Posts Tagged ‘Mitski’

Image result for images of vinyl records

 

Ourgirl

Our Girl – Stranger Today

Our Girl inhabit a space bigger than the first loves, sleepless nights and growing pains that define Stranger Today. Don’t miss this very special debut. For fans of The Big Moon, Lush and The Breeders

A4215691253 16

Oh Sees – Smote Reverser

Crack the coffers, Oh Sees have spawned another frothy album of head-destroying psych-epics to grok and rock out to. Notice the fresh dollop of organ and keyboard prowess courtesy of Memory Of A Cut Off Headalum and noted key-stabber Tom Dolas, while the Paul Quattrone / Dan Rincon drum-corps polyrhythmic pulse continues to astound and pound in equal measure, buttressed by the nimble fingered bottom end of Sir Tim Hellman the Brave and the shred-heaven fret frying of John Dwyer, whilst Lady Brigid Dawson again graces the wax with her harmonic gifts. Aside from the familiar psych-scorch familiar to soggy pit denizens the world over, there’s a fresh heavy-prog vibe that fits like a worn-in jean jacket comfortably among hairpin metal turns and the familiar but no less horns-worthy guitar fireworks Dwyer’s made his calling card. Perhaps the most notable thing about Smote Destroyer is the artistic restlessness underpinning its flights of fancy. Dwyer refuses to repeat himself and for someone with such a hectic release schedule, that stretching of aesthetic borders and omnivorous appetite seems all the more superhuman!

Mitski

Mitski – Be The Cowboy

Hailed as the new vanguard of indie rock following the breakout success of 2016’s Puberty 2, Mitski returns with Be The Cowboy via Dead Oceans Records.

Mitski’s carefully crafted songs have often been portrayed as emotionally raw, overflowing confessionals from a fevered chosen girl, but in her fifth album, Mitski introduces a persona who has been teased before but never so fully present until now—a woman in control. “For this new record, I experimented in narrative and fiction,” comments Mitski. Though she hesitates to go so far as to say she created full-on characters, she reveals she had in mind “a very controlled icy repressed woman who is starting to unravel. Because women have so little power and showing emotion is seen as weakness, this ‘character’ clings to any amount of control she can get. Still, there is something very primordial in her that is trying to find a way to get out.”

Throughout the 14 songs, the music swerves from the cheerful to the plaintive. Mournful piano ballads lead into deceptively uptempo songs. “I had been on the road for a long time, which is so isolating, and had to run my own business at the same time. A lot of this record was me not having any feelings, being completely spent but then trying to rally myself and wake up and get back to Mitski.”

Mikey collins hoick

Mikey Collins – Hoick

Hoick is the solo album from Allo Darlin’drummer Mikey Collins, who combines his love of solid grooves and joyous harmonies to create a fun and sonically varied record. Mikey played most of the instruments and mixed the record himself, with some assistance from Laura Kovic (Tigercats) on vocals and fellow Allo Darlin’ member Paul Rains on lead guitar. The flicker of his previous band provided the building blocks of an upbeat, positive record, but Mikey wanted to add his own quirky, disco spin and sonic expansiveness. The aim to make a record that people stood a chance of being able to dance to. Mikey draws on influences as far flung as Dexy’s, Bruce Springsteen, Night Works, Matthew E White and Father John Misty. Mikey began working on the album while he was in Allo Darlin’. The last few years were a conveyor belt of change as he; got married, had a child, bought a house, moved from London to be by the Kent coast and opened a residential studio Big Jelly Studios (Girl Ray, Metronomy, Pete Doherty, Mt Wolf, Seamus Fogarty and Elva). In short, he grew up. The record journeys through these changes but has its roots firmly grounded in his new seaside habitat.

Slaves actsoffear love ps

Slaves – Acts Of Fear And Love

Slaves release their third album Acts of Fear and Love via Virgin EMI/AMF Records. The band’s third album reflects that fear and love may actually be the biggest motivators in the world at the moment. Working with previous collaborator, producer Jolyon Thomas (Royal Blood, U2) in Brussels, the band opened themselves up to a new sonic territory. Not concerning themselves with other people’s expectations of what a Slaves album should sound like the band have experimented with their style, without any boundaries; embracing pop song writing and tender moments alongside the more traditional hardcore riffs and scream-along choruses. Standouts include the joyous thrash of Bugs, the sprawling and tense title track and the Blur mixed with Weezer esque banger Chokehold.

Anno lp sleeve

Anna Meredith – Anno

Anna Meredith releases Anno, a boundary-pushing collaboration with the Scottish Ensemble, in which original pieces of work by the classical-electronic composer are intertwined with Vivaldi’s Four Seasons. Released via Moshi Moshi, the project began as an immersive 360 degree live experience but is now available on double vinyl and CD. After a recording process using the unusual ‘binaural recording head’ the project will also be available in an exclusive binaural recording – allowing the listener to experience the unique spatial aspects of the piece through headphones.

