. Sadly, matters of the heart intervened, Ray fell in love with a lady by the name of Patricia June and married her. Pat telling Ray that is was either her or the guitar… he chose her!

J.J. Jackson & The Jackels provide plenty of “ooh-ahh” chanting during this hump-dancer soul tinged classic, that has recently been released by Norton Records and was included on the 2009 compilation ‘The Roots Of The Cramps’ which at least provides a genuine Lux & Ivy related link.

The Poets ‘Dead’ is a genuinely strange record, a seriously twisted doo-wop vibe complete with horror lyrics and accompanying screams and lupine howls that no doubt terrified audiences in 1959; this is a cleaned-up recording, an original of which would set you back at least £20.

Scott Engel provided this album title with his 1958 B-side to his ‘Kathleen’ single, his label clearly liked the track as they again put it on the B-side of the following years ‘Livin End’ 7”, why if they liked it so much didn’t they flip it to the A-side… I guess it matters not as a few years later Engel would change his name to Scott Walker and moved to the UK as The Walker Brothers sought success from this classic rockabilly belter to the 2014 Walker written album with Sunn O))) is one hell of a journey!!

Ronnie Dee Dawson began his recording career with ‘Action Packed’ a pure rockabilly scorcher in 1959 when he was just 20yrs old, he had however been a French horn player for his father’s dance band The Manhattan Merrymakers, quite where he picked up the middle name Dee is a mystery, he was christened Ronnie Monroe Dawson and also recorded as Snake Munroe, and The Blonde Bomber, he benefitted from the 80’s rockabilly revival and continued to tour up until his death in 2003 age just 64.

The Savoys ‘Domino’ was originally titled ‘Domino (Just For Kicks)’ and came out in summer 1959, the source clearly being Roy Orbison’s ‘Domino’ which predated it by 3yrs, these days a lawsuit would follow, how times have changed; no matter how long the world keeps spinning there is unlikely to be a track as odd as ‘Bernice (Part 1)’ by Brother Theodore, a true out there spoken word oddity, sonorous Germanic voice delivering a stream of consciousness monologue with ham B-movie scary sounds.

Disc 2 contains gems from The Del-Tones, who’s ‘Knees Shakin’ is a sultry guitar instrumental with some neat boogie-woogie piano, whilst Richie Deran ‘Girl And A Hot Rod’ is a genuine rockabilly belter as our boy believes he can satisfy his teenage angst with as the title proclaims a “girl and a hot rod” – originally released on the Pontiac label in 1960, this was Deran’s only release which is a real shame as this is the perfect blend of snare heavy rock ’n’ roll and youthfully yelped rockabilly.

Its back to the weird stuff with Glenn And Christy, their sole release being ‘Wombat Twist’ which came out on Sonic Records label in 1962, the label was based in LaGrange, Illinois though there is no information as to where either Glenn And Christy came from or even who they were; for reasons best known to them they delivered a sort of spoken word lyric over a damn fine rockin groove that features some neat guitar work.

For the really way out there stuff, few come close to Jack Paar; his track ‘Blue Wiggle’ defies description and to be polite would be described as a novelty record, the track was originally a B-side released via RCA Victor in 1958. Paar was a former radio and TV talk show host who is probably best known for being the second host of The Tonight Show. During his earlier days Paar worked at WGAR in Cleveland. By chance, he was working the night Orson Welles did his infamous War of the Worlds broadcast. Paar apparently even tried to calm down the panicked listeners by saying, “The world is not coming to an end. Trust me. When have I ever lied to you?” The A-side ‘Funny What You Learn From Women’ as also included and is equally odd as we hear Paar accompanied by a whistler detailing what he learnt from the fairer sex!

Hasil Adkins should be familiar to anyone with even a mild interest in both The Cramps and obscure primitive rock ‘n’ roll, Adkins was a self-taught one-man band. The reason for this was because when he first heard Hank Williams on the radio he didn’t know there was a band behind Hank, he mistakenly thought that Hank Williams played all the instruments, and set out to do the same; he is featured here with his debut 7” ‘She Mine’ which was credited to Hasil Adkins & His Happy Guitar when released in 1962.

