Posts Tagged ‘Katie Ellen’

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Katie Ellen’s debut album, 2017’s Cowgirl Blues, saw frontwoman Anika Pyle kicking against the traditions and norms that come with adulthood—namely, love, major life changes, cohabitation, and domesticity. She penned the anti-marriage anthem with “Sad Girls Club,” a standout track that featured the defiant heartbreaker of a chorus: “Sad girls don’t make good wives.” On the Philly band’s new, five-song EP, Still Life, Pyle is still trying to wrap her head around these things. On opener “Lighthouse,” Pyle reckons with warring thoughts—wanting to be brave enough to swim into life’s uncharted deep end, but feeling tied down by the anchor of fear and anxiety. Later, on the EP’s title track, she surrenders to the idea that love is more powerful and wild than our capacity to tame it: “You can’t make love stay / Do your best to hold it in place.”

Musically, Pyle flexes a few new tricks she’s trying out, like on “Still Life,” where her voice spirals into borderline operatic delivery, a far jump from the quick and dirty style she cut her teeth on in her former pop punk project Chumped. Was so excited at the news of this EP, considering that Cowgirl Blues was one of my favourite albums of 2017. I’ve had this on repeat since it came out. “Still Life” is particularly resonant for me. It feels so different as Anika showcases her vocal skills even more, with a fuller band sound and even backup vocals, but the emotional quality and content of the song still feels 100% like Katie Ellen.

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Still Life is out on July 20 from Lauren Records.

Katie Ellen’s debut album, 2017’s “Cowgirl Blues”, saw frontwoman Anika Pyle kicking against the traditions and norms that come with adulthood—namely, love, major life changes, cohabitation, and domesticity. She penned the anti-marriage anthem with “Sad Girls Club,” a standout track that featured the defiant heartbreaker of a chorus: “Sad girls don’t make good wives.”

Every now and then an album comes into your life and utterly wrecks you. It resonates with you on a level where you can’t tell if it’s easing the knife out of your wound or if it’s twisting it more. But you keep coming back even if it’s destroying you because as painful as it might be, living without it is even more painful. Katie Ellen’s ‘Cowgirl Blues’ is one of those albums. I can honestly say that this album kept me from spiralling out when I was at my lowest and I’ll forever be grateful. It’s full of sparkle pop twang punk fuzz core.

From The Ashes of Chumped comes Anika Pyle’s first solo foray.
Great Alt-Indie Pop/punk flow with the same biting lyrical content that made her former band a joy to behold with just enough edge to keep things real.

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The Band:
Anika Pyle – Vocals, Guitars
Anthony Tinnirella – Guitars
Dan Frelly – Drums
Eric Sheppard – Vocals, Bass

All songs written by Anika Pyle

Originally released July 14th, 2017

Katie Ellen’s debut album, 2017’s Cowgirl Blues, saw frontwoman Anika Pyle kicking against the traditions and norms that come with adulthood—namely, love, major life changes, cohabitation, and domesticity. She penned the anti-marriage anthem with “Sad Girls Club,” a standout track that featured the defiant heartbreaker of a chorus: “Sad girls don’t make good wives.” On the Philly band’s new, five-song EP, Still Life, Pyle is still trying to wrap her head around these things.

Was SO excited at the news of this EP, considering that Cowgirl Blues was among my favourite albums of 2017.  “Still Life” is particularly resonant for me. It feels so different as Anika showcases her vocal skills even more, with a fuller band sound and even backup vocals, but the emotional quality and content of the song still feels 100% like Katie Ellen. On opener “Lighthouse,” Pyle reckons with warring thoughts—wanting to be brave enough to swim into life’s uncharted deep end, but feeling tied down by the anchor of fear and anxiety. Later, on the EP’s title track, she surrenders to the idea that love is more powerful and wild than our capacity to tame it: “You can’t make love stay / Do your best to hold it in place.”

http://

Musically, Pyle flexes a few new tricks she’s trying out, like on “Still Life,” where her voice spirals into borderline operatic delivery, a far jump from the quick and dirty style she cut her teeth on in her former pop punk project Chumped.

Still Life from Lauren Records. originally released July 20th, 2018

Katie Ellen’s debut album, 2017’s Cowgirl Blues, saw frontwoman Anika Pyle kicking against the traditions and norms that come with adulthood—namely, love, major life changes, cohabitation, and domesticity. She penned the anti-marriage anthem with “Sad Girls Club,” a standout track that featured the defiant heartbreaker of a chorus: “Sad girls don’t make good wives.” On the Philly band’s new, five-song EP, Still Life, Pyle is still trying to wrap her head around these things.

On opener “Lighthouse,” Pyle reckons with warring thoughts—wanting to be brave enough to swim into life’s uncharted deep end, but feeling tied down by the anchor of fear and anxiety. Later, on the EP’s title track, she surrenders to the idea that love is more powerful and wild than our capacity to tame it: “You can’t make love stay / Do your best to hold it in place.”

Musically, Pyle flexes a few new tricks she’s trying out, like on “Still Life,” where her voice spirals into borderline operatic delivery, a far jump from the quick and dirty style she cut her teeth on in her former pop punk project Chumped.

Still Life is out on Lauren Records.

http://

released June 3rd, 2018

Every now and then an album comes into your life that utterly wrecks you. It resonates with you on a level where you can’t tell if it’s easing the knife out of your wound or if it’s twisting it more. But you keep coming back even if it’s destroying you because as painful as it might be, Katie Ellen’s ‘Cowgirl Blues’ is one of those albums. From The Ashes of the band Chumped , their first and last album Teenage Retirement, Now comes Anika Pyle’s aka Katie Ellen first solo foray.
Its great Alt-Indie Pop/punk flow with the same biting lyrical content that made her former band a joy to behold with just enough edge to keep things real.

Anika Pyle was a songwriter with much to say and an electrifying way of saying it. She’s extremely good at writing about her personal life in a way that feels vital and universal. Fortunately, although Chumped are dearly departed, Pyle and former Chumped drummer Dan Frelly have relocated to Philadelphia and reemerged as Katie Ellen, a new project for a new phase of life. On their debut album Cowgirl Blues, her old charged-up tales of quarter-life romantic longing and disillusionment give way to more measured tempos and an overall more bleary disposition,  Despite the darker shading, her songs remain remarkably catchy and alive  perhaps painfully so,

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Anika Pyle – Vocals, Guitars
Anthony Tinnirella – Guitars
Dan Frelly – Drums
Eric Sheppard – Vocals, Bass

All songs written by Anika Pyle