Posts Tagged ‘Cherry Glazerr’

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This week Cherry Glazerr (the Los Angeles-based band led by Clementine Creevy) shared a new song titled “Big Bang.” It marks their first music release of 2021, and is out now on Secretly Canadian Records. Cherry Glazerr shared their first new music of 2021 with a single titled “Big Bang.” inspired by lead singer Clementine Creevy’s time spent listening to DJ Koze, Caribou, Yaeji and Kaytranada. The bass-heavy, atmospheric track is marked by Creevy’s silky vocals and fits of endlessly catchy pop. “I wanted to give it a sort of early ‘aughts pop production feel, with the interplay between the acoustic guitar figure and the bass synth and the 808 hits during the choruses,” Creevy says. “The lyrics came from feeling like I was growing apart from someone who was close to me in my life, and the song is essentially about heartache, but it’s euphoric at the same time. That’s what I like about it — the intensity of those very personal feelings paired with a sort of huge, exposed energy. I feel like I was able to let a lot out with this song. It feels really special to me.” 

Creevy speaks about the song in a press release: “Some songs take on a lot of forms until they finally end up the way they do and this was one definitely one of those. It lived a few different lives for sure, I just kept changing up the rhythms until I was like, ‘oh yeah that’s it right there!’”

She adds: “I wanted to give it a sort of early ‘aughts pop production feel, with the interplay between the acoustic guitar figure and the bass synth and the 808 hits during the choruses. The lyrics came from feeling like I was growing apart from someone who was close to me in my life, and the song is essentially about heartache, but it’s euphoric at the same time. That’s what I like about it the intensity of those very personal feelings paired with a sort of huge, exposed energy. I feel like I was able to let a lot out with this song. It feels really special to me.”

The band released a new song titled “Rabbit Hole” in December of last year. Their most recent album, Stuffed & Ready, came out in 2017 on Secretly Canadian

CHERRY GLAZERR – ” Rabbit Hole “

Posted: December 19, 2020 in MUSIC
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Last week Cherry Glazerr (the Los Angeles-based band led by Clementine Creevy) shared a new song, “Rabbit Hole.” It’s their first new song of 2020 and is out now via Secretly Canadian

Creevy worked with Jenn Decliveo (Hinds, Beth Ditto, Porridge Radio) on the song. It follows the band’s 2019 album,Stuffed & Ready. “Rabbit Hole’ is about clawing back my identity,” Creevy says in a press release. “I often find myself acting a certain way to get someone else’s approval. Then it’s hard for me to find myself again. That’s what I was meditating on with this song.” 

A press release says that the rootlessness Creevy experienced as a young kid, before her family settled in Los Angeles when she was in middle school, also influenced the song. “Change and discomfort are something I thrive in but I’ve come to realize that there’s a futility of doing things just to please other people,” she says. “You can’t sacrifice your true self, it’s just unsustainable. Realizing this has been a big pill to swallow for me but it has given me a wealth of perspective.”

Summing up the experience of recording “Rabbit Hole,” Creevy concludes: “I feel like I’m growing into the artist that I’ve always wanted to be, it feels better than anything to do what you want with your own art.”

Cherry Glazerr’s most recent full-length, Stuffed & Ready, has continually impressed us since its release,  It’s rocking, confident, and intoxicating to say the least. The band made its late-night TV debut on The Late Late Show With James Corden, and today they’re back with “Call Me,” a new collaboration with Portugal. The Man.

The track was produced by Cherry Glazerr’s Clementine Creevy, Ariel Rechtshaid, and Tabor Allen. “Call Me” feels like a breath of fresh air, sauntering along with a funky groove guided by congas and art-grunge guitar. Bizarrely enough, there’s an air of James Bond or Austin Powers here as a spatial synth melody lurches along in this asymmetrical, yet dramatic way. The lyrics take the shape of a call and response between Creevy and Portugal. The Man vocalist John Gourley.

Also of note, today the two bands are launching a “Call Me” fashion pop-up installation at the flagship Fred Segal store on Sunset Blvd in Los Angeles. The installation will feature garments and accessories inspired by the new song,

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“Call Me” is out now on Secretly Canadian.

Ashworth’s songwriting often presents itself as a lens through which the listener can see themselves, dissolving barriers between the artist and audience.

