Archive for the ‘CLASSIC ALBUMS’ Category

CHEAP TRICK – ” Light Up the Fire “

Posted: January 29, 2021 in CLASSIC ALBUMS, MUSIC
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Rockford, Illinois band Cheap Trick announced the release of their 20th album, “In Another World”. The album will be available on April 9th. The veteran band also released the first single from the record, “Light Up the Fire.” The album follow-up to 2017’s Christmas Christmas will be available in standard CD and digital formats along with blue and spattered vinyl at independent record stores and as a limited-edition picture disc, “Produced by long time associate Julian Raymond, “In Another World” sees Cheap Trick doing what they do better than anyone – crafting indelible rock ‘n’ roll with oversized hooks, mischievous lyrics and seemingly inexorable energy,” BMG Records said in a statement.

The statement notes that the coronavirus lockdown had forced Cheap Trick off the “endless highway” for the longest period of their career and that they intended to return “as soon as they can.”

“This band is held together by music,” singer Robin Zander said. “It’s the super glue that keeps us writing and putting records out. The reason we started the band in the first place was to tour and write songs and put records out. If all that went away, there would be no point then, would there?”

 

The press release notes that the album “further showcases Cheap Trick at their most eclectic, touching on … distinct sounds and song approaches, from the swampy Chicago blues number “Final Days” (featuring fiery harmonica from Grammy Award-nominated singer and Wet Willie frontman Jimmy Hall) to a timely rendition of John Lennon’s still-relevant “Gimme Some Truth,” originally released for Record Store Day Black Friday 2019 and featuring the instantly recognizable guitar sound of erstwhile Sex Pistol Steve Jones. As irresistible and immediate as anything in their already awesome catalogue, “In Another World” is Cheap Trick at their irrepressible best, infinitely entertaining and utterly unstoppable.

The band also announced some new tour dates, starting with U.K. appearances in April and followed by North American dates from April to October, some of which are rescheduled from last year.

The statement notes that the coronavirus lockdown had forced Cheap Trick off the “endless highway” for the longest period of their career and that they intended to return “as soon as they can.”

“This band is held together by music,” singer Robin Zander said. “It’s the super glue that keeps us writing and putting records out. The reason we started the band in the first place was to tour and write songs and put records out. If all that went away, there would be no point then, would there?”

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MODERN NATURE – ” Annual “

Posted: January 28, 2021 in CLASSIC ALBUMS, MUSIC
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It’s been fascinating to follow Jack Cooper’s musical arc over the course of the past decade. As one half of the duo Ultimate Painting, the UK musician distilled elements of the Velvet Underground and the Grateful Dead to create some of the best guitar-pop albums of the 2010’s. Following Ultimate Painting’s sudden demise, Cooper redirected his efforts into an understated solo LP, collaborations with Parquet Courts’ Andrew Savage, and most recently, Modern Nature.

Maintaining his prolific output, mini-album Annual marks Modern Nature’s fourth release since their debut EP in March 2019. Here, Cooper teams up with Jeff Tobias of Sunwatchers and percussionist Jim Wallis, creating a patiently pastoral sound that blooms in slow-burning splendour.

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Alternating between mood-setting instrumentals and more traditional songs, Annual follows the cycles of the seasons from springtime rebirth to scorching summer heat back to the stillness of winter. Jeff Tobias’s slinking sax lines flicker with the spiritual jazz beauty of Pharoah Sanders or Wayne Shorter, while the album’s whisper-soft touch resonates with an indefinable sacredness that recalls Talk Talk’s Laughing Stock—perhaps the highest compliment that can be paid to any artist for certain music fans.

GANSER – ” Look At The Sun “

Posted: January 28, 2021 in CLASSIC ALBUMS, MUSIC
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Growth with no reward. Finding strength in your less desirable traits. Coming up with the perfect comeback hours later in bed, glaring at the ceiling. Asking yourself: am I improving, or am I just changing into something unrecognizable? Chicago quartet Ganser probe the futility of striving for self-growth during the chaos of our times for dark comedy and jagged sounds on their potent new album “Just Look at That Sky”, released July 31st on Felte Records. Co-produced with Electrelane’s Mia Clarke and engineer Brian Fox, this is an assured, fully realized triumph of a record from an art-punk band that’s figured out how to focus on making great art, even if everything else around them falls apart.

The album drew critical praise from the likes of The Quietus, Sound Opinions, Bandcamp, Brooklyn Vegan, CLASH Magazine, and more. The quartet is back now with a series of remixes, the first being album closer “Bags For Life,” remixed by Andy Bell of shoegaze legends Ride, under his dance moniker GLOK.

