Posts Tagged ‘Jarvis Taveniere’

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Hello! My album is out today. Thank you to Meg Duffy, Will Ivy, Greta Morgan and Anna St. Louis for playing on it and making it what it is, Jarvis Taveniere for engineering and playing on it, Drew Fischer for mixing it, Abby Banks for taking the photos and to Kevin and Jeremy for putting it out into the world. And thank you to my friends new and old who have been so kind about it. I believe in music and community now more than ever. Grateful to still be a part of it all.

Night Shop is the new project from Justin Sullivan, drummer for Kevin Morby, The Babies and Flat Worms. and The Ringers, Worriers Like most of Sullivan’s projects, the album is a family affair. His former touring and recording partner in the Kevin Morby band, Meg Duffy (Hand Habits) plays bass on several of the songs and sings backup vocals on a few as well. Flat Worms cohort Will Ivy plays lead guitar on some, while Mare labelmate and soon-to-be touring partner Anna St. Louis sings backup on two songs. The album was engineered by Jarvis Taveniere of Woods and mixed by Drew Fischer who previously worked with Sullivan on Morby’s first two records and The Babies second album Our House On The Hill“When I think about this record, a lyric from A Hard Rain’s A-Gonna Fall, comes to mind. It’s the line where Dylan sings, ‘I’ll know my song, well before I starting singing.’ In The Break is the product of someone who has had a lot to say and has waited for the perfect moment to say it.” —Kevin Morby

In The Break is a follow-up to his self-titled EP from 2017. An uncomplicated traipse into folk rock, In the Break isn’t an album meant for picking apart; rather, it’s already cozily knit together, ready for the listener to climb inside and stay awhile. In the Break may be uncomplicated, but it’s not slack. Sullivan balances warm palpability with tight songwriting, resulting in an easy-going batch of brainy rock songs. The album’s lead-off track and first single, “The One I Love,” is a great introduction to Sullivan’s dry wit and spirited folk leanings.

Kurt Vile Covers the Velvet Underground With Kim Gordon and Steve Gunn, Bob Dylan With Woods

New York’s Webster Hall hosted an event celebrating booking agency Ground Control Touring’s 15th anniversary. The showcase took place across the venue’s three stages and featured a bunch of collaborations and covers.
Kurt Vile, Kim Gordon, Steve Gunn, and Woods’ Jarvis Taveniere covered the Velvet Underground’s “Sister Ray”, while Vile also joined Woods for a take on Bob Dylan’s “Knockin’ on Heaven’s Door”
Other collaborations included Parquet Courts with Lee Ranaldo (who played Sonic Youth’s “Mote” and “Eric’s Trip”), Woods with Parquet Courts’ Andrew Savage, Waxahatchee with Superchunk’s Mac McCaughan, and Perfect Pussy’s Meredith Graves with Rainer Maria.
Kurt Vile with Kim Gordon, Steve Gunn, and Woods’ Jarvis Taveniere: “Sister Ray” (The Velvet Underground cover)

Widowspeak is back at it with their third studio LP, “All Yours”. The first eponymous single is refreshing to hear given we haven’t heard the soothing vocals of Molly Hamilton since 2013’s The Swamp EP. As with everything Widowspeak has done, there’s nothing lesser to expect than yet another beautifully interweaving dream-pop/slowcore album. based on the description listed below, we’re going to get even new layers to the already honed skills of this duo. The release date for All Yours is September 4th. Widowspeak . This is the band’s third album, titled  All Yours, is one that could only come from Molly Hamilton and Robert Earl Thomas: a honed and elegant interweaving of dream-pop and slowcore rock and roll, easygoing melodies and dusty, snaking guitars. It’s also possibily their best release to date: ten beautiful songs that are refreshingly straightforward yet built from the same well-chosen and deftly-used tools the band has always worked with. It is an ambitious without feeling labored-over, anchored in the strengths of Widowspeak’s consistent influences. guitar passages, moody and american-country-tinged instrumentation, watery tremolo, velvety stacked vocals and  brilliantly economical guitar playing. the duo, have remained constant since 2012.

After releasing the second LP, Almanac, and then The Swamps EP (both in 2013), Molly and Rob left Brooklyn for the greener pastures of the Catskills/Hudson Valley region. They found a house they could play music in. They got a dog.And they took their damn time making All Yours. For one, the conceptual process of writing Almanac and The Swamps had been creatively draining. They focused on other things: Molly went back to school; Rob took a job at a Catskills hotel. They wrote leisurely, from shared voice memos and late night jams in the living room. As a result of writing down what came naturally, without any overarching vision, the lyrics on All Yours are largely unadorned, the songs connected only by the forgivingly vague theme of “moving on.”Appropriately, the band chose to work again with Jarvis Taveniere, who produced their self-titled debut in 2011.  They also enlisted him and drummer Aaron Neveu (both of whom play in Woods) as the studio rhythm section. We finally get to hear Rob sing in the earnestly laid-back “Borrowed World.” Members of psych outfit Quilt contribute harmonies and keys throughout the record, most notably inMy Baby’s Gonna Carry On,” and “Cosmically Aligned.”

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WOODS have been together for almost a decade  and winning fans for their lo-fi indie rock sound, The bands core of songwriters Jeremy Earl with his striking falsetto vocal and multi-instrumentalist Jarvis Taveniere alongside drummer Aaron Neveu .