Sasami Ashworth’s debut solo offering is a sidestep away from her previous output with Cherry Glazerr and into the fog. It’s fuzzy and melancholic, with train-of-thought musings that feel both self-prescriptive and healing – a sonic processing of emotions with broader relevance and appeal. It poses singular questions of love and loss, finding solace in their universality: “Thought I was the only one/Turned out I was everyone.” Sasami – “Free (feat. Devendra Banhart)”, from the debut self-titled album, out now on Domino Records

SASAMI (Sasami Ashworth) has been making music in the Los Angeles area, in almost every way you can, for the last decade. From playing French horn in orchestras and studios and playing keys, bass, and guitar in local rock bands (Dirt Dress, Cherry Glazerr), to contributing vocals/string/horn arrangements to studio albums (Vagabon, Curtis Harding, Wild Nothing, Hand Habits, etc.) and producing on tracks for other respected artists (Soko), she has gained a reputation as an all-around musical badass.

She spent the previous two and a half years touring the world non-stop playing synths in the band Cherry Glazerr and is now taking a turn to focus on her own music.

The video for “Take Care” starts out pleasantly enough—Sasami wakes up in a rowboat floating across calm blue waters. As grainy shots of the artist lying in the boat flash by, the scene gives the impression of a vintage film memento. She sings the lines, “You don’t need my help anymore / I tried to show up at your door.” But soon enough, Sasami starts to let out some hostility, tagging a wall with black spray paint and then, well, beating the living hell out a car with a baseball bat. Finally, we see her lighting a shrine of personal effects on fire in the desert and screaming at the burning pyre.

“Take Care” features on a brand new digital 7” from SASAMI. SASAMI’s debut self-titled album is out now on Domino Recording Co.

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After releasing 2016’s critically acclaimed Apocalipstick, Cherry Glazerr spent the next 18 months touring the world on their own steam. Between DIY All Ages venues, rock clubs, large festival stages, and massive theaters with some of the world’s best and most beloved bands (The Pixies, Flaming Lips, Slowdive, and The Breeders, among others), the band has really only stopped to work on their follow up, Stuffed and Ready. While furiously building the band’s sound and ideas, front person Clem Creevy enlisted Carlos de La Garza to be the band’s studio co-collaborator as they evolved the songs and refined the recordings.

Cherry Glazerr performing live in the KEXP studio. Recorded March 7th, 2019.

Songs: That’s Not My Real Life, Self Explained, Daddi, Wasted Nun.

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Los Angeles-based trio Cherry Glazerr released a new album, Stuffed & Ready, back in February via Secretly Canadian. This week they shared a remix of the Blonde Redhead-sounding “Daddi” by musician/comedian Reggie Watts. These days Watts is best known as the band leader on The Late Late Show with James Corden, but before that he had successful comedy and music careers and even once did a hilarious TED Talk.

The band’s Clementine Creevy had this to say about the remix in a press release: “I think a lot of rock musicians secretly would love to make a club floor banger – and Reggie helped us get there with his amazing booty shaking remix of ‘Daddi.'” Stuffed & Readyis the band’s fourth album and the follow-up to Apocalypstick, which was released on President Donald Trump’s Inauguration Day in 2017. Instead of focusing on political songwriting, the craziness of the last two years made 22-year-old Creevy turn inwards.

“I am telling my story of how I feel and where I am in life,” she said in a previous press release. “I’ve felt the need to explain my feelings…not just state them, but search for why I feel the way I do honestly. With Apocalipstick, I was an over-confident teenager trying to solve the world’s problems. With Stuffed & Ready, I’m a much more weary and perhaps a more cynical woman who believes you need to figure your own self out first.”

An initial version of Stuffed & Readywas recorded in early in 2018 with engineer/musician John Vanderslice. Creevy said that resulted in a “very live sounding, self-produced album, which was cool, but wasn’t exactly what I wanted to put into the ether right now.”

The band then turned to Carlos de la Garza, who had co-produced Apocalipstick. “I wanted a producer to push me,” Creevy explains. “I wanted to be questioned, to rip my songs apart and look at their guts and pour myself open again. And I wanted it to sound massive.”

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Given Cherry Glazerr’s long time KCRW fandom – the band name was inspired by our intrepid local Morning Edition anchor after all – it feels only natural that they would celebrate the release of their third album with us. And celebrate they did. Front woman Clem Creevy took to a mic festooned with Christmas lights with a palpable giddiness, and led her band through a breathless set of songs from the new album Stuffed & Ready. The band’s line-up has shifted a few times over the years, but Creevy remains constant in her growth as a vocalist and songwriter. She gave KCRW a peek into this process as she elaborated on the album title saying “Stuffed and ready is this idea that I had that when you’re stuffed you feel kind of ill-equipped to do anything, but like lie on the couch and it’s this idea that even when you feel ill-equipped you go and do it anyways, because if you’re sitting around waiting for perfection nothing’s gonna happen.”

