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Allison Crutchfield, Kyle Gilbride, and Jeff Bolt were just getting started when Swearin’ first called it quits. But then they said fuck all that and made something new. When Swearin’ broke up in 2015, they left a lot more broken hearts in their wake than just those of their central members (the band’s initial split coincided with the dissolution of a romantic relationship between singer/guitarists Allison Crutchfield and Kyle Gilbride). The Philadelphia group’s fuzzy, basement-bred take on pop-punk—situated somewhere between Cub, Pixies, Helium, and The Thermals, with a little Mascis-fried guitar tossed in for good measure  meant quite a bit to many people, and few of them were ready to give it up so fast.

Luckily, neither was the band. After taking some time and space for themselves—which, for Crutchfield, meant a move to Los Angeles, touring as a member of her sister Katie’s similarly beloved band Waxahatchee, and putting out a solo record under her given name; for Gilbride, engineering/producing for acts such as All Dogs and Girlpool—Swearin’ have decided to get the gang back together, reuniting with original drummer Jeff Bolt, and bringing on a new touring bassist, All Dogs’ Amanda Bartley, who is now an official member of the group. Their new record, Fall into the Sun, finds the band more confident than ever, and just the slightest bit tidier, too—though nobody’s going to mistake their rough-hewn, homemade sound for Carly Rae Jepsen just yet (or ever, if they’re true to the ethos outlined on the following pages).

Swearin’ chat between two shows in Portland (both opening for another band that people were stoked to see back together: Jawbreaker) to get up to speed on all their new doings.

Allison Crutchfield:  said that It gave me a lot more confidence. When Swearin’ stopped doing things, I immediately decided to focus on solo stuff, without giving much thought to how that would be different. When you’re the center of something, though, everyone’s looking to you for answers, everyone’s asking you questions, you’re making the production choices… It was really exciting for me, even though I like collaborating a lot.

But it was also really anxiety-inducing. That made me excited to do Swearin’ again, just for the pure “oh, yes, I don’t have to do everything by myself!” factor. We’re a team that makes decisions together.

I think the distance, for each of us, was also good. In the first iteration of the band, we were touring together all the time, living together, and everything was very intertwined. Not doing that for a while, all of that’s sort of been untangled. Now we’re adults who don’t spend all of our time together, and we actually have new things to share when we see each other.

Jeff Bolt added At the end of the first version [of the band], Kyle and Allison were still dating, and three-fourths of us were living together, so it was a lot to handle. Having a new bass player, who’s bringing a new energy to it. Amanda’s made it more positive for the rest of us, but also having her in the band has made us want to be on our best behavior so we don’t scare her away, even though she’s an old friend!

Whether it was intentional or not, we just kind of picked up where we left off, and we were both thinking about the time and space between.This album sounds the slightest bit crisper than previous efforts. This record was actually recorded the exact same way as our other records: at home, with Kyle engineering and co-producing. If anything, I think the difference is just that it’s been five years since we’ve done a record, and Kyle has gotten better at recording.

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Grimey, acid highway full throttle; Viagra Boys twisted dark punk album Street Worms is an interesting ride as vocalist Sebastian Murphy lets you ride shotgun while this trip takes you blazing to the top of a mountain before speeding right back down to the basement again. The bass line ferociously drives the car and the drums make sure you stay on the road – this is one of those trips where you sporadically wake up and find yourself in strange situations, wondering how the fuck you got there. From the Shrimp shack to the dog show, one minute you’re playing rugby ball the next moment you’re being eaten by worms, and between the fading lights and the strange look on your friend’s face Murphy grabs your ears and asks you what it really is you want from this life.

This is an album about illusions of realness, the absurdum of existence and the joke on humanity. Street Worms is Viagra Boys debut studio album, a debut that instantly let them occupy their absolute own space in music history. “It was all a dream, but it was so nice. I had a nice house and such a lovely wife. We had a little dog, such a little dog, it reminded me of a large dog. Just a miniature size.” Produced by Daniel Fagerström (Skull Defekts, Chronic Heist) and Pelle Gunnerfeldt (Fireside, The Hives) for YEAR0001 2018. For fans of Idles, Shame, Fucked Up, Devo and the Birthday Party.

