Posts Tagged ‘L7’

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Perhaps because bassist Jennifer Finch left the band during the recording sessions, 1996’s The Beauty Process – Triple Platinum has never quite gotten its due. But Donita Sparks counts it as her favourite L7 album; it’s simultaneously the heaviest record they ever released, and the most varied, with delicate songs like Me, Myself, and I and Moonshine contrasting with the metal-verging-on-industrial mayhem of “Drama.” 25 years further on is a long time to wait for an L7 album to come out on vinyl…for its overdue debut, Real Gone Music is pressing up 3000 copies in (what else?) platinum vinyl and putting ’em inside a jacket with printed inner sleeve.

released For Record Store Day 2021 through Real Gone Music

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L7 formed in Los Angeles in 1985 when Suzi Gardner (guitar, vocals) and Donita Sparks (guitar, vocals) joined forces with Jennifer Finch (bass, vocals). An all female band in a traditionally male-dominated, often sexist rock arena, L7 were happy to court controversy through spirited, occasionally infamous live performances, whilst playing songs often infused with humour as much as bite and bile. Having emerged from L.A.’s art punk scene, their music was a mixture of hard rock, alternative and punk, but they are arguably most synonymous with the grunge movement of the late 1980s and early 1990s.

Packed with bonus tracks, artwork and memorabilia, “Wargrasm: The Slash Years 1992-1997″ includes new, extensive liner notes based on interviews with the band.”

From the L7 album “Smell The Magic”,

Through Rock For Choice they proved to be a band with a sociopolitical conscience too. Their music was a mixture of hard rock, alternative rock and punk rock, but they are arguably most synonymous with the grunge movement of the late 1980s and early 1990s. Releasing their self-titled debut on Epitaph Records (home of The Offspring and Bad Religion), their grunge credentials were cemented by the release of second record “Smell The Magic” released on Seattle’s Sub Pop, some-time home for many grunge lynchpins, including Nirvana, Soundgarden and Mudhoney, among many others.

In 1990, the classic line-up was completed by Dee Plakas on drums. Signing to Slash Records (Faith No More, Violent Femmes), they released their major label debut “Bricks Are Heavy” in 1992, produced by Butch Vig (Nirvana, Smashing Pumpkins, Garbage). Lead single ‘Pretend We’re Dead’ gave L7 a massive worldwide hit, especially in the States, followed by the singles ‘Everglade’ and ‘Monster’. The expanded edition of “Bricks Are Heavy” includes ‘Pretend We’re Dead’ (Edit), ‘Lopsided Head’ (B-Side), ‘Used To Love Him’ (B-Side), a cover of the tongue-in-cheek Guns N’ Roses track and ‘Freak Magnet’ (B-Side).

Touring with Nirvana and Hole, as well as appearing on the main stage at Lollapalooza, L7 followed up “Bricks Are Heavy” with “Hungry For Stink” in 1994. Featuring the single ‘Andres’, this expanded edition features ‘Baggage’ (Live), ‘Punk Broke (My Heart)’ (B-Side), ‘Stuck Here Again’ (Edit) and ‘Interview’ (B-Side).

During the recording of their third album for Slash record, Jennifer Finch left the band, eventually replaced by Belly’s Gail Greenwood. Their fifth record, “The Beauty Process: Triple Platinum”, was released at the beginning of 1997, and although their shift in direction received plenty of critical praise, it was their last album for Slash Records. ‘Off The Wagon’ was issued as a single, with the B-Sides ‘Guera’ and ‘Worn Out’ included as bonus tracks, alongside ‘Drama (Piss Off Version)’.

 L7 would record one more album during the 1990s before calling it a day in 2001. They would reform in 2014, touring extensively, and enjoying a creative renaissance, releasing their seventh album “Scatter The Rats” in 2019.

Packed with bonus tracks, artwork and memorabilia, “WARGASM – THE SLASH YEARS 1992-1997” includes a new, extensive liner note based on interviews with the band.

