Posts Tagged ‘Dublin’

Sprints are another band leading the charge of thrilling post-punk originating from Dublin. Led by frontwoman Karla Chubb, their ferocious brand of punk is packed with hooks and tonnes of attitude, while recent release Drones suggests they’re about to take a darker direction.

Dublin-based four piece, Sprints are the latest new act to emerge from the city fast becoming one of the most prolific places for hot new bands. Similarly with the recent success of other locals Fontaines DC, Girl Band & Silverbacks – Sprints are set to be the latest in line ready to burst out of the city.

Their creative process is very much rooted to the everyday goings on around them. And just like a true garage band, write and rehearse in their village home’s back garden shed. Taking things to the next level, they were quick to team up with Girl Band’s Daniel Fox who has been producing them in his studio. Drawing influence from the likes of Sonic Youth, Iggy Pop, Patti Smith, The Strokes and LCD Soundsystem. There is a fun, energetic and retro feel to what they do. But very much sounding as fresh and exciting as their local peers.

Sprints’ singer Karla Chubb sounds like she’s about to give someone a black eye on thunderous anthem ‘The Cheek’ – this is venomous and versatile rock’n’roll. Much like their fellow Dubliners Girl Band and Silverbacks, Sprints are also fully committed to their craft through their blood, sweat and tears approach. ‘The Cheek’ attacks dated attitudes around sexuality while ‘Drones’ looks inwardly at feelings of imposter syndrome. The constant is that they continue to deliver pure and riveting statements, setting them well on course towards future raucous, beer-soaked headline festival sets.

They’re signed to Nice Swan Records, home to some other great bands Sports Team, Malady, Pip Blom, Courting and Hotel Lux. Great company indeed! Give me some Sprints tracks like “Drones”, “The Cheek”

There’s a lot of effective rock music on Bitch Falcon’s long-awaited debut album “Staring At Clocks” moving between atmospheric guitar pedal-assisted sounds and ripping low-end. ‘Turned To Gold’ is my favourite previously-unheard song from the Dublin band’s record.  Bitch Falcon; is a name you won’t forget and a band who won’t let you forget them. This trio from the vibrant, much-hyped music scene of Dublin was formed by front-woman Lizzie Fitzpatrick with her friends in a small kitchen in the city in 2014. Since these freshman days, the line-up has galvanised around the rhythm section of Barry O’Sullivan on Bass and Nigel Kenny on Drums. This is a band that is growing in stature with every release and I want to be part of it. The song writing is very interesting. Very nice bass sound!

BITCH FALCON are a name you will not forget, and a band who will not let you forget them. The acclaimed dream-grunge three-piece have announced their debut LP, “Staring At Clocks”, to be released 6th November via Small Pond Records

http://

Released November 6th, 2020

Image of Sprints  - Manifesto EP - Pre Order

Today Sprints’ return with the second single to be lifted from the highly anticipated debut EP of the same, that is set for release next year. ‘Manifesto’ is the post-punk band’s best single to date as they’ve refined the more industrial elements of their sound and head into a more tense yet exhilarating chapter.


‘Manifesto’ is the latest single to be released from the rapidly growing Dublin 4 piece, and further cements their place as one of Ireland’s most exciting new acts. Sonically, Sprints sound like an arena-slaying band who could bring their darkly theatrical performances to the biggest stages. Daniel Fox of Girl Band has been working with them since their inception in early 2020 and is credited as producer for each track on this beautifully crafted EP. The full track listing for the EP is as follows: 1. Manifesto 2. Drones
3. Swimming 4. Ashley
.

The band manifested their relationship with Daniel Fox after being fans of the noise, garage and punk scene in Dublin for years, before edging their way in with brilliant song writing.

Karla Chubb, lead singer and songwriter, started bedroom singing and song writing in her late teens. By her early 20’s Karla had met current bandmates Colm O’Reilly (guitar) and Jack Callan (drums) and they had a short-lived indie project together. In 2018, Colm and Jack’s childhood friend – Sam McCann (bass); prolific on the fuzz pedal – joined them to bring that maelstrom that would edge them into the hallowed Dublin scene (think Silverbacks, Fontaines DC), and Sprints was born.

Sprints’ clarity in what they wanted to achieve stems also from needing to orchestrate a sound that would be a fit for Karla’s emotive lyrics, which tackle some brutal issues fearlessly and articulately.