In the best possible sense Clem doesn’t seem like an artist that has ever let perfection get in the way of her artistic expression, but it does sound like creating the particular batch of songs that would become Stuffed & Ready took a great amount of careful consideration in a way that was somewhat new. Creevy also stated “I felt the need to express my raw emotions in a way that I hadn’t done before, and I questioned myself a lot with the lyrics on this album, and sort of went through it a bunch, and went through every song 100 times trying to make sure the lyrics made sense and fit with the essence of the song which I had never done before. And it was… it definitely made me feel vulnerable in a lot of ways.” She also joked that she didn’t know how sad the album was until she was done with it, and everyone started telling her how sad it was.

This all feels greatly contradictory to watching Cherry Glazerr live though; the current band is a tight knit trio consisting of Creevy, bassist Devin O’Brien, and drummer Tabor Allen. All appeared to be having an absolute blast as they dove into each raucous number, particularly on the standout singles “Daddi,” and “Wasted Nun.”

Tales of past intense performances were shared, and Creevy still shows glimpses of the charmingly awkward high schooler that we first came to know her as – especially when asked to comment on the presence of billboards (!) for the album around town. She assured us that of course the band would continue partying like rock stars in honor of the day’s release. Kicking off the festivities in the dwindling days of our basement studio was a pure thrill.

Musicians:
Clementine Creevy – Lead Vocals, Guitar
Devin O’Brien – Bass
Tabor Allen – Drums

After releasing 2016’s critically acclaimed Apocalipstick, Cherry Glazerr spent the next 18 months touring the world on their own steam. Between DIY All Ages venues, rock clubs, large festival stages, and massive theaters with some of the world’s best and most beloved bands (The Pixies, Flaming Lips, Slowdive, and The Breeders, among others), the band has really only stopped to work on their follow up, “Stuffed & Ready”. While furiously building the band’s sound and ideas, front person Clem Creevy enlisted Carlos de La Garza to be the band’s studio co-collaborator as they evolved the songs and refined the recordings.

“Wasted Nun” from ‘Stuffed & Ready’ by Cherry Glazerr out February 1st, 2019 on Secretly Canadian

Stuffed & Ready

After releasing 2016’s critically acclaimed “Apocalipstick”, Cherry Glazerr spent the next 18 months touring the world on their own steam.

Btween diy all ages venues, rock clubs, large festival stages, and massive theaters with some of the world’s best and most beloved bands (the pixies, flaming lips, slowdive, and the breeders, among others), the band has really only stopped to work on their follow up, ttled “Stuffed & Ready”. while furiously building the band’s sound and ideas, With the amazing front person Clem Creevy she enlisted Carlos de la Garza to be the band’s studio co-collaborator as they evolved the songs and refined the recordings.

The LA-based trio Cherry Glazerr have released this song. Now I hope you understand what all the fuss is about. Led by 21-year-old frontwoman Clementine Creevy, the band have just announced this their fourth album, Stuffed & Ready, wll be out February 1st. Iggy Pop has been a fan of these guys for ages, so they’re definitely doing in the  right direction.

“Wasted Nun” from ‘Stuffed & Ready’ by Cherry Glazerr out February 1st, 2019 on Secretly Canadian

Cherry Glazerr return with the mature 'Daddi' from their new album

Cherry Glazerr‘s last album Apocalipstick was an absolute blast of a record, that saw the Clementine Creevy-led act exploding into a more well-rounded sound. They’ve now announced the follow up: it’s called Stuffed & Ready and comes out on February 1st through Secretly Canadian. Speaking about the development between records, Creevy says: “With Apocalipstick, I was an over-confident teenager trying to solve the world’s problems. With Stuffed & Ready, I’m a much more weary and perhaps a more cynical woman who believes you need to figure your own self out first.”

That weariness is certainly audible in lead single ‘Daddi’, where a relatively restrained Cherry Glazerr weave through an bruised blue, electronics-imbued verse, Creevy asking all sorts of worrying and untoward questions. This turmoil comes rocketing to a head in the chorus, where the band gives us their trademark guitar detonation, but this time the message is clear and confronting: “don’t hold my hand/ don’t be my man.” It’s a coercive sign of what’s to come on Stuffed & Ready.

‘Daddi’ also comes with an animated video, created with Danny Cole, the creative director for Portugal. The Man.