Posts Tagged ‘New York’

It’s not entirely accurate to say that EZTV met while trying out for J. Spaceman’s US touring line-up of Spiritualized, but it’s not far from the truth. Songwriter and audio engineer Ezra Tenenbaum had been casually working on solo home recordings on his Tascam 8-Track and, in a desire to round out the songs, he enlisted bassist Shane O’Connell and drummer Michael Stasiak (formerly of Widowspeak).  The shining “High Flying Faith”— the first song written for the album. Inspired by the lyrics of “Broken Heart” by Skip Spence, it’s a 12-string-propelled nugget that best shows how EZTV operate: toeing the line between past and present, with a keen ear for left-of-the-dial experimentation that never lets the songs hew too far into pastiche and genre nostalgia. Many of the band’s foundational inspirations — the Feelies’ upstart jangle, the upside-down pop architecture of Arthur Russell’s power pop band The Necessaries, Shoes’ aching harmonies — are back in play on High in Place, their sophomore album, though new instruments and feels abound throughout. Produced and engineered by the band themselves, a baby grand piano rings and 12-string acoustic guitars shimmer throughout the album, recalling the clear-eyed production techniques of Jeff Lynne.

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Experiencing the music of Sons Of An Illustrious Father is like being invited into a trusted triangle of creativity, emotion, spiritual, personal and interpersonal growth. songwriters/singers/instrumentalists merge selflessly into one artistic continuum. In February, the New York-based trio releases its most boldly vulnerable and artistically distinct body of work yet; its third album, Revol (Big Picnic Records).

The band consist of Ezra Miller, vocals, drums, percussion, and keyboards.” Josh Aubin, vocals, bass, keyboards, and percussion adds: “These songs are rooted in an honest emotional space. They’re about the relationships we have outside and inside the band.” Lilah Larson, vocals, guitars, drums, percussion, and bass, chimes in: “We can bring songs to each other and never have to explain the context. We’ve been together so long that a lot is unspoken it’s a sibling, lover, family thing—it’s the most serious and longest relationship I’ve been in.”

When pressed, the three playfully refer to its music as “future folk” or “heavy meadow.” The trio’s free spirited creativity has garnered comparisons to such diverse artists as The Band, Tom Waits, and Nirvana. Sons take a collaborative approach to songwriting, signing separate songs, and creating three-part harmonies.

The title of the band’s latest album, Revol,“The title refers to a number of words, one being ‘revolt,’ and it speaks to the album’s concepts of love, global struggle, and interpersonal revolt against binary oppression,” Lilah explains.

 

Revol was recorded in Montreal at Hotel2Tango (Godspeed You! Black Emperor, Arcade Fire, Wolf Parade) by Howard Bilerman who also mixed the album.

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The All-About is a synth-based power-pop project maintained by Zac Coe in and around Central New York, musically devoted to exploring the enduring connection that exists between pop music and catharsis. Described by producer Oliver Ignatius as “one of the most lovely dissections of the blisses and anguishes of a failed love affair to come out in years,” the 2nd LP, Winterpop, is a “pop-soul-synth-punk opus,” and it’s available for free right now at: http://theallabout.bandcamp.com.

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music and lyrics by Zac Coe

Zac Coe – vocals, drums
Gabby Ambrosio – vocals
JR Atkins – guitars
Jules Belmont – pedal steel
Devin Calderin – piano, organ, keyboards
Oliver Ignatius – bass, vocals
Tom Shad – mandolin

 

 

Claire Cronin Athens, GA

Came Down a Storm is an album that creates a world. Through Claire Cronin’s deep, intimate voice come songs of wreckage and redemption. A published poet and English Ph.D. student as well as a musician, Cronin uses images and symbols to craft songs that reach beyond the personal.

Death comes in unexpected ways, and for some it does not come at all when it could. While very much an album about death, ‘Came Down A Storm’ is, thanks mainly to Cronin’s deeply affecting voice, a defiant celebration of life. A collaboration between Cronin and Deerhoof guitarist John Dieterich, it is a collection of dark folkish songs whose simplicity recalls a harsher, yet less complicated time. Dieterich’s atmospheric, turbulent guitar and sampled sounds is matched by Cronin’s poetic tales of ghostly misadventure and redemption, shared with us by crackling twilight campfire, with a voice that was intended for such a purpose. What is remarkable here is that Cronin somehow connects us to something beyond the music itself, to a rhythm that beats in the background our whole lives, but one which we only really hear in the stillness of our most authentic moments, in grief or humility. Like the handed down music of the first pioneers or settlers in a strange new land, the songs are implicitly traditional but describe an altogether different, alien world. Magical and terrifying listen.

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Jeff Rosenstock. In 2007 started a free/donation-based digital label called Quote Unquote Records. I also used to be in the band Bomb the Music Industry! and then that band stopped.

A punk-rock lifer who looks like an IT guy gone to seed, Jeff Rosenstock channeled everyman angst in an age of political apocalypse better than just about anyone this year on Worry, a 17-song epic in which getting right with yourself is the first step toward changing the world.

Even when Rosenstock is preoccupied with the inside-baseball worries of a touring musician like in the industry-skewering “Festival Song”  he takes a refreshing stand against the greed, self-interest, and overall awfulness of modern American life. Musically, Rosenstock practices the ecumenical sermon he preaches, leavening his relentless basement-punk pummeling with Beatlesque power-pop and slinky ska grooves. Yes, this is a record so open-hearted that even ska is welcome, so check your prejudices at the door.

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Rosenstock is a lot more than that as he explores the insecurities, anxieties, and general mind fuckery of life. At times he’s celebratory, sometimes defiant, and sometimes reflective. Always enigmatic. Always brilliant.