Release Date: 26th March 2020

“Resonant and rapturous, the band finds a way to channel their thoughts on the world around them through precision indie rock songwriting that builds into swelling, cathartic choruses” – KEXP

In Waiting. Waiting for futures to be carved out, for missions to be complete, for communities to be solidified, for the security denied to a generation to return. Waiting for the empathic revolution. Waiting for the end of capitalism, and the start of something real and fair. Waiting for spin to die and authenticity to be valued. Waiting for lost loves to return and fumbled relationships to form, for small cracks in families to heal and bigger cracks in inequitable systems to break.

You’re in waiting a long time. And then you just have to do it yourself.

http://

In Waiting is Pillow Queens’ debut album, the result of four years of brotherly love in a sisterly unit from Ireland’s most urgent, yearning, rock band. Crafted from our lives, and honed in a studio in rural Donegal in the northwest of Ireland, this is a record by queens in waiting and kings in the making.

It’s an album about love; self-love, queer love, the anxiety-inducing faultlines of romantic love, and the love for a city and a country that simultaneously has your back and is on your back. It’s an album about the in-between; the transitionary period of an adulthood that never seems to arrive, while you wait for that lightbulb moment when everything makes sense, even though part of you knows deep down it will never come.

It’s an album about the purgatorial aspect of late-stage capitalism, where the systems conspire to burden and punish; job insecurity, housing crises, income inequality, and social inequity. It’s an album about family; chosen, given, received and earned. It’s an album about spirituality; from the engrained confines of religion, to the expanding borders of spirituality, and the iconography and ritual that populates the emotional interior of anyone who grows up in Ireland.

It’s about resilience of the politics of the self and belief in the power of art. The wounded deers leap highest. 

released September 25th, 2020

All songs written and performed by Pillow Queens.

Events currently taking place throughout the world only serve to stoke a fire under the likes of a band like Pillow Queens, who find themselves continually inspired by a Dublin that is no stranger to fighting social injustice. Street artists, fashion designers, musicians, film makers and more comprise a scene which routinely champions queerness and marginalized groups, and engages with and activates young people in response to the likes of the city’s ongoing housing and mental health crises. Pillow Queens’ songs of togetherness and unity ring out louder than ever before.

In their short lifespan as a band they’ve released two demo EPs, performed on a successful string of UK & Irish dates & festival appearances, had playlisting from BBC 6 Music, and found themselves opening for the likes of American Football and Pussy Riot, as well as stadium performances opening for IDLES and Future Islands.

With all this under their belt, the band began working with Mercury Prize nominated producer Tommy McLaughlin for their single ‘Gay Girls’ – which received a nomination for the RTE Choice Music Prize song of the year, as well as International pickup from NPR’s World Cafe and KEXP. The song also found its way into the heart of actor Cillian Murphy and his BBC6 mixtape show.

2019 saw Pillow Queens venture into mainland Europe, as they lit up the Eurosonic festival and completed a string of tour dates opening for Soak. The tour was a messy and joyous affair captured beautifully in the DIY video for the bands summer single ‘How Do I Look’.

In Waiting is Pillow Queens’ debut album, the result of four years of brotherly love in a sisterly unit from Ireland’s most urgent, yearning, rock band. Crafted from our lives, and honed in a studio in rural Donegal in the northwest of Ireland, this is a record by queens in waiting and kings in the making. It’s an album about love; self-love, queer love, the anxiety-inducing fault lines of romantic love, and the love for a city and a country that simultaneously has your back and is on your back.

http://

Pillow Queens are a 4-piece from Dublin, Ireland. Their debut album ‘In Waiting’ will be released on September 25th.

Dublin’s indie-rock band Pillow Queens have released another track from their upcoming album, “In Waiting”. Their new single Holy Show explores feelings of remorse when reflecting on past situations.

On the track, the band share: “‘Holy Show’ is a song that relays the feeling of regret and insecurity about past words spoken and actions taken, even when they’re ultimately meaningless. The song tries to articulate the heavy burden of being the only person who is concerned about the minute details of how you present yourself to the world.”

Pillow Queens continue their collaboration with director Kate Dolan, who previously directed Handsome Wife and Gay Girls. Of the project, Dolan shared: “Myself and the girls are all queer so when they asked me to direct something for ‘Holy Show’ we all felt it was time that we made a video that had some positive queer representation. There are often depictions of queer women in the media that really upset me. We are often observed through a male gaze by male directors. They are often hyper sexualised. We wanted to create something that really captured the joyful intimacy between queer women through a female gaze.”

