The Who will bring their archival “Join Together @ Home” concert series to a close over the next two weeks with a rare 2006 show from the Moon and Stars Festival at the Piazza Grande in Locarno, Switzerland. Rounding off our Join Together @ Home series we have two very special performances for you for the next two weeks. We scoured the archives for this one!.
The concert’s pro-shot video will be split over a pair of free broadcasts on Saturday, September. 5th and Saturday, September 12th (airing at 10 a.m. PT/1 p.m. ET).“It’s a very special show,” frontman Roger Daltrey said in an official statement. “I didn’t even remember this film existed! We were getting together after a three-year hiatus. The show was in an extraordinary place, in the town square, with people dancing on their balconies. I have very fond memories of it.” The 2006 gig also includes the live debut of “Greyhound Girl,” a Pete Townshend track that was only played one additional time in the band’s history. “Greyhound Girl,” was originally supposed to be a part of the infamous Lifehouse sessions which was never happened unless you have all the songs that was supposed to make it in the Lifehouse collection and piece them together. They recorded this and Mary but the tape was damaged beyond repair. I think it could have been repaired like Time is passing but version of that song that exists as a studio demo.
Pete Townshend performs Greyhound Girl in Switzerland. By request.
The moniker is simply explained: A phonetic spelling of singer-songwriter Lauren Tarver’s initials. El Tee’s music itself, however, takes a little more elaboration. It’s centred in the realm of indie-rock, but creates an atmosphere that immediately deviates from the norm. Tarver’s vocals know their way around arresting melodies, her words striking a chord with each line pulling at the heartstrings. El Tee writes honest songs about the perennial push-and-pull of holding space for yourself and giving it up for others. Listeners are swept up in stories delivered via introspective lyrics embedded in warm and nostalgic tones of instrumentation. El Tee’s songs saunter through intimate moments, and then drive hard and fast straight into the pit of your heart – all within the same few minutes.
Comparisons to Julia Jacklin and Stella Donnelly are inevitable on ‘Everything Is Fine’, but considering how excellent they’ve been of late, it’s worth keeping an eye on El Tee. A similar trajectory to stardom isn’t out of the question.
El Tee’s forthcoming debut album, ‘Everything Is Fine’, is out 18th September, 2020.
Guitar (rhythm) by Lauren Tarver
Guitar (lead) by Tim Scott
Drums by Andrew McEwan
Bass and BVs by Mimi Gilbert
A decade and a half after their only studio album, Minimum Chips’ Nicole Thibault returns with a brilliant debut solo record. Featuring contributions by members of ORB, Parsnip, The OceanParty and Minimum Chips bandmate Julian Patterson, the melodic avant-pop on ‘Or Not Thibault’ is equally captivating.
With its modestly-constructed yet warm, layered palette of analogue sound and baroque-psych arrangements, the album’s immediate charm underscores its heart: Thibault’s softly sung reflections on often painful circumstances are tender, direct and refreshingly real. In their day, Minimum Chips were thoughtful and deliberate in their movements, releasing their debut full-length some 11 years after forming. Thibault’s debut feels similarly unhurried – and it’s well worth the wait.
New single from Thibault album Or Not Thibault, out 4th September 2020 on pink+black vinyl
The Danish four-piece Yung is back with a new 7” “Progress” out September 11th via PNKSLM Recordings. After the release of their debut LP A Youthful Dream through Fat Possum Records in 2016, which followed a series of acclaimed EP’s that brought them the attention of Pitchfork, Stereogum, NPR, The FADER and more, and years of touring heavily, the Aarhus based quartet Yung decided to take a step back.
After some time spent reassessing themselves and finding common ground to push forward, the band returned to the studio to work on a follow-up to their debut record, and now, four years after the release of the debut, the band is set to share the first fruits of that labour in the shape of the new single “Progress”, which is to be released digitally on June 12th and on 7” vinyl alongside the B-side “New Fast Song”.
Having refined their sound while embracing a wider palette of inspiration, Progress is also an early taste of Yung’s next full-length (due early 2021) and their first release with new label partner PNKSLM Recordings.
Athens, Georgia art rock group Pylon have announced a new 4xLP box set. “Pylon Box” arrives November 6th via New West Records. The set includes remastered versions of both of their studio albums—1980’s “Gyrate” and 1983’s “Chomp”—as well as the group’s first-ever recording, Razz Tape, and more. Listen to “The Human Body” (from Razz Tape) and a live version of “3 x 3”, and scroll down to see a teaser video for the box set. band that married post-punk, new wave, dance and funk, will be celebrated this fall with a new box vinyl box set that collects newly remastered pressings of their first two albums and adds two records of rarities and early recordings.
