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Exclusively for RSD 2018, Ride release a limited edition double vinyl LP collection of remixes of tracks from their acclaimed fifth album, ‘Weather Diaries’.

The double LP includes remixes from the likes of renowned Berlin techno duo Barker & Baumecker, Stereolab offshoot Cavern of Anti-Matter, Oren Ambarchi (Touch, Editions Mego, Black Truffle), beautiful ambient mixes from Jefre Cantu-Ledesma (with additional vocals from Maria Linden of I Break Horses), Bartoz Kruczynski (aka Earthtrax) and a 25 minute opus from Babe Terror, amongst others.

Limited to 1000 copies for the UK and Ireland.

Tracklisting:
1. Lannoy Point (Bartosz Kruczynski Mix)
2. Charm Assault (Mogwai Remix)
3. All I Want (Glok Remix)
4. Home Is A Feeling (A Creamy Crambled Suite For A Ride)
5. All I Want (Oren Ambarchi Remix)
6. Weather Diaries (Jefre Cantu-Ledesma Remix)
7. Rocket Silver Symphony (Barker & Baumecker Mix)
8. Lateral Alice (Cavern Of Anti-Matter Remix)
9. Cali (Luke Abbott Remix)
10. White Sands (Lamplighter Remix)

‘All I Want’ remix by GLOK aka Andy Bell,

the Cavern of Anti-Matter remix of new live favourite, “Lateral Alice”. Cavern of Anti-Matter is the latest project of Tim Gane (Stereolab etc) and Joe Dilworth (Stereolab, Th’Faith Healers etc.) Here they strip “Lateral Alice” down to its vocals and then rebuild it as an organ-led, kraut-y, prog-y, psychedelic gem, as is their inimitable style.

Being made available alongside the release of the “Cali” video, the latest remix of a track from the new Ride album is by leading UK electronic producer, Luke Abbott. Luke has released records on James Holden’s Border Community and Gold Panda’s Notown label, amongst others. Here he takes “Cali” on a haunting, psychedelic and somewhat twisted ride (no pun intended!), adding lush modular synths and heavily effected vocals to the sunshine bliss of the original.

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There’s a confounding nature to the comfort constructed by The Myrrors throughout the flawless forty minutes of “Entranced Earth,” the third full-length album from the transcendentally-tuned, Tuscon-tied desert die-hards (and their second for Beyond Beyond Is Beyond Records).

Those looking for terra firma – for ground not given to staggering shifts, for easily grasped handholds, for the force of gravity as we know it – are likely to find the album an often-groundless experience. But for listeners willing to give themselves over to the landscape presented on “Entranced Earth,” the reward lies in the discovery of new lands, and the sound of a band operating at the peak of their powers.

When last we saw the reflection of The Myrrors, it was in the form of their previous release, “Arena Negra,” an album that announced its presence immediately and with high dosage of the appropriate amplification. “Entranced Earth,” by contrast, gives indication of The Myrrors entering an altogether different atmosphere, taking on an altogether higher climb, shorn of all hesitation and allowing their freak flags to unfurl and fly like never before.

Still, it’s difficult (and altogether unnecessary) to pin down “Entranced Earth” beyond the spires of sonic smoke that the album seems to generate at will. So subtle is the album- opening invocation of “Mountain Mourning” that it threatens to never descend from its sky-bound view, leaving the track that follows, “Liberty Is In the Street,” to offer the album’s first, fading glimpse of solid ground. “On your feet or on your knees” goes the mantra-like vocal drone, though the effect is likely to bring to mind the Moody Blues more than Blue Öyster Cult (at least, the path of The Myrrors seems to include traces of the footprints left by the one-time Harvard professor given an early eulogy by the Blues on “Legend of a Mind”). By the time that “No Clear Light” – a torch-lit, dust-crusted dirge that can be felt as the beating heart of the album overall – leads listeners toward the nearly nine-minute title track and album centerpiece, there are doubtlessly many more wanderers pledging allegiance to The Myrrors unnamed cult. 

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Guitars of six and twelve strings, harmonium, tablas, alto sax, bulbul tarang – these are the tools of The Myrrors all-consuming quest, expertly applied for maximum elevation. Enter the realm of “Entranced Earth,” sit still and let the ground disappear beneath your feet.

Band Members
Nik Rayne / Grant Beyschau / Miguel Urbina / Kellen Fortier / Casey Hadland
released May 27th, 2016

The day Say Sue Me make a bad record is the day I’ll stop singing their praises, but that day is not today because the indie pop darlings from Busan, South Korea recently dropped it’s just a short walk!, their second fantastic release of 2018. A Record Store Day EP from Damnably, its just a short walk! is made up of four playful covers that showcase the band’s versatility and deep knowledge of guitar rock. Blondie’s “Dreaming” is stretched out into a languid, nearly psychedelic shoegaze droner augmented by vocalist Sumi Choi’s light, airy vocals. “Do You Wanna Dance?” is the sweet, slow dance flipside to the band’s own surfy “I Just Wanna Dance,” from their Where We Were Together LP. “Rockaway Beach” is the sparkling indie pop Ramones cover the world has been waiting for, and, well you really need to hear their Velvet Underground cover. Say Sue Me’s greatest strength is not just their ability to make any song their own, but to make it sound effortlessly fun at the same time.