The Revels ‘Dead Man’s Stroll’ appeared on the earlier Righteous “Magnificent: 62 Classics From The Cramps’ Insane Collection” so quite why its needs another outing I’m unsure.
Dave Gardner was an interesting character, he flunked out of university after a single term of input as a Baptist Minister, before becoming a comedian, though this was curtailed when arrested for dope possession and later tax evasion, some of these wilder traits are evident on his ‘Mad Witch’ single from 1957.

Charlie Feathers should also be familiar to Cramps followers, and on ‘Tongue Tied Jill’ he described said lady as “my real gone chick” on this mono recording from 1956, a genuine barn yard nascent rockabilly blast with all the appropriate yelps and hollers.

Milton Feher closes the album with ‘Walking Without Effort’ a track lifted from an album ‘Relaxing Body And Mind: The Relaxation Record’ which came out in 1962, and was marketed as a therapeutic record; Feher without any musical accompaniment narrates advice on life, love and beyond; the album came out on Folkways Records, a label that became one of the worlds largest independent labels, and is currently owned by The Smithsonian Institute. As one of the terms of that deal, the Smithsonian agreed to keep all titles in print, which they continue to do to this day under the Smithsonian Folkways banner, as such you can get a new CD of the album for under £10!!

In total you get 50 slices of madcap vinyl that includes rare B-sides, introductions to dance crazes you had never heard of, and general madness, all of which has been sourced from the best available originals then subtly remastered, its a great compilation that showcases the driven and possibly unhinged belief of some of the artists and labels that released this stuff; there is genuine passion, blood, sweat and other dubious substances within the majority of these recordings, and for that reason alone this collection should be applauded, and lets hope we have now exhausted the Cramps tie in and similar tracks are just released for their own sake in the future.

• Featuring super rare sides, howling rockabilly, juvenile delinquent anthems, a host of dance trends, plenty of haunting weirdness and lots of hi-octane rock ‘n’ roll.

• Including Eartha Kitt, Ernie K Doe, Ronnie Dawson, Bobby Bare, Scott Engel (later of The Walker Brothers), Ken Nordine and Charlie Feathers.

• Plus beatnik blues and the crazed excess of Portuguese Joe, Myron Lee And The Caddies, The Poets, Charles Senn and Mike Page’s ‘Long Black Shiny Car’.

• Along with the awesome ‘Wombat Twist’ by Glenn And Christy and Harvey Hurt’s stupendous ‘Big Dog Little Dog’ – it’s hit after hit.

Cherry Red is putting out a 4CD 80 track set that celebrates the independent side of the UK’s post punk synthpop boom that took place between 1978 and 1984. The collection is called Electrical Language and it also comes with a booklet featuring the sleeve notes from many of the recordings and words from the artists themselves. The collection includes several household names such as OMD, The Normal , Human League, Thomas Dolby and Fad Gadget in addition to underground artists from the era.

This collection also contains some hidden gems from Mute Records, Rough Trade, 4AD, Survival Records and of course, Cherry Red. Cherry Red Records say this about the collection,

A broad church from the outset, this synth-pop movement wasted no time in embracing players from all corners of the musical dressing up box. From guitar groups drafting in a keyboard playing friend and the progressive rockers using their expensive banks of electronics in new ways to the modernists and the Thatcherists, full of unabashed aspiration, and the punks – arguably the purest punks of them all – who discarded the guitar and the drum kit overnight in their pursuit of something fresh that their generation could truly call their own. All were welcome, and all contributed to the many different directions synth-pop would mutate in over the coming five or six years.

‘Electrical Language’ captures this time and place in microscopic detail. The uptempo would-be hits with suburban nightclub aspirations, the science and technology enthralled proto-techno workouts and the otherworldy experiments are all here, sitting comfortably amongst each other in some cases, jostling for position in others. This was a post-punk revolution of another kind, played out on a stage free of the traditional boundaries and limitations, entirely alien to anybody over twenty-five and enthralled by the new and the exotic. For the first time in a while, the future looked bright, albeit illuminated with electric light.

