Native Sun - Songs Born From Love and Hate

Native Sun’s debut EP, Songs Born from Love and Hate, showcases the band’s untamed energy and garage-rock bona fides. They were among the best Paste Studio sessions of 2017 list. Matthew Oshinsky wrote, “This quartet from Brooklyn has been around for all of six months and positively gives no fucks—and that’s what you need in a young band: hunger, amplifiers, and something to scream about.” Watch them rip through the song “Blow” at the Studio.

Native Sun blend chunky, Stones’ chord riffs, acidic Alice Cooper-esque vocals, and heaping spoonfuls of mid-70s raunch and roll and you get Brooklyn’s quartet Native Sun, a swaggering group that wears its influences proudly on its sleeve. Their five-song EP debut Songs Born From Love and Hateis a promising offering.

A band could do so much worse than modeling their sound on an epic era in rock music, wherein blues added some heft and glam, then gave birth to punk. All of that is spread generously across this energetic set. Crunching guitars, layered one upon another, whine and shred while choruses shout out anthemic slogans like “I really want it again,” “I don’t mind,” and “I get what I want right now!”

However, it’s on the final two “Blow” and “Pink Sky” that the band seems to take steps toward uniqueness, with the addition of the alchemy ingredient: a gram or two of psychedelia.

Native Sun – Blow Recorded Live: 12/20/2017 – Paste Studios – New York, NY

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Dreams are an essential element of Floating Features, which achieves a far more lush, glowing production than La Luz’s previous records, 2015’s Weirdo Shine and 2013’s It’s Alive. “Mean Dream” is breezy indie rock with vivid and bizarre imagery, while “Lonely Dozer” is a spaghetti western-stomper featuring a wayward protagonist who is “alone inside at night.” Shana Cleveland makes impressive use of surrealism in lyrics for songs like “The Creature,” a grim and gorgeous ballad, and “Greed Machine,” which playfully casts the idea of being broke (the eternal musician struggle) as a classic movie villain, constantly lurking around the corner to get you. “Oh no, not again!” Cleveland sighs. “Just when you thought you’d got ahead/ It always finds you where you live.”

Katie Crutchfield’s southern roots are undeniable. The name of her solo musical project Waxahatchee comes from a creek not far from her childhood home in Alabama and seems to represent both where she came from and where she’s going.

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RUN OUT GROOVE: GARY LOURIS Image

The votes are in and singer-songwriter Gary Louris’ Vagabonds Expanded to a 2LP set is now available to order. This edition includes the entire acoustic VAGABONDS EP making its debut on vinyl as well as outtakes and demo recordings that have never been released on any physical format. ROG only manufactures one numbered edition so “Get ‘Em Before They’re Got!”, now through June 7th.

Vagabonds manages to sound grand and organic at once, with the arrangements and production capturing a sense of the wide open spaces of Hollywood Town Hall and Rainy Day Music, especially on the beautifully heart-tugging “She Only Calls Me on Sundays,” while also encompassing the more ambitious melodic conceits of Smile and Sound of Lies on tracks like “Black Grass” and “Omaha Nights.” … the result is an album that sounds full-bodied but natural and uncluttered, and gives Louris’ fine songs plenty of room to reveal their virtues. Anyone who has followed the Jayhawks’ career knows that Gary Louris is a major talent, and Vagabonds demonstrates he’s still capable of making remarkable music outside the framework of the band.

Asteroid No. 4’s trip into druggy space rock, but its sophomore release is the band’s ode to ’60s garage. The “Psychedelphia” quintet’s rock is stripped down from its effects-laden guitars, drawing from the likes of the Kinks, Nick Drake, and the Who. Several tracks, such as the upbeat “Monday Morning Gloom,” are closer to traditional rock & roll, while “Poor Man’s Falls” avoids electric guitar altogether, opting for flute-assisted folk. Of course, there are still psychedelic elements in the band’s agenda (perhaps encouraged by the production of the Lilys’ Kurt Heasley). These constants come in the form of gleeful harmonies, Byrds-esque guitars, and Mellotron. Surely enough to fulfill the needs of the psychedelia enthusiast.

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Check out Brooklyn’s, NY’s BOYTOY and their latest album, “Night Leaf”.

Formed in 2014, BOYTOY combine luscious vocal harmonies and wavy bass lines for a sound that is equal parts surfer waves and dusty trails. On their sophomore full length, Night Leaf, released earlier this year on Stolen Body Records, the band exhibits polished and cohesive songwriting that is both fun and strong, while also betraying raw emotional edges.

The album’s opening track, It’s Alright, may chronicle the messiness that comes at the end of love, but it makes it feel so right. Mary Anne instantly grabs you with its plaintive appeals to the title character, while I Get Distant offers its perfect counterbalance with a chorus of “Dying alone. Make up my mind, I need you I don’t”. Echoing with late 80s/early 90s power pop influences, other highlights include Static Age, Pretty One, Juarez, and Cold Love.