On Friday, September 18th, 2020, Sub Pop will release L7’s “Smell the Magic:” 30th Anniversary Edition, the fiery, American grunge pioneers’ second album. L7 were formed by Donita Sparks and Suzi Gardner in 1985 Of their meeting and on hearing Gardner play a tape of her songs in progress, Sparks described it as “one of the happiest days of my life” with a clear synchronicity in the music they were each interested in creating. At the time, Gardner was also active as a poet. The punk rock duo brought Jennifer Finch on board as bass guitarist and Anne Anderson on drums.

This 30th-anniversary edition of the ‘90s underground rock classic includes all 9 songs from the album, remastered and available together on vinyl for the first time ever! A multitude of rock music scenes populated the expanse of Los Angeles in 1989: hardcore punk, industrial goth, roots rock, and Sunset Strip hair metal, to name a few. L7 fit into none of them, creating their own unique blend of punk and hard, hooky rock loaded with humour and cultural commentary. Originally released in 1990, Smell the Magic is a landmark of ’90s feminist rock.

But making a mark on the LA underground rock scene was more challenging than it seemed.
Originating out of art punk circles in 1985, L7 played countless poetry readings, drag shows, art happenings and punk rock dive bars. They were nothing short of perseverant.

Having already released one album, eponymously titled, L7, the band was touring up the West Coast when they began to meet like minded artists affiliated with Sub Pop Records. The band managed to score a phone number for the imprint, and convinced label founders Bruce Pavitt and Jonathan Poneman to come see them live.

That show would take place a couple of weeks later in 1989 at an arts center in Seattle. The stage was finagled out of folding tables, and friends recruited to work a smoke machine (members of the group Cat Butt) decided to drop acid before attending to their duties. This led to a thick fog filling the entire venue and the band’s performance could hardly even be seen. L7 were convinced they blew it. Instead, they got signed: Sub Pop may not have been able to see them, yet, but they could hear them and asked if L7 would do a recording for their monthly Singles Club.

Later in the year, the band went into the label’s go-to studio in Seattle, Reciprocal Recording and in one day recorded “Shove,” “Packin’ a Rod,” and “Fast and Frightening.”

Released in January, the single’s A-side “Shove” would kick off the 1990’s with a bang and L7 would have an underground hit on their hands.

The band was then given the go ahead to record a full EP. The buzz from their Sub Pop’s Singles Club release was almost immediately palpable.

A few months after “Shove,” L7 continued with recording the EP—later expanded into a full-length album with three cover songs (“Packin’ a Rod,” “Just Like Me,” and “American Society”). They recorded again with Reciprocal’s producer, Jack Endino, and later Michael James and Ramones-producer Daniel Rey in Los Angeles.

This 30th-anniversary edition of the ‘90s underground rock classic Smell the Magic includes all 9 songs from the album, remastered and available together on vinyl for the first time ever! Originally released in 1990, Smell the Magic is a landmark of ’90s feminist rock.

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This 30th-anniversary edition of the ‘90s underground rock classic Smell The Magic (which originally came out as a six-track 12″/nine-track CD) includes all nine songs from the album, remastered and available together on vinyl for the first time. A multitude of rock music scenes populated the expanse of Los Angeles in 1989: hardcore punk, industrial goth, roots rock, and Sunset Strip hair metal, to name a few. L7 fit into none of them, creating their own unique blend of punk and hard, hooky rock loaded with humor and cultural commentary. Originally released in 1990, Smell The Magic is a landmark of ’90s feminist rock.

“Smell the Magic: 30th Anniversary Edition” is now available from Sub PopLP preorders through megamart.subpop.com and select retailers in North America will receive the limited Loser edition on clear with high melt orange, blue, and grey vinyl.

Releases September 18th, 2020 Sub Pop Records

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I don’t think that  L7’s co-founder Donita Sparks and longtime L7 members Suzi Gardner, Jennifer Finch, and Demetra Plakas have mellowed with age.