 

From the new album ‘Street Worms’ came out 28th September

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Two years on from the release of New View, Eleanor Friedberger came back with a new album. “Rebound” released through French Kiss Records it was mostly recorded alone by Eleanor with assistance from producer Clemens Knieper.

It sees her going in a bit of a new direction, swapping live instruments for electronic drums, synthesisers and more muted guitars. It also takes inspiration from her time spent in Greece, immersing herself in the culture. Melodically subtler than Friedberger’s past albums, Rebound still swings thanks to her innate, and often-overlooked, knack for songwriting. This could be Friedberger’s finest solo album to date.

Taken from the album Rebound released May 4th, 2018.

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London rock trio Yak have announced the follow-up to 2016’s Alas Salvation. Their second studio album Pursuit of Momentary Happiness is out on February. 8th 2019, via Third Man Records and Virgin EMI. They’ve also shared their latest single, “Fried,” following the release of previous tracks “Bellyache” and “White Male Carnivore.” “Fried” is full of fuzzy punk grumbles as the track ramps up via frontman Oli Burslem’s jagged howls and an epic, distorted cacophony of guitars.

If these three new cuts from their record are a good indication of the album’s overall sound, it appears that the heavy-rock origins of Alas Salvation have been rekindled, as their turbo-charged guitar flamethrowers have been dusted off and wielded with a bold ferocity once again.

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Previously only available on a vinyl 7″ for Record Store Day: Black Friday in 2014, Conor Oberst‘s songs “Standing on the Outside Looking In” and “Sugar Street” are now available digitally. The tracks were recorded during the sessions for his 2014 Nonesuch Records debut album, Upside Down Mountain, of which Rolling Stone said: “A sumptuous immersion in ’70s California folk pop, it is the most immediately charming album he has ever made.”

Conor Oberst released his Nonesuch Records debut album, Upside Down Mountain, in the May of 2014. Earlier that spring, he had previewed what was to come with the release of a limited-edition vinyl 7″ for Record Store Day, featuring the album track “Hundreds of Ways” b/w the album outtake “Fast Friends.” Later that year, for Record Store Day: Black Friday, came another limited-edition vinyl 7″ with two non-album tracks recorded during the Upside Down Mountain sessions: “Standing on the Outside Looking In” b/w “Sugar Street.” All of those tracks are finally available now digitally and can be heard here below.

Previously only available for Record Store Day: Black Friday, released on November 24th, 2014, The tracks were recorded during the sessions for Oberst’s 2014 Nonesuch Records debut album, Upside Down Mountain,

From the Standing On The Outside Looking In/Sugar Street Record Store Day 7-inch single.

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Holly is an emerging singer-songwriter who grew up in the moors of the Durham Dales. Her debut EP ‘Ilex’ has seen radio play from Radio 6 Music, a feature on Tom Robinson’s BBC Introducing Mixtape listening to the music of Holly Rees, we’re instantly transported back to a simpler time. With acts like Laura Marling, Emmy The Great  were at the forefront of a folk-led movement, acoustic guitars and beautiful words ruled the roost and it felt like the start of a quiet revolution. but Holly Rees reminds us folk is not a dirty word in the pantheon of pop.

Holly also released her excellent EP, Slow Down, a few months back, and now this week shared a brand new single, “Stick Around”. Holly’s music has that certain wide-eyed rural sheen that only a sky full of stars without the distraction of cars and street lights can bring. “What’s this thing in my chest skipping in circles”, Holly sings with a beautiful simplicity and raw honesty; this is music that makes a connection with no bells and whistles, just a personal truth laid bare for all to see.

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Stick Around is available now.

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Mighty Kids describe their music as “melancholic uke-pop”, thankfully they’re much more interesting than that sounds. After a brief hiatus to work on other projects, including Grawl!x and the excellent, and un-googleable in a work scenario, Sex Jokes, the Derbyshire based trio re-convened, and finally got around to putting some music into the world, in the shape of their four-track EP, Wont You Reconsider?

Released on the excellent Reckless Yes label, Wont You Reconsider? covers an impressive amount of ground in its short run, as moments of melancholic bedroom pop collide with dance floor worthy bangers. The title track, Window is a wonderfully jaunty track about sleeping around until you realise the one you always wanted was already there; Fire And Moon is a joyous blast of chip-tune playfulness, while Hey Baby manages to be simultaneously strong and sad, as singer Shelley Jane Newman declares, “I remember the fights and how I could never be right, I looked for the answer in myself but it was not there to find, because it was just the me and you that wasn’t right”. They’ll break your heart, they’ll make you dance, those Mighty Kids made a mighty good record.

