Posts Tagged ‘UK’

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Lovestruck diary scribbles shot through a psych-pop lens, This ridiculously talented 15-year-old musician squeezes in bedroom recording sessions between chemistry classes and homework. He used to feign headaches in order to skive off singing lessons, but after some firm encouragement he bit the bullet and handed his demo’s around the classroom. He’s never looked back since.
Teenage infatuation makes growing up an especially turbulent time, and though 20-somethings might say otherwise, that lusty chaos never really subsides: just look at the way people conduct themselves on Tinder. Fittingly the pains and tribulations of young love are all over Alfie Templemen’s music, shot through a kaleidoscopic haze that recalls Kevin Parker if he was into lounge-jazz.

‘Like An Animal’ EP limited edition 10″ vinyl:

This London band just missed our list of the best EPs of 2018 with their 7” on Nervous Energy, but they’re working on a 2019 release (maybe an EP, maybe an LP) for Thrilling Living that’s at the top of my list of stuff to buy this new year. They’ve shown fantastic taste and craft on songs like “Feral” and “CCMMD,” demanding comparisons to stalwarts of the post punk canon, but with the bonus of their stuff being fresh and current and not 40-year-old records made by 60-year-old men. On that EP you can hear the economy of Wire, the directness of Kleenex / LiLiPuT, the tunefulness and fury of early Iceage (yes, we know New Brigade is from this decade and not the ’70s), and all kinds of other properties from all kinds of other rad bands that rad record collectors are into.

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Child’s Pose are bridge-builders, helping to close the gap between the hungry kids of today and their weirdo aunts and uncles.

released March 28th, 2018, Nervous Energy Records .

Two years after delivering the astonishing “Some Things Last Longer than You,” London based trio Doe returns with “Grow Into It,” in which Nicola Leel, Jake Popyura and Dean Smithers drop another set of Breeders/Weezer-influenced rock. They still don’t have a bassist and don’t seem to need one, as their double-guitar attack really does the job. The surprising sonic explosions and fits of chaos suggest that they may be taking cues from “Pinkerton,” and yet songs like the bouncy “Labour Like I Do,” the pensive “Team Spirit,” and single-ready fuzz-ballad, “Cathy” rank among their best work.

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Band Members
Nicola // vocals, guitar
Jake // drums, vocals
Dean // guitar

released September 28th, 2018

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Chorusgirl’s second album Shimmer And Spin, is a record that emerged from the darkness of insecurity to become an anchor in the gloom. The record was written at a time when, at almost every turn, things seemed to get worse for the band; from family illness, through anxiety and the end of their previous record label, somehow Chorusgirl managed to scramble and create a record that not only managed to exist, but to thrive and push their music into new and fascinating directions.

As opening lines go, “there’s always someone else who looks more popular or clever it’s true, more confident than anyone, but certainly not better than you”, is an undeniably intriguing place to begin, and that’s where Chorusgirl began on the sublime, In Dreams. Much of Shimmer And Spin continues in a similar vein, laced with self-doubt and insecurity, yet fighting against them, battling to believe in yourself, to believe your dreams are worthy of pursuit. It’s not a battle always won, sometimes life overwhelms; there’s moments of resignation, as on Stuck, when Silvi sings, “the future, turned past now, well it was never ours”, and moments where self-doubt takes control, as they sing on Not Yours, “my brain keeps broadcasting clips of doom, my introversion is strong”. If lyrically it was a record of personal reflection, musically it was a bold step into new musical territory, the glistening guitars more sharp and shimmering, the rhythm section more solid and creative, the newly discovered vocal harmonies, a subtly perfect.  There’s one particular moment on Shimmer And Spin, we find we just keep coming back to, a brief perfect collection of just a few seconds, it comes just short of three minutes into Stuck, as Silvi sings, “stuck in my mind, stuck for all time”, and for just maybe 20 seconds all sense of control is lost; the guitars become an overwhelming rush of feedback, the drums a clattering chaos, and beneath it all, the perfect bass-line pins it together, carrying on as if nothing had even changed, then as quickly as it arrived it is all gone. You almost have to rewind to check it actually happened, yet it did and it has the same effect listen after listen after listen. Shimmer And Spin is a record that emerged from the darkest of places to glisten and sheen, a triumphant celebration of just about getting through, a record even better than we ever thought it could be.