Their remix EP, Look at the Sun, will contain remixes from artists the band admires, has played with, or met online during quarantine and drops in full in the spring of 2021. Who will be next?

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Ganser is Alicia Gaines, Nadia Garofalo, Brian Cundiff, & Charlie Landsman.

All songs written & performed by Ganser except “Bags for Life” trumpet and trombone performance by Kevin Natoli & Michael Cox.

Releases March 23rd, 2021

JIM GHEDI – ” In The Furrow Of Common Place “

Posted: January 28, 2021 in CLASSIC ALBUMS, MUSIC
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Jim Ghedi’s profoundly unique and moving In The Furrows Of Common Place. He really is one of the most arresting young voices around, breaking folk out of the traditional. Whilst Ghedi’s previous idiosyncratic take on folk has often been instrumental, exploring the natural world and his relationship to it through his music as seen on 2018’s A Hymn For Ancient Land. His new album In The Furrow Of Common Place is a deeper plunge inside himself to offer up more of his voice to accompany his profoundly unique and moving compositions.

The decision to include more of Ghedi’s vocals was a conscious one and driven by a need to say something. However, this isn’t a brash raging political polemic. As is now customary with Ghedi’s work, it is rich in nuance, history, poetry and allegory. Musically, the album is equally locked into this ongoing sense of evolution. Ghedi’s intricate yet deft guitar playing still twists and flows its way through the core, weaving in and out of gliding double bass, sweeping violin, gentle percussion and vocals that shift from tender solos to overlapping harmonies.

https://www.youtube.com/watch?v=W_VxVijHx2I

As with much of Ghedi’s work, there’s a rich connection between the past and the current. Musically, he continues to sit in a singular position of sounding distinctly contemporary yet also with a touch of traditional flair. This expands itself into the lyrical terrain here too.

For all the socio-political and historical backdrop to the record it is not one that feels overwhelmed by it. Much like Ghedi’s work when it was largely instrumental – and some of it still is here – it flows and unfurls thoughtfully, with space still being utilised masterfully, creating room to pause and reflect. It’s another inimitable record from an artist that truly sounds like nobody else right now.

ANNA B SAVAGE – ” A Common Turn “

Posted: January 28, 2021 in CLASSIC ALBUMS, MUSIC
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“A Common Turn”, the spellbindingly profound and deliciously honest debut album from the London-based artist, Anna B Savage. Produced with fellow Dinker William Doyle, this really feels like quite a special release, there is such power in her, even when she whispers. In a week of epic releases and massive noises, it was those whispers that really blew our minds, 

The debut album of London based singer-songwriter Anna B Savage! Her 2015 EP was deeply intriguing and quickly drew the attention of Father John Misty and later Jenny Hval, both of whom brought Savage out on European tours. Anna B Savage’s first full-length record A Common Turn is question mark music. Her songs are heavy with unanswered queries, with dilemmas and insecurities, or often just with wondering.

Savage’s voice is endlessly warm, but producer William Doyle (East India Youth) consistently finds the iron in it. Even the darkest moments in this music don’t stick in their devastation, though – Savage’s fire burns too brightly. Her voice can drop to a whisper, but then it will open all the way up in a flash flood of cavernous guitar, echoes, and swelling strings that expand and then vanish just as suddenly as they arrived. “Baby Grand’ is part of Anna B Savage’s debut Album “A Common Turn”, out the 29th January 2021 on City Slang Records.

Savage’s music is deeply vulnerable, without being submissive. She lays claim to her own fragility, and the stories she tells are of taking up space, finding connections, and owning the power in not knowing all the answers. Hers are songs for anyone who thinks hard, feels deeply, and asks big questions.

Produced by William Doyle (East India Youth), “A Common Turn” presents us a nest of fully-formed and room-filling artistry.

RATS ON RAFTS – ” Live at Left of the Dial’s Parallel Universe “

Posted: January 28, 2021 in CLASSIC ALBUMS, MUSIC
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Rats on Rafts’ upcoming album is called “Excerpts From Chapter 3: The Mind Runs A Net Of Rabbit Paths” a title as labyrinthine as the music meticulously recorded by this iconic Rotterdam post-punk quartet. The record resonates like a living painting in which motifs disappear and return like characters in a puppet show. Music so immersive and unique, it was more than worth the half-decade wait. The third album from Dutch punk-laced noiseniks Rats on Rafts adds new maturity and a conceptual feel that pulls the extremes of their sound together. A psyche-fuelled journey into the id punctuated with rhythmic kabuki modal mood swings, thunderstorms, digital beeps, traffic noise, and just plain old beautiful cacophonous reverb-drenched sound when needed.

