Posts Tagged ‘Melbourne’

The band  King Gizzard & The Lizard Wizard coming over from Melbourne in Australia with a new Track named The River  the band are Stu Mackenzie, Joe Walker, Eric Moore, Ambrose Kenny-Smith, Lucas Skinner, Cook Craig
and Michael Cavanagh.
Although their sound is remarkably similar to that of fellow Aussies Pond (seriously, what is it with psych bands and flutes?!), King Gizzard are a force to be reckoned with live – two drummers, numerous singers and a blizzard of guitars. Their gigs are an assault on the eyes, ears and senses.
The band have just announced they will release new album Quarters on 25th May, which features four, epic songs, each ten minutes ten seconds long. Here’s the premiere of the full video for The River, which features plenty of Crocodile action. Meanwhile the group return to the Uk this summer, kicking off dates at Nottingham’s Rescue Rooms on 6th July.
Hear more: Kinggizzardandthelizardwizard.com

Photo: Daniel Topete/NME

 

Courtney Barnett Singer songwriter and Australian rocker has been known to turn the simple things she observes in life into meaningful stories. With her new album, “Sometimes I Sit And Think, And Sometimes I Just Sit”, she goes house hunting, debates going to a party and tries to impress the person doing laps next to her in the pool. But these everyday activities equate to much larger statements.has been wowing us of late and whilst on tour in the UK we couldn’t pass up the chance of getting her into one of our studios for a session on Amazing Radio.

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Kelsie Rimmer is a singer-songwriter from Melbourne who’s made her start in music creating a predominately acoustic-led folk sound, but now we see a switch-up with her latest track, “Lose Your Love”, that cites influences from FKA twigs and BANKS. Kelsie’s past material can definitely be appreciated for what it is , but we’ve got to admit, this new direction is one we think would suit her best moving forward.

“Lose Your Love” is a patient listen, there’s no doubt about that, and if you’ve a penchant for slowed-down sounds, this track is perfect. It’s flickering, and its washed-out production is eerie enough to put you on edge, but absorbing enough that you won’t fall asleep, either. Kelsie’s effect-accented vocals top off the track in excellent fashion, and will ensure that you won’t forget about “Lose Your Love” any time soon.

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Contrast are from Melbourne and describe themselves as ‘a coupla blokes who like skateboarding and local music’. Of course. But as bored as you might be with all the ‘regular guy’ modesty going around at the moment, these dudes are making music that’s interesting enough to reveal actual underlying ambition and talent.

Listening to their new EP, Less Than Zero, you’d believe they were the latest English buzz band: a bit shoegaze-y, kind of punk, with smart lyrics and delivery that effortlessly transitions from snide to sincere. There’s Primary Coloursera Horrors in the expansive intros and atmospherics, echoes of Major Leagues in the sweetness of the guitar lines and apathetic vocals, and of course all the usual ‘80s shoegaze references – but with enough of their own pop smarts that it’s hard to care much about who’s done it before.

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Live at House of Vans – SXSW 2015,  Yesterday, at the first of Pitchfork’s SXSW parties at House of Vans at the Mohawk, Courtney Barnett delivered a set featuring tracks from her new album Sometimes I Sit and Think, and Sometimes I Just Sit. watch her perform “An Illustration of Loneliness (Sleepless in New York)” via Pitchfork.tv.

Yesterday’s party also featured Speedy Ortiz (featuring Hannibal Buress!), Rae Sremmurd, Courtney Barnett, Sophie, A. G. Cook, Viet Cong, Shamir, Son Lux, Natalie Prass, Lydia Ainsworth, Torres, and Steve Gunn. Stay tuned for more video.Today’s lineup includes both Arcade Fire’s Win Butler (as DJ Windows 98) and Will Butler (doing separate sets), Vince Staples, Migos, Hundred Waters, Waxahatchee, Title Fight, Alvvays, Twerps, Untold, Makthaverskan, and Bully.

