Posts Tagged ‘Tom Petty’

Dummyt.rex ep 10sp3 w800 h600 600x600

T Rex  –  Taverne De L’ Olympia Paris 1971

Limited Edition of 300 – Pressed on Purple Vinyl, The Earliest recorded Live performance by T.Rex whilst still a 3 piece band – Features the single Ride A White Swan All royalties go to Light Of Love foundation for The Marc Bolan School Of Music.

Ears119lp. lou poet lpversion w800 h600 508x508

Lou Reed –  American Poet (Deluxe Edition)

Recorded live at Alice Tully Hall, NYC, January 27, 1973. Re- Packaged with completely new design photos and liner notes housed in deluxe card gatefold sleeve – Re mastered audio. CD Contains additional bonus disc of Unreleased U.S broadcast of the very first ‘proper’ Lou Reed solo show before the global Hit Walk On The Wild Side’. Contains classic Velvet Underground tracks’ I’m Waiting for the Man, Heroin, Sister Ray, Sweet Jane, and White Light White heat.

813547023582x220

Woods  –  Live At Third Man Records

There are certain bands in this supersaturated, hyper-fragmented, temperamental internet era that rise above ephemeral popularity not because they perpetually reinvent themselves or stay ahead of trends or make headlines with crazy antics or write a mega hit or have a super dreamy frontperson… there are certain bands that rise above because of one characteristic that trumps all others: consistency. Woods is one of those bands, and their wheelhouse is a decidedly mellow blend of folk, psych, soul, and funk that’s wise beyond its years in timbre and lyric. It’s a comforting kind of music Woods makes. It doesn’t take you anywhere you don’t want to go, even if they world they depict is less and less hospitable with every passing day. It’s a soundscape reflective of the world it was created in, and its lack of call-it-action and angst makes it endlessly listenable for those of us with regrettably overactive minds. With over ten years and nine studio records under their belt, this Brooklyn band also runs their own label and 2-day festival at Big Sur, and has carved out a loyal legion of appreciators who extol their steadfast artistry and work ethic. We got to see the Nashville Chapter of this legion, as well as a whole slew of new members, at their live taping in our Nashville Blue room, Monday May 2nd. All captured on their Live at Third Man Records LP.

Neil young peace trail

Neil Young  –  Peace Trail

Neil Young releases the brand new studio album Peace Trail on Reprise Records. Peace Trail features all new songs that Young wrote since the release of his album Earth in June. This new album is primarily acoustic and reflects an intimate, sparse approach to each of the ten songs within. The album was recorded at Rick Rubin’s Shangri-La Studios and features Young on vocals and guitar, Jim Keltner on drums, and Paul Bushnell on bass. It was produced by Young and John Hanlon .

Live at urchin studios

Lucy Rose – Live At Urchin Studios

Live at Urchin Studios is Lucy Rose’s latest record, recorded in just one hour in front of a live audience at Urchin Studios, London. Rose has spent the last year touring mostly acoustically, not just in the UK and Europe but India, Turkey and for 8 weeks in Latin America where she lived with fans and played gigs every night for free. It was during this experience that she decided to record an acoustic live record with fellow bandmate Alex Eichenberger as many fans wanted to be able to listen to the songs again in this stripped down fashion. The record consists of six songs from Rose’s first LP, Like I Used To, and four from her second, Work It Out. The album is stripped back, raw, real, full of emotion and made entirely for the fans. Each song finds a new home in this intimate setting and highlights the stunning songwriting and vocals of an evolving artist.

Tom petty 1179 front 6

Tom Petty and The Heartbreakers – The Complete Studio Albums Volume 1 (1976-1991)

Tom Petty and the Heartbreakers commemorate the 40th anniversary of their self-titled debut album by releasing two companion vinyl box sets featuring their entire studio album repertoire. Several of these albums have been out of print on vinyl for years and all albums have been remastered for this release except where noted. All LP’s in each of the limited-edition box sets are pressed on 180-gram vinyl with replica artwork.

