Posts Tagged ‘New West Records’

Aaron Lee Tasjan is set to release his new album Karma For Cheap on August 31st via New West Records. This will be Tasjan’s second solo venture and signals a different sound for the artist, a change he described  as “… a little more rough and ready, more raw than anything I’ve done before.”

The 31-year-old from New Albany, Ohio has already enjoyed a varied music career, having played with Semi Precious Weapons and the New York Dolls, in addition to his work as a solo artist.

Of the new record, Tasjan says: “I needed this album to have a sense of adventure and mystery, to feel a little shaky and dangerous at times — something that wasn’t the obvious choice in terms of what people already like about what I do.  I’ve come to realize that I’m a searcher, which means I’m going to be searching forever.”

Tasjan says the new project is influenced by his childhood favorites the Beatles, David Bowie, and Badfinger, to name a few.
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New West Records is set to release Jason Isbell’s debut solo album, Sirens Of The Ditch, in a deluxe edition with four never-heard-before tracks from the original studio recordings.

Originally released in 2007, Sirens Of The Ditch was met with critical acclaim upon its release calling it “…a gorgeously whiskey-soaked country-soul masterpiece,” American Songwriter declaring it, “…a decadent debut,” and Pitchfork stating that it was “…a strong debut full of the kind of confident, charismatic songwriting that just can’t be taught.”  When Jason Isbell left Drive-By Truckers in 2007, his future was by no means secure: His time in the band had been marred by substance-abuse issues, and he wasn’t a known quantity as a solo artist after years spent sharing the spotlight with other songwriters. But when Isbell released Sirens of the Ditch that same year, it was clear that he’d been working from an almost bottomless well of talent and star potential.

Sirens’ forthcoming reissue features four previously unreleased studio tracks: “Racetrack Romeo,” “Crystal Clear” and two songs you can hear for the first time here. “The Assassin” is a Patterson Hood composition Isbell still plays in concert, while the churning original roots-rock ballad “Whisper” burns slowly and wearily. Notably, both fit seamlessly alongside the singer’s later songs about stumbling hard and finding saviors on the road to peace and redemption.

This new deluxe edition features four previously unreleased songs from the original sessions at Fame Studios in Muscle Shoals, bringing the new, expanded track listing to 15 total songs. NPR Music premiered two of the unreleased tracks today, including the Patterson Hood-penned “The Assassin,” which Isbell performs in concert to this day, and the track “Whisper.” The former Drive-By Truckers lead guitaristalbum was released on July 10, 2007

After leaving Drive-By Truckers amicably in 2007, Isbell released Sirens of the Ditch on New West Records. Sirens of the Ditch was recorded at Fame Studios, where among the musicians helping to record the album was Patterson Hood of Isbell’s previous band Drive by Truckers and Spooner Oldham, famous for his work with Aretha Franklin and Neil Young among others . The first single from the album was, “Brand New Kind of Actress,” deals with the death of Lana Clarkson in Phil Spector’s mansion.  Another single, “Dress Blues,” concerns the death of Corporal Matthew Conley, a US Marine from Isbell’s hometown who was killed in the Iraq War.

The Nude Party – one of 2018’s most groovy and dynamic rock records is produced by Oakley Munson of The Black Lips and recorded in Woodstock, NY at Dreamland Recording Studios, the circa-1896 former St. John’s Church. The self-titled album finds that formidable music machine cranked all the way to cosmic. Maybe it’s the electric waters of Lake Norman, NC where the band spent a primordial summer, or the upstate New York vibes that have beckoned American spiritualists and storytellers for a dozen generations, but something gives these cats a glow. At very least the numerology scans. Even when heartbreak crashes the party, like on the hilarious “Records,” the buoyancy of the band’s demeanor negates the inevitable bummer. From the self-aware irreverence of “Chevrolet Van” to the apocalyptic resignation of “War Is Coming,” The Nude Party surfs heavy wavelengths with elegance and grace.