With their Australian fanbase growing with each release, the bands debut album is set for release worldwide on September 25th. After four years of perfecting their craft and creating music, the album is a representation of the band members lives. The record is set to be an exploration of love, particularly self-love and queer-love. However, to do so, the record will also explore family, spirituality and politics.

The band formed in 2016 and released their debut EP, Calm Girls. The release captured the attention of Steve Lamacq who called the four piece “deceptively infectious, with sharp hooks and sharp nails”. Since then, they released their follow up EP, State of the State, and have played festivals across Europe.

In Waiting is out September 25th.

Bitch Falcon; a name you won’t forget and a band who won’t let you forget them. This trio from the vibrant, much-hyped music scene of Dublin was formed by front-woman Lizzie Fitzpatrick with her friends in a small kitchen in the city in 2014. Since these freshman days, the line-up has galvanised around the rhythm section of Barry O’Sullivan on Bass and Nigel Kenny on Drums, Here’s some behind the scenes footage of the making of Gaslight. It was shot in Dublin over the course of a very quick day at Mill Studio, Dublin 8.

Dublin alt-rock trio Bitch Falcon exploded onto the Irish music scene in 2014. They quickly established themselves on the live circuit through the intensity of their performances, with the snarling vocals and pulsating riffs of lead singer and guitarist Lizzie Fitzpatrick announcing a new sound in Irish rock. Hard-hitting debut single ‘Wolfstooth’ encapsulated the raw energy of their live shows and brought the band to a wider national audience. During 2015 and 2016 Bitch Falcon’s evolving sound fused together the strongest elements of rock, grunge, metal, hardcore and melodic electro-pop. Follow-up singles ‘Syncope’, ‘TMJ’, ‘Clutch’ and ‘Of Heart’ registered this development and garnered increasing critical acclaim for the band in Ireland and the UK.

Bitch Falcon have honed the frenzy of their live show over the past few years, completing several headline Irish tours along with performing at all the major Irish festivals including Electric Picnic, Other Voices, Body&Soul, Castlepalooza, and Sea Sessions. The trio have shared the stage with an impressive array of international acts including Fucked Up, Torche, Girl Band, Sleeping With Sirens, The ZZZ’s, Glen Hansard, Fontaines D.C. and Les Butcherettes. Their increasing popularity meanwhile has seen them begin to make an impact in North America, with the band recently packing rooms in Toronto, Montreal and Los Angeles but it is the UK that has developed a serious appetite for the band. They have travelled the length and breadth of the country and most recently have begun their assault on UK festivals such as The Great Escape, Y Not, Teddy Rocks and 2000 Trees.

Releases November 4th, 2020
Band members:
Vox/Guitar – Lizzie Fitzpatrick Bass –  Drums – Nigel Kenny

The new album from Fontaines D.C.—‘A Hero’s Death’—arrives July 31st. Available on deluxe gatefold 2x 180g vinyl, limited edition stormy blue vinyl, standard black vinyl, two pocket wallet CD, limited edition cassette, and MP3, lossless or 24-bit WAV digital album. Each album purchase comes with an instant grat download of “A Hero’s Death” (the single), and the full digital album to be delivered on release day. Barely a year after the release of their acclaimed debut album Dogrel (which charted Top 10 in the UK, earned a Mercury Prize nomination, and No. 1 Album of the Year positions for BBC 6Music and Rough Trade), Dublin, Ireland post-punk outfit Fontaines D.C. return with an intensely confident, patient, and complex sophomore album. A Hero’s Death arrives battered and bruised, albeit beautiful – a heady and philosophical take on the modern world, and its great uncertainty.

Barely a year after the release of their hugely acclaimed debut album ‘Dogrel’, which earned a Mercury Prize nomination and Album of the Year 2019 , Dublin’s Fontaines D.C. have returned with an intensely confident, patient, and complex follow up album. ‘A Hero’s Death’ arrives battered and bruised, albeit beautiful – a heady and philosophical take on the modern world, and its great uncertainty.

released July 31, 2020

f2

While we’re still processing the full impact of their immense 2019 debut ‘Dogrel’, this Dubliners weren’t resting on their laurels – they were off crafting their next masterpiece – & a masterpiece it is for sure. Their follow up album ‘A Hero’s Death’ is the kind of second offering that makes you desperately hope & pray that this is just the beginning of a generation definining catalogue. although it’s an intensely confident record, it is also much more subtle, patient & complex. it arrives battered, bruised & beautiful – a heady & philosophical take on the modern world, equally elating and heartbreaking – made all the more visecral & lucid once again by super producer Dan Carey.

