Posts Tagged ‘Jenn Wasner’

Jenn Wasner and Andy Stack of Wye Oak have spent most of their lives in Baltimore, MD. But after two years of constant touring with Civilian, they landed on opposite sides of the country with an unforeseeable future ahead. Despite this newfound uncertainty, the two bandmates embraced their physical distance, passing ideas back and forth, allowing new work to evolve in their respective solitudes

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Written, arranged, performed and produced by Jenn Wasner and Andy Stack
with special guests The Brooklyn Youth Chorus:
releases July 31, 2020

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This week Flock of Dimes, the solo project of Jenn Wasner of Wye Oak, surprise released a new EP, “Like So Much Desire”, via Sub Pop. The five-song EP is her first release for the iconic Seattle label, which also announced her signing this week. The highlight is probably the title track, “Like So Much Desire.”

Wasner released her debut full-length album under her Flock of Dimes solo project, If You See Me, Say Yes, in 2016 via Partisan. This is the follow-up release. Wasner wrote and produced the EP in her home in isolation and it was mixed by Ari Picker and mastered by Ryan Pickett. Drummer JT Bates recorded his parts from Minneapolis and the strings were recorded in New York by Paul Wiancko, Michi Wiancko, and Ayane Kozasa.

A couple of months ago, like many people, I was alone, lost, and feeling powerless to contribute to the world in any sort of meaningful way. Music has always been how I process existence, how I make some kind of sense out of my life. But in those moments, especially, I was reawakened to the power it has to transform a space, create a mood, to comfort, to heal. The songs I loved took on new meaning, they were a lifeline that slowly brought me back into my body.

This moment in time is not about ME. And I don’t want it to be. I’m eager to be a part of this collective awakening, a joining of forces to fight for a world that values and protects the most vulnerable and marginalized among us.

But at the same time, I know that we need the release that art provides for us, to be inspired, and comforted, and have the energy to persevere. I don’t have illusions of grandeur about this—I’m just a small piece of the puzzle, and I like it that way. But the ability to create and share the things I make with others is what gives my life a sense of purpose. And If anything I make provides any comfort to others along the way, it’s a net positive.

About the songs—they are all about the inseparable nature of desire and grief, joy and loss–two sides of the same coin. They’re linked and they always will be. Don’t let your fear of grief keep you from opening your heart to the beauty that is (still, even now!) all around us. Desire is the first step to imagining a better world.

Thank you so much for listening.
JW

Wasner will be performing a Flock of Dimes livestream concert on Tuesday, June 30th at 7 p.m. ET. Tickets are available here.

Wye Oak (Wasner and Andy Stack) released a new album, The Louder I Call, the Faster It Runs, back in April 2018 via Merge Records.

‘Like So Much Desire’ (Release Date: June 23rd, 2020)

Madeline Kenney: Sucker's Lunch: Limited Edition Custard Vinyl + Signed Card

Oakland, CA-based singer/songwriter Madeline Kenney announced a new album, “Sucker’s Lunch”, and shared its first single, “Sucker,” via a self-directed video for the track. “Go on ahead without me,” Kenney passionately and repeatedly sings while sitting at the counter of a diner towards the end of the video. “Sucker” features guest vocals from Lambchop’s Kurt Wagner.

Sucker’s Lunch is Kenney’s third album and is due out July 31st via Carpark Records.

Sucker’s Lunch is the follow-up to 2018’s Perfect Shapes and her 2017-released debut album, Night Night at the First Landing (which was produced by Toro Y Moi’s Chaz Bear). Perfect Shapes was produced by Jenn Wasner of Wye Oak and Flock of Dimes. Wasner returns as producer for Sucker’s Lunch, but this time she’s joined by her Wye Oak bandmate Andy Stack (aka Joyero). The album was recorded in Durham, Oakland, and San Francisco.

A press release explains that “thematically, Sucker’s Lunch sees Kenney soberly contrasting the risks and rewards of falling in love, eventually deciding to dive headfirst into her own foolishness and relish in the unknowing.”

Kenney elaborates in the press release: “I’m not interested in something easy or immediately apparent. My experience writing these songs wasn’t easy, it was painful and difficult. I was terrified of falling in love, and as much as I’d like to write a sticky sweet song for someone, it doesn’t come naturally to me. Instead I wanted to explore the tiny moments; sitting alone in my room guessing what the other person was thinking, spiraling into a maze of logical reasons to bail and finding my way out again. When I spoke with friends about the theme of the ‘idiot,’ it became apparent that everyone understood that feeling and was relieved to hear it echoed in someone else.”