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on New West Records

Peter Buck of R.E.M. and Joseph Arthur recently formed a new band, Arthur Buck, they released a brand-new video for the second track from the forthcoming album  “Are You Electrified?” Arthur Buck will release the self-titled debut album on June 15th via New West Records.

Following their latest track, “I Am The Moment,” their “Are You Electrified?” video sees the duo performing outside on the beach and alongside graffiti-painted walls, with colorful visual effects and flourishes adding to the video and song’s overall trippy feel.

All of the album’s 11 tracks were co-written by the pair and mixed by Tchad Blake (U2, Pearl Jam, The Black Keys). Recorded at Type Foundry Studio in Portland, Ore., the album was produced by Arthur at his studio in Brooklyn, N.Y.

The collaboration came about after the pair met up in Mexico near the end of 2017. Arthur recalled, “My first thought was, ‘Hey, I’ll get Peter to play acoustic guitar on some of the stuff I’m working on!’ So I started showing him songs. But he was like, ‘That’s cool. Now check this out.’ And he started playing chords and whatnot. So I put my guitar down and began singing over his changes, and it was magical. It was easy. And these great songs just started popping out.”

“It was all new songs, and it was spontaneous,” Buck said. “And the great thing about working that way was that it didn’t have to be anything in particular. It was liberated from any expectation. It was free.” Talking about his new bandmate and the album’s lyrics, Buck also added, “Joe is going through that searching period we all go through in life. And those experiences he’s having make this a very forward-looking record, lyrically.”

 

Joseph Arthur and R.E.M.’s Peter Buck will release their debut LP, Arthur Buck, on June 15th via New West Records. The duo previewed the album with upbeat lead single “I Am The Moment”

“Becoming free/ It’s not as easy as I’d like it to be,” Arthur sings over a lush arrangement that builds with a raw blend of percussion, vocal samples and strings.

The Arthur Buck collaboration originated toward the end of 2017, when the pair rain into each other during respective visits to Todos Santos, Mexico. They wound up pooling their material and crafted eight songs in three days; on the fourth, they performed a show for a small group of locals near Buck’s home. “It was really spontaneous and kind of magical in its own way, as [being in Mexico] we were kind of disconnected from everything,” said Buck

In an interview with NPR, Arthur recalls writing “I Am the Moment” “within the first 10 minutes of seeing each other.” He continued, “Same way as we wrote our other songs. He had the chords and arrangement and I did the top line  except when I sang, ‘I am the moment ,’ he sang back, ‘Waiting for you.’ Peter said, ‘Okay, finish the lyrics so we can play that tonight.’ And I did, and we did. And the crowd completely sang along to it.” Arthur said that the song arose through his ritual of listening to inspirational YouTube clips.

From the album ‘Arthur Buck,’ available June 15th . Arthur Buck is Peter Buck and Joseph Arthur Animation/painting by Joseph Arthur

The Nude Party are a six-piece from North Carolina . The fine folks at New West Records will be releasing their debut LP on June 8th. While you wait, check out how they came up with such a unique moniker.

The members of The Nude Party first came together in the freshman dormitories of Boone, North Carolina’s Appalachian State University in 2012. Patton Magee, and later Austin Brose, linked up with childhood friends Connor Mikita & Alec Castillo and stepbrothers Shaun Couture & Don Merrill. The following summer, the young men moved into a lake house outside of town to begin learning their respective instruments and jamming on rudimentary riffs. Friends came by the lake house to swim and party and soon there developed a group obsession with performing in the nude.

They quickly gained a following as the house band at a notorious Boone party palace referred to as the 505 House, and the bare honesty of their performances was so contagious that their audience also started partying au naturel. While these traditions may appear risqué to the casual observer, the band explains, “These weren’t orgies, they weren’t sexual even. It was just kind of a wild exhibitionism that we felt gave us freedom.” Best known around campus as “the naked party band,” this informal aggregation of musicians became a defined unit and chose to call their group simply “The Nude Party.”

