Archive for the ‘CLASSIC ALBUMS’ Category

Richard and Linda Thompson

Richard and Linda Thompson’s early recordings together have attained an almost mythical status and their first three acclaimed Island Records classics will now be available again on vinyl from September 11th through UMC/Island. “I Want To See The Bright Lights Tonight” (1974), “Hokey Pokey” (1975) and “Pour Down Like Silver” (1975) have been pressed on 180 gram vinyl and will come with a Download Code. These seminal works, ground-breaking at the time, have influenced generations of artists and firmly established Richard and Linda Thompson as major figures on the British folk scene.

Richard and Linda Thompson: I Want To See The Bright Lights

Recorded in May 1973, but not released until 1974 due to an international oil shortage, I Want To See The Bright Lights Tonight is a dark and eclectic affair. Richard and Linda share vocals and many of the album’s twelve tracks would become firm fan favourites, including: ‘When I Get To The Border’, ‘Calvary Cross’, ‘We Sing Hallelujah’  and ‘The End of The Rainbow’, ‘Down Where The Drunkards Roll’,  ‘Has He Got A Friend For Me?’, ‘The Great Valerio’ and the title track. Now considered a classic album, it did little to trouble the charts on its original release but was very well received by the music press. Geoff Brown of Melody Maker proclaimed: “Richard Thompson is… the most accomplished guitarist in this land… He’s written some masterful songs, here and Linda, has performed them as perfectly as we’ve a right to expect”.

Despite now being considered a Classic Album, sales of ‘I Want To See The Bright Lights Tonight’ were modest and did little to trouble chart. It was, however, very well received by the music press: “Richard Thompson is… the most accomplished guitarist in this land… He’s written some masterful songs, here and Linda, has performed them as perfectly as we’ve a right to expect”. Geoff Brown – Melody Maker

“These are songs which are going to be sung, and sung and sung. Not just heard by Richard and Linda, but by you, me, everybody. They have the mark of greatness upon them” Karl Dallas – Folk Review

Richard and Linda Thompson: Hokey Pokey

Richard and Linda’s 2nd LP from 1974 is now pressed on 180gram vinyl and contains a Download Code. Released in 1975, ‘Hokey Pokey’ is a much jollier release than its predecessor, ’I Want To See The Bright Lights Tonight’. Richard always envisaged Hokey Pokey’ as “a music-hall influenced record”. He was a big fan of Harry Lauder and Gracie Fields, and this inspiration can be seen in the Victorian style cover by Shirt Sleeve Studio, and is audible on the title track, “”Hokey Pokey”” and also ‘Georgie On A Spree’.

A mixture of darkly comic songs like “Smiffy’s Glass Eye” and the more world weary nature of ‘I’ll Regret It All In The Morning” and “A Heart Needs A Home”. There are also more sombre songs such as ‘The Egypt Room” which Richard described as “half way between The Coasters ‘Little Egypt’, George Formby, and Dickens by way of Patricia Highsmith”.

Also released in 1975, Richard and Linda’s third LP Pour Down Like Silver became known as ‘The Sufi album’ due to Richard’s recent conversion to Islam. It is a more restrained and spartan album compared to its lusher sounding predecessors and contains some of Richard’s most beautiful songs including ‘For Shame Of Doing Wrong’, ‘Beat The Retreat’ and ‘Dimming Of The Day’, with ‘Hard Luck Stories’ probably the most musically upbeat song on the album.

Richard and Linda Thompson: Pour Down Like Silver

The record was warmly received with Rolling Stone observing: “Pour Down Like Silver is the kind of album that makes listening to music worthwhile, a record of such rare beauty and scope that one honestly feels privileged to hear it.” And Angus MacKinnon of the NME concluded that:  “through its exploration of extreme disillusionment, ‘Pour Down Like Silver’ remains a considerable and deeply moving achievement”.

Artist’s website: https://www.richardthompson-music.com/

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Last week, Oakland, C.A singer songwriter Madeline Kenney released her third LP, “Sucker’s Lunch”, which reinforced the twangy dream pop sound she’d been working toward on her first two full-lengths. Her capacity for piling on layers of muted instrumentation to match her hushed vocals arguably hits its peak on the mid-album “Tell You Everything,” a climatic moment of vulnerability on the lovelorn LP.

