DOGLEG – ” Meelee ” Best Albums Of 2020

Posted: July 2, 2020 in ALBUMS, MUSIC
Tags: , , , , , , , , , ,

 

Melee

One of the greatest casualties of no-tour 2020 is that Dogleg was just in the process of launching their career as a chaotic live act outside of their native Michigan, their debut album Melee serving as their treatise for world domination in the same way PUP snatched up an enormous following seven years ago by relentlessly introducing their self-titled LP to audiences on an almost-nightly basis for years to come. Fortunately for Dogleg, Melee has plenty of traction regardless of their abandoned tour alongside Microwave—and much like PUP, the record nearly provides the live experience despite listeners’ pandemic-inflicted confinement to their homes.

With “Fox” as an intro—and “Kawasaki Backflip” as confirmation that Dogleg would, in fact, be very much a thing—it was such a joy watching the Detroit punks unveil their record over the course of a few turbulent months. They rapidly became every music publication’s Artist to Watch, legitimizing them as a fully-fledged AOTY contender by mid-year—and, more importantly, legitimizing the anxieties pumped into each of Melee’s ten tracks as near-universal pressure points brought to the surface in the weeks that followed the record’s release.

Dogleg’s Melee is a bristling, relentlessly cathartic collection of pop-punk. From the moment that the opening track, “Kawasaki Backflip,” bursts into its full-band glory, the album never slows down or backs off from the Detroit group’s loud, crunchy, anthemic style. Lead singer Alex Stoitsiadis shouts every word with dire conviction, his voice shredding and straining to deliver some of the best shout-along hooks of the year so far. “Any moment now, I will disintegrate,” he frantically yells at the explosive climax of “Fox.” Melee is the sound of a band pushing off self-destruction through sheer force of will. This isn’t to say that these songs aren’t complex, or that their loudness is a cover for a lack of imagination. The guitars on “Cannonball” splash loudly, creating violent ripples over the rest of the track, while “Ender” closes the album in a six-minute punk odyssey wherein Dogleg ups the stakes at every turn. Melee is exhausting in the best possible way, a cleansing release of tension in a howling, desperate rage.
Dogleg “Fox” from the full length Melee
Band Members
Alex Stoitsiadis – guitar, vocals
Chase Macinski – bass, vocals
Parker Grissom – guitar
Jacob Hanlon – drums

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