Posts Tagged ‘Glasgow’

Clear your calendar for the rest of the day, because you’ll want to spend it with Michael Timmons. If you aren’t already familiar with this Scottish talent, he is of the finest emerging singer-songwriters around. And somehow, despite his remarkable talent, his debut LP, Bone Coloured, escaped our notice when it arrived earlier this year. Fortunately the single “Two Suns” is so captivating you’ll forget about time and space altogether.

Timmons is poised to become the next Jeff Buckley. The simplicity of “Two Suns” reminds you how powerful just a voice and a guitar can be. Tender and yearning one moment and soaring the next, Timmons’ vocals dazzle throughout. The final crescendo swell prompts a slow inhale of breath you’ll hold until the final notes. You won’t want to break the magical spell this song creates until the final notes fade. Only then you can emit a satisfied sigh before hitting play again and again.


A solo musician from Glasgow. Michael’s creates fragile music sustained by reverb laden finger-plucked electric guitar. Michael’s narrative drivenmusic has been described as ‘ethereal’ and ’emotional’.

Bone Coloured is out now from Gargleblast Records.


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Scottish Fiction Records are proud to present ‘a talent for being unreasonable’ – the debut album from Glasgow indie pop four piece Wojtek the Bear.

Following on from the success of their maiden EP, Wojtek the Bear tucked themselves away to work with in-demand producer Chris McCrory (Catholic Action) to record ‘a talent for being unreasonable’ at Shady Lane Studios in late 2017. The album opens with the pointedly percussive ‘oil & water’; a delicate introductory track. Second track, ‘the navies of landlocked nations’, metaphorically depicts close-to-home struggles against a gentle indie-pop backdrop. After the traditionalist tendencies of ‘postcode’ and the American Football-esque guitar/snare coupling of ‘kindness doesn’t cost’, the album crests at ‘waves’, a beautifully unassuming track. This kind of engaging simplicity is a skill normally found in bands far older then Wojtek the Bear, yet they deliver in spades.


The midriff of the album boasts the energetic injection of lead single ‘made out of maps’, before we are happily dragged back to the stripped-down ‘call this a war’; perhaps the record’s purest form of simplicity. effort contrasts a slacker-pop surface with a lyrical performance which questions the laid-back vibes the music

Releases May 25th, 2018

The Spook School is a queer and trans indie pop punk band from Glasgow who seek to inform and uplift others in their community. The quartet’s outspoken music and identities are deeply intertwined, so they use the platform to converse about non-binary sexual identity, harassment, and discrimination with an upbeat, plucky style. The Spook School is a welcome change in the sea of indie rock sameness; the kind of band that challenges convention by blending new lyrical topics with a nostalgic sonic palette.

Band Members
Nye Todd – Guitar and Vocals
Adam Todd – Guitar and Vocals
Anna Cory – Bass and Vocals
Niall McCamley – Drums and Vocals

Released February 20, 2018


Among the top tip’s for this year is some classic sounding, feisty garage-rock from Glasgow courtesy of Lucia – think along the lines of The Ronettes, Pixies & Bikini Kill and you’re nearly there. Lucia was discovered busking and since then her and her band have quickly built up a reputation as one of the most exciting bands around. Their brand new single ‘Melted Ice Cream’ is an instant great tune.


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The Spook School have released the video for new single ‘Body’.

The track is the third single taken from their excellent third album ‘Could It Be Different?‘, due for release on January 26th.

Speaking of the track and video, vocalist Nye Todd explained:“With ‘Body’ specifically, I wrote it from a kind of positive place, in that I’d been exercising lots and was proud of what I’d achieved and how much more capable I felt in my own body, but I was also aware of how much shame, dysphoria and internalised transphobia that I still felt towards myself. I got to wondering if everyone felt that to a certain extent, and that’s where the song lyrics kind of came from.”

Body’ is distinguishable as a Spook School single within seconds, with their unique Scottish indie punk blend taking a timely topic and turning it into a single flowing with relatable lyrics. ‘Could It Be Different?’ out January 26th on Alcopop! Records (UK) and Slumberland Records.

After a handful of singles, Glasgow’s Spinning Coin finally deliver the goods in their debut long player. As you might expect it’s a combination of ramshackle Pastels like pop and good natured Teenage Fanclub guitar pop.