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Released July 27th, 2018
Recorded by Mighty Kids at Snug Recording Co, Derby

Band Members
Shelley Jane Newman,
Kristian Podhorodecki,
Rob Newman,

Doors New Haven poster

Here’s one more accolade you can posthumously give Jim Morrison: he was the first rock star to be arrested onstage. He was probably also the first rock star to be maced backstage at his own show, but no one keeps records for that.

While the opening acts played, Morrison and a young woman had slipped into a bathroom shower stall for some privacy. A policeman working backstage security came across them, and thinking the lead singer of the headlining act for an interloper, told them to “Beat it.” Morrison grabbed his crotch and told the cop to “Eat it.” The policeman pulled out a can of mace and said, “Last chance to beat it.” The Lizard King’s response: “Last chance to eat it.” The cop maced him.

The show was delayed for an hour while Morrison’s eyes were washed out. As the band took the stage there was a line of police at the front of the stage. The show proceeded normally until they launched into “Back Door Man.” According to Doors keyboard player Ray Manzarek, instead of Morrison bellowing the opening “Oh yeah! All right!” Morrison started to tell the story of what had happened to him backstage in what’s been described as an “an obscenity-laced tirade.”

Jim Morrison mug shot

The house lights came on. Police came onto the stage, took the microphone from Morrison – one of them saying into the mike: “You’ve gone too far, young man” – and arrested him, and announced that the show was over.

Morrison was charged with obscenity and inciting a riot, but the charges were later dropped. The incident inspired the later Doors song “Peace Frog.”

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Sofia Bolt is the moniker of French musician Amélie Rousseaux and after relocating to Los Angeles last year, she recorded her debut album Waves, which is due out in 2019. This week, she shared the first cut from the album, “Get Out Of My Head.” “Get Out Of My Head” is a murky garage-rock jab at a former significant other, in which Rousseaux’s smooth, unruffled vocals are the perfect complement and counterweight to the grimy cloud of smoke produced by the song’s jittery, pluck-happy guitars. Fusing the moody garage-pop of La Luz with the dark, muddy alt-rock of Goat Girl, Sofia Bolt brings just the right portions of sweetness and grit, and she’s poised for a bright future.

The Prophet Speaks is Van Morrison’s 40th studio album and will be released on 7th December. This 14 track album follows a recent run of hugely acclaimed albums (Roll With The Punches, Versatile and You’re Driving Me Crazy), each delving into musical styles that have inspired Van throughout his life – vocal jazz and R&B. Here, Van takes on a series of classics by the likes of John Lee Hooker, Sam Cooke and Solomon Burke and makes them unmistakably his own, alongside six phenomenal new Van compositions.

Van the Man has been revisiting his roots with set after set of jumping jazz, blustery blues and classic R&B standards. With his gruff vocals and natural sway, the so-called Belfast Cowboy revisited the music with an authenticity and eagerness that’s never deserted him throughout his 50 plus year career. Here again, his enthusiasm is infectious, from the effusive shout-out of “Got To Go Where the Love Is,” one of half a dozen songs Morrison contributes to this 14 song set, to the easy, seemingly effortless swing and sass of “Dimples,” “Laughin’ and Clownin’” and “Greenwich Mean Time.” Clearly Van’s still got his groove, and his devotion to form is evident throughout. Indeed, his effortless sway on “I Love the Life I Live” seems to bear out the sentiments expressed in the title. The Prophet Speaks becomes a matter of his own personal preference. The rural backwoods Morrison of Tupelo Honey, Morrison, the celestial traveler of Astral Weeks and Morrison, the Celtic crooner that shared his ancient hymns throughout the ‘80s have clearly succumbed to his new persona as a timeless troubadour of a distinctly vintage variety.

The Prophet Speaks is Van Morrison’s is released via Caroline International. Van takes on a series of unarguable classics by the likes of John Lee Hooker, Sam Cooke and Solomon Burke (among others) and makes them unmistakably his own. Alongside these reinterpretations,

The latest track ‘Spirit Will Provide‘ Taken from the forthcoming album ‘The Prophet Speaks’ out on 7th December.