Garage Pop from Stockholm, Sweden.Their album “Stockholm One” album released 25th Feb via BURGER RECORDS and PNKSLM Recordings in Europe.Lucern Raze is the new solo project of Luke Reilly, who settled in Stockholm and founded his label PNKSLM after being in UK garage rock band Sex Beet. He’s gearing up to release his debut album, “Stockholm One”, which was recorded in one week in the Swedish capital. “Someone Like You” is a slower cut from the album, and it passes by in a buttery smooth and placid haze. Reilly’s vocals breeze over the music, the guitars swelling around him during the chorus. “I was looking for someone like you/ For now, I guess you’ll do,” he starts, stuttering that last word infectiously.
check him out at
http://www.facebook.com/LucernRaze
Posts Tagged ‘Burger Records’
LUCERN RAZE – ” Someone Like You “
Posted: January 22, 2015 in MUSICTags: Burger Records, Garage Rock, Lucern Raze, Stockholm
CHERRY GLAZERR – ” Cry Baby “
Posted: November 22, 2014 in MUSICTags: Burger Records, Cherry Glazerr, Los Angeles, Post Punk, Shoegaze, Trick or Treat Dancefloor
Cherry Glazer have just come to my attention, A three-piece band from L.A. that took root in 2012 when front woman, songwriter/guitarist Clementine Creevy began making bedroom demos under the name Clembutt. These rough tracks evolved under the mentorship of Lucy Miyaki, of L.A. band Tashaki Miyaki, and were later recorded with engineer Joel Jerome. After adding bassist Sean Redman and drummer Hannah Uribe, the band was formed, and Burger Records released their first collection, Papa Cremp with dreamy vocals and an ethereal guitar, Cherry Glazerr’s “Trick or Treat Dancefloor” has become the band’s best known song to date, having been featured in a campaign for iconic fashion label Saint Laurent as well as in the television show Arrow.
But the band goes beyond shoe gazey, lo-fi dream pop. Their bare bones style and precise, honest lyrics anchor a diverse sound that ranges from White’s Not My Color This Evening, with Sleater Kinney’s post punk influences to their break out song, the surf pop “Teenage Girl”, which premiered on internationally known style site Rookie Mag.
Cherry Glazerr consistently tour in Los Angeles and Orange County, having played festivals Burgerama, Growlers Beach Goth Party and Jubilee in Downtown L.A. where they shared the stage with Bleached and The Black Lips. Most recently, they played the El Rey, opening for legendary 80’s punk band Redd Kross and Mikal Cronin. The band’s name is taken from NPR reporter Cherry Glaser
The FELINES – ” Want “
Posted: November 13, 2014 in CLASSIC ALBUMS, MUSICTags: Alternative, Burger Records, Copenhagen, Denmark, Doo Wop Punk, Soundflat Records, Surf Rock, The Felines, Want
The Felines are a Doo-Wop Surf Pop Rock band From Copenhagen, Denmark, formed in 2010 they Sound Like The Cramps doing a Beach Boys tribute with an extra aloof Francoise Hardy on vocals.
Recent and deserving inductees to the Copenhagen chapter of the League of Extraordinarily Cool Girl Bands, the Felines are like a fully fueled hair flip. Seriously, don’t let the doo-wop descriptor so many blogs and magazines are using fool you. More often than not, the trio dials it down to an eerie, bare-bones saunter — before suddenly amping up and layering in for a thicker sound before they smoothly fade out. If the long buildups weren’t so nonchalantly catchy, the quickness of those great heights would seem pretty tragic.
Four years and two EPs in, bassist Asta Louisa Bjerre, guitarist Ditte Melgaard and drummer Mei Long Bao have finally wrapped up their first proper full-length release “Want”, released through German imprint Soundflat Records, same as its predecessors. This debut LP, however, is also being issued on tape through the US of A’s Burger Records basically, considering that imprint’s current representation and prestige, they’re about to be everyone’s new favorite band.
Even if that’s a bit presumptuous, it’s probable that even rock ‘n’ rollers who aren’t part of the Burger cult will succumb to the allure of The Felines’ spooky, coyly snarling vibe. The blasé badass feel is totally unrelenting throughout the album’s entirety. the band transforms familiar surf and ’60s girl group motifs into a sound that’s fresh, yet magnificently rotten. The lethargic pace and withdrawn sounding vocals make a near mockery of the easy melodies. It’s like that standoffish and mean but undeniably cool acquaintance you should hate, but you just can’t. They’re just too damn cool.
The Fat Angel Sings 