I highly recommend you all check out Spinning Coin. Sean Armstrong is one of the most prolific and creative songwriters I know – I recorded an early EP of theirs and they just finished their debut album with Edwyn Collins. It’s out soon on Geographic RecordsSpinning Coin have determinedly, and with single-minded purpose, made their music heard: beautifully rough-hewn guitar pop that takes in frustration, escapism, but also gracefulness and splendour, in equal measure.
The five-piece now announce that their debut album “Permo” will be released on November 10th via The Pastels’ Domino imprint, Geographic Music.
The fourteen songs on Permo trace all kinds of terrain, though the overarching story might be that of a group looking for escapism, somehow and anyhow, in the midst of a social and cultural climate that’s closing down possibilities for difference and community.

Following on from her critically lauded 2013 album, “Crystal World,” Ladytron’s Marnie continues to develop her very own take on a modern pop sound through the release of “Strange Words And Weird Wars.” Comprised of ten pulsating tracks, “Strange Words And Weird Wars “showcases the most impressive elements of Marnie’s incarnation as a solo artist along with those that made her band, Ladytron, one of the most respected pioneers in electronic music; soul crushing synths are wonderfully accented by hook-laden choruses as Marnie boldly explores up-tempo electro dream-pop.

Marnie’s ability to effortlessly play with genres becomes more and more apparent as you work your way through what is such a sonically impressive record. Tracks such as ‘Girls’ expertly creates the immediacy of Ladyhawke’s best work, with ‘Electric Youth’ channeling 80’s mall pop; a glorious guilty pleasure and one of the stand-out tracks on the album. Introspection comes in the form of the shoegaze-inspired ‘A Girl Walks Home Alone At Night’, giving the air of an unreleased b-side from a cult vampire movie, while forthcoming single “Lost Maps” is a pop classic in the making; a single that should be heard on dance floors all over the world.


After moving back to Glasgow in September 2012, after many years living in London, Marnie continued to write music following the success of her solo project and subsequent album release in 2013. Influenced by life, love, loss, politics and all things 80’s pop, Marnie has created an album that has an intelligence and a depth behind what, on the surface, is a melodic contemporary pop record. With support having already come from tastemakers like Pitchfork, Pop Matters and Under The Radar, Marnie will be looking to build upon this through the release of her second solo record; an album that will rightly be deemed one of the most anticipated of 2017

Fresh from touring with Scottish Fiction stalwarts Mt. Doubt, vocalist and guitarist Annie Booth will released her solo debut LP ‘An Unforgiving Light’ in October 2017.

A joint venture from Scottish Fiction and Last Night From Glasgow, the record is an ambitious solo effort of puncturing melody and raw lyricism in the vein of alt-rock titan Jeff Buckley, marked by the contrasts of folk roots paired with alt-rock backing, and urgent instrumentation contrasted with introspective vocals.

The album starts as it means to go on, opening with the honest and tender ‘Demons’. Annie introduces herself in the most personal fashion in a track weathered with vulnerability and reflection. From here, the record opens up to more sonic possibilities on ‘Over My’ and ‘Little Lies’, stretching Annie’s excellent vocal capabilities as the backing grows in stature and strength.
The record’s middle section tackles poignant universal issues such as apathy, anxiety, and a loss of faith, making it’s way through a wide variety of musical textures: from delicate arpeggios, to dynamic rhythms, to glacial hymn-like vocal climbs.
Perhaps ‘An Unforgiving Light’s greatest achievement comes when it reaches the crescendo of ‘Reverie’, a track which manages  more

Released October 20, 2017


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Frux Tapes has been a consistently great label for EP’s, and this year was no different. “Lucky”, the four track offering from dreamy Glaswegians Life Model. Produced by Susan Bear from Tuff Love alongside the band’s own Christopher T Smith, it is a significant sonic leap forward for the band, fusing their natural flair for a gorgeous melody with layer upon layer of aggressively beautiful noise.

At the centre of Lucky’s appeal is the stunning vocal performance of Sophie Evans; crystal clear melodies, a wonderfully playful inflexion and an effortless flair for carrying nonchalance and emotion in one single swooping refrain. All of which would count for little without the tracks to accompany the voice, and thankfully Life Model had them in spades; Skin & Bone with its propulsive bass and clattering distant drum beats, the almost nostalgic shoegaze of 4Ever, and perhaps best of all the paired back, and utterly beautiful, Together. In a year where many clamoured for the return of some shoe-gazing legends, Life Model’s updated version of the genre arguably sounds better than any of them.


Life Model are:
Sophie Evans
Chris Smith
Joanne McCafferty
Michael McDonald

From Life Model’s EP, ‘Lucky’. Released 21st July 2017 on Frux Tapes.