The songs on Gyrate and Chomp have been remastered from the original tapes and pressed to vinyl for the first time in roughly 35 years. 18 of Pylon Box’s 47 tracks are previously unreleased recordings. A limited number of box sets will be issued with coloured vinyl.
The set also includes an 11-song collection titled Extra, which features a recording from the group before frontwoman Vanessa Briscoe Hay joined the band, as well as a 200-page hardbound, full-colour book with archival images. It features writing by the B-52’s’ Fred Schneider and Kate Pierson, members of Gang of Four, Sleater-Kinney’s Corin Tucker and Carrie Brownstein, SteveAlbini, and more. Each copy of “Pylon Box” will be autographed by Pylon’s surviving members: Vanessa Briscoe Hay, Michael Lachowski, and Curtis Crowe.
Pylon spoke about the new box, their influences early on, and more. Here’s an excerpt of what Vanessa Briscoe Hay said about Razz Tape:
Chris [Razz] wanted to record us. He’d recorded us at Chapter Three or at a party or something. He was just a nut about wanting to record things. And so we said sure. I don’t remember that we ever used this for anything, but it was late summer or early fall because it was so warm. I remember that.
I was set up in the hall outside of where [Michael] and Curtis and Randy were. And he kept the tape machine in the hall, which was outside of Michael in my studio, and it was also the band’s practice space. He set the mic up for me in the hall. There were two mics in the room: one was for the drums and the other mic was shared by both the bass and the guitar. Y’all couldn’t see me; I couldn’t see you.
We had some songs that we were trying out that were very recently written. “Read a Book” has the instrumental version; I hadn’t written the lyrics for it, yet. And we’d just written “Cool.” We just went through it. We just plowed through it. It’s not overdubbed, but that’s just what it is. And I cringe at some of the things, but the overall sound and feeling of it is very spontaneous. It’s a beautiful record just because of that and, of course, we threw out a bunch of those songs and they were never recorded.
Pylon formed in 1979 at the University of Georgia. They were contemporaries of Athens groups like the B-52’s, R.E.M., and others. Pylon Box’ is coming November 6th, Colour Vinyl Version Limited to 500 Copies Worldwide.
This comprehensive set includes:
The studio albums ‘Gyrate’ and ‘Chomp’ – newly remastered from the original tapes, and available on vinyl for the first time in more than 30 years ‘Extra’ – a collection of singles, B-sides, rarities and live recordings ‘Razz Tape’ – the first-ever Pylon recording, a 13-song unreleased session that predates our 1979 debut single, “Cool”/”Dub”
Plus a 200 page, full-colour, hardbound book featuring a treasure trove of never before seen images and artifacts from the band’s personal archives, and writings by R.E.M., Kate Pierson of The B-52’s, Corin Tucker & Carrie Brownstein of Sleater-Kinney, Steve Albini, Jon King & Hugo Burnham of Gang of Four, and many more
47 tracks including 18 unreleased recordings ‘Gyrate’ and ‘Chomp’ are also available in exclusive coloured vinyl from New West Records (clear editions), Vinyl Me, Please (marble handpour editions), and from independent record stores (opaque red and teal editions).
”Like the Velvet Underground before them, Pylon could be your favourite band’s favourite band.” – NPR Music
Big Thief’s Adrianne Lenker has announced two new albums: songs and instrumentals are both out on October 23rd via 4AD Records. Listen to the new single “Anything” (from songs) below.
Find physical editions of songs and instrumentals at Rough Trade. The albums were recorded in April after Big Thief’s tour was cut short by the COVID-19 pandemic. She recorded them entirely analogue in a cabin with engineer Philip Weinrobe. “I grew really connected to the space itself,” Lenker said in a statement. “The one room cabin felt like the inside of an acoustic guitar—it was such a joy to hear the notes reverberate in the space.” She continued:
I had a handful of songs that I was planning on recording, but by the time Phil arrived I was on a whole new level of heartsick and the songs were flying through my ears. I was basically lying in the dirt half the time. We went with the flow. A lot of the focus was on getting nourishment from our meals. We cooked directly on the woodstove, and we went on walks to the creek every day to bathe. I’m grateful that this music has come into existence. These songs have helped me heal. I hope that at least in some small way this music can be a friend to you.