As for “Sucker,” Kenney had this to say: “When I lived in Durham, I found myself sitting in the sun on the porch with a musical hero of mine, who was worried about losing their healthcare and not being able to afford to tour. It blew my mind and broke my heart that such a genius had to struggle with uncertainty in trying to make their art. I wrote ‘Sucker’ when I realized that all of us continue to make art, and fall in love, and attempt things that logically could fall apart at any moment, but we are fools for the game and keep producing, keep pursuing. I asked Kurt Wagner to sing on the track because I feel like he is consistently brave in his songwriting (and I’m a HUGE Lambchop fan). When he sent me the stems, I drank a martini and cried.”

Of the “Sucker” video she had this to say: “I’m a huge fan of con-movies; my favorite film is Paper Moon. I wanted to direct a video that put me as the con-man, whose existence relies on making suckers out of passers-by; but ended with me being the biggest loser of all. I lucked out when my favourite Oakland diner, Lois the Pie Queen, let us film on location.”

“Sucker” is the first single taken from Madeline Kenney’s forthcoming album, “Sucker’s Lunch,” out July 31st.

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After years in the background, songwriter Harkin surely earned her place in the limelight after being a touring member for such profound artists like Sleater-Kinney, Wild Beasts, Flock of Dimes, Kurt Vile and Courtney Barnett. Harkin has been around for a few years now and is a well respected figure in the scene so this self-titled debut album was overdue on many levels one might say. Featuring contributions from Warpaint’s Stella Mozgawa and Wye Oak & Bon Iver member Jenn Wasner the album was completed over 16 days dotted between the artist’s gruelling tour schedule so there is a sense of urgency in it that adds additional drive to the record. And that’s also how this albums feels like – a smooth and playful independent rock quickie but without lacking of profound depth. A wild spirit can’t be tamed anyway and Harkin delivers a fitting record for that purpose. Her debut was mostly written on the road, in a cottage in the Peak District (he UK’s oldest national park) and in Upstate New York and there’s a restlessness in the sound of these ten tracks really captured that vibe.

Mist Of Glass and Nothing The Night Can’t Change start the record with uplifting energy while the dazzling Decade shows a sensual longing that changes the tempo a bit before Up To Speed does exactly what the title implies. “Many of these songs grew from the tension between opposites,” Harkin explains the notion of the album, furthermore specifying these tensions by adding they are “between the wilderness and the city, between self-examination and communal ecstatic, night and day, love and shame.” This record is a testament of this fast-paced pre-Corona times it was recorded in. However, within its speed Harkin also seeks for calmness, resulting in a hypnotic mantra Dial It In and more hazy moments like New France.

The songs aren’t perfect and they surely aren’t revolutionary but that’s their biggest plus. In the closing track Charm And Tedium it’s only Harkin‘s vocals and her electric guitar that you hear, ending this record with the same raw approach it started with. This is the pure testament of a skilled songwriter and might be one of the most experienced debuts you can enjoy right now.

Hand Mirror Records 
Released on: 2020-02-10

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Wye Oak’s special Join tour, which begins next week, will see the duo expand to a quintet and perform music across not only their catalog but songs from Andy Stack’s and Jenn Wasner’s respective solo projects, Joyero and Flock of Dimes. The Wye Oak Join band will include Buke and Gase’s Arone Dyer, Landlady’s Adam Schatz, and Pinson Chanselle from Richmond’s Spacebomb collective, all accomplished multi-instrumentalists in their own regard.

Adam Schatz leads the band Landlady and produces records out of his Ditmas Park studio The Chamber of Commerce. Whenever able and not too hungry or tired, he’s playing assorted instruments with the likes of Sylvan Esso, Japanese Breakfast, Hand Habits, This Is The Kit & others.

 “Walk Soft” delves into trepidation and risk. When I was younger I used to work at a stable taking care of horses. I thought they were the most beautiful animals on earth, and seemingly so gentle, so it took me a while to learn that they could also be dangerous, if only because they were so much bigger than I was. Love is like this, too—the bigger it feels, the more power it holds. True beauty should be frightening.

In anticipation of these exciting shows, Wye Oak is sharing a soaring new song titled “Walk Soft.” Lyrically, it picks up right where preceding standalone single “Fear of Heights” left off by asking a string of questions: “What is the view?/ Does it belong to you?/ Do you see the same blue as I think I do?” From there, themes of trepidation and risk are escalated by the band’s sonic prowess until a satisfying coda of closure is reached.

Also arriving today is a short documentary about the band featuring interviews with Wasner and Stack as they discuss their history, their dynamic as performers and collaborators, how that has been perceived by their audience over the years, and how their upcoming Join shows will differ from any previous Wye Oak performance.

In addition to our new single, there’s also a new Wye Oak mini-doc out today! In it, you can hear us talk about our history, explain our dynamic as performers and collaborators, and share a bit about what you can expect from our upcoming Join shows.

The Wye Oak JOIN singles are out now on Merge Records

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Wye Oak (Jenn Wasner and Andy Stack) have shared a brand new song, “Fear of Heights.” It follows “Fortune,” a new song they shared back in November . “Fear of Heights” is a bit more subdued than “Fortune” but soars on the strength of Wasner’s always sublime vocals.

