Posts Tagged ‘Full Time Hobby Records’

Dana Gavanski by Tess Roby

Dana Gavanski today announces her debut album Yesterday Is Gone, out 27th March. To mark the announce, and following on from her BBC 6Music A-listed single ‘Catch’, Dana is sharing her new single ‘Good Instead of Bad’.

Speaking about the meaning of the song, Dana explains “it’s about reflecting on the end of a relationship and how quickly things change. The desire to make up for everything that wasn’t done or wasn’t done right. The muddiness of breaking up, and not knowing if it’s the right decision. Not saying the right things, not being able to express the complexity of what we’re feeling. Things change and that’s that – not being able to turn back and undo a bad move. It’s an attempt to see from the other’s perspective and understand how hard it is for them as well. Reflecting on the intractability of certain decisions.”

Yesterday Is Gone is a co-production between Dana, Toronto-based musician Sam Gleason, and Mike Lindsay of Tunng and LUMP. On the title track, Dana Gavanski sings ‘I’m learning how to say goodbye / to let you go and face the tide / to wrap my feelings in a song’. To wrap her feelings in a song: this is the task Dana has dedicated herself to with this record. By turns break-up album, project of curiosity, and, as Dana puts it, “a reckoning with myself”, Yesterday Is Gone is her attempt to “learn to say what I feel and feel what I say” – an album of longing and devotion to longing, and of the uncertainty that arises from learning about oneself, of pushing boundaries, falling hard, and getting back up.

“Often we have to go a little far in one direction to learn something about ourselves,” Dana says. The months of solitary writing and self-doubt testify to this, but they’ve led to Yesterday Is Gone: an optimistic, steely-eyed gaze into the future.

Squirrel Flower

Squirrel Flower – the moniker of Ella O’Connor Williams – recently announced her debut album, “I Was Born Swimming” out January 31st on Full Time Hobby. Along with the announcement she shared the video for lead single ‘Red Shoulder’; today she has followed up with new single ‘Headlights’. Showcasing a gentler side to her songwriting, ‘Headlights’ comes with a stunning video by Bao Ngo.

The track is tender and beautiful, exemplifying the way her lyrics stick firmly in the mind of the listener, lingering long after the track is over.

Speaking of the track Squirrel Flower says: “Headlights takes place in a moment of solitary reflection; a glance back and a glance forward. I wrote it on tour driving through the pioneer valley in Massachusetts in some heavy fog. Suddenly I was aware of the space the car was plummeting through, both physical and temporal.”

Bao Ngo says of the video: The video for ‘Headlights’ was inspired by cheesy, classic imagery of actors riding in cars through LA— evoking glamour and sunshine. Here, we ran with the concept and placed it in a Massachusetts suburb on a cold winter day, driving around in circles in a convertible, shooting from morning til night, playing with a slightly warped sense of time so that the video would feel a little cold and a little lonely, and perhaps at times a little jarring, while still aiming to subtly reference the beauty of older Hollywood films.”

Throughout the 12 songs that make up I Was Born Swimming, landscapes change and relationships shift. The lyrics feel like effortless expressions of exactly the way it feels to change — abstract, determined and hopeful.

Squirrel Flower’s music is ethereal and warm, brimming over with emotional depth but with a steely eyed bite and confidence in it’s destination. The band on I Was Born Swimming plays with delicate intention, keeping the arrangements natural and light while Williams‘ lead guitar is often fiercely untethered. The album was tracked live, with few overdubs, at The Rare Book Room Studio in New York City with producer Gabe Wax (Adrienne Lenker, Palehound, Cass McCombs). The musicians were selected by Wax and folded themselves into the songs effortlessly. At the heart of the album lives Williams’ haunting voice and melancholic, soulful guitar.

“Headlights” is taken from Squirrel Flower’s debut full length album, I Was Born Swimming, out January 31st, 2020.

Jacco Gardner

Here we have 16 minutes of new music from Jacco Gardner out June 14th. Listen to Side A, Fading Cosmos, now.

Jacco follows up 2018’s sonically adventurous, instrumental album “Somnium” with a new 16 minute EP “Fading Cosmos.” Written and recorded during the “Somnium” sessions in Lisbon, Portugal, Jacco looks to the stars once again for inspiration. Where Somnium was deeply influenced by Kepler and his stargazing innovations, Fading Cosmos asks “what’s next?”

Korg synths bubble and fizz, basslines carry the groove and a beautifully picked acoustic guitar line comes together to bring to mind the work of Michael Rother and Conrad Schnitzler but with the lightness of one of Jacco’s big inspirations – The two tracks were mastered by Simon Heyworth (Eno, Oldfield, King Crimson) and are cut at 45rpm on black vinyl.

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Jacco Gardner is a baroque pop multi instrumentalist. He creates a unique sound by combining the sounds of harpsichord, strings, flutes and other classical instruments with raw psychedelic effects.

releases June 14th, 2019

Image result for jacco gardner

Jacco Gardner has announced his new album “Somnium” for release on 23rd November.

Gardner has been known to create swirling psychedelic pop boosted by his rich, resonate and baroque voice but on his third album, his vocals are gone and in their place is an equally seamless melodic exploration but an instrumental one, with a synthesized occult edge. Somnium is a nod to the novel of the same name, written in 1608 by Johannes Kepler and is regarded as the first ever science fiction novel. “This book fascinates me because it was basically Kepler travelling in his mind to a non-existent world while describing it, and his journey, with amazing detail.”