Everyone has made no secret of our adoration of these young Dubliners. ‘A Hero’s Death’ sees them follow up the spellbinding ‘Dogrel’ without missing a beat – they’ve taken their cues from the cure again, and have added the mood setting of joy division and a touch of the rougher edges of early 4ad. they manage to tread that line that makes old heads reminisce and rejoice in new music and young fans fall in love with loud guitars and pummelling drums at that same time.

Live, they’re on another level. we’ve been watching them tear up stages since they first made their UK debut. They may have slowed things down on record with more complicated structures but at heart, these are 5 young punks and their live show will make sure you remember that. fast, loud and adrenaline filled – you’re guaranteed to be leaving chalk sweaty and grinning.

The band’s explosive rise to the top has been potent, instantaneous and eventful, and a journey so fuelled by action always seemed destined to influence what followed.

Reacting to the challenge of sustaining the self as much as the individual expression, ‘A Hero’s Death’ represents the band’s reaction to the intensity of life on the road and managing the expectations of others. The debut album ‘Dogrel’ echoes the energy of their early gigs coupled with descriptions of Dublin. Transporting the listener to specific places and sights, the inclusion of local reference points formed a poetic reportage of their hometown, while the usage of critical commentary tackled topics like capitalism and consumerism through lyrics.

The seductive opener ‘I Don’t Belong’ tackles isolation and lets persistent rhythms merge. A perfect initiation, it outlines the overall theme. ‘Love Is the Main Thing’ runs through similar veins, its pulsating, hypnotic intensity and distinct drumming meld with spoken word.

Euphonic bass lines and subtle guitar tones blend on ‘Televised Mind’ while surreal sonics take over ‘A Lucid Dream’, a track of volcanic force. The sentiment of ‘You Said’ offers an alluring instant before the nostalgic, idealised imagery and Johnny Marr-resembling guitar lines of ‘Oh Such A Spring’ begin.

With an energy reminiscent of ‘Hurricane Laughter’ and ‘Boys In the Better Land’, ‘A Hero’s Death’ bestows a vibrant moment, dishing out dos and don’ts mingled with hints of sarcasm. But “You need not be/Born wealthy/If you care/You’re the heir” is a lyric from ‘Living In America’ where the vibe changes as industrial Suicide-like bleakness lingers and creates powerful sonics.

Elsewhere, the melodic Beach Boys-like moment of ‘I Was Not Born’ furnishes a contrast of sorts. “I was not born/into this world/to do another man’s bidding”, insists frontman Grian Chatten before the hazy, subdued mood of ‘Sunny’ becomes pleasantly disorientating.

Subversive, non-conformist and melodious, this record has the credentials of a classic rock and roll album. The decision to take a radical approach only works for the few, the possession of ammunition that’s needed to master such a challenge is not for anyone. Fontaines D.C. have it, and it seems as though they are only just scratching the surface of what’s to come…

Filmed by Collective Dublin & captured within 2fm radio’s studio in Montrose, Dublin – a sweeping space usually the reserve of orchestra performances – “A Night at Montrose, Dublin” will air on Monday 3rd august at 8pm. this is a global event and open to all ages.

“amazing!! how do we get to see this performance?”, let’s get the beers in & all virtually hang out together on the evening of 3rd august to celebrate the new album. it’s one hell of a record – trust us!.

In a deft move of self-mythologizing, Fontaines D.C. provided the manifesto for their ascendant 2019 right out the gates, an already oft-quoted line from Dogrel’s charging opener “Big”: “My childhood was small/ But I’m gonna be big!” Ireland might be a small place, but it’s often the people from the smallest places, the people hungry to see the rest of the world, that make the biggest sounds. Accordingly, Fontaines’ prophecy is already coming true: Dogrel and their visceral live show have earned them feverish hype, fervent fans, and a Mercury Prize nomination. It’s one of the least likely and most fascinating rises for a young rock band in recent memory, but more importantly it’s a testament to the will for self-invention.

‘Hurricane Laughter / Winter In The Sun’ on 7″ vinyl