The Complete Studio Albums Volume 1 (1976-1991) features nine vinyl albums and features:

Tom Petty And The Heartbreakers
You’re Gonna Get It!
Damn The Torpedoes
Hard Promises
Long After Dark
Southern Accents
Let Me Up (I’ve Had Enough)
Full Moon Fever
Into The Great Wide Open

12494911_1011315852288699_8456905394648066026_n

Most Tom Petty fans thought they would never see one Mudcrutch album, let alone two. Tom Petty has reconvened his early band MudcrutchPetty, Benmont Tench, Mike Campbell, Tom Leadon and Randall Marsh – for a second set of rootsy country-rockers.  The album includes seven originals written by Tom Petty, with his bandmates each composing one track.

To catch everyone up on Heartbreakers’ trivia, the backstory goes that in 1974, a scraggly Florida outfit with the unwieldy name of Mudcrutch —bassist/singer/songwriter Petty along with keyboardist Benmont Tench, Tom Leadon and Mike Campbell on guitars and drummer Randall Marsh — headed to L.A. to find fame and fortune. They recorded a few tunes and soon disbanded. But since Petty was signed to the Shelter label, he kept Tench and Campbell added new members and the Heartbreakers was born.

In 2008, Petty unexpectedly revived the name, brought back Leadon and Marsh from obscurity and released what became Mudcrutch’s belated debut. That disc’s loose-limbed yet winning mix of covers and originals was a little looser and more rootsy than Petty’s typical fare and even though he was clearly the frontman, Tench and Leaden took a few lead vocals.

Eight years and two Heartbreakers albums later, Petty gives the venture another go-round, now booking a tour to support it. This one ups the energy a few notches, especially on the pounding garage pulsing “Hope” which, with its cheesy Farfisa organ sounds like a pretty good Standells B-side. Tench takes another vocal turn on the dryly humorous boogie-woogie “Welcome to Hell” and guitarist Campbell gets a rare chance to sing on his lone writing contribution, the chugging “Victim of Circumstance,” finding ground somewhere between Petty and Creedence Clearwater Revival. Even drummer Marsh takes a frontman status on his perfectly acceptable “Beautiful World,” proving himself both a respectable singer and capable of churning out at least one solid pop-rocker.

https://www.youtube.com/watch?v=BeYxmdR4h10

Not surprisingly Petty contributes the bulk of the material — this disc is all originals — with seven new tunes (out of 11), all of them up to the high standards he has set for himself throughout his stellar 40-and-counting year career. Even Tom Petty experts would have trouble telling the first three tracks aren’t new Tom Petty & the Heartbreakers tunes since they ride that well established sweet spot between chiming Byrds-influenced rocking and impossible to resist choruses. That’s particularly true of “Dreams of Flying,” a mid-tempo nugget every bit as good as his best work.

The closing six minute “Hungry No More” is this album’s epic answer to the debut’s sprawling 9 minute “Crystal River,” giving Campbell and Leadon room to weave their guitars around a strummy, emotionally laced Petty ballad that incorporates a bit of a psychedelic vibe, not something you’d likely hear in a set from his full time ensemble.

As usual, Petty makes it seem easy. And with help from his fellow Mudcrutchers, the unassumingly titled 2 is proof that even Tom Petty’s modest side projects are better and more compelling than many acts at their best.

Mudcrutch.

(Photo by Brantley Gutierrez)

After resurrecting his old band, Mudcrutch, a couple of years back, Tom Petty has set a course to make them a viable side act for his own work with the Heartbreakers.

Along with the recent release of their second album Mudcrutch 2, Petty has brought in actor/director Sean Penn along with Samuel Bayer to helm the video for the track I Forgive It All and, to add icing to the cake, award winning actor Anthony Hopkins to star in the piece.

The track appears on the band’s second album, Mudcrutch 2.

The band – who consist of Tom Petty, Mike Campbell, Benmont Tench, Tom Leadon and Randall Marsh – formed in Gainesville, Florida in 1970. They broke up in 1975. Petty reformed the band in 2007, and they finally released their self-titled debut the following year.