THE NUDE PARTY: 
Patton Magee – Guitar, Vocals
Shaun Couture – Guitar, Vocals
Alec Castillo – Bass Guitar, Vocals
Don Merrill – Organ, Piano, Vocals
Austin Brose – Percussion, Vocals
Connor Mikita – Drums, Cowbell

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The E Street Band. The Revolution. The Band. The list of legendary backing groups could go on and on, and while Naked Giants aren’t on that list yet, they do currently have the gig backing up one of music’s most exciting rising songwriters, Car Seat Headrest. But, like many backing bands, Naked Giants are also their own band, and they have been making music in their native Seattle since 2015. On March 30th, they’ll offer up their debut full-length, SLUFF, via New West Records, as they prepare for a tour with Naked Giants where they’ll serve as both openers and as part of the headlining act.

To announce the record, Naked Giants offer up the Sean Downey-directed video for “TV,” full of retro swagger and guitar-swinging irreverence that taps into the still-beating heart of the genre. In the band’s bio, drummer Henry LaVallee notes, “I just want to make as much noise and have as much fun and get as sweaty as I can, and if that resonates with people, that’s who I want in my life.” And that philosophy is on full display in the clip, as the song swells to a full-on psychedelic freakout before its close.

Check out the video above, and look for Naked Giants debut record SLUFF on March 30th.

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I sometimes hesitate to use the word “virtuoso” or “prodigy” with music, but Sammy Brue really deserves this description. Something about him reminds me a little of Elvis Costello. He’s got this sort of punk Americana ethos that I really enjoy . His whole style is endearing while also shouting “devil may care” in its own way. The syntax and style of his writing doesn’t sound like anyone else, which is really superb. His lyrics are often punctuated and direct, reflective of the dynamic emotions of late teen and early 20s with love.

It’s an album that makes me feel plenty of different emotions. There are some vintage sounds on this that will make you think you parents would like it, but it has a modern sheen to it that feels positively perfect for this generation. The best snapshot of his sound is “I Know,” but if you want something a bit more soulful, go with “I Never Said.” Personally, I can’t get enough of the song “Once a Lover,” a poetic lament that connects with me in the recesses of my soul.

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The video for “Really Nice Guys” it’s technically a song about people in bands who are fine but are way better at not being a musician. “Really Nice Guys” is the latest single from Ron Gallo’s upcoming EP of the same name. The whole EP is a sarcastic, literal response to people telling Gallo to write what he knows, but also pokes fun at Gallo himself. It follows Gallo’s most recent release, Heavy Meta, which was released earlier this year on New West Records.

When asked to provide a little background about the video for this, Gallo said: “The song is about bands that are better at being humans than making music. So the video, modeled after an early 2000’s skateboarding video part, is me, to the best of my ability, being bad or at very best underwhelming at skating synced to the song.” Meta, man! Like Father John Misty with a skateboard.

Really Nice Guys is out January 19th, 2018 via New West Records.

From the new EP ‘Really Nice Guys,’ available January 19th.

From his third album, JD McPherson leans harder on the first syllable of “rockabilly.” The retro-sounding tracks, most of which feature prominent walking-bass lines courtesy of Jimmy Sutton, are among the highlights. Single “Lucky Penny” (which doesn’t hide its Dan Auerbach influence) , McPherson is an Oklahoma guy who recently moved his family to Nashville, the mid-South’s neon capitol, where he’s made some great new work buddies, from Dan Auerbach to Eric Church to Aaron Lee Tasjan. But it was in the California desert that he relocated his rock ‘n’ roll bliss, jamming with Josh Homme of the Queens Of The Stone Age – a definite influence on “Lucky Penny,” the first track released from Undivided Heart & Soul. The interval-jumping guitar part that frames this story.

Check out the rest of the album from the jittery “Bloodhound Rock” and “Under the Spell of the City Lights” (featuring another notable co-writer, Aaron Lee Tasjan) all harken back to retro rocking songs in both McPherson’s own catalogue and American music as a whole. While Undivided Heart & Soul explores both the past and the future of roots music, McPherson shines brightest when he blends both influences to stay rooted in the present.

From the new album Undivided Heart & Soul came out October. 6th via New West