from
Adrianne Lenker,
I’m writing to you from the windy California desert. today i am releasing a body of music that is very dear to me. I feel grateful and fortunate to have had the support of family and friends to make this possible. there is a complete list of credits and the story about making the records if you swipe to the right, which is a copy of what is contained within the folds of the vinyl cover.
amidst globally trying times, this music is merely a tiny drop of an offering. it is a small moment along my own reflective journey, the road of which is ever-widening. there is so much to learn, and I hope to continue to grow in my own compassion and empathy, education and comprehension of humanness and everything beyond. most of the songs are questions more than they are answers. I want to contribute to a more loving and peaceful world in any way I can for as long as I’m alive, I am dedicated to the endless excavation, and I hope my tools for doing so become ever more refined. for now, this is what {‘ve got. some songs and instrumentals. I want to give special thanks to my grandmother for her beautiful artwork, which she always has so dedicatedly tended to. and to Phil Weinrobe for capturing this music and helping me to set it free.
sending love from my speck of dust to yours, as we hurl through space inside of this tiny sphere called earth headed who knows where with each other.
yours,
annie.
Adrianne Lenker’s albums “Songs” and “instrumentals” are out October 23rd, 2020 on 4AD Records.
Lomelda, the stage name of Hannah Read, this month shared the new single “Hannah Sun.” After releasing “Wonder” and “It’s Infinite,” this is Hannah’s third and final preview of her upcoming album, “Hannah”, out Sept. 4 via Double Double Whammy. “This song was written for 3 maybe 4 listeners to hear,” Read said. “But boomer Hannah forgot how the internet works and performed it on YouTube. Now it is for everyone. I am glad that people want to listen to this song, but I don’t understand why they want to.”
Hannah Read takes a breath, counts in “one, two, one, two,” and lets out a sigh. The first moments of Lomelda’s latest album Hannah are not for us but for her. It’s a subtle reset. There’s relief and resignation in having another opportunity to excavate the deepest, stickiest parts of one’s soul again, in a recorded musical form. Since she started putting out music in 2015, one of Read’s goals with Lomelda has been to be honest, with both the audience and herself.
“Hannah Sun” is undoubtedly the centerpiece of Lomelda’s Hannah. It’s a relaxed late-summer jam bristling with woodwinds and a brightness that’s hard to place, but undeniably present. She floats through various locales (“my hometown,” “Chicago,” “Atlanta” and “Jersey,” to name a few) while reminiscing on the lessons learned through a particular relationship (“Glad you held me too, though I didn’t know how to be closer to you,” she sings) before addressing herself directly (“Hannah, do no harm”). Like so many painters and poets have done before her, Hannah Read creates a self-portrait in “Hannah Sun,” and it’s a dazzling thesis for this record.
“The songs on “Hannah” sound unhurried, like they have nothing to prove; even when they’re busy and brash, they feel elementally simple. And there’s perfection in that simplicity.”
Written by Hannah Read Produced by Tommy Read and Hannah Read Vocals, acoustic guitar, bass, piano, fx and synths by Hannah Read Electric guitar by Andrew Hulett 12-string guitar by Tommy Read Drums by Charlie Martin
“Hannah Sun” by Lomelda From ‘Hannah’ out September 4th, 2020 on Double Double Whammy
AustinTexas band Sun June returns with a gorgeous new single, taken from the band’s long awaited second album, coming in early 2021 on Run For Cover + Keeled Scales. “Singing”, which singer Laura Colwell calls, “our groundhog day song”, finds Sun June subtly ushering their distinctive, gently twangy dream-pop into more widescreen, “timeless classic” territory, while retaining all of the comforting warmth and bittersweet wistfulness of their beloved debut. There’s definitely a melancholy, “summer’s over” vibe to the whole thing, but “Singing” ultimately exudes a hopeful, almost anthemic quality, and it’s one of the prettiest things we’ve heard all year. Colwell talks about the song’s relatable themes and its accompanying video, which she directed with bandmate Stephen Salisbury:
“‘Singing’ is our groundhog day song. It’s about being stuck in an old argument with your partner, wishing you both saw the world the same way. The video expands on that idea by cycling through various mundane ruts we can get caught in. We also explore around our Austin neighbourhood, where they’re tearing stuff down and building stuff up.”