Official Music Video for “I Forgive It All” From Mudcrutch
Directed by Sean Penn & Samuel Bayer
Starring Anthony Hopkins

“I Forgive It All” – Written By Tom Petty

Tom Petty changed the lyrics to the Dylan classic “Knockin’ on Heaven’s Door” in the wake of the mass shooting in Orlando last weekend. You can see it at about the four-minute mark in the fan-filmed clip above.

Petty, performing with his revived pre-Heartbreakers band Mudcrutch, played a version of Dylan’s 1973 song midway through his set last night at the House of Blues in Boston. In the third verse, he notably altered Dylan’s original line of “Ma’, take my guns and put them in the ground.” In the new version, Petty replaced “guns” with “automatic weapons,” a clear reference to the tragic events that unfolded at a gay nightclub in Petty’s home state of Florida.

At least 49 people were killed in the killing rampage, with many others still clinging to life. The incident has sparked a wave of responses from musicians everywhere.

Tom Petty has often a place for the song “Knockin’ on Heaven’s Door” in his concert sets, including recent Mudcrutch stops at New York’s Webster Hall and Philadelphia’s Fillmore – though there have not been reports of any lyrical updates at those shows. Mudcrutch, whose members also include Heartbreakers Mike Campbell and Benmont Tench .

Petty and his Heartbreakers memorably toured with Bob Dylan in 1986 as Dylan backing band , just before they co-founded the Travelling Wilburys with George Harrison Jeff Lynne and Roy Orbison.

Mudcrutch“Knockin’ On Heaven’s Door” (Dylan Cover) Live in Boston 15th June 2016 With Orlando Shooting Lyrics, Tom Petty Changes The 3rd Verse In Tribute To The Victims Of The Orlando Nightclub Shooting. at the Boston House Of Blues.

 

tom petty

If you are a Tom Petty fan you will know that his 1994 album Wildflowers is among his greatest works. Spawning hits like “You Don’t Know How It Feels,” “You Wreck Me and “It’s Good To Be King” . Wildflowers began Tom Petty’s fruitful relationship with producer Rick Rubin, who would also go on to helm the Heartbreakers’ soundtrack to “She’s the One” and their underrated 1999 album Echo.

In exciting news for fans of that particular era, Petty is readying the release of Wildflowers – All The Rest, a new collection of songs written between 1992-94 but left off the original album. Tom Petty shared the first of those songs the gliding, gorgeous “Somewhere Under Heaven.”

The new song was co-written by Heartbreaker guitarist Mike Campbell and it certainly hearkens back to the golden era of Petty’s sound. It speaks to his genius that a song as amazing as “Somewhere Under Heaven” could be abandoned and completely forgotten, but apparently that’s exactly what happened. Speaking to Rolling Stone last year, Petty said “I did not remember writing it, recording it, anything,” adding that when the song was rediscovered, he found it to be “really good – uptempo but very unusual, in some strange time signature.”

While there’s still no release date for Wildflowers – All The Rest (which Rolling Stone says will include 10 unreleased songs), “Somewhere Under Heaven” will appear over the closing credits of the new “Entourage” movie opening today.

Tom Petty and his early, pre-Heartbreakers band Mudcrutch have a new album “Mudcrutch 2″ now available. The band — which features Petty on bass and is comprised of Heartbreakers Mike Campbell and Benmont Tench, along with rhythm guitarist Tom Leadon and drummer Randall Marsh — released their self-titled debut in 2008 nearly 40 years after originally forming in Gainesville, Florida.

https://www.youtube.com/watch?v=hqp6euOfd6E

b1f1d147467f0539852341a95df65902

Writing a great song is tricky enough, but writing a standout duet is an even more difficult bit of business than that. After all, you have to make room for two contrasting perspectives without pulling the song apart at the seams in the process. And, since the majority of duets are inter-gender, you have to be able to write believably for the opposite sex.

Most people would agree that Tom Petty pulled off one of the great duets in rock history when he penned “Stop Draggin’ My Heart Around” and joined Stevie Nicks on the justly celebrated recording. The only problem with that story is that the song wasn’t meant to be a duet at all.