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One of the pioneers of Progressive Music – or Prog Rock as it’s more widely known – is a UK band from the early years of Rock’s infancy. Their name is Van der Graaf Generator. This band still works together with their last album, Do Not Disturb, released back in 2016. Overall, this influential band released thirteen albums from 1968 through 2016 (thus far).  Their first album, “The Aerosol Grey Machine”, welcomed the band to the public.

The album was originally intended as a solo album by the band’s lead singer and main songwriter, Peter Hammill. When the band signed with Charisma Records, a deal was worked out whereby The Aerosol Grey Machine would be released under the Van der Graaf Generator name, in return for Mercury Records releasing Hammill from his earlier contract with it.

The Aerosol Grey Machine. Originally issued in 1969, The Aerosol Grey Machine adequately sets the stage for the great Van der Graaf Generator classics to follow. This 50th Anniversary Edition of this debut will feature new remastering and the addition of rare and previously unreleased bonus tracks to round out the  planned 2CD reissue.

For this reissue, eight extra tracks that include two previously unreleased 1967 demos, two single issues, and four BBC Sessions live performance tracks from a November 1968 session. A booklet with photos, notes, credits, an essay, and a new Pete Hammill interview.  Also included will be a replica Pete Hammill-designed poster from 1968.

A 180g-weight vinyl LP is also planned for reissue that will include the new remaster of the classic debut. It will come with a packed in 7″ vinyl single of the rare and withdrawn “People You Were Going To” with a B-side of “Firebrand”. The LP will be presented in a classic gateway sleeve with the UK artwork that was unissued.

Esoteric Recordings proudly announcing the release of a new re-mastered 50th Anniversary Limited Edition boxed set of the classic debut album ‘Aerosol Grey Machine’ – available for order now, and to be released April 26th via Esoteric Recordings.
Features the re-mastered album, an additional CD of rare & previously unreleased tracks, demos & BBC sessions, a facsimile 180g vinyl LP of ‘The Aerosol Grey Machine’ (cut at Abbey Road Studios), housed in the impossibly rare unreleased British gatefold sleeve design, a 7-inch single of the very rare withdrawn release ‘People You Were Going To’ b/w ‘Firebrand’, a lavish book with an essay by Sid Smith & exclusive interview with Peter Hammill, and a replica 1968 poster designed by Peter Hammill.

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From the makers of the Junkshop Glam genre defining Velvet Tinmine, Glitterbest and Boobs compilations… comes this book ending box set.

60 tracks of the finest slices of JSG in its various guises, as established by collectors around the world over the past decade. Including tracks from the USA, New Zealand, Netherlands, Sweden, Iceland, Australia as well as homegrown UK. Some previously unreleased, many first time on CD.

Themed by arch JSG collector and musician Phil King into three groups; Rock Off! for the heads down boogie sounds; Tubthumpers & Hellraisers for the footstomping hand clapping pop pounders; Elegance & Decadence for the mascara masquerading gender bending weird and wonderful.

The box set sweeps up a colourful array of musical renegades and nomads as they moved and shook the scene, such as: first Juicy Lucy vocalist Ray Moon, ex-New York Dolls Rick Rivets band The Brats, Baby Grande the forerunners of The Church, TV Smith pre-Adverts in Sleaze , Jimmy Edwards a cohort of Jimmy Pursey in Sham 69 in earlier solo mode and, as in house producer of Steve Elgin at Dawn, ex- Spider From Mars Woody Woodmansey, 60’s northern soul chanteuse Glo Macari backed by Slowload who get their own track as produced by Vic Maile, actor Richard Strange as Kid Strange in Doctors of Madness, Angel produced by Mick and Andy from The Sweet. Plus stalwart pop auteurs Jonathan King and Mike Berry.

Some further context comes from inclusion of relevant cuts by Mott The Hoople, Hello, Iggy & The Stooges, Be Bop Deluxe, Third World War.

Three discs in individual wallets, housed in a clam shell box, which also includes a 36 page booklet.

The booklet contains a fascinating and highly-informative 2000 word essay from an authority on the genre – Tony Barber – the bassist with the Buzzcocks.