It’s this track that Kenney chose to play for us on her acoustic guitar in Oakland’s Joaquin Miller Park for “Neighborhoods,” strumming and singing over programmed drums and woodwind-like synths. Watch the performance below, and grab a listen to Sucker’s Lunch  (or, if you purchase it on Bandcamp today, 100 percent of proceeds will go to the artist and Carpark Records—additionally, proceeds from her merch will benefit a BIPOC doula training fund and Beirut relief orgs).

Madeline Kenney performs a track from her new album, “Sucker’s Lunch,” at Joaquin Miller park in Oakland, CA.

Montreal’s Helena Deland has been releasing her music over the last year: methodically, and singularly.

“It’s a happy mix of different years and different contexts,” explains Deland, of her upcoming, five-song EP. The 26-year-old Montrealer began writing songs in high school, and started recording her work three years ago. While the oldest song in this new collection is roughly four years old, they are all loosely linked thematically so that “like stages, weaving in and out of relationships” and is “about wanting to be close with someone.”

The EP won’t be released until October. 19th, but we’re premiering its third single, “Lean on You,” which aptly fits into the descriptor. “It’s about having a crush that you’re kind of resisting because you don’t want to surrender mental space to this. You know?” explains Deland. The woozy track starts simply, with only Deland’s voice and guitar, and expands into a teasing chorus that states, “Cause I don’t need/ I don’t need/ to lean on you, no/ even though/ that’s what other people do.” You can hear whisps of what sounds like Deland’s breath through the lyrics, as her “ah-ah-aahs” march you gently through the song.

Produced by fellow Montrealer Jesse Mac Cormack (who has produced all of Deland’s EPs, encompassing 2016’s Drawing Room and March 2018’s Vol. I & II), Altogether Unaccompanied Vol. III & IV is her second EP to be released on new label Luminelle Records, of which Deland is the first signee.

Helena Deland’s new single ‘Someone New’ out now. Her debut album ‘Someone New’ out October

A wispy and elusive bit of music — part indie-pop under a hazy murk, part dreamy synthscape. As ever, there’s something a little eerie about it all, Deland blending catchiness and ghostliness.” – Stereogum
“After the last notes fade to black, the ghost of Someone New continues to haunt you — it’s an utterly unforgettable record.” – Line of Best Fit
“You’ll be hard-pressed to find a debut album released this year with such rich compositional acumen and creative instincts that orbit the domain of pop.” – The FADER
“I encourage people to listen to it as an album, because it really takes you on a journey.”  – NPR
“Her music feels designed for the sacred space between headphones: private listening to a songwriter’s private battles, in a realm where even the screams are internal.” – New Yorker

It feels like we’ve been waiting forever, but Helena Deland‘s debut album Someone New is finally here! We’re so proud to share this gorgeous project with you today, plus a lovely new animated video for album track “Comfort, Edge.”

Band Members:
Helena – Guitar, vocals
Alexandre – Guitar
Francis – Drums
Agathe – Bass

Album out on Luminelle Recordings and Chivi Chivi October 16th.

John Darnielle has written almost 600 songs now, and some of them are very sad, dealing with hard drugs and tragic ends, hurting yourself and others, sicknesses of both body and brain, off-brand alcohols. They are told in beautiful, unnerving, specific detail because he is a very good writer, and also some of them are just true stories about his own life. Roughly four months to the day that Mountain Goats’ John Darnielle dropped Songs For Pierre Chuvin, his first “boombox” LP since 2002, the songwriter’s back with a new Goats’ LP. Called “Getting Into Knives”, it’s described in a press release as “the perfect album for the millions of us who have spent many idle hours contemplating whether we ought to be honest with ourselves and just get massively into knives.” We are those millions, readers. Recorded across a single week in Memphis, the album trades between piano-driven intimacy and stormy bombast, the latter of which is on display in its lead single, “As Many Candles As Possible.” Featuring Al Green’s organist Charles Hodges, the dark and swampy track reflects the Deep South milieu in which it was recorded. 

The Mountain Goats have announced their new studio album Getting Into Knives. The LP arrives October 23rd via Merge Records and is led by the new single “As Many Candles as Possible.” Take a listen to that below. Getting Into Knives is the follow-up to April’s Songs for Pierre Chuvin, which John Darnielle recorded alone on his boombox.