As Petty recalled to author Paul Zollo in the book Conversations With Tom Petty, the Fleetwood Mac chanteuse was enamored with his music and wanted him to write a song for her. “Stevie came to me around ’78,” he said. “And she was this absolutely stoned-gone, huge fan. And it was her mission in life that I should write her a song. And we were a little wary of Stevie. We didn’t quite know whether to like Stevie or not, because we kind of saw this big corporate rock band, Fleetwood Mac, which was wrong, they were actually artistic people. But in those days, nobody trusted that sort of thing and we just kept thinking, ‘What does she want from us?’”

Nicks was persistent and Petty eventually attempted a song for Nicks to be included on her first solo album. He wrote a ballad called “Insider,” but when the two sang it together, Petty liked it so much he decided to keep it for himself. He included it on The Heartbreakers’ 1981 album Hard Promises, even using a line from the song to give the album its name.

https://www.youtube.com/watch?v=x3if3k6Eej0

At the time that this was occurring, Jimmy Iovine, who was Petty’s producer and also was lined up to produce Nicks’ album Bella Donna, asked Tom about another song from the Hard Promises sessions with lyrics by Petty and music by Heartbreaker guitarist Mike Campbell. The Heartbreakers (with Donald “Duck” Dunn filling in for the band’s usual bassist Ron Blair) had finished “Stop Draggin’ My Heart Around,” right down to Petty’s lead vocal, but Iovine persuaded him to give this track to Nicks after he had taken “Insider” back.

As a result, what you hear in the recording that became a #3 Billboard hit in 1981 is Nicks singing on top of the Heartbreakers recording. In the verses, Petty’s vocals, with the exception of a couple lines, were wiped away to make room for Nicks. To keep up the appearance of a duet, Nicks sang with Petty’s vocal in the refrain, actually taking the high harmony part since Petty already had the main vocal line covered.

The funny thing is that the song works better as a duet. It’s got a typically sturdy Heartbreakers foundation, featuring Campbell’s moaning guitar and Benmont Tench’s creeping keyboard. Nicks is right at home in this bluesy backdrop, imbuing Petty’s conversational lyrics with oodles of fiery attitude and a tinge of genuine hurt. “This doesn’t have to be the big get even,” she warns the guy who comes “knocking on my front door” with the “same old line.” “It doesn’t have to be anything at all.”

https://www.youtube.com/watch?v=6UD0c58nNCQ

Having Nicks take the lead puts an interesting spin on the cautionary lines from the final verses (“Make a meal of some bright-eyed kid/ You need someone looking after you.”) Normally this would be the thing that the older guy would say to the young girl, maybe even in condescending fashion. Since it’s the woman making that statement, it levels the playing field. The guy is reduced to telling her that he’s onto the fact that, though she might be protesting at the moment, she’s the one who’s making the decision to leave: “I know you really want to tell me goodbye/ I know you really want to be your own girl.”

Petty’s lyrics are stinging and evocative in the run up to the refrain: “Baby you could never look me in the eye/ Yeah you buckle with the weight of the words.” The play on the phrase “weight of the world” is telling, because that’s the kind of pressure this fading relationship seems to be exerting on the principals. It all leads up to the title’s desperate plea for mercy, Petty and Nicks both going to the top of their registers to highlight the urgency, “Stop draggin’ my/ Stop draggin’ my/ Stop draggin’ my heart around.”

There are so many tantalizing hypothetical scenarios here. Would Petty’s solo vocal take have become quite as big a hit? Would Nicks have taken the intensely personal “Insider” and made it universal as well? As always, fate has the final answer. And the answer is that, to reach its full potential, “Stop Draggin My Heart Around” simply needed two to tango.