Cherry Red Records will follow up its recent geographically flavored box sets that focused on Manchester and Liverpool next month with a new five-disc, 115-song collection spotlighting the Scottish independent-music scene between 1977 and 1989.

Titled Big Gold Dreams: A Story of Scottish Independent Music 1977-1989 and due out February. 22nd, the box set will feature music from Simple Minds, The Jesus and Mary Chain, Altered Images, The Skids, Primal Scream, The Waterboys, Cocteau Twins, Aztec Camera, Soup Dragons, The Vaselines and Josef K.

The set — which follows 2017’s Manchester North Of England: A Story Of Independent Music | Greater Manchester 1977-1993 and 2018’s Revolutionary Spirit: The Sound of Liverpool 1976-1988 — will include new essays and band histories by Grant McPhee, Neil Cooper and Tim Barr in a 70-page booklet.

“Personality Crisis: Live Recordings & Studio Demos 1972-1975”. A trio of pre-Mercury demo sessions – arguably as close as the Dolls ever got to nailing their sound in the cold austerity of the recording studio – are joined by a collection of incendiary live shows (including two American radio broadcasts)

Formed in 1971 in New York City, and originally classified as hard rock, the New York Dolls became one of the creators of punk rock before there was even a term for it. With a line-up of vocalist David Johansen, guitarist Johnny Thunders, bassist Arthur Kane, guitarist Sylvain Sylvain and drummer Billy Murcia, the New York Dolls sported an androgynous wardrobe of high heels, eccentric hats, make-up and satin onstage, and in the words of the Encyclopedia of Popular Music were “one of the most influential rock bands of the last 20 years”, boasting such high profile fans as Morrissey, the Sex Pistols, The Ramones, Kiss, Guns N’ Roses and The Damned.

It is commonly perceived that the essence of the New York Dolls was never satisfactorily captured by their two albums for the Mercury label, both of which many believe suffered from unsympathetic production. Fortunately for us all, the band’s untutored rawness, unencumbered strength of purpose and unique vision is better served by the recordings that are gathered together for the first time on Personality Crisis: Live Recordings & Studio Demos 1972-1975. A trio of pre-Mercury demo sessions – arguably as close as the Dolls ever got to nailing their sound in the cold austerity of the recording studio – are joined by a collection of incendiary live shows (including two American radio broadcasts) that, despite the variable sound quality, capture their unfettered outrageousness and life-affirming vitality. This package serves, then, as an alternative view of one of the few genuinely essential rock’n’roll bands to emerge from the early Seventies wastelands.

Includes early versions of acknowledged New York Dolls’ classics: ‘Jet Boy’, ‘Trash’, ‘Personality Crisis’, ‘Puss ‘n’ Boots’, ‘Stranded In The Jungle’, ‘Babylon’, ‘Who Are The Mystery Girls’, ‘Bad Girl’ and ‘Pills’.

Come in a beautifully designed clamshell box set containing its own booklet with full sleeve notes, plus individual card wallets for each of the discs. All material contained within this package has been specially remastered for this release.This package serves, then, as an alternative view of one of the few genuinely essential rock’n’roll bands to emerge from the early Seventies wastelands.

Released April 27th, 2018 via Cherry Red Records.

Esoteric Recordings and Cherry Red Records are proud to announce the release of an official limited edition deluxe boxed set of Yes founder Chris Squire’s legendary 1975 solo album “FISH OUT OF WATER” on 27th April 2018.

Recorded in the late Spring and Summer of 1975 whilst Yes was on hiatus as members recorded their respective solo albums, Fish Out Of Water was a breath-taking work, and equal in standard to any Yes album in terms of sheer invention and creativity. The album sessions were a collaboration between Chris Squire and his friend Andrew Pryce Jackman, a gifted arranger who had been a member of The Syn, Squire’s pre-Yes group. The sessions saw contributions from former Yes drummer Bill Bruford, Yes keyboard player Patrick Moraz and noted King Crimson musician Mel Collins and Jimmy Hastings. Released in November 1975, Fish Out Of Water was a Top 30 chart hit in the UK and made the US Billboard Top 75 album chart, going on to sell nearly 500,000 copies worldwide.