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Courtney Barnett’s debut album, “Sometimes I Sit and Think, and Sometimes I Just Sit”, is now available to listen too ahead of its official release. The album is officially out on 23rd March, Its rambling, but insightful lyrics, which manage to inject heart and soul into the most mundane subject matters, are part of what makes this album such a triumph. Highlights include ‘Pedestrian At Best’, with its infinitely relateable refrain, “Put me on a pedestal and I’ll only disappoint you”, and ‘Nobody Really Cares If You Don’t Go To The Party’. 

Australian singer-songwriter Courtney Barnett performs “Pedestrian at Best” from her album Sometimes I Sit and Think, and Sometimes I Just Sit at the Ace Hotel in Shoreditch, east London, in a live session recorded exclusively for the Guardian. Known for her deadpan, rambling delivery, Courtney’s music focuses on the mundane, overlooked details of everyday life

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Shelflife Records presents the release of the Melbourne shoegaze/psych outfit Flyying Colours this track “Not Today” remix taken from the self-titled 5-track EP
True to their name, Flyying Colours unashamedly display their influences in this debut: tone bending MBV/Swervedriver guitars, Ride’s bass hooks and the familiar soft hush of early 90s male/female vocals. Add to that their own edgy, refreshing pop-mindedness and it makes for five completely brilliant tracks.

The EP includes pile-driving single “Wavygravy”, a layered noise anthem jumped on by national radio and the international shoegaze blogosphere on its Oz release last April. Other stand out tracks are psych-rock opener “Like You Said”, “Feathers” with its chorus-y jangle and lush vocals and the cool-down of closing track “Bugs.”

Formed in 2011, Flyying Colours is Brodie J Brümmer (vox/Guitar), Gemma O’Connor (vox/Guitar) and the drums & bass of brothers Sam and Joshua Dawes. Before “Wavygravy” they received a lot of attention for their explosive live shows, setting them well apart from others occupying Melbourne’s growing 90s/shoegaze scene. Flyying Colours have just completed an Australian tour and are currently recording tracks for their debut album.

Forming late 2008 around charismatic guitarist/vocalist Marty Frawley and bassist Rick Milovanovic, the Twerps have quickly risen to become one of Melbourne, Australia’s favourite pop bands. They play their own brand of warm and incredibly infectious pop, with elements of the 80’s Flying Nun sound and 90’s lo-fi. Marty’s cheeky but heartfelt songs are complemented by the crystalline guitar lines of guitarist Julia MacFarlane (ex Batrider) and the sympathetic percussion of drummer Patrick O’Neill. Twerps signed to Merge Records internationally in 2014 and released effortless eight song EP “Underlay” in August. Much anticipated second album “Range Anxiety” was released by Chapter Records for Australia/New Zealand and Merger Records for the rest of the world in January 2015

You probably haven’t heard of Husky before now. That’s because compared to most young musicians operating in this era of uninterrupted connectivity and non-stop self-promotion, the Australian quartet might as well have crafted their debut full-length somewhere atop the snow-capped peaks of the Himalayas. With its warm, acoustic timbres and carefully crafted songs, “Forever So” is the sound of a band that from its inception cared more about making one sublime album than acquiring a million followers on Twitter.

Front man Husky Gawenda and keyboard player Gideon Preiss are cousins who grew up together and discovered their love of music, together. Though the four band members have disparate tastes, their shared passion for classic sounds, rich harmonies, and artful song writing points back to the artists they grew up on: Crosby Stills & Nash, Bob Dylan, the Doors, Neil Young, Leonard Cohen, the Beach Boys. Yet while Gideon took easily to the life of the performing musician, playing in myriad bands throughout his teenage years, Gawenda, who spent years writing songs alone in his bedroom, shied away from the spotlight. “I was actually terrified of performing,” he admits. “It took a lot of will power to start singing my own songs in front of anybody, but I was determined to do it, because I always had the dream of playing music as my way of life.”