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For fans of Big Thief, Mitski and Sharon Van Etten. Squirrel Flower is the alias 21-year-old Ella Williams adopted for herself when writing and performing songs as a child. Since those early days her movement through music has progressed at a staggering pace and now a reissue of her second EP Contact Sports, available on vinyl for the first time. Contact Sports is a perfectly formed collection of songs about relationships; intimacy, dependency, betrayal and place set to the unique backdrop of the American Midwest. The first three songs represent the push and pull of love and intimacy while the last three are more meditative, more place-based. From the fulsome guitar and visceral, cathartic breakdowns of lead single Conditions to the carefully layered beauty of Hands Melt, this varied collection frequently impresses with its maturity and craftsmanship. Lyrically too, tracks like the fuzzy, dimly-lit euphoria of Daylight Savings are spellbinding in their turn of phrase as Williams sings “I know we’ve gained an hour, but I feel like we’ve lost two”.

What were you doing when you were nine? Ella Williams, aka Squirrel Flower, was touring with the Boston Children’s Chorus singing to the likes of Barack Obama and The King Of Jordan. By fourteen she was taking songwriting seriously, and now aged twenty-one looks set to take world by storm, with the upcoming re-release of her superb second EP, Contact Sports.

This week ahead of the July re-issue, Ella has shared the video from one of the record’s stand-out moments, Conditions. The video, filmed in her college’s athletic centre, ties into the EP’s central idea, that as with sports, in this case basketball, relationships can feel like, “a dangerous game, a competition.”Musically, there’s a stunning maturity to both Ella’s vocal and her songwriting, the intense guitar lines, and nuanced vocal flourishes create an intensity that contrasts the slow-moving percussion. As the song reaches its emotive conclusion, Ella’s vocal repeats the line, “don’t you dare say that you do not know me”, before becoming lost in a barrage of reverberating guitar lines. It’s a stunning piece of songwriting, if you haven’t already explored the music of Squirrel Flower, this is the perfect time to discover your new favourite songwriter.

Contact Sports is re-issued July 20th. Click HERE for more information on Squirrel Flower.

Snail mail vinyl

Snail Mail’s EP debut (originally released on cassette July 2016) is now available on black 12″ vinyl, 45RPM. First pressing of 1000 copies with download code included. Habit, the debut 6 Track EP from Baltimore’s Snail Mail, is a perfect, late-summer record. Lindsey Jordan, who is 17-years-old, wrote Habit in her suburban Maryland bedroom between shows and school. She teamed up with her friend and drummer Shawn Durham and bassist Ryan Viera to record the six-track EP in DC. The result is six really amazing indie-pop tracks that will be loved by fans of Best Coast, Alvvays and Veronica Falls.

 

We’re so excited to introduce you a new band fronted by the wonderful singer songwriter Julia Jackin and the newest signing to Transgressive Records the band are called Phantastic Ferniture! with Julia taking vocal duties Julia Jacklin, who you hopefully know already, and is made up of old friends, Elizabeth Hughes (subject of the song Elizabeth on the album Don’t Let The Kids Win), Ryan K Brennan and Tom Stephens.

The music of Phantastic Ferniture is feel good and made for dancing, and their first song made available is out today – “Fuckin ‘n’ Rollin”. Watch the video, filmed in Glebe’s Blackwattle Bay below.

They’ll be releasing their debut, self-titled, album on 27th July through Transgressive Records

Ex-Vöid’s “Boyfriend” is a fun punk song about a bad relationship

Ex-Vöid is the new band from Alanna McArdle and Owen Williams, former members of the now defunct pop-punk group Joanna Gruesome. Like their former band, McArdle and Williams have continued to mix sugary sweet harmonies with furious blasts of noise in their new project. Joanna Gruesome were a band who always seemed destined to burn bright and burn fast. Their take on, “hyper-aggressive” pop music, resulted in two brilliant, and very short, albums and then singer Alanna McArdle parted company with the band, the band carried on, perhaps still are carrying on, yet it never quite felt the same. The partnership at the core of the band’s success was between Alanna and Owen Williams, and after, allegedly, “a chance meeting at a contemporary dance class”, the two began discussing working together again. The result is Ex-Vöid, and their debut three-track single , check out lead track, Boyfriend.

Musically, there seems to be both continuity and progression from the Joanna Gruesome sound. The short sharp bursts of brutality remain, although they’re now accompanied by a more distinctly poppy sound than ever before, with nods to the likes of Veronica Falls or The Spook School, although the cited influences are, “Black Sabbath’s “Into The Void”,  D.C.-area hardcore legends “VOID,” and Raincoats number “The Void”.” As playful, noisy, hook-laden and exciting as ever, Ex-Vöid are a welcome return for this perfect coming together of musical minds.

A three-track single, Boyfriend is out now via Don Giovanni Records