A0822150048 10

Follakzoid  – London Sessions with J Spaceman

It should come as no surprise to fans of the Chilean trio Follakzoid that upon meeting the legendary Jason Pierce AKA J. Spaceman (Spacemen 3, Spiritualized), they discovered they were kindred spirits. Follakzoid and Spaceman’s projects share a restless drive to explore the outer limits of music, as well as an uncanny ability to lock into a groove until it infiltrates the deepest recesses of the listener’s psyche. When Follakzoid met Spaceman backstage at a Wooden Shjips gig at London’s Electric Ballroom several years ago, they instantly became friends. For London Sessions, the Chileans and Spaceman joined forces for new, live-to-tape renditions of Electricand Earth, two highlights from Föllakzoid’s III. The recordings were made in a private studio in London while Follakzoid was on tour in Europe in June 2016, and Spaceman’s contributions breathe new life into the songs. “Jason added a very different harmonic atmosphere to the songs,” guitarist Domingo Garcia-Huidobro explained. “It somehow rearticulated the space and metric that already existed in a way the band never could. These new versions have a different edge.”

100000x100000 999

The Myrrors – Borderlands

If you see The Myrrors as the dust-caked disciples of a specific strain of desert-drone mysticism, theres little on Borderlands, their fourth full-length Myrrors album released in as many years, to dissuade you from that vision. Theres only confirmation an intoxicating combination of outlook and output that clarifies and crystallizes the bands many sonic strengths throughout the albums fantastically unfolding forty-plus minutes. From the beginning, with an appropriately Albert Ayler-ish blast of Awakening, to the epic 20-minute B-sidelong excursion, Note From the Underground, the beating heart of The Myrrors current statement. Borderlands will be extremely satisfying to otherworldly music seekers who find aural transcendence through the works of artists such as International Harvester, Taj Mahal Travellers, Trad Gras och Stenar, Kikagaku Moyo, Amon Duul, and Agitation Free, to name a few.

Advertisements

MitskiMitskiMitski

Hailed as the new vanguard of indie rock following the breakout success of 2016’s Puberty 2, Mitski returns with her new album Be The Cowboy, via Dead Oceans Records.

Mitski’s carefully crafted songs have often been portrayed as emotionally raw, overflowing confessionals from a fevered chosen girl, but in her fifth album, Mitski introduces a persona who has been teased before but never so fully present until now a woman in control.

“For this new record, I experimented in narrative and fiction,” comments Mitski. Though she hesitates to go so far as to say she created full-on characters, she reveals she had in mind “a very controlled icy repressed woman who is starting to unravel. Because women have so little power and showing emotion is seen as weakness, this ‘character’ clings to any amount of control she can get. Still, there is something very primordial in her that is trying to find a way to get out.”

In Be The Cowboy, Mitski delves into the loneliness of being a symbol and the loneliness of being someone, how it can feel so much like being no one. Lead single “Geyser” introduces us to a woman who can’t hold it all in any more. She’s about to burst and unleash a torrent of desire and passion that has been building up inside. While recording the album with her long-time producer Patrick Hyland, the pair kept returning to “the image of someone alone on a stage, singing solo with a single spotlight trained on them in an otherwise dark room. For most of the tracks, we didn’t layer the vocals with doubles or harmonies, to achieve that campy ‘person singing alone on stage’ atmosphere.”

There is plenty of buoyant swagger on Be The Cowboy, but just as much interrogation into self-mythology. Throughout these 14 songs, the music swerves from the cheerful to the plaintive. Mournful piano ballads lead into deceptively uptempo songs. “I had been on the road for a long time, which is so isolating, and had to run my own business at the same time. A lot of this record was me not having any feelings, being completely spent but then trying to rally myself and wake up and get back to Mitski.

Mitski’s discography is a series of scrambled sonic cinematic reels spliced together by one of the most talented lyricists of our generation. Her fifth album, Be The Cowboy, is a new era for Mitski, carrying with it the same impossibly ripped-open emotional nudity that Mitski’s built her legacy upon over the past six years.

AEA-N22-Mitski.jpg

Mitski is a singer-songwriter fresh off the release of her album, Puberty 2. The follow-up to 2014’s ‘Bury Me At Makeout Creek’, named after a Simpsons quote and hailed Best New Music by Pitchfork as “a complex 10-song story [containing] some of the most nuanced, complex and articulate music that’s come from the indiesphere in a while,” Puberty 2 picks up where its predecessor left off. “It’s kind of a two parter,” explains Mitski. “It’s similar in sound, but a direct growth [from] that record.” Musically, there are subtle evolutions: electronic drum machines pulse throughout beneath Pixies-ish guitars, while saxophone lights up its opening track. “I had a certain confidence this time. I knew what I wanted, knew what I was doing and wasn’t afraid to do things that some people may not like.”