There’s no shortage of Tom Petty books on the market, including Paul Zollo’s stellar Conversations With Tom Petty and the singer’s own authorized oral history Runnin’ Down a Dream. But it wasn’t until longtime friend (and Del Fuegos guitarist) Warren Zanes sat down with Tom Petty that he decided to tell the whole story, including the childhood abuse he suffered at the hands of his father and the late Nineties heroin addiction that nearly killed him. The resulting book is the definitive account of Tom Petty’s entire life and career. Zanes even convinced original Heartbreakers drummer Stan Lynch, who has remained almost completely silent since leaving the band in 1994, to open up about his tumultuous time in the group. The drummer holds back little, even lashing out at Petty for skipping the funeral of Heartbreakers bassist Howie Epstein, but he also expressed deep regret for his own failings as a bandmate. Who knows how Zanes managed to get these guys to reveal so much about painful chapters from their past, but let’s hope this his first of many rock biographies

Bob Dylan and Tom Petty… Live, together at the Entertainment Centre, Sydney, Australia in 1986. Bob Dylan and Tom Petty  formed one of the most legendary live pairings of the 1980s. On this superb set, broadcast on KSAN-FM, Petty’s band, the Heartbreakers, are polished to brilliance, while Dylans delivery is flawless on every song. Taking in a cross-section of classic material by both headliners, its presented here on CD for the first time. Available from Amazon

https://www.youtube.com/watch?v=ey9NVgNaqkU

Track Listings

  1. Positively Fourth Street
  2. All Along The Watchtower
  3. Masters Of War
  4. Ill Remember You
  5. I Forgot More Than Youll Ever Know
  6. Bye Bye Johnny
  7. Breakdown
  8. Just Like A Woman
  9. Blowin In The Wind
  10. That Lucky Old Sun
  11. So You Want To Be A Rock n Roll Star
  12. Spike
  13. Like A Rolling Stone
  14. Knockin On Heavens Door

THREE DISC BROADCAST COLLECTION DISC 1 – The Coliseum, Jacksonville, FL, 24th July 1987

DISC TWO Deans Dome, Chapel Hill, NC, 13th September 1989 DISC 3 – RARE TV BROADCASTS 1978 – 1994

This three disc set adds to Tom Petty’s body of work by making available in one collection these broadcast recordings from the live canon of one of Pop & Rock music’s most respected and successful performers

His first album hit the streets in 1976 and initially its arrival caused few heads to turn. Music fans were confused; were these a bunch of punks or 1960s revivalists with a liking for Gene Clark era Byrds? Fortunately, as is so often the case, the UK seemed to ‘get it’ pretty soon after the record s release there and it reached #24 on the British chart. News traveled West, and a full year after the home turf release Tom Petty and the Heartbreakers entered the Billboard chart. Shortly thereafter second album You’re Gonna Get It! was released, and became a hit right away. The rest, as they say, is history. But it s relatively recent history about which any number of books, films and of course superlative albums are readily available for students of this remarkable performer to delve into. What a fantastic release! Three CDs of Tom Petty & The Heartbreakers live and at their very best. Good sound quality and some of their best material

With their upcoming album, “Let’s Be Ready”, the Wooden Sky rocks their roots in a big way with steely riffs and rumbling rhythms underneath often anthemic melodies. That bigger and bolder sound has emerged from the vigorous touring schedule they’ve maintained over the past few years. Naturally, the band wanted to capture that same raw energy on their new record.

Tasked with writing tunes that fit, front man Gavin Gardiner mined life and love for topics. Songs in hand, the band went back out to road test them. Some made the cut, some didn’t when the Wooden Sky returned home ready to record. In the studio, they tracked as much of the set as they could with live takes. They took the same approach when it came to putting the songs on video, including this bonus cut — their rendition of Tom Petty’s “American Girl.”

‘We still believe in rock and roll — this song embodies a lot of that spirit,” Gardiner explains. “It’s an early Tom Petty classic and one we’ve been playing live off and on for a few years. We were in a little beach town filming our own songs at an old theatre when one of the camera men, who’d been with us since our early days, asked us if we would play ‘American Girl’ for him. It had been a long day of filming, but we fired up one take for old times’ sake. When we got the footage back, it was clear that we’d captured something and thought maybe it was time we put our take on it out there into the world.”

Let’s Be Ready LP drops June on 16th via Nevado Music.