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On New Year’s Day 2019, now a distant world away, Maggie Smith, author of “Good Bones,” tweeted a plotline for an imaginary buddy movie about a divorced woman driving around the US with her wedding dress, taking it all around the country. I thought to myself: what if she’s taking it to places she didn’t go when she was married, what if she’s showing her dress the life she didn’t live? I hunkered down and a couple hours later I’d written “Picture of My Dress.”

In March of 2020, also now a distant world away, we recorded the tune with Matt Ross-Spang at Sam Phillips Studio in Memphis. Playing on the track are the Mountain Goats John, Peter, Jon, and Matt — plus Bram Gielen and Chris Boerner for that extra sweetness. We were assisted in the studio by one hell of a nice guy named Matt Denham, who died unexpectedly this week and we are all torn up about it because he was a real one so I am sending this out to you, bud. Everybody else give an extra head-nod while you listen to the studio attaché with the gentle way, a song like this can only be the result of everybody in the room being on the same wavelength and his contribution was a special energy that this world will miss but the next one is presently richer for. Enjoy!,

Releases October 23rd, 2020

“That kinetic rush of the record’s creation can be felt in first single ‘As Many Candles as Possible,’ which features Al Green’s organist Charles Hodges.” – Brooklyn Vegan

“The track opens with a bristling twist of guitars and rumbling drums before settling into a steady groove. A distorted crunch underpins the primarily acoustic proceedings, helping the song build to a pitch-perfect freakout, featuring Al Green’s organist Charles Hodges.” – Rolling Stone
“The album news arrives with the release of dark, squally lead single “As Many Candles As Possible,” which features Al Green organist Charles Hodges and builds to a churning catharsis.” – Indy Week
“Recorded across a single week in Memphis, the album trades between piano-driven intimacy and stormy bombast, the latter of which is on display in its lead single, ‘As Many Candles As Possible.’ Featuring Al Green’s organist Charles Hodges, the dark and swampy track reflects the Deep South milieu in which it was recorded.” – A.V. Club

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PNKSLM Recordings are beyond excited to announce the second full length from Stockholm’s Les Big Byrd. Consisting of Jocke Åhlund, Nino Keller, Frans Johansson & Martin “Konie” Ehrencrona, Les Big Byrd have been consistently one of the most exciting bands at the forefront of the Swedish Psych music scene. Following on from 2014’s “The Worshipped Cats” LP (A Recordings),“Iran Iraq IKEA” showcases the band perfectly with their strongest collection of songs yet.

Les Big Byrd’s second album “Iran Iraq IKEA” has been one of the best out of Sweden of the year, and we’re now on our third pressing! To celebrate, we’ve made a very special reissue, with an exclusive sleeve pressed with gold foil.

Keeping to the gold theme, the deluxe package also includes an exclusive matte gold coloured vinyl, and an exclusive Iran Iraq IKEA t-shirt – only 75 available!

originally released October 12th, 2018
Record Labels:
A Recordings
PNKSLM
Höga Nord Rekords

The Phoenix Foundation have lived many lives. From high school distortion addicts to indie folk trippers to masters of motorik dream pop. It’s been five years since their last album, Give Up Your Dreams, but that downtime has been well spent. The New Zealand outfit have been writing, recording, touring with a Symphony Orchestra, creating the acclaimed soundtrack for Taika Waititi’s Hunt For The Wilderpeople, building shrines to light, creating scores for VR, producing other bands and, that most lockdown-friendly activity, baking sourdough.

It’s been 5 long years since “new zealand’s finest purveyors of psychedelic pop” (the times) last gifted us an album but thankfully, their downtime since ‘give up your dreams’ appears to have been well spent as they’ve come up trumps once again with ‘Friend Ship’. they’ve managed to enrol some of their homeland’s finest vocalists for quality guest spots, including previous dinked edition star Nadia Reid, another shop fave Tiny Ruins’ Hollie Fullbrook and Anita Clark (aka Motte). there’s also some sumptuous string arrangements performed by the New Zealand symphony orchestra.