This form of mind travel is what Jacco has set out to create in a sonic, almost alchemic, capacity. Hence the reason for his vocals being left out of this spiritual journey. “I deliberately removed my voice from the experience, as it made it more difficult for me to achieve the intended state of mind. I think it makes the journey more interesting, more deep, and more intimate. I didn’t feel the need to show my face while one drifts away into thought. Somnium is a visionary experience. The album is more than just a trip, it is about contact with a deeper – hidden – reality.”

Now living in Lisbon and immersed in literature, cinema, philosophy and with new winding streets to wander, Gardner’s ideal listening scenario is to take the album for a walk yourselves, consume it complete and without interruption.

“Somnium could be seen as a tribute to the album, a dying format in today’s fast-paced society. It can often be difficult to enjoy a meaningful uninterrupted moment. This album is where true mystery and wonder is waiting to be discovered.”

Jacco has plans to bring Somnium on the road early next year and promises to be the perfect accompaniment to this exceptional listening experience.

The upcoming album “Somnium”, out November 23.

Some musical partnerships are so strong, intuitive and natural that they almost can’t be separated due to the natural magnetism present in the relationship. One such tight knit songwriting family are Tunng, and their new album Songs You Make At Night reunites founding members Sam Genders and Mike Lindsay (fresh from his LUMP side project with Laura Marling) and the rest of the Tunng gang for the first time since 2007’s Good Arrows.

“We really wanted to do a Tunng record going back to the original line up,” Lindsay says. “there was a real magic in the early records that we all wanted to capture again in this one.”

Since forming in 2003 and over the course of five albums, Tunng are a group that have explored the boundaries between acoustic and electronic music, becoming synonymous with the folktronica genre before moving into territory that managed to both evade that label and continue to redefine it. Songs You Make At Night finds a group of people reconnecting with a previous collective state to bring out something new and forward-looking. “We’re all so different but each bring something essential, something Tunng to the party. Be that to the studio, to the stage, to the van, or to the pub. I think that the new songs Mike and Sam have crafted between them have brought out the best in all of us.” confirms singer Becky Jacobs.

Songs You Make At Night is also Tunng’s most electronic-leaning to date. Take lead single ABOP which brings the Moog right to your face, with a heavily swung frazzled 808 pigeon beat that builds into a magical folk pop feast.

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Songs You Make At Night’s tone, theme, lyrics, mood and characters exist in a fluctuating state between night and day (“I got very much into the idea of a dark underwater world suffused with pockets of light and beauty and some of the songs grew out of that.” says Sam Genders), the conscious and unconscious. Crepuscular in its nature, Lindsay explains the all-encompassing title. “I think it’s also important to stress the songs you make at night not, we make at night. Then the word “songs” can mean a multitude of things. It can mean songs, or dreams, pillow talk or actions and decisions, moves, and can be very personal… the thoughts that keep you awake at night.”

released August 24th, 2018

Tunng on fulltimehobby.co.uk

Tunng have been keeping very busy.

Their new song ‘Dark Heart’ is an absolute stonker. The vocal sample has been an earworm of ours since we first heard it at the start of the year and it’s yet to leave us be. The band were in session for Marc Riley last week as well, playing live versions of previous singles Flatland & ABOP.

They have a deluxe version of the album available with an exclusive 7”. These are like hen’s teeth so make sure you pre-order. Only 500 for the world, ever.

Taken from the forthcoming tunng album “Songs You Make at Night” out August 24th.

Katie Von Schleicher recently announced the release of a special 7″ single to come out on Full Time Hobby on May 4th. The track ‘Glad To Be Here’ was launched online a couple of weeks ago, and today we bring you the flip side ‘Party Dawn’.

The confidence that Von Schleicher exudes on the new single belies the fact that she just released her debut album, Shitty Hits, last year. ‘Party Dawn’ is a song that crackles with thoughts and memories, electrified by Von Schleicher’s brooding voice. The atmosphere of the song is heavy, accentuated by rumbles of thunder and delicately splashy percussion. Although always seemingly on the verge of breaking into a fully cathartic moment, she keeps her patience and her poise throughout, only letting minor surges of feeling eke out at a time, ensuring that ‘Party Dawn’ maintains its focus and magnetism throughout, and is all the more impressive for that.

Von Schleicher says about the new songs: “On a break from touring this winter I went alone to Maryland, where I am originally from, and made these two songs, taking the gear I’ve very happily accrued since making my album Shitty Hits. I built a fire, I set up my gold drum kit, I saw a ton of stars and felt smushed by silence, and it was lonely, so I made these songs. “Glad to Be Here” is where I find myself right now. “Party Dawn” is tied to Maryland, to my friend and our adolescence. Both are a bridge toward the subject matter of my next record. Back in New York, my collaborator Adam Brisbin (Sam Evian, Jolie Holland, Buck Meek) contributed guitar and bass, and Julian Fader (Ava Luna, Frankie Cosmos, Nadine, Palehound) mixed it.”

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Released May 4th, 2018

gtrs, piano, synth, drums, vocals – kvs 
gtrs, bass – adam brisbin