The highlight of this limited edition deluxe boxed set is a stunning new 5.1 Surround Sound mix (exclusive to this set on an NTSC / Region Free DVD), along with a new stereo mix, from the original multi-track master tapes by Jakko Jakszyk and a new re-master of the original 1975 mix by Paschal Byrne.  Fish Out Of Water also includes four bonus tracks of the single edits of ‘Lucky Seven’ and ‘Silently Falling’, along with both sides of the 1981 single by CHRIS SQUIRE and ALAN WHITE; ‘Run With the Fox’ and Return of the Fox (appearing on CD for the first time).

The boxed set also includes a replica 180 gram gatefold LP with poster of Fish Out Of Water (mastered and cut from the original tapes at Abbey Road studios), along with two seven inch singles of ‘Lucky Seven’ b/w ‘Silently Falling’ and ‘Run With the Fox’ b/w ‘Return of the Fox’, both in picture sleeves. To complete the content is a visual DVD (NTSC / Region Free) featuring the 1975 Fish Out Of Water promotional film featuring the songs Hold Out Your Hand and ‘You By My Side’, along with a 2006 interview with Chris Squire conducted by Jon Kirkman and a 2006 audio commentary by Chris Squire. Finally, the set also contains a 36-page book with an essay by Sid Smith featuring exclusive interviews with Bill Bruford, Patrick Moraz, Gregg Jackman and Jakko Jakszyk.

Always justly proud of his first solo album, it was Chris Squire’s long held wish that a 5.1 Surround mix would be undertaken of the work someday. This Esoteric Recordings edition finally brings this to fruition and is a fitting tribute to the artistry of Chris and his collaborator on the recordings, Andrew Pryce Jackman.

Alongside this deluxe edition, there will also be a new 2 CD edition of Fish Out Of Water which features the new Stereo mix, the new re-mastered original stereo mix and four bonus tracks.

The boxed set and 2 CD edition can be pre-ordered directly from Cherry Red Records website store:

Cherry Red celebrates the post-Beatles spirit of Liverpool on this 5-CD book-style box set featuring hits and rarities from artists including Echo and the Bunnymen, The La’s, Frankie Goes to Hollywood, A Flock of Seagulls, and more.  The extensive book features rare photos, artists’ own memories, and essays reflecting on this creatively fertile period for the famed musical city.

Extensive 5CD/book set exploring the ‘second wave’ of music on Merseyside, from 1976-1988

Features classics, rarities, album tracks and previously unreleased gems from Echo And The Bunnymen, Teardrop Explodes, OMD, The La’s, Frankie Goes To Hollywood, Dead Or Alive, China Crisis, A Flock Of Seagulls, Wild Swans, Big In Japan and many more.

5CD + 56pp A5 book format contains many artists’ own sleeve-notes, previously unseen photographs and essays from key observers and participants in the city’s music scene – Bernie Connor, Mike Badger, Yorkie and Joe McKechnie.

Anyone who’s been living on the grapevine these past few years must have heard the rumours about the coming of the FELT reissues – well they’re here.

These vinyl records, unavailable for many years, have been remastered and revisited by Lawrence, and he has fashioned the ultimate definitive collections. They are available in a deluxe gatefold sleeve. During the ‘80s Felt made ten albums and ten singles for the Cherry Red and Creation labels. This beautifully produced series examines the work of one of the greatest underground groups of modern times.

The first five albums will be released on 23rd February 2018. These vinyl records, unavailable for many years, have been remastered and revisited by Lawrence, and he has fashioned the ultimate definitive collections.  Previously named Let the Snakes Crinkle Their Heads to Death, this album is now retitled The Seventeenth Century – the original name for the album was changed late in the day. This reversal of misfortune was classed as an awful mistake and Lawrence’s biggest regret. Flash forward to now and this situation can finally be rectified. “You can’t change the title of an album” – they told him – so he said; “if Kraftwerk can and Bowie can then I can too!!”