Posts Tagged ‘Vogon Records’

Anyone who is a fan of the Uncle Meat period of Frank Zappa and The Mothers Of Invention will get a kick out of this one. It explains, in a little over 50 minutes why Zappa was so influential among the fledgling Progressive Rock community. Frank really never made music to dance to, even though some could argue that parts of Freak Out and Cruisin’ With Ruben And The Jets were finger-poppers, and the first number on this tape is a jumping improv, he mostly appealed directly to an audience who liked their music brainy and challenging. He was responsible for freeing up much of Rock’s inherent restrictions, and in doing so forged a new direction during a period of time where musicians and listeners were looking for a bit more substance and meaning.

And even though it became a very public joke that none of Frank’s music would ever make it on Top-40 radio, he achieved worldwide recognition without it. Popular Music was exploding in directions that hadn’t happened before the 1960s. By 1968 the revolution was in full bloom.

And when you consider this concert from Paris, five months after the great French Strike of May and the monumental changes that occurred during that time, it’s only fitting and natural that Frank Zappa and The Mothers Of Invention play to a sold out and enthusiastic audience at the Olympia.

Fortunately, this concert sounds great and completely belies its age (almost 50 years ago . . .seriously?). Further evidence that history doesn’t need to sound dim and distant in order to be profound. Unfortunately, it’s just the first half of the concert.

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The Mothers Of Invention: 
Frank Zappa—guitar and vocals
Don Preston—keyboards
Ian Underwood—keyboards and woodwinds
Bunk Gardner—woodwinds
Motorhead—baritone sax
Roy Estrada—bass and vocals
Jimmy Carl Black—drums and vocals
Art Tripp—drums and percussion

Recorded 26th October 1968, Olympia, Paris, France

Image result for images of cream the band

Cream ‘Nineteen Sixty-Seven’ features a fantastic live recording made for Swedish radio in March 1967 and previously un-released BBC radio sessions. It provides a unique picture of Cream in-concert and live in the studio in the period leading up to their classic 1967 album Disraeli Gears.

TRACK LISTING:

01: N.S.U. / 02: Stepping Out / 03: Traintime / 04: Toad / 05: I’m So Glad / 06: Sleepy Time Time (“Saturday Club”, Recorded 8 November 1966 – Broadcasted 11 November 1966) / 07: I’m So Glad (“Saturday Club”, Recorded 8 November 1966 – Broadcasted 11 November 1966) / 08: Traintime (“Saturday Club”, Recorded 10 January 1967 – Broadcasted 14 January 1967) 09: Toad (“Saturday Club”, Recorded 10 January 1967 – Broadcasted 14 January 1967) / 10: Tales of Brave Ulysses (“Joe Loss Show”, 14 July 1967) / 11: Take it Back (“Joe Loss Show”, 14 July 1967)

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Image of Rocklipe 'Live at the Palladium' red vinyl LP.

Coming late April/early May on our Vogon imprint, this concert captures Rockpile at the height of their powers. Includes live versions of ‘Girls Talk’, ‘Cruel To Be Kind’ and Rockpile’s version of ‘Jailhouse Rock’.

Rockpile were a British rock and roll group of the late 1970s and early 1980s, noted for their strong pub rock, rockabilly and power pop influences, and as a foundational influence on new wave. The band consisted of Dave Edmunds (vocals, guitar), Nick Lowe (vocals, bass guitar), Billy Bremner (vocals, guitar) and Terry Williams (drums). Rockpile recorded four studio albums, though only one (Seconds of Pleasure) was released under the Rockpile group banner. Two other albums (Tracks on Wax 4 and Repeat When Necessary) were released as the Dave Edmunds solo albums, and one more (Labour of Lust) was released as a Nick Lowe solo album.

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Tracklist:

Side 1. Down, Down, Down / So It Goes / I Knew The Bride / Switchboard Susan / Crawlin’ From The Wreckage / Trouble Boys

Side 2. Girls Talk / Crackin’ Up / Born Fighter / Let It Rock / Cruel To Be Kind / I Hear You Knocking / Jailhouse Rock