The five members of Sun June spent their early years spread out across the United States, from the boonies of the Hudson Valley to the sprawling outskirts of LA. Having spent their college years within the gloomy, cold winters of the North East, Laura Colwell and Stephen Salisbury found themselves in the vibrant melting-pot of inspiration that is Austin, Texas. Meeting each other while working on Terrence Malick’s ‘Song to Song’, the pair were immediately taken by the city’s bustling small clubs and honky-tonk scene, and the fact that there was always an instrument within reach, always someone to play alongside.
“Singing” by Sun June out now via Run For Cover Records
Circles Around The Sun and revered drummer Joe Russo have come together for a four song EP simply entitled, ‘Circles Around The Sun Meets Joe Russo.’ The electrifying collection stems from a completely improvised recording session at The Bunker Studio in Brooklyn during Winter 2019.
Last year, Circles Around The Sun and Joe Russo (who had previously worked together with Phil Lesh, Cass McCombs, and others) released the collaborative Circles Around The Sun Meets Joe Russo EP, and around that same time, CATS and Joe teamed with animator Thomas Lynch III (The Midnight Gospel, Deep Space 69, Cartoon Network) to make a video for the song “When I Was At Peace,” which is as trippy and mind-bending as the song itself. The video was shelved after founding CATS member Neal Casal‘s suicide, but — as Neal wished — CATS continued as a band in his absence and they’re now ready to release the visual, which premieres in this post.
“I was a fan of Thomas’s art and showed it to Neal,” Circles Around The Sun bassist Dan Horne tells us. “He liked it and we called him up to see if he wanted to do a poster. The poster idea ballooned into a series of posters and a video for a song we recorded with Joe Russo. But then Neal died and some time passed before I called up Thomas again and he was like ‘we’re still doing this video right?’ He finished the video, but the timing wasn’t right to release it so we thought we would save it for a better time. We recently decided this is the right time to share it.”
Thomas Lynch III’s storyboard describes the video as “a journey through the cosmos to view the creation of spacetime singularity. Referencing the lifecycle of a star as the framework for our journey, we dance through the cosmos and take an expedition past the event horizon. Here, all the rules of physics break down into a mind melting quest with a spacetime singularity, eventually leading the audience into a new quantum existence.”
Back when the EP was first announced in 2019, Neal Casal had said, “We thought it would be a great idea to do a project with him, so we met up in a studio in Brooklyn and wound up creating four songs in one day. The session had a true Circles Around The Sun in the moment vibe with explosive improvisation, double drums between Joe and our drummer Mark Levy, conversational guitars with me and Dan, and plenty of Adam Macdougall keyboard wizardry.”
Joe Russo added, “I was excited when Neal reached out about the possibility of this collaboration. Having played with Neal and Adam many times before over the years, and my time spent with Dan on Cass Mccombs gigs and sessions, it felt like a no brainer.”
Kevin Morby has announced his new album “Sundowner” with a video for a new song called “Campfire.” The album is due out October 16th via Dead Oceans Records. Check out the video for “Campfire,” which features Morby’s partner Katie Crutchfield (aka Waxahatchee), below.
Morby began working on Sundowner at home, using mostly a four-track Tascam 424 recorder. He then headed to Texas’ Sonic Ranch to record the album with producer Brad Cook. “I wrote the entire album wearing headphones, hunched over the 424, letting my voice and guitar pass through the machine, getting lost in the warmth of the tape as if another version of myself was living on the inside, singing back at me,” Morby said in a statement. “I was mesmerized by the magic of the four track not only as a recording device, but also an instrument, and considered it my song writing partner throughout the whole process.”
“In the winter of 2017 I moved back to my hometown of Kansas City from Los Angeles. The move was sudden and unforeseen, just as I was tying a bow on the writing process for what would become my 2019 album, Oh My God. I bought a Four Track Tascam model 424 off of an old friend to help me get to the finish line, but much to my surprise and excitement, this new piece of equipment in my all-but-bare home didn’t help complete one album but rather inspire another: Sundowner. The new collection of songs came quickly and effortlessly as I did my best not to resist or refine the songs, but instead let them take shape all on their own.”
Along with the album, Kevin Morby has announced a “virtual tour” on the Noon Chorus platform. Starting on September 10th, Morby will perform one album from his discography every Thursday, working in chronological order until he gets to an October 15th performance of Sundowner. Morby was set to tour the United States this spring in support of his 2019 LP Oh My God before the coronavirus pandemic effectively shut down the touring industry.
“Campfire” by Kevin Morby off ‘Sundowner’, out October 16 on Dead Oceans Records.