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‘It’s Just A Short Walk!’ is a limited edition EP of cover songs performed Say Sue Me on a special one-sided transparent 12” vinyl, and released by Damnably Records for RSD 2018. 

1. Dreaming (Blondie)
2. Do You Wanna Dance (Bobby Freeman)
3. Beginning To See The Light (The Velvet Underground)
4. Rockaway Beach (The Ramones)

 

Steve Wynn - Kerosene Man

The first two albums from Dream Syndicate frontman Steve Wynn get the deluxe Omnivore Records treatment!  1990’s Kerosene Man is bolstered by six rare live recordings from a promo EP, while 1992’s Dazzling Display (featuring guest shots by R.E.M.’s Peter Buck, The Bangles’ Vicki Peterson, and Flo and Eddie) gains six bonus tracks including covers of Paul Simon and Sonic Youth!  Both titles have been remastered and are released with the participation of Steve Wynn!

The Debut solo album from founding member of The Dream Syndicate, remastered and expanded with 6 live bonus tracks from a rare promotional EP.

Sure, I was nervous. I had spent most of my adult life making music with The Dream Syndicate—a very good, successful band, with musicians I still considered very good friends. Bands break up because the members hate each other, or because nobody cares, or because someone in the band joins The Rolling Stones, or something. That wasn’t the case with us. I just wanted to try something different. I wanted to play different kinds of music, make new sounds, play with new people. I wasn’t running away from anything. I was just running towards something new. —Steve Wynn (from his liner notes)

After nearly a decade fronting The Dream Syndicate, Steve Wynn struck out on his own with a debut solo album. With Wynn originals and help from friends including Johnette Napolitano (Concrete Blonde), D.J. Bonebrake (X), Steve Berlin (Los Lobos), and even Mark Walton from The Dream Syndicate, 1990’s Kerosene Man showed a new side to Steve, while retaining everything that attracted music lovers to him in the first place. “Tears Won’t Help” became a radio staple, and “Carolyn” found its way to MTV.

Kerosene Man returns nearly two decades later, remastered and expanded. The 11 tracks from the original release are now joined by six live recordings from the rare, promo only vinyl Straight To The Swapmeet: Legendary Authorized Bootleg. His second solo album, Dazzling Display, has also been remastered and expanded with 6 bonus tracks. That album was another star-studded affair.

Steve Wynn - Dazzling Display

Second solo album from founding member of The Dream Syndicate, remastered and expanded with 6 bonus tracks.

I’ve had the chance to revisit Dazzling Display in the course of writing these liner notes and putting together this reissue and, as is often the case, time has brought its merits into focus. Here’s the bottom line. It’s a really fun record. It was made with a fan’s enthusiasm as a reflection of the things that made me happy and got me excited in 1991. It may not have been the right record for its time and it may not have been the right record for this particular recording artist. But it sure feels good to listen to it now.

And in 2018, that’s what matters most of all. Enjoy. It truly is a dazzling display. —Steve Wynn (from his liner notes)

Freedom’s Goblin is honkin’ down the highway as we speak. With axes, electric keys, vocal cords and full batterie, natch (plus saxophone), Ty Segall and the gang on the Freedom’s Goblin World Freedom Tour (with the Europe legs kicking in late May) are lifting up our people one city at a time, with music played in exchange for a slice of OUR LIVES (and a measly few bux)! What better a time for a new single! It’s a different take on the album-opener (and live fave) “Fanny Dog”! Recorded with Boo Mitchell in Memphis at Royal Studios, the chooglin’ groove, dancing barrelhouse piano and fat horns on this version send a ‘specially warm, soulful vibration out to the listener everywhere! GO see the show – get tix for the one coming down the road – but if you’re out of the way, or just simply can’t, why not give “Fanny Dog” a walk – she’ll love you for it!

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“Fly in Numbers” is the eighth episode of The Light in Demos, a video project produced, written, directed, recorded, shot and edited by The Tallest Man on Earth. Trumpets and French Horns arranged, performed and recorded by CJ Carmieri.

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Our South X Lullaby Session with Soccer Mommy took us away from the frenetic world of the South by Southwest music festival and into the past. We ventured to my favorite store in all of Austin, Texas: Uncommon Objects, a self-described “one-of-a-kind emporium of transcendent junk” or “your eccentric uncle’s attic on steroids.”

There are 24 different antique sellers under the single, Uncommon Objects roof, and for Sophie Allison, aka Soccer Mommy, we found the perfect setting for her song “Wildflowers.” It was, in fact, filled with objects related to blooming flowers. The song from the Switzerland-born, Nashville-raised artist is, as I hear it, about finding your place in the world — to discover who you are and to blossom.

“Wildflowers don’t grow in the city
I dreamt the sidewalk broke in two
The earth was calling to me”

The song is from Soccer Mommy’s album Clean which was released earlier this month on Fat Possum.