Lazyeyes is a three-piece garage / shoegaze / dreampop band from Brooklyn, NY that was formed in the summer of 2012. The band self-released their sophomore EP, New Year on January 6th, 2015, which was quickly picked up and reissued by Burger Records .
The band released a self-titled EP in January 2013 and was immediately heralded by The Deli Magazine as “Best Psych / Shoegaze band in New York”. After a sold-out record release show at legendary Williamsburg venue Glasslands, the Lazyeyes EP garnered widespread acclaim from underground music bloggers. Best New Bands described the band’s single “Wait” as “an excellent example of the group’s ability to erupt at an expansive, pyrotechnic level all the while sharply delivering pop-laden hooks.”

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In case you missed it, 2670 Records (in Japan) released an album titled ‘Daydream’ consisting of songs from our self titled EP and ‘New Year’, as well as a few bonus tracks!

Lazyeyes perform on Audiotree Live, March 24th, 2016.

Purchase the session! We split profits 50/50 with the band:

DM Stith

The return of the dirty kid unclassifiable, unrecognized genius between Pop and foutraque with his second solo album, Pigeonheart we present DM Stith.

For that matter, he likes to confuse the issue in the wake of the album that was a little pointed,  under the name of The Revival Hour with John Mark Lapham of The Earlies . Once again, this is a beautiful object that allows this gifted musician to truly make a name in which he seems to delight.
DM Stith with Pigeonheart , this young man does not find better than to start this album with a title and choppy named Human Torch . a  melody in Stith is made to be broken, broken, corrupt. Take the track Sawtooth any electronic voltage in which the New Yorker plays like a brat.

What we accept from DM Stith is certainly the vocal abilities of the man that suggest an angel fallen to Earth. We also better understand the interest that can carry him the author of Illinoise . Amylette could come straight out of The Age Of ADZ when Rooster trigger the enthusiasm of fans of Grizzly Bear or Animal Collective .

To be clear, this is not Pop disc  or is it not a pop record. It is also no experimental music. Actually, we do not know what it is.  DM Stith  album Pigeonheart on Rough Trade Records
Released: July 29, 2016

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Felix Walworth, singer and drummer of Told Slant, is a three time veteran of the Tiny Desk after performing with the bands Bellows, Eskimeaux and Florist, Told Slant is part of The Epoch, a collective of unlike-minded best friends. Told Slant makes dark, delicate indie rock in the same vein. Felix wrote the music for “Low Hymnal” as just a tune that remained unfinished with for about a year before the lyrics arrived quickly following a series of personal crises. “Did I invite disillusionment and self-hatred into my life when I started writing about them?” Felix says. “Probably.” Told Slant is the project of drummer/singer Felix Walworth. What I love about his drumming is that it’s a thunderous propellant, an essential element to the song without being up front and in the way of the voice and guitars. Felix stands behind a very large bass drum on a makeshift stand and plays organic rhythms on mostly bottom heavy drums with arms flailing in ways I didn’t know was really possible. All the while his voice conjures up the hiccup of Sparks and deep power of Bryan Ferry or Lou Reed, but more fun.

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Told Slant’s “Going By” was released June 17th on Double Double Whammy Records.

I first stumbled upon Shilpa Ray when she was still roaming the circuit with her band “Happy Hookers” in tow. My first Shilpa Ray live experience was nothing short of a religious one at the summer festival event in Leicester. Rarely had I experienced such a combination of power and emotion that Ray spewed that day at a festival that doesn’t even exist anymore. Her newest album takes the dirty, bluesy, cacophonous rock that Ray perfected on previous releases and strips it down, at times, more lucid trajectory. But that rocket ship is still aimed at the sun no matter what speed it’s traveling at and the more ethereal aesthetic of this album just seems to make Ray’s music slightly more unnerving in its honesty and grit. This album is a triumph and how Ray hasn’t already become the darling of the entire indie rock world is absolutely beyond me.

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Nobody grows up wanting to be an artist’s artist. Appreciated by the sub sect of other musicians is like being the beauty queen at the leper colony.  Shilpa Ray is, through no fault of her own, one of our unsung great artists. Having made her bones with the gothic Sturm und Drang of Beat The Devil and moving forward to the blues erosion of “…and The Happy HookersShilpa Ray has been, armed only with an incomparable voice and harmonium haunted by the ghosts of dead lovers, perpetually crying in the wind, hoisting both middle fingers in the general direction of god. It’s not a life a wise man would choose. Shilpa Ray kicks against the pricks but the pricks keep coming. But, again, what can you do?

The obsessions with sex, death, bodily functions, and betrayal (not necessarily in that order) remain but Shilpa has expanded the palate to convey the resignation, the simmering discontent of an artist disenfranchised and held down. This is a quieter rage than the music Shilpa Ray has made before, more plaintive and considered.

Shilpa Ray has, up till this, point, yes, been an “artist’s artist.” Just about every musician in New York City, who doesn’t hate her, loves her. Nick Cave sings her praises to all with the ears to listen (he brought her along a European tour as an opener and as a backup singer in the States).

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So here are two songs, “Beautiful Strangers” as well as a cover of Townes Van Zandts “No Place To Fall” that Kevin Morby have been closing his live shows with over the past year. Any donation, no matter what size, in purchase of these two songs will go to Everytown For Gun Safety – an organization That Morby has followed for quite some time. Kevin quotes “I believe in and support them in their efforts to make the world a safer place. So if you wish – you can donate as little or large as you’d like and I do hope you enjoy the songs”.

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