Left of the Dial is a yearly showcase festival held in the heart of Rotterdam, The Netherlands. Unfortunately, the pandemic made it impossible for this year’s edition to go ahead as planned. Instead of it’s real life version, Left of the Dial’s Parallel Universe went ahead as a live stream. The full live stream, including lots of cool and upcoming bands can be watched here: youtu.be/IYwKM3p_KvM Did Rats on Rafts get you excited.

Did Rats on Rafts get you excited

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RATS ON RAFTS – ” Excerpts From Chapter 3: The Mind Runs A Net Of Rabbit Paths “

Posted: January 28, 2021 in CLASSIC ALBUMS, MUSIC
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The band swear spiritual allegiance to the Rotterdam’s New Wave, Pop and Punk scenes with one proviso, the weirder the better. Rats have been together for a few years and, after boring themselves into finally getting good, they embarked on a phase which is slowly seeing them recognized as something a bit special by their own countrymen.

The third album from Dutch punk-laced noiseniks adds new maturity and a conceptual feel that pulls the extremes of their sound together. A psyche-fuelled journey into the id punctuated with rhythmic kabuki modal mood swings, thunderstorms, digital beeps, traffic noise, and just plain old beautiful cacophonous reverb-drenched sound when needed.

The ‘third chapter’ refers to the last five years that the Dutch band have spent creating their “difficult” third album. Each song spins a yarn; there are plagues, dreams, wind and fire, ‘mythical’ characters, and the search for the secret government warehouse. Lead single, “Tokyo Music Experience”, resonates with a conveyor belt-propelled modal guitar, reflecting the halcyon days of Japanese super-productivity; a mesmerising mantra, infected with news bulletin on-the-hour bleeps underlining its time-sensitive nature; a pristine super-commercial anthem to drive loyalty and reinforce solidarity with the party!

Having been described as creating “underground noise with a bracing, warped pop appeal” (Mojo), their new album is a coming-of-age post-classic with a unique worldview – inspired by Van Dyke Parks (Song Cycle) Scott Walker (3 & 4), Moondog (Elpmas), White Noise (An Electric Storm) and Beach Boys (Smile).

If their previous effort (Tape Hiss) was their very own sketch of a sketch for an incomplete concept album, a noisy reaction to their previous life, then ‘Excerpts From Chapter 3..’, with all its interlaced intricacies, is the realisation of their transition from punk-spiked-pop to psyche-pop protagonists.
Evolving, testing, infectious… Rats on Rafts’ upcoming album is called Excerpts From Chapter 3: The Mind Runs A Net Of Rabbit Paths, a title as labyrinthine as the music meticulously recorded by this iconic Rotterdam post-punk quartet. The record resonates like a living painting in which motifs disappear and return like characters in a puppet show. Music so immersive and unique, it was more than worth the half-decade wait.

Releases January 29th, 2021

“One of the great contemporary European rock bands” Louder Than War
“Recalling Brix-era Fall at their most-pop leaning” ★★★★½ Uncut
“Rats On Rafts have that same righteous fire that makes A Silver Mt. Zion so compelling.” Norman Records
“A mélange of The Fall circa Container Drivers and Motorpsycho suggesting a very angry Go-Team” Mojo
“Animated by a myriad of experiences over the years, fashioning this modern new wave collection of gems imbued with the experimental 80’s, Scott Walker, reverb-soaked guitars and pop culture.” Narc
“A record that I – even though it’s very early in the year – will pencil in the top 3 of albums of the year”

 

The REDS, PINKS & PURPLES – ” Uncommon Weather “

Posted: January 28, 2021 in CLASSIC ALBUMS, MUSIC
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From the many musical lives of artist Glenn Donaldson emerges The Reds Pinks and Purples, a project that sifts out the purest elements of pop music and in the process chronicles the point of view of an assiduous songwriter. His new album “Uncommon Weather” is both an elusive portrait of San Francisco –– during one of its fluctuations as an untenable place for musicians and artists –– and also a self-portrait of a songwriter who has dispatched another treasured collection of timeless sounding DIY-pop songs.

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Self-recorded and mostly self-performed, the music on “Uncommon Weather” continuously reckons with the influence of The Television Personalities’ Dan Treacy, whose own forays into drum-machines, echo, and reverb in the early 1990s is an important reference point. Paul Weller, Robert Smith, and Sarah Records also come to mind. The album arrives with grateful timing, quick on the heels of the recent EP “You Might Be Happy Someday” and alleviating, for a brief window at least, whatever it is that keeps us coming back to this elemental music. Donaldson imagines his listeners are just like himself: fascinated and addicted to the spiritual power of uncomplicated pop classics.

