Posts Tagged ‘Triple Crown Records’

Best Songs 2020 - Dogleg

There’s a moment in “Bueno,” one of the standout tracks on Dogleg‘s excellent full-length debut, “Melee”, where it feels like a ceiling is crashing down on your head. The song starts off all fire and brimstone, surging punk guitars and slammed drums, before settling into a groove — a funky one, possibly? It’s punk, it’s loud, but the melody is undeniable. It’s a full-on party … but then, halfway through the song, they slam on the brakes. The guitars ease up, leaving a simple bass line. You catch the touch of a cymbal. You think, for a second, that’s it, but then you realize Oh no. They’re just catching their breath. The guitars surge back in, and then the primal scream: “Little brother, was I ever a part of it?” Well, it’s screams — they take turns yelling the line, then, one more deep breath … and the explosion. It’s noise, and chaos, but it’s gorgeous, and perfect. The drums roll. Everyone screams. You’re screaming, too, and wondering: Why can’t all music sound like this?

Dogleg “Bueno” from the full length Melee

Band Members
Alex Stoitsiadis – guitar, vocals
Chase Macinski – bass, vocals
Parker Grissom – guitar
Jacob Hanlon – drums

 

Melee

One of the greatest casualties of no-tour 2020 is that Dogleg was just in the process of launching their career as a chaotic live act outside of their native Michigan, their debut album Melee serving as their treatise for world domination in the same way PUP snatched up an enormous following seven years ago by relentlessly introducing their self-titled LP to audiences on an almost-nightly basis for years to come. Fortunately for Dogleg, Melee has plenty of traction regardless of their abandoned tour alongside Microwave—and much like PUP, the record nearly provides the live experience despite listeners’ pandemic-inflicted confinement to their homes.

With “Fox” as an intro—and “Kawasaki Backflip” as confirmation that Dogleg would, in fact, be very much a thing—it was such a joy watching the Detroit punks unveil their record over the course of a few turbulent months. They rapidly became every music publication’s Artist to Watch, legitimizing them as a fully-fledged AOTY contender by mid-year—and, more importantly, legitimizing the anxieties pumped into each of Melee’s ten tracks as near-universal pressure points brought to the surface in the weeks that followed the record’s release.

Dogleg’s Melee is a bristling, relentlessly cathartic collection of pop-punk. From the moment that the opening track, “Kawasaki Backflip,” bursts into its full-band glory, the album never slows down or backs off from the Detroit group’s loud, crunchy, anthemic style. Lead singer Alex Stoitsiadis shouts every word with dire conviction, his voice shredding and straining to deliver some of the best shout-along hooks of the year so far. “Any moment now, I will disintegrate,” he frantically yells at the explosive climax of “Fox.” Melee is the sound of a band pushing off self-destruction through sheer force of will. This isn’t to say that these songs aren’t complex, or that their loudness is a cover for a lack of imagination. The guitars on “Cannonball” splash loudly, creating violent ripples over the rest of the track, while “Ender” closes the album in a six-minute punk odyssey wherein Dogleg ups the stakes at every turn. Melee is exhausting in the best possible way, a cleansing release of tension in a howling, desperate rage.
Dogleg “Fox” from the full length Melee
Band Members
Alex Stoitsiadis – guitar, vocals
Chase Macinski – bass, vocals
Parker Grissom – guitar
Jacob Hanlon – drums

“Melee” is an album that doesn’t strive to fend off anxiety. No, Dogleg are one step ahead of it. Instead of exhausting themselves of doing their best to downplay its exhaustion, the Michigan punk band let all its ugly emotions into their system, do its worst, then sweat it out, and for it, their music is a catharsis for anyone who has walked through a dark day.

It doesn’t hurt that Dogleg are fully capable of burdening themselves with the worry and distress. A bro might recommend working hard and playing harder, but only guitarist and lead vocalist Alex Stoitsiadi, bassist Chase Macinski, rhythm guitarist Parker Grissom, and drummer Jacob Hanlon properly put that into action in their punk-post-hardcore-emo-crossing sound that has been tingling goosebumps among their live revelers these last few years throughout midwest VFW halls and DIY punk fests.

The early spirits of Title Fight, PUP and Joyce Manor’s bottled up emotions come to mind throughout Melee, but so does the Get Up Kids’ “Ann Arbor” bleed right through Dogleg’s hearts in this instance, as the 10 songs that pack in a gut-punch throughout “Melee” come barreling in with reckless choruses big enough to go toe to toe with any depressive episode.

They’re channeled through the elements of polar intensities with “Kawasaki Backflip”, riffs going off the rails as a drunken house party goes on without on “Bueno”, spiraling out in “Headfirst” and “Hotlines” in nihilistic, self-pitying whoas with clocks moving in hyperspeed, or breaking bones and connections on “Wrist.”

http://

Never once do Dogleg let eve a millisecond pass them by on Melee where they aren’t rapidly cycling the air around them either. While the words may paint a bleaker picture, the rising Michigan four-piece are fully plugged into the game of life and all its stages, slugging it out whole-heartedly. If it all bodies them, at least they went down punching every button hard.. and fast.

Dogleg’s Melee will be released March 13th on Triple Crown Records.

Image may contain: 5 people, people sitting, shoes and outdoor

After two studio albums and nearly seven years as a band, Free Throw is making a significant change to their identity. The group who has sung openly of personal struggles related to substance abuse and body image  is holding nothing back on What’s Past is Prologue, their third full length record, due out March 29th, 2019 on Triple Crown Records.

Free Throw have written a rager that’s too unhinged to be fun, This album is very much about me hitting rock bottom from a mental health standpoint and the process I took in building myself back up,” Castro explained. “With the last record, I was trying to talk about my mental health, but at the time I was actually going through it. The last album felt like I was yelling from the void. This time I’m looking back into the void and I’m able to understand what was going on.”