Slowly, when they could, the six old friends found time to work together in studios, garages, forests, and sheds to put together the concise ten song set of that is Friend Ship. “We took such a long break after Give Up Your Dreams that when we did decide to make a new record we all felt it needed to be in some esoteric sense different,” says co-lead singer Samuel Flynn Scott. “To me that meant returning to something more focused. Honing in on the songs before we went deep into the arrangements and freaky sounds.” And the results reflect this approach too. Whilst Friend Ship, as you would expect, weaves seamlessly between dreamy introspective pop, stretched out grooves and psychedelic rock, it also exists as a collection of masterfully crafted songs.

Watch the video for our brand-new single “Hounds of Hell” with Nadia Reid. The video was directed by Anita Fontaine

For our UK fans, our new album “Friend Ship” will be available on very limited DINKED edition. With unique album art, transparent turquoise vinyl and two flexi discs with bonus songs!

 

Very excited to welcome the wonderful ME REX to Big Scary Monsters Record’s.

Initially the brainchild of Myles McCabe, the band has recently expanded to a four piece with the additions of Phoebe Cross (Happy Accidents/Cheerbleederz), Rich Mandell (Happy Accidents) and Kathryn Woods (Fresh/Cheerbleederz). Now they present their new EP, “Triceratops”, which is released on 28th August.

Check out the first single, “Stellar Abattoir”, below

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Big Scary Monsters is an independent currently label based in Oxford. It has so far been responsible for releases from the likes of Minus The Bear, Andrew W.K., Pulled Apart By Horses, Gnarwolves, Kevin Devine, Into It. Over It, Cursive, Meet Me In St Louis, Bear vs Shark, Toe, This Town Needs Guns, Tall Ships, Matt Pryor, Walter Schreifels, Joyce Manor, Algernon Cadwallader and many, many more. 

Releases August 28th, 2020

We are proud to announce the release of “The View From Halfway Down”, the debut solo album by Andy Bell from Ride, on October 9th. There will be two limited-edition vinyl variants: blue, which will be available from shops, and a white and blue splatter which will only be available from Bandcamp. There will also be a CD version in a card mini-LP sleeve, plus a full digital release.

It’s an incredible record and the first single, the five-minute burst of psychedelic joy that is ‘Love Comes In Waves’, is out now on all digital platforms after being premiered yesterday by BBC Radio 6 Music. Watch the Vanishing Point-meets-‘Strawberry Fields Forever’ video by Chris Tomsett, aka Innerstrings. Not only does the release of a solo album signal a brand new chapter for Andy, some 30-odd years into his career, the announcement also coincides with his 50th birthday today (August 11).

The product of a gradual, four-year process and finished during lockdown, The View From Halfway Down was made by Andy, engineered by Gem Archer and mastered by Heba Kadry. The end result sits somewhere between Ride’s widescreen shoegaze and GLOK’s darkly textured electronics.  “I’ve always wanted to make a solo album, I’ve always said I would do it, although I never imagined it happening like, or sounding like, this one,” explains Andy. “I’d been sitting on this pile of almost finished tracks, along with all the other hundreds of ideas that had fallen by the wayside since I’ve been making music. Lockdown gave me the opportunity to find a way to present it to the world.”

Love comes in waves, psychedelic raves, lost nights, found in days of volume, fuzz and delays. If you’re searching for meaning, or a secret worth revealing, and you’re missing the feeling of connection, a reflection back from above, you’re ready to ride the first wave of love. Love comes in waves, give us a wave, I’m one step away, lost in the maze. If you’re searching for meaning, or a secret worth revealing, temptation is calling and your self control is falling, if your friends started stopping, but for you there’s no dropping off at all, and you’re missing the feeling of connection, a reflection back from above, you’re ready to ride the first wave of love. The first single from Andy Bell’s debut solo album ‘The View From Halfway Down’, released on Sonic Cathedral on 9th October, 2020.

Written and performed by Andy Bell

Deadbeat Beat slowly took shape as the natural extension of a friendship begun in high school by drummer/vocalist Maria Nuccilli and guitarist/vocalist/songwriter Alex Glendening. Always at shows, hanging out, killing time and absorbing music, the two moved through early projects and various members coming and going before solidifying Deadbeat Beat with the inclusion of bassist Zak Frieling. By that point the band began finding their legs at shows in Detroit and through a series of sporadically self-released demos, EPs and singles.

