Posts Tagged ‘Paris’

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A Beautiful Thing: IDLES Live at Le Bataclan is the brand new live album from IDLES, recorded at the famous venue Le Bataclan in Paris on 3rd December 2018, at the close of a 90 date world tour. The album celebrates the band’s success over the last two years, featuring songs from Brutalism and Joy as an Act of Resistance, and highlights their overall message of unity, and of healing through community.

“Our show at Bataclan was the end of a very long journey for us. On that tour we learnt so much about ourselves, each other and the audiences we have grown with over the past 10 years. That show was nothing short of catharsis and nothing more than love. We love what we do and the people who have carried us here, there was no hiding that at Bataclan and we are so very grateful that the moment was captured in all its glory, love and fatigue. Long live the open minded and long live the moment.”

out this Friday. IDLES ‘A Beautiful Thing: Live At Le Bataclan’. Available with 3 different sleeves and coloured vinyl combinations.

Television (Live at Le Bataclan) from the album ‘A Beautiful Thing: IDLES Live at Le Bataclan’ released on Partisan Records on 6th December 2019.

At the end of last year, Idles the band completed a 90 date tour around the US, UK and Europe, with a spectacular show at Le Bataclan in Paris on December 3rd, 2018. The entire gig was filmed and recorded, and is now available to pre-order on CD, digital, and three different colored versions of the album, each with different artwork! The vinyl features a double LP, gatefold packaging, and contains a beautiful booklet designed by lead singer Joe Talbot, with photographs from the show and poems.

From Joe: “That show was nothing short of catharsis and nothing more than love. We love what we do and the people who have carried us here, “Our show at Bataclan was the end of a very long journey for us. On that tour we learnt so much about ourselves, each other and the audiences we have grown with over the past 10 years. That show was nothing short of catharsis and nothing more than love. We love what we do and the people who have carried us here, there was no hiding that at Bataclan and we are so very grateful that the moment was captured in all its glory, love and fatigue. Long live the open minded and long live the moment.” – Joe Talbot

The track “Mother” (Live at Le Bataclan) from the new album ‘A Beautiful Thing: IDLES Live at Le Bataclan‘ released on Partisan Records on 6th December 2019.

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From a commune in southeastern France, something weird, innovative, and probably somewhat illicit is going on. The region is ground zero for Dead Horse One, a band that formed in 2011 playing music that blended overdriven guitars with psychedelic overtones, quickly attracting the attention of some major players. Creation Records pioneer Joe Foster sang Dead Horse One’s praises after they released the first of three 2012 EPs. A couple of years later, Ride frontman Mark Gardener produced their wistful, imagistic debut full-length Without Love We Perish. The band’s followup, this year’s Season of Mist was produced by Fleeting Joys’ John Loring, and ups the ante with louder compositions, more radical sound excursions, and better vocal harmonies. Clearly influenced by My Bloody Valentine, Dead Horse One also inject elements of Swervedriver, and, of course, Ride into their swirly concoctions.

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Releases November 22, 2019

Ludovic Naud – Bass, Vocals
Olivier Debard – Guitar, Vocals
Antoine Pinet – Drums, Guitar
Ivan Tziboulsky – Guitar, Keyboards

John Loring – Additional Guitar
Rorika Loring – Vocals on Saudade

All songs written by Dead Horse One

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Anyone who is a fan of the Uncle Meat period of Frank Zappa and The Mothers Of Invention will get a kick out of this one. It explains, in a little over 50 minutes why Zappa was so influential among the fledgling Progressive Rock community. Frank really never made music to dance to, even though some could argue that parts of Freak Out and Cruisin’ With Ruben And The Jets were finger-poppers, and the first number on this tape is a jumping improv, he mostly appealed directly to an audience who liked their music brainy and challenging. He was responsible for freeing up much of Rock’s inherent restrictions, and in doing so forged a new direction during a period of time where musicians and listeners were looking for a bit more substance and meaning.

And even though it became a very public joke that none of Frank’s music would ever make it on Top-40 radio, he achieved worldwide recognition without it. Popular Music was exploding in directions that hadn’t happened before the 1960s. By 1968 the revolution was in full bloom.

And when you consider this concert from Paris, five months after the great French Strike of May and the monumental changes that occurred during that time, it’s only fitting and natural that Frank Zappa and The Mothers Of Invention play to a sold out and enthusiastic audience at the Olympia.

Fortunately, this concert sounds great and completely belies its age (almost 50 years ago . . .seriously?). Further evidence that history doesn’t need to sound dim and distant in order to be profound. Unfortunately, it’s just the first half of the concert.

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The Mothers Of Invention: 
Frank Zappa—guitar and vocals
Don Preston—keyboards
Ian Underwood—keyboards and woodwinds
Bunk Gardner—woodwinds
Motorhead—baritone sax
Roy Estrada—bass and vocals
Jimmy Carl Black—drums and vocals
Art Tripp—drums and percussion

Recorded 26th October 1968, Olympia, Paris, France

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Paris based singer-songwriter & multi-instrumentalist. High & hazy pop, reverb-drenched vocals, undulating guitars, weightless melodies, obsession with time.

Maud says of her EP:

“It is all about the beginning and the end: Baptism being the second birth (START), Du Pouvoir dealing with self-confidence and how to find your place in the world (CONSTRUCTION), and À La Fin (literally “At The END”), about what we keep and lose after love has gone. Dans La Nuit is actually the very first song I wrote in French, and has all been written during the night, and dans la nuit, we float, we escape until the next day is coming. The fact that I finally refused to choose between French and English ended up making sense when I signed to Heavenly Recordings, a double sign from heaven!”. 

This month Halo Maud will headline The Waiting Room, London & she is supporting Baxter Dury on his UK & French tour date She is also playing the matinee show for our Heavenly weekend in Hebden Bridge on Saturday 24th February.

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Yumi Zouma’s music – budget-plush, instantly poignant – sounds placeless. It could have come from anywhere, and yet it was made everywhere – or at least in countries as far-flung as France (Charlie Ryder), America (Josh Burgess) and New Zealand (Kim Pflaum), where the three members live. It’s a very modern way of operating, via Dropbox. They used to live together in a house in Christchurch, until it was destroyed in the city’s 2011 earthquake. They used that terrible event as the impetus to scatter, but their connection lingers in the songs they file-share into existence. It’s dreampop, only this time there is a good reason for them to be making hazy, drowsy music – it was often assembled in half-waking states after the demos arrived across conflicting time zones.

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You would never know that Ryder and Burgess (who works in NYC for Captured Tracks, specifically on the label’s Flying Nun catalogue) used to be in NZ disco-punks Bang! Bang! Eche! They’re all about softness, hardly sharing rock’s essential mistrust of the mellifluous, flaunting Pflaum’s cut(i)e vocals, which rarely reach beyond a whisper. If you measure a band’s worth, their ability to convey authentic emotion, by volume and technique, be warned that Pflaum is more Sarah Cracknell than Sarah Vaughan. Her voice works perfectly as part of Yumi Zouma’s music.

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