Set List

  • “Wildflowers”

Oooh-ooh that smell, can’t you smell that smell? The smell of Wand surrounds you! Yes – “Perfume” is on the wind, and time is inching closer and closer to the much-anticipated May 25th EP drop, but how about another snoot-ful to carry you through until then? A bit of “Pure Romance” perhaps, with chimes of guitars, crisp and fresh melodies and a core-shattering thump that takes hold with an iron grip, drawing you tight into a dangerous liaison of pop and rock, as both long for one another powerfully. Wand paints electrifying hues, beaming shocks of light that flagrantly provoke the dark with a bright balayage of sound and vision for your ears.  YES!  “Perfume” is coming soon, so take in the creamy, spiky aroma of “Pure Romance”.

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Phoebe Bridgers is an Music favorite she’s already been one of our ones to watch.  Her ” Stranger in the Alps” was one of last year’s best debuts. Singer Songwriter Noah Gundersen has spent the last decade breaking out slowly and steadily, releasing a long string of well-received albums and EPs.

Last fall, Bridgers opened for Gundersen on a tour that stopped in the latter’s Seattle hometown. The two actually go way back she used to sell merch at his shows — so sharing a stage gave them the idea to visit Seattle’s Studio X and record an eight-minute medley of their songs with help from Gundersen’s sister Abby. It’s remarkable how well their voices and songwriting blend as they swap verses and share choruses: Bridgers’ “Killer” stuns in any setting, and Gundersen’s “The Sound” is a revelation in their collective hands. Performed back to back, the two songs sound hauntingly beautiful.

Bridgers is one of Gundersen’s biggest fans: “I’ve been a fanatic Noah fan since I was a teenager,” she writes via email. “He changed the way I write music, made me more comfortable with being honest in my songs. Getting to sing with him was like getting pulled onstage by your favorite band during a show.” The feeling, it turns out, is mutual.

“I’m just a big fan of her work,” Gundersen writes. “I listened to her record obsessively and I wanted to make something with her. This was recorded on our last day of tour together, when we all had a few spare hours in the afternoon.”

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Phoebe Bridgers’ debut album, Stranger in the Alps, is out now via Dead Oceans Records. Noah Gundersen’s new record, White Noise, is out now via Cooking Vinyl.

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During rehearsals, I draw up set lists on big canvases, putting down the songs and the keys they’re in. We hang these set lists on the rehearsal room walls so we know where we’ve been and where we’re going.’ – Ronnie Wood

Over the last two decades, each song the Rolling Stones have played in rehearsals has been recorded by Ronnie Wood in a series of hand-painted set lists. The result is a unique collection of canvases that document sell-out tours across the globe, such as the band’s landmark 50 & Counting tour, historic concerts such as 2016’s performance in Havana, as well as closed-door sessions for their latest album, Blue & Lonesome.
Now for Genesis subscribers and for all fans of the Rolling Stones, we are delighted to present Ronnie Wood’s painted set lists for the first time. Choose from three new limited editions, each signed by Ronnie Wood.
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I illustrate the band’s set lists, sometimes Keith and Mick add little doodles, and they become works of art in their own right.’ – Ronnie Wood

Ronnie Wood has chosen nearly 100 painted set lists to be published for the first time. Presented in chronological order, the collection follows the group’s travels to foreign rehearsal locations that were kept secret at the time. They reveal the songs rehearsed for historic performances, such as the Rolling Stones‘ 2014 inaugural concert in Israel, as well as documenting the shows as eventually played. The colourful hand-lettering recalls Wood’s early art school days when he worked as a sign writer. The set lists are visually eye catching and filled with fascinating details. Wood’s calligraphy is interspersed with his own illustrations, doodles by fellow band members, and jotted notes that all add up to paint a picture of life on the road with the Rolling Stones.

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‘It could be somebody coming in at the wrong moment, or forgetting the arrangement and suddenly going to the middle eight, when you can see Keith mouthing, “What the hell is he doing?” It’s all part of what keeps the band vibrant.’ – Ronnie Wood

In a new manuscript spanning 212 pages, Wood offers a glimpse behind the scenes of one of the most famous rock bands in the world. Through Wood’s artwork and his personal reflections, the reader is given an insight into the band’s touring over the years.

Throughout the book, Ronnie Wood brings the story of the set lists to life, as he discusses the band’s creative process, learning up to 80 songs per tour; personal highlights, such as Valentine’s Day 2014, when a small group of fans were invited into rehearsals; collaborations with fellow musicians such as The Black Keys, Eric Clapton, Florence Welch and Jeff Beck; and the band’s various reunions with former Rolling Stones Bill Wyman and Mick Taylor.

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The Set Pieces book is limited to only 1,000 numbered copies, each signed by Ronnie Wood.

Presented in a cloth-bound slipcase, the 212-page volume is quarter bound in burgundy leather with purple and gold screen-printed covers – emblazoned with the lizards that feature on one of Ronnie’s custom-made guitar straps. Ronnie Wood’s large format Set Piecesbook (page size: 297mm x 420mm / 11 ¾” x 16 ½”) is hand-finished with gilt page edging and tooling.

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