Born in Los Angeles in 1985, the crusty quartet raged and raved, on-stage and off, until its 2001 implosion—only to reform for live shows in 2014. Not long after they’d  reunited, L7 reignited their socio-political torpor with 2017’s post-election rant, “Dispatch from Mar-a-Lago.” Now, they have their first new studio album since Slap-Happy (1999): the incendiary May release “Scatter the Rats”.

The reunion happened because we felt that there was still interest in us, and that there wasn’t anyone who had our particular spin. We thought that younger people who hadn’t experienced us the first time needed to experience L7.

L7’s brand new full-length album ‘Scatter The Rats’

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After hinting at a new album L7 confirmed recently confirmed their first LP in two decades, “Scatter the Rats”. Due out on May 3rd, the forthcoming collection is being previewed with a new track, “Stadium West”.

Following up lead single “Burn Baby”, the new release finds the grunge veterans in proper form, offering up a high-octane composition that falls in line with the best of L7’s ’90s heyday. In your face and unabashedly catchy, the song is highlighted by its delightful lyrical turns-of-phrase, rapid-fire riffs, and energetic backing howls and growls.

L7 has also released a new music video to complement “Stadium West”. Directed by Rob Sheridan, the visual throws it back, crafting a lo-fi, technicolor romp through the band’s home of Los Angeles. “Stadium West” is the second single from the band’s first album in 20 years, to be released on Joan Jett’s Blackhearts Records on May 3rd. Following the album’s lead single “Burn Baby,” “Stadium West” is propelled by winding, distorted guitars that have a certain surf-rock flair. Behind the drum kit, Dee Plakas powers it all with an unbeatable tempo that imbues this ride-along with high stakes and verve

Chock full of the unconscious bravado of a bygone punk era, the clip pairs this energy with old-school production featuring gritty low-resolution frames, inverted and primary color palettes, and, of course, choppy editing.

L7 will support Scatter the Rats on a summer tour. In addition to sets like a “very special intimate show” at Brooklyn’s Elsewhere, they’ll join Rancid’s The Bash Music & Craft Beer touring festival. prep for the experience by picking up L7’s past releases on vinyl. Two of L7’s albums were recently included on Rolling Stone‘s 50 Greatest Grunge Albums list: Smell the Magic (No. 37) and Bricks Are Heavy (No. 15).

L7 – ” I Came To Bitch “

Posted: February 11, 2018 in MUSIC
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Legendary pioneers of American grunge punk, L7 have released their electrifying onslaught of a new single “I Came Back To Bitch” on Don Giovanni Records today. The track is the result of Donita Sparks and Suzi Gardner’s first writing collaboration in 18 years. A raucous, bombastic party rock anthem for the sinking Titanic, it is a sardonic yet joyous middle finger of a track that sits somewhere between “Anarchy in the U.K.” and “Springtime for Hitler”.

“We knew we wanted to make some new L7 music, but also didn’t want the pressure or expectation of that First Track weightiness so we went for pure fun and absurdity.” explains Sparks.

L7 new song 2017

L7 The legendary pioneers of American grunge punk have released their first new song in 18 years. The band’s new single is titled “Dispatch from Mar-a-Lago,” and it was released via Don Giovanni Records. As one might expect, it’s a snotty punk song about Donald Trump.

“We knew we wanted to make some new L7 music, but also didn’t want the pressure or expectation of that First Track weightiness so we went for pure fun and absurdity.” says L7 frontwoman Donita Sparks. “The lyrical musicality of the word Mar-a-Lago just lent itself to an inspired song of these crazy assed times”.

L7 will release another new single later this fall. In the meantime, the band’s upcoming documentary film, L7: Pretend We’re Dead, will be released worldwide on October 13th,

The track is the result of Donita Sparks and Suzi Gardner’s first writing collaboration in 18 years. A raucous, bombastic party rock anthem .

Listen to the L7 “Dispatch from Mar-A-Lago”