Band Members
Cory Castro,
Lawrence Warner,
Justin Castro,
Jake Hughes,
Kevin Garcia

Free Throw “Motorcycle, No Motor” Triple Crown Records

Dogleg Melee

Michigan emo-punks Dogleg stirred up a lot of buzz last year with their first single “Fox” and its video, which gives you an idea of how wild this band’s live shows can get. Now, they’ve officially announced their debut album, “Melee”, due March 13th via Triple Crown Records.  Along with the announcement comes second single “Kawasaki Backflip” and a video that finds the band rocking out in their garage and smashing a bunch of household items (and, eventually, their instruments). If you’re new to Dogleg but a fan of PUP, Title Fight, Joyce Manor, etc

Dogleg’s latest single “Kawasaki Backflip” immediately propels the listener through two options of how anxiety and depression will be dealt with––by burning it all down with fire, or letting yourself be blown away completely by the wind. The accompanying video shows the band at its most violent, destroying everything in its path in an effort to make sense of the internal turmoil of these important feelings.

Dogleg “Kawasaki Backflip” from the album Melee out March 13th!

 

No photo description available.

Fox,” the first single from their debut album, Dogleg devastate listeners with a heart wrenching take on losing touch, with a song that’s thrives on leaving blood on the page. The band, who are expected to release their debut album next Spring, they take a power pop approach and then distort the hell out of it. While the feelings of loss and confusion could resonate with anyone, few artists could deliver a song on the subject with as much energy as Dogleg.

Along with the high energy video, “Fox” rips with an epic level of engagement that most modern pop-punk lacks. The song puts an emphasis on intensity, but it also has the dynamics of an early Taking Back Sunday song or a Nimrodera Green Day track. While so much of the enjoyment comes from the screamed gang vocals and fast, punchy riffs, the song is set in the soft bass breakdowns, where you’re reminded that you’re listening to a song with more emotional resonance than just your standard emo track. While this is clear to anyone who heard Dogleg’s Remember Alderaan EP, “Fox” takes the interesting parts of that release and smoothes out the creases.

A fantastic explosion of noise. fast, cathartic, melodic. if you want to cry/dance in your room alone on a saturday night while your friends are out having a good time this is the record for you.

Band Members
Alex Stoitsiadis – guitar, vocals
Chase Macinski – bass, vocals
Parker Grissom – guitar
Jacob Hanlon – drums

The band Foxing have always been ambitious. From its ornate music videos to the post-rock sprawl of 2015’s album Dealer, the band has never taken the direct route to anything. This was evident even before Nearer My God was released, as the band put out five different versions of the title track, each one seeing vocalist Conor Murphy tackle the song in a different language. It was impressive, not only because it showcased how strong Murphy’s singing has become since the release of Foxing’s debut album, The Albatross, in 2013, but also because it hinted at the full scope of the group’s latest.

While Foxing was once pegged as an emo band, it always wanted to achieve more, and Nearer My Godis proof of it. Opener “Grand Paradise” is more Prince than The Promise Ring, with thunderous electronic claps serving as the backbeat to Murphy’s effects-drenched voice. Even when Foxing plays the part of a rock band, the songs buck easy definition. “Slapstick,” “Nearer My God,” and “Crown Candy” are all expansive works that pull from post-rock, indie, soul, and electronic without feeling like some ham-fisted combination. It’s as impressive as it is expansive, .

No one song easily encapsulates the record, but listen to “Slapstick” and watch the accompanying video to get a sense of the sheer scope of this thing.

Foxing – “Slapstick” from the album Nearer My God

Image may contain: 1 person, close-up

Michigan singer/songwriter Shortly (aka Alexandria Maniak) signed to Triple Crown Records late last year ahead of her set at the label’s 20th anniversary show. At the time, she had just one single out, “Matthew” (which was recorded by and featured Citizen frontman Mat Kerekes), and now she has released her first single for Triple Crown, “Spare Time.” This one was produced by Hop Along’s Joe Reinhart (who’s also produced albums for Joyce Manor, Modern Baseball, and others), and it starts out as kind of a quiet, Julien Baker-esque song, before turning into louder indie rock towards the end. It’s good stuff, as you can hear for yourself below.

Image may contain: one or more people and text

We are releasing a new 7″vinyl single comprised of two songs that were left off of our new LP You’re Not As _____ As You Think. This release serves to fill in the blank in the LP title through one lens and is intended to be a companion to the record before it.

Alone is available to purchase on vinyl now with an instant download. -Copies are available on Sorority Noise’s fall tour with Citizen and Great Grandpa.

http://

Sorority Noise“Week 51” from the 7″ Alone

Band Members
Cameron Boucher – guitar/vocals
Ryan McKenna – bass/vocals
Adam Ackerman – guitar/vocals
Charlie Singer- drums

Image may contain: 1 person, standing and beard

Kevin Devine is an independent singer/songwriter from Brooklyn, NY. He plays alone, with his Goddamn Band, and as a member of Bad BooksKevin Devine released his ninth full-length, Instigator , and he just kicked off a headlining North American tour with Adult Mom and Chris Farren as support. To mark the occasion, he’s releasing a video for “Daydrunk,” a song about resisting the temptation to stare down the bottom of a bottle in the daylight hours. The video was directed by Daniel Ralston and stars Devine, Heather Matarazzo (Welcome To The Dollhouse, The Princess Diaries), and Gaby Dunn as customers at a dive bar — they do karaoke, ward off unwanted advances, make tough decisions that could impact other people’s lives. All in a day of dark, depressing daydrinking

“Daydrunk” from Kevin Devine’s Instigator, out now on Procrastinate! and Triple Crown Records.