Posts Tagged ‘Lauren Records’

Adult Mom’s most recent album was 2017’s Soft Spots, and they’ve spent the last couple years covering some good songs — by Green Day, the Swell Season, Laura Stevenson, and Taylor Swift and extricating themselves from a sticky label situation. Today, the Stevie Knipe-led group is releasing a new original song, “Berlin,” ahead of their imminent tour with Palehound. “Berlin” is all warm tones and ruminative memories. “Sit in the car parked in the dark/ Hearing rain drop on the roof,” Knipe sings in the chorus, their voice echoing as the song clicks into place.

“‘Berlin’ is a song that took over a year to write. It’s about processing the loss of an important friendship without knowing the exact cause of the loss,” Knipe said of the track. “Through loss, there are moments recalled, like meeting for the first time, the moment you got close with that person, singing Hole in dorm rooms, drinking beer in a bathroom, and of course, the complete paralyzation that comes with loss. It’s about being in between healed and not, and trying my best to calculate the reasons why she left.’

The Band:

Rhythm Guitar, Keys, Vocals, and Songwriting by Stevie Knipe
Drums and Percussion by Olivia Battell
Lead Guitar by Allegra Eidinger
Bass by Kyle Pulley

“Berlin” is out now via Lauren Records.

Released February 12th, 2020

Maxwell Stern has been writing music and touring in various bands since the early 2000s. He has released a slew of LPs and 7″s, and has played shows pretty much everywhere including an abandoned restaurant in Wyoming, a mall in China, several squats in Germany and a pretty nice bookstore in Australia. Lately he’s been working a lot. He is definitely not the person writing this. 

Check out Max Stern’s new song “Pull the Stars Down,” out today! This is the last single before his album “Impossible Sum” comes out next Friday, and it’s Max’s favourite song he’s ever written! (and it only took 20 minutes to write!) Stream it and order the album on beautiful turquoise vinyl.

“This song is the product of a lot of drunken reminiscing with old friends in new places. I think it’s really easy to romanticize the past which can be kind of an unhealthy thing to do, to just kind of live in nostalgia-world and think that things aren’t ever going to be as good as they were. I think it’s ultimately about developing a healthy relationship with your memories but not letting them rule you. Remembering that appreciation for the past and hope for the future aren’t mutually exclusive and in fact, sometimes they can reinforce each other.”
Maxwell Stern,

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Personnel:
Maxwell Stern – vocals, acoustic guitar, electric guitar, bass, Wurlitzer, Prophet
Adam Edward Beck – drums on tracks 1-10, drum composition, auxiliary percussion, additional keyboards, electronics, and production
Kyle Pulley – synth on track 1, additional electric guitar on track 6, bass on
track 8, drum programming on track 11
Jonathan Hernandez – electric guitar on tracks 3, 4, 8, vocals on tracks 3, 7, 8
Laura Stevenson – vocals on track 5
Mike “Slo-Mo” Brenner – various lap steels on tracks 4, 5, 6, 7, 10

All songs written by Maxwell Andrew Stern (ASCAP)

For my family, both blood and chosen.
Releases September 25th, 2020

Produced, engineered and mixed by Kyle Pulley throughout 2019 at Headroom Studios, Philadelphia, PAhttp://www.headroom.studio

Image may contain: one or more people and child

Katie Ellen’s debut album, 2017’s Cowgirl Blues, saw frontwoman Anika Pyle kicking against the traditions and norms that come with adulthood—namely, love, major life changes, cohabitation, and domesticity. She penned the anti-marriage anthem with “Sad Girls Club,” a standout track that featured the defiant heartbreaker of a chorus: “Sad girls don’t make good wives.” On the Philly band’s new, five-song EP, Still Life, Pyle is still trying to wrap her head around these things. On opener “Lighthouse,” Pyle reckons with warring thoughts—wanting to be brave enough to swim into life’s uncharted deep end, but feeling tied down by the anchor of fear and anxiety. Later, on the EP’s title track, she surrenders to the idea that love is more powerful and wild than our capacity to tame it: “You can’t make love stay / Do your best to hold it in place.”

Musically, Pyle flexes a few new tricks she’s trying out, like on “Still Life,” where her voice spirals into borderline operatic delivery, a far jump from the quick and dirty style she cut her teeth on in her former pop punk project Chumped. Was so excited at the news of this EP, considering that Cowgirl Blues was one of my favourite albums of 2017. I’ve had this on repeat since it came out. “Still Life” is particularly resonant for me. It feels so different as Anika showcases her vocal skills even more, with a fuller band sound and even backup vocals, but the emotional quality and content of the song still feels 100% like Katie Ellen.

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Still Life is out on July 20 from Lauren Records.