This installment of the AEA Sessions video series features New York-based singer-songwriter, Mitski, as she performs three songs from her 2016 album, ‘Puberty 2’.

Alone with her guitar and washed in a warm, orange glow, Mitski delivers dynamic performances that explore a range of texture and tone. In ‘My Body Is Made Of Crushed Little Stars’, she sings of youthful restlessness while her guitar roars with energy and ferocity. In contrast, her words of somber sympathy in ‘I Bet On Losing Dogs’ ring most true atop her delicate finger-picked guitar playing.

“…so the lyrics and the vocal melody are king in my songs. they always come first.” Mitski’s approach to songwriting begins from the ground up, with a deliberate vocal melody that manifests the vivid imagery of her words. “The way I learned to write was just writing things down on paper and hearing it in my head and kind of hoping for the best.”

In these sessions, Mitski’s voice and guitar come together to create singular, evocative moments that linger in the mind.

To best capture these moments, we rely on the simple, but effective combination of the near-field N22 and far-field, stereo R88. Both Mitski’s vocal and guitar cab are recorded by the near-field NUVO N22, while the stereo R88 records the room. All tracks are without equalization or compression and the reverb is provided by a plate reverb unit.

In terms of message though, Mitski cuts the same defiant, feminist figure on Puberty 2 that won her acclaim last time around (her hero is MIA, for her politics as much as her music). Born in Japan, Mitski grew up surrounded by her father’s Smithsonian folk recordings and mother’s 1970s Japanese pop CDs in a family that moved frequently: she spent stints in the Democratic Republic of Congo, Malaysia, China and Turkey among other countries before coming to New York to study composition at SUNY Purchase.

AEA-N22-Mitski-6.jpg

“Nobody” is the second track from Mitski’s upcoming album Be the Cowboy, due out August 17th on Dead Oceans. Following the earlier “Geyser” which plays into her deep and breathy sound from Bury Me at Makeout Creek, “Nobody” shifts to a  funkier groove unlike her previous songs. Working with longtime producer Patrick Hyland, the track is a roller coaster of key changes that only Mitski could streamline into a dance-ready ode to loneliness.

Cymbals ready the song pushing along her signature soft and sigh prone voice. “Venus planet of love was destroyed by global warming/did its people want too much too?” she sings, the dark lyrics contrasting against the song’s deceivingly hopeful beat to emphasize humanity’s never ending capitalistic void. The song continues to swell until the chorus hits leveling out the tempo. “For most of the tracks, we didn’t layer the vocals with doubles or harmonies, to achieve that campy ‘person singing alone on stage’ atmosphere,” she has said.

The stripped down approach is magnificent, the song’s humility only making it grander. The second half of the song really exercising key changes but it never feels like its bragging. The band leaves for the second chorus then returns, slows down then picks up again, then it all trickles off into a fuzz-fueled recording of the hook. You would think a song made up of someone looping the word “nobody” over and over is doomed to fail but Mitski manages to turn kitschy into catchy without being overwrought. “I’ve been big and small and still nobody wants me,” she groans. Nobody is immune from loneliness—a candid realization we can all take comfort in.

Mitski’s “Nobody” from ‘Be The Cowboy’. Out August 17th on Dead Oceans.

Image may contain: one or more people, people on stage and people playing musical instruments

Be The Cowboy, is the much anticipated follow-up to Puberty 2, won’t be out until August 17th. But the first single “Geyser” has the sweep of an album, building from a quiet murmur to an arena-rock roar in just about two-and-a-half thrilling minutes. Mitski has hinted in interviews that Cowboy might be a departure, but “Geyser” is just as rousing as her signature song, “Your Best American Girl.”

I think this is one of my vaguest songs,” Mitski says in this conversation about her new song, “Geyser.” “Usually my songs have a narrative of some sort. But this song is all feeling.

“Geyser” is the leadoff song on her new album Be the Cowboy. And there’s nothing vague about the music — it builds with a powerful precision. Mitski has an intense desire to write songs. “I will be whatever it needs me to be. I will do whatever it needs me to do in order for me to continue to be able to make music.”

Mitski’s “Geyser” from Be The Cowboy. Out Aug 17th on Dead Oceans Records.

Image may contain: 1 person

Among the best albums of 2016 was singer songwriter Mitski, She has now announced her fifth studio LP, “Be The Cowboy”, out on August. 17th via Dead Oceans Records. The acclaimed indie rock singer-songwriter has also shared a video for lead single “Geyser,” directed by Zia Anger.