Releases April 9th, 2021

MARGO PRICE – ” Hey Child “

Posted: January 28, 2021 in CLASSIC ALBUMS, MUSIC
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In 2012, country singer Margo Price wrote the soul-searching anthem “Hey Child” shortly after the death of her baby boy, Ezra. After being encouraged to re-record the song, The song touches on her past struggles with substance abuse and mental health when she was dealing with the loss of her son. Price shares that she and her husband, Jeremy Ivey, 42, delved into drinking and partying to cope with their loss. The country singer opens up about battling inner demons after the loss of her son. 

We had begun hanging with a rowdy group of degenerate musician friends and partying harder than The Rolling Stones,” says Price, 37,. “The song was about how many of our talented friends were drinking and partying their talents away, but after a few years had passed, we realized it was just as much about us as our friends.” Back in 2018,after an unfortunate night of drinking, she ended up in Davidson County jail for three days. “When you lose a child you cope differently,” she said, praising Ivey with providing stability during that difficult time. “I think it’s amazing that our marriage lasted after that because the statistics are not in our favour. But he’s been there right beside me.”

With this new music video, Price recounts this exact night. The visuals show a “gritty depiction” of her facing her inner demons, crashing her car, going to jail and then beating the darkness that she had found herself in. I know so many people who struggle with substance abuse,” says Price. “I just lost a family member to alcohol. My second cousin Tammy locked herself into a hotel room and drank herself to death two months ago. In another life, that could have been me.”

Price says that originally she did not want to revisit the song “Hey Child” after having written it all the way back in 2012, but the encouragement from the producer for her album “That’s How Rumors Get Started”, and her band, helped her to do it.

“Funny enough, I initially didn’t want to re-record ‘Hey Child,’ But Sturgill was producing the record and he convinced me to. When I brought it in to play for the band they were all blown away by the song — that made me fall back in love with it.” With bringing the song back to life today, Price finds a whole new meaning to it as she reveals that she recently decided to stop drinking. 

“I just found it’s not serving me in any way. At first, it was just going to be a break, like when folks do ‘dry January’ — I’ve done that so many times,” says Price. “But after reading Holly Whitaker’s book Quit Like a Woman I’m seeing alcohol in a completely different light and may never drink again. Maybe that’s why I feel connected to this song again and wanted to make a video, to paint a picture of where I’ve been in my past lives. Sometimes you have to accept and forgive yourself for the mistakes and the failures you’ve made in your life in order to shed the layers and move on. 

On this road of recovery, there is more to smile about as she and Ivey were blessed with a beautiful baby girl, Ramona Lynn, in 2019. She joined Ezra’s twin brother, Judah, now 10.

CARLA GENEVE – ” Learn To Like It ” Album Of The Week

Posted: January 28, 2021 in CLASSIC ALBUMS, MUSIC
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Carla Geneve is a singer songwriter from Perth, Western Australia, Her new album will also include previous singles ‘Don’t Wanna Be Your Lover’ and ‘The Right Reasons’, both of which were released last year. In an additional statement, Geneve described the album as “very much a way for me to make sense of and explain my emotions to myself”. “These songs came at a time that I was coming to terms with the positives and negatives of medication, as well as the reality of having to gather the mental strength to push through hardship,” she explained.

The new track, ‘Dog Eared’, is a scorching rock number inspired by the enthusiasm of Geneve’s music students.

“I was driving home one night and I felt so excited and full of energy for music, and I guess life in general. I didn’t really know why but I realised it was because I had been in a room of teenagers playing music with the pure, raw emotion that most people grow out of as you enter adulthood,” Geneve said in a statement. “I had taken some of that recklessness and it felt incredibly nostalgic. I dictated the words to ‘Dog Eared’ into my phone. It took me a while to finish the music because I really wanted to get it moving a bit more than my other songs. Capture a bit of that violence that I mostly stay away from on this record.” “Dog Eared” is a crushing piece of rock that sits in perfect contrast to recent single, “The Right Reasons”.

Geneve crafted “Learn To Like It” over a couple of years in between prolific touring and a period that was marked by adolescence, heartache and coming to terms with mental illness. The 22-year old says writing the largely biographical record was a method of processing and finding strength through vulnerability, saying it was “very much a way for me to make sense of and explain my emotions to myself.”

“These songs came at a time that I was coming to terms with the positives and negatives of medication, as well as the reality of having to gather the mental strength to push through hardship.”

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Learn To Like It, my debut album, is out everywhere Fri April 23rd via Dot Dash/Remote Control Records

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