Melody Caudill is a 16 year old singer-songwriter from Los Angeles, California. Coming from a musical family, and learning how to play piano at the ripe age of four, she’s been immersed in the creative world of song writing since before she was in kindergarten. After picking up the ukulele at 13, learning guitar became the natural next step. With inspirations from artists like Priscilla Ahn, Phoebe Bridgers, and Elliott Smith, Caudill writes with a certain sense of vulnerability and confidence.

Ever since she could remember, Melody was always making up new songs. “It was never a question, I always did that.” Caudill shared about writing her own music. At the age of 12, she became enamored with music in a new way. She decided to record some of the songs she had written at 13 to keep as a makeshift time capsule for herself. After the producer told her she should consider releasing the music she had created, Melody did just that.

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At 13, she recorded and released her first EP, Thirteen. Thirteen chronicles the life of a pre-teen navigating new life changes. Now almost 16, Melody has written her second EP, Teachers Pet.  captures the essence of what it’s like to be in high school dealing with issues of self-confidence and finding a sense of belonging. However, Melody isn’t to be boiled down to another angst-driven teen. Her song-writing touches the core of the emotional turmoil we all go through. Whether that’s feeling smaller than your peers or being afraid to show your true self, there are just some inner-struggles we never grow out of.

Released June 12th, 2020

Katie Ellen’s debut album, 2017’s Cowgirl Blues, saw frontwoman Anika Pyle kicking against the traditions and norms that come with adulthood—namely, love, major life changes, cohabitation, and domesticity. She penned the anti-marriage anthem with “Sad Girls Club,” a standout track that featured the defiant heartbreaker of a chorus: “Sad girls don’t make good wives.” On the Philly band’s new, five-song EP, Still Life, Pyle is still trying to wrap her head around these things.

Was SO excited at the news of this EP, considering that Cowgirl Blues was among my favourite albums of 2017.  “Still Life” is particularly resonant for me. It feels so different as Anika showcases her vocal skills even more, with a fuller band sound and even backup vocals, but the emotional quality and content of the song still feels 100% like Katie Ellen. On opener “Lighthouse,” Pyle reckons with warring thoughts—wanting to be brave enough to swim into life’s uncharted deep end, but feeling tied down by the anchor of fear and anxiety. Later, on the EP’s title track, she surrenders to the idea that love is more powerful and wild than our capacity to tame it: “You can’t make love stay / Do your best to hold it in place.”

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Musically, Pyle flexes a few new tricks she’s trying out, like on “Still Life,” where her voice spirals into borderline operatic delivery, a far jump from the quick and dirty style she cut her teeth on in her former pop punk project Chumped.

Still Life from Lauren Records. originally released July 20th, 2018

Walter Etc.’s “Gloom Cruise” came out 1 year ago today! Here are two alternate tracks from the album with Adult Mom doing professional karaoke to them. ‬

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Band Members
Steph Knipe, Bruce Hamilton, Liv Battell

Katie Ellen’s debut album, 2017’s Cowgirl Blues, saw frontwoman Anika Pyle kicking against the traditions and norms that come with adulthood—namely, love, major life changes, cohabitation, and domesticity. She penned the anti-marriage anthem with “Sad Girls Club,” a standout track that featured the defiant heartbreaker of a chorus: “Sad girls don’t make good wives.” On the Philly band’s new, five-song EP, Still Life, Pyle is still trying to wrap her head around these things.

On opener “Lighthouse,” Pyle reckons with warring thoughts—wanting to be brave enough to swim into life’s uncharted deep end, but feeling tied down by the anchor of fear and anxiety. Later, on the EP’s title track, she surrenders to the idea that love is more powerful and wild than our capacity to tame it: “You can’t make love stay / Do your best to hold it in place.”

Musically, Pyle flexes a few new tricks she’s trying out, like on “Still Life,” where her voice spirals into borderline operatic delivery, a far jump from the quick and dirty style she cut her teeth on in her former pop punk project Chumped.

Still Life is out on Lauren Records.

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released June 3rd, 2018

Wild Animals must have fans all over the world. No less than seven record labels spread across the U.S., Spain, Italy, Chile and Japan are co-releasing The Hoax; a lot of people really want you to hear the Madrid trio’s new album, which recalls little bits of Superchunk’s crunchy pop-punk or Bob Mould’s triumphant, post-Hüsker Dü jangle with Sugar. But where Wild Animals‘ debut kept everything fast and distorted, these new songs punch out raucous melodies like boxing gloves made from marshmallows.

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“Science-Fiction,” the album’s first single, is a solid case in point. At once nostalgic for technology of yesteryear that brought quiet nerds together (“We spent our time in the arcade / Our second home back in sixth grade / Playing Tetris, Double Dragon / But Street Fighter was our favorite one”) and critical of modern convenience that keeps us at arm’s length, it’s a power-pop song with fuzzy power chords, ringing guitar riffs and a big dang heart.

The Hoax comes out April 27th viLauren Records