Whereas Mitski’s previous work has been characterized as emotionally raw and confessional, Be The Cowboy,  recorded with her long-time producer Patrick Hyland, “introduces a persona who has been teased before but never so fully present until now a woman in control,” per a press release.

Mitski herself explains, “For this new record, I experimented in narrative and fiction,” creating characters including “a very controlled icy repressed woman who is starting to unravel. Because women have so little power and showing emotion is seen as weakness, this ‘character’ clings to any amount of control she can get. Still, there is something very primordial in her that is trying to find a way to get out.”

As for how “Geyser” fits into that narrative, the album opener “introduces us to a woman who can’t hold it all in any more. She’s about to burst and unleash a torrent of desire and passion that has been building up inside.” Anger’s cathartic visual accompaniment finds Mitski alone on a secluded beach under gray skies, beginning with thrumming synths and exploding in sound at its halfway point, as the singer takes off running down the shore.

“I had been on the road for a long time, which is so isolating, and had to run my own
business at the same time,” says Mitski. “A lot of this record was me not having any feelings, being completely spent but then trying to rally myself and wake up and get back to Mitski.”

Mitski’s “Geyser” from Be The Cowboy. Out Aug 17th on Dead Oceans Records.

Image result for mitski

The music journalism community is currently still in the midst of tallying all of the reviews, opinions and song counts that occupied 2016,  We would bet our vinyl crates that Mitski’s ornate eye-opener “Puberty 2” will take a huge amount of that pop culture real estate at the end of the year listings. The soulful singer/songwriter’s fourth LP swings between comical, sincere and devastating at a song’s notice (or sometimes within the same track, as in album opener “Happy”). Mitski has remained largely private throughout her ascent, so her live shows are a fleeting window into the singer’s world.

In this web exclusive, Mitski absolutely crushes “Your Best American Girl,” off her album “Puberty 2,” with help from Jon Batiste and Stay Human.  Mitski’s album came along the grippingly confessional Puberty 2, where Mitski Miyawaki’s distortion-glazed alt-pop songs kiss you softly on the forehead one minute and floor you the next.

Mitski, Your Best American Girl from the forthcoming record, ‘Puberty 2’ out June 17 on Dead Oceans Records.

MITSKI – ” Live On KEXP “

Posted: January 10, 2017 in MUSIC
Tags: , ,

Image result for mitski

There’s a moment on Mitski’s fourth LP that stands out as her most piercing yet. “You’re all I ever wanted/I think I’ll regret this” she croons on “Your Best American Girl” before a myriad of swirling, distorted guitars are hurled forwards, in equal parts deafening and life-affirming. As is often the case with Puberty 2, it’s utterly elevating. Quite simply, 2016 needed Mitski

Mitski performing live in the KEXP studio. Recorded July 14th, 2016.
I really love this more stripped down, minimalist performance.
Carries some of the really heartfelt lyrics better.

Songs:
Once More To See You
Your Best American Girl
My Body’s Made of Crushed Little Stars
A Burning Hill

Image result

A traditional housewife being cheated on by an insipid mansplainer – but wait. There’s a huge plot twist. At the end, when the housewife wanders around the house in the middle of the night, we find that the horrible man is actually slaughtering all of these women in their very own basement. Mitski brings all of the blood and gore into a somewhat sweet-sounding song, and adds even more detail to an already vivid story.

mitski puberty new album Top 50 Albums of 2016

Mistki has shared the music video for the final track from her 2016 album,Puberty 2, following the releases of videos for “Happy” and “Your Best American Girl.” “A Burning Hill” is a resolvedly drowsy track that begins by quickly declaring “I’m tired of wanting more/I think I’m finally worn” but then closes the album out on the small resolution of “And I’ll love the littler things/I’ll love some littler things”; it’s an ending that’s not happy, per se, but that finds a melancholy peace in the decision to continue to, as one gets older, accept joys that are smaller and smaller.

The song itself is not much longer than 2 minutes, and the video that’s just been released follows suit in being wholly unadorned — focusing most of its brief time on close ups of Mitski’s face or her hand, as it floats through the water or past a landscape in a car, basking in a seeming “love of [those] littler things.”

Mitski said of the filming of the video (which is directed by Bradley Gray):

The director and I spent a weekend just driving around New York and Pennsylvania while the camera kept running, and most of the time I’d forget I was being filmed. It felt like a vacation, but it was also quite emotional, as I was thinking about the song and what it means to me now while jumping in rivers and driving down dirt lanes.

Mitski, A Burning Hill from the record, ‘Puberty 2’ released  June 17th on Dead Oceans.