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Released November 16th, 2018

Demon Baby and Love is Like written by Faith Taylor
Other songs written by Silvia Wersing

 

Following her debut album ‘Penelope One’ for Optimo Music, antipodean vocalist, musician and soundscaper Penelope Trappes presents sophomore longplayer ‘Penelope Two’, for Houndstooth.

Elements from multiple sources are subsumed by Trappes’ sonic presence; one hears Badalamenti and Julee Cruise’s work for ‘Blue Velvet’ and ‘Twin Peaks’, Slowdive’s dreampop, the scorched comedowns of early Primal Scream, Colin Newman’s dark melancholia, plus contemporaries like Tropic Of Cancer and Sky H1.

These distilled, rarefied creations take echoes as their starting point, with Trappes summoning swathes of tones, textures and emotions into something ethereal but also powerful, like an evocation of spirits. It’s also deeply melodic, with her intimate, maternally-tender voice floating in the middle of each three dimensional, womb-like sonic space. Originally from the Northern Rivers of NSW, Australia before moving to New York and developing experimental electronic projects Locke and Priscilla Sharp, plus her best-known incarnation with partner Stephen –The Golden Filter. 

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Referencing Scott Walker and This Mortal Coil, Trappes uses a minimal palette to frame her spellbinding, spectral songs in a starkly beautiful sound, suggesting a collaboration between Mazzy Star and Leyland Kirby, or Felicia Atkinson writing for Lynch.  

Released October 26th, 2018

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Optimo Music presented the debut solo album from The Golden Filter’s Penelope Trappes “One” in early June.

We like to let our artists speak for themselves about their music whenever possible so asked Penelope to tell us about her album –

“In 2016. I rented out a small piano studio in East London for nearly the whole year and set out to write an introspective, trendless, and mostly beatless album. Inspired by albums from This Mortal Coil and Scott Walker, who also sought freedom to work outside of the expectations of their previous work, I limited the instrumentation to mostly an acoustic piano and effects, which left space to expose a lot of emotional vulnerabilities about myself and people close to me. Writing lullabies about being a mother in a dystopian world, with pensive words about swimming against the current as a female artist, I felt free enough to tell untold truths that I’ve never felt comfortable talking about within music. Free, liberated, empowered. naked.”

Released June 16th, 2017

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In the 18 months since Crystal Balloon’s first EP, Hurricane there’s been a few changes, both in personnel and in style.
They have a new permanent bass player, Charlie Molyneux to mesh with drummer and original member Eric Karvik and the key addition of a second guitarist Tim Burden, who also contributes strong support vocals has allowed founder member Jack Stanton the space to develop his already excellent guitar playing and powerful vocals.
They come to their second EP, People in a position of some strength, boosted by a series of excellent live performances, including a live video shoot at The Lantern.
Familiarity with the band’s music is quickly re-established by the two openers ‘Beat the Traffic’ and ‘Diesel Dreams’, particularly in the latter, where we begin to appreciate the benefit of the two guitar approach.
But the magnificent ‘Signal’, written with sadness, disbelief and admiration in the immediate aftermath of David Bowie’s death, begins to take the EP in a different and more expansive direction. “We’ll get a message across the zodiac, to ask The Starman when is he coming back”. Ah, if only…
Stanton switches to acoustic for ‘Open the Box’ and pulls out his strongest vocal performance in this collection, the smoothness of the musical delivery being punctuated midway by a chiming exchange of notes between the two guitars. 

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I had a minor moan about Hurricane, that it wasn’t longer and again here, it’s a pity this wasn’t an album because anyone who follows the band live will know that there’s a lot more excellent material in the locker.
The closer, ‘Don’t Turn Off The Rain’ with it’s sparse, choppy opening rhythm building to a powerful mid-section, dropping back again to relative calm, then signing off with a blast is a fitting conclusion to an EP that very effectively consolidates the band’s credentials.