Wasner had this to say about “Fear of Heights” in a press release: “This song’s central metaphor likens the deepening of a relationship to the feeling of ascending to the top of a very tall place. There’s something to be seen (or learned, or experienced) once you arrive, but for some there is also a fear that increases with every step upwards. You say it’s worth it for the view, but it’s impossible to know if that’s true until you get there to see it with your own eyes.”

For the first time since 2012, Wasner and Stack are now both living in the same city together, Durham, NC (home to their label Merge Records), which has allowed for renewed creativity and led to the band recording last summer. There’s no word yet on a new album.

Wye Oak released their last album, The Louder I Call, the Faster It Runs, back in April 2018 via Merge.  Since their last album, Stack launched his solo project, Joyero, releasing his debut album as Joyero, Release the Dogs, in August 2019 via Merge. Wasner, meanwhile, has been touring as part of Bon Iver’s band. A previous press release promised that the JOIN tour dates will feature an expanded live band and will find them not just performing Wye Oak songs, but also ones by Joyero and Wasner’s Flock of Dimes solo project.

The single, “Fear of Heights,” is out now on Merge Records.

Jenn Wasner and Andy Stack of Wye Oak have spent most of their lives in Baltimore, MD. But after two years of constant touring with Civilian, they landed on opposite sides of the country with an unforeseeable future ahead. Despite this newfound uncertainty, the two bandmates embraced their physical distance, passing ideas back and forth, allowing new work to evolve in their respective solitudes, Harsh jagged guitar & synths that then melt into a lovely lilting chorus. Energy & subtlety, wonderfully arranged & produced.

The single, “Fortune,” is out now on Merge Records

Once upon a time, the key word for Wye Oak’s music was “catharsis,” mostly thanks to Jenn Wasner’s volcanic guitar breaks. But on 2014’s Shriek, they dismantled the formula they’d recently perfected in favor of a restart, a redefinition. And The Louder I Call, The Faster It Runs is the culmination of that, an album that defies easy comparison as Wasner and Andy Stack meld stratospheric synths, wiry rhythms, and melted guitar lines. The catharses are often subtler now, but there’s a whole different kind of release in hearing a band sound like this  like freedom. There’s still an inherent melancholy to their music, but Wye Oak are now processing that differently. Rather than stare into the depths of human experience, they’re reaching for the horizon and turning their searching eyes skyward.

The phrase “dream pop banger” would be a contradiction in terms if not for this glorious song, the centerpiece of Wye Oak’s album of the same name. Jenn Wasner, who has spent a decade honing one of the greatest voices in indie-rock, sings about the inexorable urge to seek patterns in chaos, repeating the title with mantra-like fervor: “The louder I call, the faster it runs / The louder I call, the faster it runs.” And then the song seems to do precisely that, growing faster, louder, more joyously overwhelmed, as it spins around and around its central refrain.

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Released April 6th, 2018,

Written and Produced by Wye Oak 
Jenn Wasner: vocals, guitar, bass, piano, keyboards, programming
Andy Stack: drums, guitar, bass, programming, keyboards, piano, upright bass

Pedal Steel on “You of All People” and “Join” by Colt Miller
Cello on “My Signal” by Paul Wiancko 
Violin on “My Signal” by Michi Wiancko 
String Arrangement on “My Signal” by Paul and Michi Wiancko

Jenn Wasner and Andy Stack of Wye Oak have spent most of their lives in Baltimore, MD. But after two years of constant touring with Civilian, they landed on opposite sides of the country with an unforeseeable future ahead. Despite this newfound uncertainty, the two bandmates embraced their physical distance, passing ideas back and forth, allowing new work to evolve in their respective solitudes

http://

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Last year, this neurobiology-trained folk-gazer released her stunning debut “Night Night At the First Landing”, which showcased her penchant for flipping the pop script. Her second album, which she recorded with Wye Oak’s sonic scientist Jenn Wasner, is full of strong writing and headphone-worthy details; the skip-stepping central riff of “Cut Me Off” is tethered to earth by resolute drums and a crosswalk signal’s barked “Wait!”; “The Flavor of the Fruit Tree” pairs the wow and flutter of an analog synth with hovering-in-midair harmonies and julienned vocal samples; and the simmering “Your Art” recalls Built to Spill at its most inviting, then blasts off into space on its coda, on which shooting-star guitars and a gently blown trumpet trade lullaby verses until they’re both safely ensconced in dreamland. Wriggling against expectations and bursting with ideas, Perfect Shapes is restless and smart, taking often-surprising, always-pleasing paths to pure pop bliss.

“Perfect Shapes” is the fourth single taken from Madeline Kenney’s forthcoming album, “Perfect Shapes,” out October 5th.