In a scene of restless loners, everyone’s in at least a couple bands. While Deadbeat Beat actively percolated, Maria’s lockstep drumming kept time for long time candy-psych heroes Outrageous Cherry and Alex played with trashpunk stalwarts Tyvek and filled in on bass and guitar for Saddle Creek’s Stef Chura and Richard Davies’ recently reformed iteration of The Moles. Even immersed in a wildly creative community Deadbeat Beat stayed on a different path, set apart by complex song writing that drew from more internal perspectives.

While taking notes on the blacked-out guitar scuzz of their friends and neighbours, there was equal time spent dissecting key records by Kevin Ayers, La Düsseldorf, Joni Mitchell, Julian Cope, The Clean, and a whole litany of rainy pop music. Musically varied and lyrically congruous, “How Far” finds the band at the strongest voicing of this strange nexus, one spawned from rough nights at shitty dive bars as the emotional foundations for soaring pop songs that nervously bump into one another. Largely a reflection on asserting and maintaining a queer identity in an almost completely straight crowd, Glendening’s songs hit at the gut level — either doused in syrup like the harmony-heavy “You Lift Me Up” or stretched into an anxious infinity like “Tree, Grass & Stone,” the album’s extended freak out jam that still feels like a confessional indie pop song.

Released August 2nd, 2019

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For Record Store Day 2020, we are releasing a limited edition LP of Galaxie 500’s COPENHAGEN. This will be available from stores that participate in Record Store Day only, please contact your favourite Store! Release date: August 29th.

To celebrate, 20 bands will be posting videos covering Galaxie 500 songs.

Earlier this year, a concert of covers of Galaxie 500 songs was planned for Record Store Day at Rough Trade Brooklyn, to coincide with the release of “Copenhagen” on vinyl and the launch of a limited edition Dogfish Head Galaxie 500 beer. The event unfortunately didn’t happen due to the pandemic, but some of the performers are recording home videos which we’re presenting online, prior to the rescheduled “RSD Drop” of the vinyl on August 29th.

20 videos will be seen on this page, adding one each weekday from August 3rd to August 28th.

Jeanines [Brooklyn] Jed: “I fell instantly for Galaxie 500 at age 20. They were simple and complex simultaneously, just like the Velvet Underground, which is probably the only band I’ve tried to rip off more.”.

Xiu Xiu [Los Angeles]: “We mention Galaxie 500’s On Fire by name in a song called ‘Dr. Troll’ on our first album. The closing lines of that song being ‘Listen to On Fire and pretend someone could love you.’ On Fire ends with ‘Isn’t it a Pity’ and their masterful and impassioned take on it has never failed to shred my heart to ribbons, even more now than then.”

Deadbeat Beat [Detroit]: “We recorded our cover in masks with one microphone in a garage. Our video is interspersed with footage taken on our phones throughout the past year.”

The Feelies have covered a lot of Velvet Underground songs over the last 40 years and they’ve even done whole VU tribute shows. One song they’ve never covered, though, is “Here She Comes Now.” Feelies frontman Glenn Mercer now has, however, as part of the month-long Galaxie 500 tribute that’s leading up to the Record Store Day reissue of Galaxie 500’s “Copenhagen Live” album on August 29th. It’s a bit of a cheat for Glenn, but Galaxie 500 did cover the song as a bonus track for their third and final album, “This is Our Music”, and it’s also on “Copenhagen Live”.

In addition to the bands who were planning to perform in Brooklyn, there are a few “out-of-town” favourites, both younger bands and some Galaxie 500 contemporaries:

Circuit des Yeux, Deadbeat Beat, Rachel Haden, Hamilton (British Sea Power), Jeanines, Calvin Johnson, Kiwi Jr, Mark Lanegan & Dylan Carlson, Alan Licht & Rebecca Odes (Love Child), Barbara Manning, Mark & Evelyn (Mark Robinson of Unrest, Evelyn Hurley of Blast Off Country Style), Glenn Mercer (of the Feelies), Mercury Rev, Stephin Merritt (the Magnetic Fields), Thurston Moore, the Natvral (Kip Berman of The Pains of Being Pure At Heart), Papercuts, Real Estate, Surfer Blood, Versus, Winter, Xiu Xiu, plus a few surprises.

This series of videos (and the original event) was curated by David Newgarden, WFMU radio director in the 80s/90s, and longtime manager of Guided By Voices and Yoko Ono. The limited edition Galaxie 500 beer will be making its delayed debut at the Dogfish Head brewpub in Rehoboth Beach at the end of August.