Since first emerging in 2013 with her critically acclaimed ‘All We Can’ EP, Yumi And The Weather have spent the past few years perfecting their unique blend of electrifying technicolour psych-pop, finally emerging with their long-awaited full length offering (released via their own MIOHMI RECORDS imprint). Armed with this new arsenal of unrelentingly catchy and stirring pieces of music, Yumi are ready to continue their path of destruction (which has included a stint supporting British Sea Power, a slot at Secret Garden Party, Bad Pond Festival and heavy radio support from BBC 6 Music’s Shaun Keaveny, Nemone and Radio X’s John Kennedy (including live sessions for BBC Introducing and Radio X)

A beautifully crafted album full of dynamics, their debut offering takes flight over a sprawling soundscape, paying little regard to genre confines. From the sparkling electronic spires of opening track ‘Celebrate’ and subterranean driving energy of hit single ‘Look At The Night’, accented by the arpeggiated neon synth lines of ‘Hustle’ and polyrhythmic guitar patterns of ‘Without You’ – there is some truly incredible musicianship on display here, all the time complimented by frontwoman Ruby Taylors impeccable ear for melody and powerful, yet delicate delivery.
Created in a small studio room above a sandwich shop in her coastal home town of Worthing, UK the album demonstrates Ruby’s song writing prowess, with sounds drawing from her electronic roots, spanning from dark synth heavy production to crunchy garage rock guitars, and soaring power pop anthems.

Having previously been confined to the isolation her bedroom studio, this new space gave birth to a collaboration friend Rob Flynn (of local duo Oslo Parks) who produced the album alongside Ruby, allowing her to explore the furthest reaches of her potential. This new working arrangement provided sanctuary, an escape from her lonely and uninspiring writing environment, one made worse from suffering yearly outburst of mania/bipolar disorder.
On the writing of the album Ruby explains, “It reflects what was going on in my life due to unsteady and uncertain relationships with people, and battling negativity because of overthinking, meanwhile dealing with low self-esteem”. 

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“Down to the boil, it is very influenced by Love, and the feeling that there is a lack of it for ourselves, and each other at times and the plea for empathy and kindness” Ruby states.
Having become a figurehead of the South-East music scene over the past few years, Yumi And The Weather are set to put themselves on the map much further afield with this incredible debut offering.

released September 14th, 2018

‘Closer To God’, as with all TVP albums, is mightily personal. Dan Treacy provides the antidote to the opening of the ill-fated Disneyland Paris and the first McDonald’s in China – it’s a white knuckle ride through his innermost hopes and fears with off stage giggling, half heard dialogue and feedback that sounds like an opera is expiring in an adjoining L-shaped room. ‘Closer To God’ is a spiritual rollercoaster that sounds as poignant and pressing as ever.

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Remastered double LP on limited edition on marbled black and white vinyl. 1500 copies.

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Holly is an emerging singer-songwriter who grew up in the moors of the Durham Dales. Her debut EP ‘Ilex’ has seen radio play from Radio 6 Music, a feature on Tom Robinson’s BBC Introducing Mixtape listening to the music of Holly Rees, we’re instantly transported back to a simpler time. With acts like Laura Marling, Emmy The Great  were at the forefront of a folk-led movement, acoustic guitars and beautiful words ruled the roost and it felt like the start of a quiet revolution. but Holly Rees reminds us folk is not a dirty word in the pantheon of pop.

Holly also released her excellent EP, Slow Down, a few months back, and now this week shared a brand new single, “Stick Around”. Holly’s music has that certain wide-eyed rural sheen that only a sky full of stars without the distraction of cars and street lights can bring. “What’s this thing in my chest skipping in circles”, Holly sings with a beautiful simplicity and raw honesty; this is music that makes a connection with no bells and whistles, just a personal truth laid bare for all to see.

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Stick Around is available now.