The Fat Angel Sings

Angel Olsen’s 2016 marvel, My Woman, had been a career breakthrough, but it catalyzed a period of personal tumult, too: a painful breakup, an uneasy recovery, an inadequate reckoning. at home in North Carolina’s Blue Ridge mountains, Olsen penned songs that finally grappled with these troubles, particularly love—how forever is too much to promise, how relationships can lock us into static versions of ourselves, how you can go through hell just to make someone else happy. these heartsore explorations shape “Whole New Mess”.

Getting a glimpse at an alternate take of a classic album is something we’ve seen more and more in the modern era. But with her new album Whole New Mess, a fraternal twin to 2019’s “All Mirror”, songwriter Angel Olsen didn’t have to wander too deeply into the vault. But it’s not merely a “demos collection.” Instead, Olsen reimagines the songs of “All Mirror” in compelling and strange ways, documenting the way songs change and morph over time in an adventurous creator’s hands.

“If I’d wanted to release demos, it wouldn’t sound this way,” Olsen says of her first proper solo album since 2012. “The sonics would be very different if I’d just recorded it myself. I was still in the process of going through a lot of the material emotionally. I just wanted to have an account of how I would’ve done it without someone really stirring the pot.”

Olsen’s first solo album since her 2012 debut and an emotional portrait so intimate and vulnerable you can hear her find meaning in these crises in real-time. at least nine of the eleven songs on Whole New Mess should sound familiar to anyone who has heard All Mirrors, Olsen’s grand 2019 masterpiece that earned high honours on prestigious year-end lists and glossy spreads in stylish magazines. “lark,” “summer,” “chance”—they are all here, at least in some skeletal form and with slightly different titles. but these are not the demos for all mirrors. instead, Whole New Mess is its own record with its own immovable mood, with Olsen working through her open wounds and raw nerves with just a few guitars and some microphones, isolated in a century-old church in the pacific northwest.

“Waving, Smiling” from ’Whole New Mess’ by Angel Olsen, out on Jagjaguwar August 28th, 2020

Though its track list overlaps with her last record, this new project illustrates how songs can change over time. Much in the same way that a song’s meaning can soften and reshape itself over time for its author, here the material Olsen is working with is akin to metal freshly pulled from a forge, pliable into the forms that still hot emotions could bring about.

If the lavish orchestral arrangements and cinematic scope of All Mirrors are the sound of Olsen preparing her scars for the wider world to see, Whole New Mess is the sound of her first figuring out their shape, making sense for herself of these injuries. considered alongside All Mirrors, Whole New Mess is a poignant and pointed reminder that songs are more than mere collections of words, chords, and even melodies. They are webs of moods and moments and ideas, qualities that can change from one month to the next and can say just as much as the perfect progression or an exquisite chord. in that sense, these 11 songs—solitary, frank, and unflinching examinations of what it’s like to love, lose, and survive—are entirely new. this is the sound of Angel Olsen, sorting through the kind of trouble we’ve all known, as if just for herself and whoever else needs it